Something new for discussion, hope not to need an asbestos suit though....
Looking at 400ASA B&W Films, I have some choices, which do you find
easiest to scan and gives the best scanned results.
Old Tech  HP5 Plus/ New Tri-X

I've just started using it for shooting youth hockey (poorly lighting, fast
action) and find that I can use a shutter speed of 125 with at F 2.8 for
decent pics, but for alot of action pics  I need to be at a SS of 250 or
higher.

I have just purchased a 1915 camera - a vest pocket camera
Does anyone know wher i can get Autographic Film for this camera
email to autographic@8x6.co.uk
thanks for the help

This year we have a bumper crop of "lighting bugs". Early evening I can sit
and watch my backyard look like a blinking bunch of neon mini-lights.  I had
some Fuji 400 speed film with about three pics left to finish of the roll.
So....I set my lens wide open (2.8 in my case) and took ...

Folks,
There's a ton of color photography these days where the overall look is dark
and rich, yet with saturated colors and good contrast.  A good example is
the work Annie Leibovitz does especially the Feb cover of Vanity Fair

I discovered recently this information:
 http://www.colour-science.com/quality%20test%20tools/IT87negatives/IT87_neg_prod
uctlist.htm
Since Wolf Faust does not offer any negative targets for scanner
profiles, I was intrigued by this idea of IT8 film strip with

Does anyone know of any Bromoil  specialist in the UK who teach the basics
of this subject and how I can contact them?

Among my slides from approx. 1992-1993 I found two Fuji slide
materials which are not in the table on http://creekin.net/films.htm:
    RF
    RD-049

Well I think it is official... I have run out of my last brick of
Kodak Supra, all speeds.  It was a sad day.  I have since run through
a dozen rolls of Fuji films, agfa, and some other Kodaks.
While I like the kodak 400UC the best, and Agfa 50 rocks for

I recently read that Kodak may be discontinuing their Technical Pan film
soon, so I decided to buy a few rolls along with Technidol liquid developer.
The film is 35mm 36 exposure rolls and I will use it for still life type
subjects and close ups with a macro lens. Kodak suggest ...

we already know that Salgado uses most of the time Tri-x souped in
rodinal! My question is: Do you think he is using 1+25 1+50 or 1+100?
And what are the differences between those???
Rgds, Ed