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Photo Forum / Film Photography / Darkroom / February 2004

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ThreadLast Post  Replies
Enlarger question: Durst Laborator 5416 Feb 2004 14:03 GMT3
does anyone here have experience with this device? I've found one, offered
for a reasonable price, but have not heard of it. It is a combination of
enlarger/ repro camera.
I'd greatly appreciate any info or opinions.
Cascade (with sheeting action!) - No, this isn't spam.  Its a cheap Photo Flo15 Feb 2004 21:37 GMT5
In desperation last night I reliased I had run out of my Flo and raced
to the kitchen.  I didn't have any Ivory as I normally use when I'm
out but all I had was Cascade gel dishwashing detergent.  
Said screw it and squirted about 1 TBSP into a 1 gallon jug, filled it
Ventilation of New Darkroom Question15 Feb 2004 18:06 GMT17
I'm just completing the drywall on a new darkroom about 16'X10' with a 8'
ceiling ~1300 cubic feet. How much ventilation do I need? How do I calc.
CFMs/air exchange. How big a pipe do I need. I'm doing B&W, Color and maybe
Cibachrome work. The room is in a basement and I was ...
Arista 40015 Feb 2004 17:32 GMT3
Is Arista 400 Ilford HP5?
Ilford FP4 , Agfa APX 100 in HC 11015 Feb 2004 15:08 GMT2
How grainy are FP4 and APX 100 35mm films when developed normally in HC-110
? Are they as grainy as TRI -X?
Which dilutions ,(American HC-110), work best for fine grain?
Thanks for any answers !
Extend film development or high grade paper ?15 Feb 2004 04:15 GMT11
May I know what would be the difference in the resulting print if:
1. I extend the film development time. And reduce explosure according
to the Kodak instruction. This would increase film contrast.
2. Use normal film development. But use high contrast print paper to
We Are Not Being Served!15 Feb 2004 03:43 GMT5
I am POed at the lack of a darkroom centric quarterly or bi-monthly
publication. I dropped Photo Techniques because of their preoccupation
with digital. Also, the very arcane nature of some of the few articles
concerning the darkroom, were distracting.
Dooooole How Stuuupid can I -b15 Feb 2004 02:49 GMT13
Well I did something really dumb today, was processing in the
Jobo and I lifted the lid off before fixing my film. One thing I can
attest to now: is that PMK does mask or block light, as the negative looks
perfect now that its fixed.
oil immersion?15 Feb 2004 02:47 GMT9
Sorry, but I don't know what to call it - the technique where one immerses
the negative in a fluid in order to surpress dust. Pointers to
information?
Agfa Scala as negative15 Feb 2004 02:47 GMT4
Hi, I've seen on digitaltruth that it is possible to treat Scala with
Fino or Rodinal to obtain a negative. What about other common
developer: HC110, ID11, etc? My interest is independent form the very
high cost of this film, it is obvious that negatives are done with
Fotoimpex (Germany)14 Feb 2004 09:47 GMT5
Goodmornig,
Someone know the paper "classic art museum" from Fotoimpex ?
The catalog say "analog to Fortezo" is true ?
regards
King Concept Image.Pro film processor14 Feb 2004 01:08 GMT2
Does anyone know of a source for the repair manual and spares for this
oldie?  Omega-Satter no longer has any support.  Thanks
Looking for a X-Rite 339 T user manual13 Feb 2004 22:36 GMT2
I've got this densitometer, and wonder if I can use it for Zone system
calibration. It can do visible light and ultra violet light transmission
measures.
And, I look for a manual, some commands are "strange" to me ;-)
Brown toner Kodak13 Feb 2004 21:21 GMT3
sorry for my bad english but i'm french.
So, i need to have informations about the brown toner made by Kodak...
Dilution, time, etc... Thank you very much if someone can help me.
Denis el paparazzo
First contact prints done. Problem with light uniformity.12 Feb 2004 13:21 GMT12
I have finally done my first contact prints... and many questions arose
from that. Much more than after the development of 1st film!!
Here is the first one.
The light coming from the enlarger is NOT constant all over the lighted
Pages: 1 2 3 4 5 6 7 8 January, 2004
 
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