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Photo Forum / Film Photography / Darkroom / January 2004

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ThreadLast Post  Replies
Newbie-- (WET!) Color printing aid question...Which is best?25 Jan 2004 21:55 GMT5
Want to try my hand at traditional color printing using a Durst enlarger (
CLS-301 head). My question--Which color printing aids are the best bet for a
beginner to get a good print? Kodak has them! Jobo has them? whats the best
bang for the buck?
4x5 daylight tanks25 Jan 2004 14:06 GMT12
Is the HP worth looking at?
-Lew
f-stop to light transmission % ratio question25 Jan 2004 04:08 GMT3
Is there an easy formula to translate f-stops to the percentage of light
transmission? As each stop is 50% of the previous stop, where did the
numbers come from?
Foveon has the most megapixels in its mid-level priced cameras24 Jan 2004 22:37 GMT7
The truth is out there
Jobo Film loaders with base for 120 film question!24 Jan 2004 22:06 GMT2
I'm curious as to whether the 120 Jobo film loader with base is a worthwhile
investment. ie... how much easier does it make loading 120 film on a spool
as opposed to regular hand loading?
J Burke
Anti-UV layer in films???24 Jan 2004 20:55 GMT3
A couple of years ago I read an article about UV photography and learned
that one problem that UV photographers have is that most color films
have a UV blocking layer that keeps UV away from the emulsion.
Does anyone know if any black and white films, particularly the newer
Help for to obtain  BLUE and RED tone!24 Jan 2004 11:44 GMT10
One short question.  
I would want to obtain print with INTENSE LIGTH BLUE or RED tonality.
I have already tried various combinations like "MUIR' S BLUE BLACK" or
"GAVEART RED TONE" let alone Sepia toner or Selenium with BERGGER NB (cold
Darkroom construction24 Jan 2004 04:22 GMT33
My wife and I are moving our kitchen, and I'm thinking of finally building
a darkroom in the old space. It already has plumbing, an exhaust hood, and
electricity.
The space available (after using part of it as a storage closet) is a 7'5"
Suggested development times for 400TX in Rodinal?24 Jan 2004 01:13 GMT8
It's finally happened - my minuscule stock of old Tri-X has run out
and I've just plucked a roll of 400TX out of the fridge. I'm quite
particular to Tri-X souped in Rodinal because you get that
old-fashioned 'reportage' feel, but the Massive Dev chart does not
Digital enlarger DeVere 504 DS23 Jan 2004 22:39 GMT17
I've seen this enlarger which looks like a traditional printer but
having a "transparent" LCD of 8M pixels acting like a negative:
http://www.odyssey-sales.co.uk/products/browse.asp?range=55
The prints are done on traditional paper either color or B/W.
TRAVEL PHOTOGRAPHY WANTED23 Jan 2004 09:01 GMT57
Idarta Travel Images is a professional digital stock photography
library supplying instantly downloadable digital travel images from
around the world. Due to ongoing demand from its customers, it is
seeking to expand its online collection of travel photography.
Kodak HIE infrared B&W and ISO??23 Jan 2004 02:54 GMT6
hi!
I hope here are some one who can answer this and help out an infrared
newbe.
What I have read about infrared fotography is that I can´t use my
meopar enlarging lens23 Jan 2004 01:03 GMT1
I recently bought an old Meopta Magnitarus for my 4"x5" b&w printing. It
came with a Meopar 180mm f/4.5 enlarging lens.
What is the quality of this lens? Should I replace this lens by a modern
Schneider or Rodenstock?
Colour developer failure [Ra-4]?22 Jan 2004 13:00 GMT4
     I think my developer is dead and I'm just trying to get an idea if
I should worry about anything else. It's been both long enough in time and
number of prints to kill by developer and I'm not suprised. But assuming the
developer is totally dead what should the paper look like ...
Capacity of D76 1:422 Jan 2004 09:31 GMT15
I'd like to experiment with D76 1:4. Can I still do 4 rolls of 35x36 in 30
oz of developer?
-Lew
Pages: 1 2 3 4 5 6 7 8 9 10 11 December, 2003
 
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