And lo, Marvin <physchem@cloud9.net> emerged from the ether
and spake thus:
>> I have begun to do business with White House Custom Color for my
>> digital printing. They use the "lightjet" system that most "digital on
[quoted text clipped - 17 lines]
> used.
> I don't know about the light jet method.
Light Jet is sort of a "trade name" for the machinery used by places
such as shutterfly.com and AdoramaPix, where a digital photograph is
exposed on real photographic paper using red, green, and blue lasers
and then developed using traditional development methods (chemicals).
All of this is done inside of a huge machine, which is sometimes
referred to as a "light jet," although the "jet" is really a misnomer
since there's no "ink," /per se/.
So my question was actually about developing photographs on "metallic
photographic paper," either using traditional darkroom technique or a
light jet system. I just want to know about the properties of this
paper.

Signature
Aaron
http://www.fisheyegallery.com
http://www.singleservingphoto.com
Paul Furman - 23 Dec 2006 03:27 GMT
> So my question was actually about developing photographs on "metallic
> photographic paper," either using traditional darkroom technique or a
> light jet system. I just want to know about the properties of this
> paper.
I just read something recently that 'they' are developing a silver
gelatin black & white print paper suitable for lightjet laser printing
so it seems possible but not widespread yet. Apparently regular old B&W
silver gelatin paper doesn't work right.
Aaron - 28 Dec 2006 14:48 GMT
And lo, Paul Furman <paul-@-edgehill.net> emerged from the ether
and spake thus:
>> So my question was actually about developing photographs on "metallic
>> photographic paper," either using traditional darkroom technique or a
[quoted text clipped - 5 lines]
> so it seems possible but not widespread yet. Apparently regular old B&W
> silver gelatin paper doesn't work right.
I received my test prints from White House Custom Color (www.whcc.com)
as well as sample prints on their three papers and with their three
texture coatings (they do this for free for all new customers.)
The metallic paper looks just like what you describe; the white areas
are actually shiny like metal. It doesn't say anywhere in their
documentation that this paper is limited to black and white prints,
but I don't think it would look too great with color.
The test image they used was a closeup of a locomotive wheel of some
kind. The reflective nature of the paper really makes such a
mechanical subject look awesome. I am excited to try it out with my
own stuff.

Signature
Aaron
http://www.fisheyegallery.com
http://www.singleservingphoto.com
Nermal - 23 Dec 2006 15:09 GMT
Many years ago there was a post treatment that could be used on B&W
image that caused resulted in a silver image (black on silver effect).
I tried this and it worked on some glossy emulsions. I may even have a
few of the prints. I will look through my archives and give an update.
> And lo, Marvin <physchem@cloud9.net> emerged from the ether
> and spake thus:
[quoted text clipped - 33 lines]
> light jet system. I just want to know about the properties of this
> paper.
Marvin - 26 Dec 2006 16:43 GMT
> And lo, Marvin <physchem@cloud9.net> emerged from the ether
> and spake thus:
[quoted text clipped - 33 lines]
> light jet system. I just want to know about the properties of this
> paper.
People have spread photographic emulsions on all sorts of
materials.