Here it is the latest picture of the week.
http://www.monochromatique.com/photosemaine/
Thanks for your visit.
Regards,

this is ment to all , i know some of you shoot film as well as
digital.....will digital take over, or will there be a need for film
shooters as well...
I shoot weddings and seniors and i shoot film the new Fuji PRO S.....my

I'm going straight to the wizards here to help me answer questions
before I go venturing into the land of MF-LF.  First things first, I
have used a ton of 35mm format film and digital based stuff and the
best I have been able to do is using my Contax G setup consisting of

full details at www.sinar.ch
they bought the 51% that Jenoptik bought last year

Easy: just put a start pistol in the same bag.
http://www.schneier.com/blog/archives/2006/09/expensive_camer.html
FYI: Bruce Schneier is a Big Name in computer and communication security.
-- Lassi

I already have a Koni-Omega (with the 90mm only).
I would consider buying the 58/60mm & 180mm lenses for it.
The alternative would be a Mamiya 7 with 43, 65 & 150mm (all used).
Upgrading the Koni-Omega would of course cost a fraction of the Mamiya kit.

has anyone tried the Fuji Pro 160 S 220 film yet and how do you think it
compares to the old NPS 160 220.......grain, flesh tones, color
sharpness ....etc......i would like to try it, but would like to hear
from you MF users....I shoot weddings and senior grads........

I am about to travel by air to board a cruise ship.  I'm bringing a
dozen rolls of  120 Rollei R3 film rated at ISO of up to 6400.  Does
anyone have any experience or advice regarding airport baggage
scanners?  I think I had read somewhere that they were safe up to ISO

I'm interested in getting a scanner for negative film, both 35 mm and
medium format.  The Epson V700 Photo appears to come highly recommended.  
Any comments?

just a question to all of you on his posting....i belong to a group on
yahoo that at one time all shot medium format film cameras and now
switched over to digital and now i'm the black sheep in the group....all
there posts have todo with digital cameras...and the great work they

Just bought an old Ensign Ranger II 6*9 folder from a junk shop in our
village, to find it still has a roll of Ilfocolour in it.
A quick look on the web says that this film was introduced in 1960.
Does anyone have any idea what process it used?

I'd like to take my Yashica-Mat TLR on day hikes, especially this fall
to see if I can get some nice fall foliage photos. I have a few
questions though....
1) I'd like to keep the leather case on the camera for protection from

I just picked up a used 50mm for RB67 on eBay.  $207 USD including shipping,
front lens cap and the square lens hood.  I'm in Canada so I'm suspecting
the lens to arrive in three weeks, just in time for fall colors and
harvesting.  It should be interesting to see what kind of ...

I need to replace my Westonmaster V and invercone.  I presume that the
modern Sekonic and Gossen equivalents would be suitable replacements but I
am thinking that something of a more modern design, like a current Sekonic
L-308 would be a good plan, so I could meter flash as well.

Has anyone had a chance to use the new Rollei R3 film?  It is rated
variable ISO from 25 - 6400.  I recently ordered a box of 120 size from
B&H but haven't shot or developed it yet and was looking for any tips.
Dick