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Photo Forum / Film Photography / Darkroom / August 2005

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ThreadLast Post  Replies
Freestyle admits Arista = Ilford11 Aug 2005 12:57 GMT9
I received an interesting email from Freestyle today,
They state outright that their Arista line of films and papers is made
by Ilford, and identical to the current Ilford line.
They appear to be selling off the last of the Arista branded stuff; it
flat B&W prints.........11 Aug 2005 06:44 GMT10
So after being out of B&W darkroom for years I have started again using a
Durst M670 Color enlarger and have ok success so far but this weekend I am
back to the drawing board........using Kodak, film, paper chems, and after
developing my film I had some good negs.BUT printing them ...
suggestions for enlargers11 Aug 2005 06:41 GMT2
I've been working in my own darkroom for 10 years with an old Omega I
got free, and would like a better enlarger.  I should be able to get
one used with so many people leaving their darkrooms, and would like
some recommendations.  I do B&W, 35 mm and medium format (currently 6x6
Drydown and brighteners - random synapse firings11 Aug 2005 06:31 GMT2
I've just been reading through my recently-received copy of
Controls in Black&White Photography, 2nd edition, by Richard
Henry.  What an extraordinary collection of knowledge!  I wish
I'd found it years ago, it has already answered many questions
Building a Compact B&W Darkroom10 Aug 2005 07:39 GMT22
    I am currently living in a small space with only a bathroom to develop
in.  It has a tub and sink for my trays.  I am looking for plans and
ideas for a cart which I can wheel into the bathroom to start developing
and printing.  Any ideas??????
Stinky PolyMax T developer09 Aug 2005 19:52 GMT2
I'm down to the last of my PolyMax T concentrate (Kodak's liquid paper
developer) that is a year old. The mixed working solution is a nice deep
orange color but still does the job.
However it has a pungent odor!  What oxidation is responsible for this
Color positive chemestry - reversal09 Aug 2005 16:02 GMT3
I did'nt know that positive printing chemicals are almost impossible to find
these days.  Very little Ilfochrome materials, none of the R3 - R3000
chemicals for Kodak Reversal Papers are available, not even from Kodak -
forget about Fuji and Fuji Hunt!!
Dust Spots and Print Drying09 Aug 2005 14:39 GMT4
Do dust spots become more apparent as a print dries? [RC paper]. Thx.
Kodalk substitution08 Aug 2005 23:45 GMT8
Can I use the ratio 1 (sodium carbonate) to 2 (Kodalk)?
Liquid Emulsion08 Aug 2005 21:49 GMT7
Hey Everybody,
Last weekend I started playing around with liquid emulsions (Liquid
Light, to be precise) and did manage to get a light image on a piece of
fabric. I have a piece of glass gelatin primed and ready to go.
Robert Frank quotation08 Aug 2005 17:29 GMT4
I have a genuine distrust and "mefiance"
toward all group activities. Mass production
of uninspired photojournalism and photography
without thought becomes anonymous
Just starting out, wonderin what to buy08 Aug 2005 14:34 GMT36
I just graduated from highschool and took 3 years of photogapy class, i am
really interested in buying myself an enlarger but im not sure what i should
be looking for? I have been lookin on ebay and trying to find a good
inexpensive enlarger to use in my appartment, any suggestions? ...
TIMOTHY ROTHSCHILD?08 Aug 2005 12:29 GMT4
HAS ANYONE HEARD OF SOMEBODY NAMED TIMOTHY ROTHSCHILD?
Warmtone papers05 Aug 2005 04:19 GMT17
   It had been a while since I was in the darkroom, more than ten years,
but I had a blast last weekend processing some T-Max 400 shot at night at
1600 and developed in Pyro.  I did some test prints in some leftover
Ektalure G as well as on Ilford Multispeed Warmtone (which ...
Chemical Suppliers05 Aug 2005 03:53 GMT19
Does anyone know of a good photographic chemical supplier in or around
Denver Colorado? I'm looking for individual ingredients for developers
and fixers.
tia
Pages: 1 2 3 4 5 July, 2005
 
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