OK it should be simple. But on the 45MX my carrier doesn't "lock" in at 90
degrees or 180 etc. so I seem to have problems with finding my reference
point on the board every time I put in a neg. Thx.

I came across Mona Kuhn´s gallery and I´m really impressed by the
tonality. I´m really interested in knowing what kind of technique to
produce that kind of tone separation..., is it Pyro? Any ideas.
check the link:

I hope the subject says enough to start.
A friends Leitz Focomat V35 with the original 75 watt bulb just isn't
bright enough to make 30x40 cm prints within reasonable exposure
limits. Has anybody experienced this problem? is it possible

has anyone ever tried developing Tri-X (new version) pushed to 1600 in
D23? I can't seem to find the developing times anywhere.
Regards
Magdalena

Hi - I want to buy a Wing Lynch model 5 (or 4, though I really prefer
the model 5) processor in good condition, with water panel, filters,
tubes and accessories.  I have used the model 5 before and really liked
it.  Not quite ready to go digital but don't want to do my film 4 ...

Is there any truth to the suspicion that cold-light heads have a lot of
light close to UV which coincides with the extra sensitivity of some B&W
papers in the same color-region - therefore causing lesser sharp prints?

Can anybody help me ?
I am looking for the use notice for GOSSEN Color Analyser
either in English or French - mine is in German