| Thread | Last Post | Replies |
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| Enlarger question: Durst Laborator 54 | 16 Feb 2004 14:03 GMT | 3 |
does anyone here have experience with this device? I've found one, offered for a reasonable price, but have not heard of it. It is a combination of enlarger/ repro camera. I'd greatly appreciate any info or opinions.
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| Cascade (with sheeting action!) - No, this isn't spam. Its a cheap Photo Flo | 15 Feb 2004 21:37 GMT | 5 |
In desperation last night I reliased I had run out of my Flo and raced to the kitchen. I didn't have any Ivory as I normally use when I'm out but all I had was Cascade gel dishwashing detergent. Said screw it and squirted about 1 TBSP into a 1 gallon jug, filled it
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| Ventilation of New Darkroom Question | 15 Feb 2004 18:06 GMT | 17 |
I'm just completing the drywall on a new darkroom about 16'X10' with a 8' ceiling ~1300 cubic feet. How much ventilation do I need? How do I calc. CFMs/air exchange. How big a pipe do I need. I'm doing B&W, Color and maybe Cibachrome work. The room is in a basement and I was ...
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| Arista 400 | 15 Feb 2004 17:32 GMT | 3 |
Is Arista 400 Ilford HP5?
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| Ilford FP4 , Agfa APX 100 in HC 110 | 15 Feb 2004 15:08 GMT | 2 |
How grainy are FP4 and APX 100 35mm films when developed normally in HC-110 ? Are they as grainy as TRI -X? Which dilutions ,(American HC-110), work best for fine grain? Thanks for any answers !
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| Extend film development or high grade paper ? | 15 Feb 2004 04:15 GMT | 11 |
May I know what would be the difference in the resulting print if: 1. I extend the film development time. And reduce explosure according to the Kodak instruction. This would increase film contrast. 2. Use normal film development. But use high contrast print paper to
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| We Are Not Being Served! | 15 Feb 2004 03:43 GMT | 5 |
I am POed at the lack of a darkroom centric quarterly or bi-monthly publication. I dropped Photo Techniques because of their preoccupation with digital. Also, the very arcane nature of some of the few articles concerning the darkroom, were distracting.
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| Dooooole How Stuuupid can I -b | 15 Feb 2004 02:49 GMT | 13 |
Well I did something really dumb today, was processing in the Jobo and I lifted the lid off before fixing my film. One thing I can attest to now: is that PMK does mask or block light, as the negative looks perfect now that its fixed.
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| oil immersion? | 15 Feb 2004 02:47 GMT | 9 |
Sorry, but I don't know what to call it - the technique where one immerses the negative in a fluid in order to surpress dust. Pointers to information?
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| Agfa Scala as negative | 15 Feb 2004 02:47 GMT | 4 |
Hi, I've seen on digitaltruth that it is possible to treat Scala with Fino or Rodinal to obtain a negative. What about other common developer: HC110, ID11, etc? My interest is independent form the very high cost of this film, it is obvious that negatives are done with
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| Fotoimpex (Germany) | 14 Feb 2004 09:47 GMT | 5 |
Goodmornig, Someone know the paper "classic art museum" from Fotoimpex ? The catalog say "analog to Fortezo" is true ? regards
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| King Concept Image.Pro film processor | 14 Feb 2004 01:08 GMT | 2 |
Does anyone know of a source for the repair manual and spares for this oldie? Omega-Satter no longer has any support. Thanks
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| Looking for a X-Rite 339 T user manual | 13 Feb 2004 22:36 GMT | 2 |
I've got this densitometer, and wonder if I can use it for Zone system calibration. It can do visible light and ultra violet light transmission measures. And, I look for a manual, some commands are "strange" to me ;-)
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| Brown toner Kodak | 13 Feb 2004 21:21 GMT | 3 |
sorry for my bad english but i'm french. So, i need to have informations about the brown toner made by Kodak... Dilution, time, etc... Thank you very much if someone can help me. Denis el paparazzo
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| First contact prints done. Problem with light uniformity. | 12 Feb 2004 13:21 GMT | 12 |
I have finally done my first contact prints... and many questions arose from that. Much more than after the development of 1st film!! Here is the first one. The light coming from the enlarger is NOT constant all over the lighted
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