When you use a view camera for macro work you have long extention on the
bellows.
You then need to compensate for the lost light to calculate a proper
exposure.

I am fan of the work of George Hurrell.
I was able to contact Mark Vieira, his former assistant and author, who
stated the only way to recreate his style is incadescent lighting, large
format and negative retouching.  I use Mole Richardson lights and a Wisner

Materials technology has changed a great deal in the past few decades, so I
am hoping (L-A-Z-Y) that there might be a flexible, nonsticky, spray-on
coating that can be applied inside and outside a large bellows (for 10X10"
enlarger).