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Photo Forum / Film Photography / Large Format / February 2004

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ThreadLast Post  Replies
Optimum Aperture for 150mm G-Claron?????21 Feb 2004 21:32 GMT26
What would be the optimally sharp aperture for a 150mm
G-Claron?  Shooting 30" paintings?
S.
J&C 620 film and an Adapt-a-roll 620 back?20 Feb 2004 22:49 GMT6
     Has anybody tried this combination? It seems J&C uses a modified
120 spool.
   Thanks
   Nick
Schneider Symmar20 Feb 2004 21:59 GMT2
I am looking for a symmar 210 F5.6 lens. I would like a used lens and
am trying to find out which is better a Symmar or a Symmar-S.
Thanks
Sandy
Photovision?19 Feb 2004 01:20 GMT3
Does anyone know if Photovision is still publishing?The last issue I
received was the November/December one.
Results of 150mm Apo-Sironar N Lens for Copy Work (Versus Tominon)18 Feb 2004 13:44 GMT6
   Ok, i took trannies at f16, f22, and f32 (11 sec).  And with the
Apo-Sironar N, the f32 looked the sharpest.  The brochure said f16-22
would be the
sharpest, so i don't know if this one pic was a fluke.  
Cambo SC-II & R differences?18 Feb 2004 05:27 GMT1
I was looking @ & considering what KEH has listed.
A Cambo SC-II and SC-IIR.
But I've never seen or am able to locate the 'R' version.
Anyone know anything about it?
150mm G-Claron the WRONG lens for Over 25" Paintings?17 Feb 2004 03:20 GMT2
   I got a hold of a brochure for the G-Claron:
       "The normally used range of linear magnification is between
5:1 and 1:5.   ...the G-Claron may also be used for distances up to
infinity by stopping down to f/22 or less."
need help identify an old Rolleiflex17 Feb 2004 03:13 GMT7
Don't know if this is the right place, but have to start somewhere <g>
I've got this camera from my grandfather... but I've not been able to track
any info about it... he picked it up in Germany in the 40's sometime...
I took a few photos and made a little web album... here's the ...
recommendations for a 4X5 studio camera17 Feb 2004 01:21 GMT8
I'm looking for recommendations.  I do a lot of giclee printing for artists.
I need a 4X5 studio camera and lens suitable for shooting paintings up to
about 30"X40".  I already have a complete strobe set-up, studio tripod, and
light meters.  This camera will probably never be used ...
Need 4x5 Crown Graphic bed rail17 Feb 2004 01:17 GMT1
I need a part from a 'parts unit' 4x5 Crown Graphic.
I need to replace the rear case yoke guides. Stephenshuart.com (on the
phone) says to find a bed rail from a parts unit & cut them from that.
He didn't have any stock.
Think Shop16 Feb 2004 23:28 GMT10
   I would dearly love to buy a 5x4" outfit, yet I can't currently justify
the purchase. However I have decided to indulge in a quick "Retail Thought
Experiment", or Think Shop if you will.
   I understand the basics from my time in 120 and (particularly) 35mm that
Has anybody heard of a "Rival" LF lens? Also Wollensak Series IIIa question15 Feb 2004 19:53 GMT4
Hi, everybody,
I found and purchased a Rival Doppel-Anastigmat, 240mm f6.8 today, in a Betax
#3 shutter....it appears to be uncoated.
I did a Google search, which turned up nothing. Searching under 240mm f 6.8
Point & Shoot 4x515 Feb 2004 19:34 GMT3
I have a Super Graphic with normal 135mm Optar, 90mm Angulon, 270mm Arton.
What I want to end up with is basically a 4x5 point & shoot so I can change
a lens, change a cam, move infinity stops and go. Now I only have the 135
cam and lensboard. Can I get cams made for the 90 & 270? ...
Fred Lustig?15 Feb 2004 18:51 GMT2
I need a CLA on my Super Graphic & lens. Is Fred Lustig still repairing
Graphics? The phone# on graflex.org doesn't seem to be correct.
Signature

How Dubya stole the election: http://www.ericblumrich.com/gta.html

using polaroid back14 Feb 2004 06:09 GMT1
I am trying to use a 545 polaroid back on my calumet/cambo 4x5 camera and
the question I have is how does one keep the focus that was in focus on the
ground glass the same as the final print. I seem to loose focus  slightly on
the print. What is the secret to keeping the film in ...
Pages: 1 2 3 4 January, 2004
 
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