I need some sugestions on push processing.
I have been reading Stephen G. Anchell's "The Darkroom CoockBook" (2nd
Edition) and in chapter 7 (pages 65, 66 and 67) the autor talks about 2
methods to increase film speed.

Kodak to cut 10,000 more jobs
Rochester, New York
July 21, 2005 - 10:00AM
Eastman Kodak says it is cutting as many as 10,000 more jobs as the

I got a small problem: Does anybody know developing times for Fortepan 100
with Ilford DD-X? 'Til now I couldn't find anything about this in the Net.
Please help me!
Greetings, Chris

Well, I've gotten some interesting replies to my previous thread about
developing Agfa Scala at home, so I thought I'd ask about doing E-6 films
reversal films at home. Are there any kits one could buy, or the separate
chemicals, with which to develop transparencies?

Hello, group!
I've a question about this film. Is it possible to develop it yourself, at
home? I see no indication of chemistry process on the package, nor do I see
anything in the way of chemistry at places like B&H.

Hi, I live in the bay area in Northern California.  Are there dark
rooms for public use (for a fee of course)in the area? I'm justing
learning how to develop my own film and was looking to be able to get
into a dark room periodically.

ok, there's something i really dont understand:
How am I suppose to be able to see what I'm doing in  a darkroom? There can
be absolutely no light, but then how do i develop the photos if I can't even
see what's going on???

On a just-completed trip to Colorado I noticed (later rather than earlier,
I'm afraid) that my Pentax Spotmeter V had decided to lie.  Now that
I'm home and can compare it to another reference meter I find I exposed
some of my film at ASA 25 rather than the intended ASA 100, a ...

Can anyone help with a source for 50 - 100 lbs in or around Brooklyn?
-Lew

I shot some rolls of Ilford Delta Professional (both 100 and 400),
which represents the first time I've strayed from Tmax or Tri-X. I
usually develop TMax with TMax developer, and Tri-X with D76. I'm
guessing that TMax probably wouldn't be the best choice for the Ilford

Currently, for my B&W 4x5 sheet development, I use an HP Combi. From
time to time, I have problems with it, mainly with the negs falling off
the tracks. Still, it's just about the only game in town. Trays are out
because they require total darkness and I'm pretty sure I'd end up

6 minutes 15 seconds with d-76 @70 degrees, agitate w/5-7 quick
inversions, then repeat every 30 seconds. I've been doing a final
agigation like the above at the end, right after times up. I also smack
the canister into my palm at the end of each agitation bit.

I have the formula for 'improved' D76, but has anyone worked out a formula
for the improved replenisher?
-Lew

I was directed to an interesting article by Bruce Barnbaum on
traditional vs. digital fine art photography:  on his website at
www.barnbaum.com, followed by "Thoughts on digital photography".  I am
interested in reaction to his final statement in this article:  "Nothing

I just got one of these, and I have some questions.