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Photo Forum / General Photo Topics / General Topics / July 2005

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AdobeRGB or sRGB?

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Phast1 - 27 Jul 2005 04:43 GMT
Confused about which I should use:
Adobe RGB or sRGB?

Using a 20D, post processing with CS2.
Half are for print, half are for internet or cd.

Any advice?

Phast1
Colin D - 27 Jul 2005 09:21 GMT
> Confused about which I should use:
> Adobe RGB or sRGB?
[quoted text clipped - 5 lines]
>
> Phast1

If you are doing your own printing with a good AdobeRGB-capable printer,
then aRGB will give you a wider gamut than sRGB.  For the net, or if
your prints are done by a lab, or a machine like a Frontier, then sRGB
is the way to go.

Colin D.
Unspam - 27 Jul 2005 10:13 GMT
On 27/7/05 4:43 am, in article ZKWdnZ_7uf9Fn3rfRVn-rw@giganews.com, "Phast1"
<phast1@nomail.com> wrote:

> Confused about which I should use:
> Adobe RGB or sRGB?
[quoted text clipped - 5 lines]
>
> Phast1

SRGB for photographic prints, Adobe for printing press. All photo labs use
sRGB.
Rolf Egil Sølvik - 27 Jul 2005 12:13 GMT
>> Confused about which I should use:
>> Adobe RGB or sRGB?
[quoted text clipped - 6 lines]
>SRGB for photographic prints, Adobe for printing press. All photo labs use
>sRGB.

But which one to choose if you don't know where it will end up?
Unspam - 27 Jul 2005 14:44 GMT
On 27/7/05 12:13 pm, in article puqee1hor8oopgt9euq6o50jhmgnfm56sf@4ax.com,

>>> Confused about which I should use:
>>> Adobe RGB or sRGB?
[quoted text clipped - 8 lines]
>
> But which one to choose if you don't know where it will end up?

SRGB, you can always assign a profile in Photoshop later.
Colin D - 28 Jul 2005 05:00 GMT
> On 27/7/05 12:13 pm, in article puqee1hor8oopgt9euq6o50jhmgnfm56sf@4ax.com,
>
[quoted text clipped - 12 lines]
>
> SRGB, you can always assign a profile in Photoshop later.

Sorry, but no.  You cannot reliably convert to a wider gamut from a
narrower one.  You should start with the wider - aRGB, and convert to
sRGB if necessary later.

Colin D.
McLeod - 28 Jul 2005 23:14 GMT
>SRGB, you can always assign a profile in Photoshop later.

No.  You should shoot in your widest possible gamut, which in this
case is Adobe RGB.  You can convert to sRGB later, which has a smaller
colour gamut , in Photoshop or another image editor.  If you shoot in
sRGB there is very little point in converting to Adobe RGB later
because you have already potentially lost colour data.
The other reason for capturing in Adobe RGB is that more and more
devices are being built that can use all of the gamut captured in that
space, and with the continual improvement of raw processors and colour
output devices your archived image may become more usable in the
future if you use the widest possible colour space.
Thomas T. Veldhouse - 29 Jul 2005 14:55 GMT
> No.  You should shoot in your widest possible gamut, which in this
> case is Adobe RGB.  You can convert to sRGB later, which has a smaller
[quoted text clipped - 6 lines]
> output devices your archived image may become more usable in the
> future if you use the widest possible colour space.

Of course, if you are shooting RAW, it doesn't really matter what
profile you use.  You can switch it in the raw file editors [like the
Adobe plugin] without issue.  Only when you convert to another format
(i.e. JPEG, or I think even PSD) will the profile matter.

I always shoot raw (with Adobe RGB set) and then do all my processing in
this color profile.  When I am finished processing, I convert to either
sRGB or the printer profile (Costco supplies the profiles for their
printers!) and then save as JPEG quality 10 or 12 for upload.

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Spammers please contact me at renegade@veldy.net.

Paul Mitchum - 28 Jul 2005 00:03 GMT
> >> Confused about which I should use:
> >> Adobe RGB or sRGB?
[quoted text clipped - 8 lines]
>
> But which one to choose if you don't know where it will end up?

AdobeRGB has a wider gamut. You can convert to sRGB later if you need
to.

If you're shooting RAW, the setting doesn't really matter on the camera,
since you can change the color space when importing the file.

I shoot RAW, with the camera set to AdobeRGB and convert to sRGB as
needed. YMMV. :-)
Phast1 - 27 Jul 2005 12:56 GMT
Thanks guys.

Phast1

> Confused about which I should use:
> Adobe RGB or sRGB?
[quoted text clipped - 5 lines]
>
> Phast1
bmoag - 27 Jul 2005 19:53 GMT
Always shoot Adobe RGB.
Always shoot Adobe RGB.
Always shoot Adobe RGB.
AdobeRGB is the wider color space. You can always down convert to a smaller
color space but you cannot upconvert if the data is not in the image to
begin with.
Unspam - 27 Jul 2005 20:41 GMT
On 27/7/05 7:53 pm, in article
PKQFe.1415$kk6.330@newssvr13.news.prodigy.com, "bmoag" <aetoo@hotmail.com>
wrote:

> Always shoot Adobe RGB.
> Always shoot Adobe RGB.
> Always shoot Adobe RGB.
> AdobeRGB is the wider color space. You can always down convert to a smaller
> color space but you cannot upconvert if the data is not in the image to
> begin with.

You are wrong, there are NO monitors which can display that gamut and
probably no printers either, sRGB is the industry standard.
Paul Mitchum - 28 Jul 2005 00:03 GMT
> On 27/7/05 7:53 pm, in article
> PKQFe.1415$kk6.330@newssvr13.news.prodigy.com, "bmoag" <aetoo@hotmail.com>
[quoted text clipped - 9 lines]
> You are wrong, there are NO monitors which can display that gamut and
> probably no printers either, sRGB is the industry standard.

If you use Photoshop, your sRGB image will probably be converted to
Adobe RGB for editing, and then back into sRGB when you save it.

Adobe's profile conversions are pretty good, but it's still an extra
couple steps of conversion being applied to your image.

You can, of course, change this behavior of Photoshop and have it use
sRGB for the working space, but it doesn't make sense to limit the gamut
for editing, just as it doesn't make sense to limit the gamut in
shooting, all things being equal.
Phast1 - 28 Jul 2005 01:32 GMT
Now I'm really confused.
I do have photoshop using the sRGB profile, like the camera.
I see what you're saying though.
I suppose since I archive the RAW's I'd be able to
covert if/when neccesary.

Phast1

"Paul Mitchum" <usenet@mile23.c0m> wrote in message >>

> If you use Photoshop, your sRGB image will probably be converted to
> Adobe RGB for editing, and then back into sRGB when you save it.
[quoted text clipped - 6 lines]
> for editing, just as it doesn't make sense to limit the gamut in
> shooting, all things being equal.
Unspam - 28 Jul 2005 12:44 GMT
On 28/7/05 1:32 am, in article r4idncuhEIHgunXfRVn-2Q@giganews.com, "Phast1"
<phast1@nomail.com> wrote:

> Now I'm really confused.
> I do have photoshop using the sRGB profile, like the camera.
[quoted text clipped - 16 lines]
>> for editing, just as it doesn't make sense to limit the gamut in
>> shooting, all things being equal.

No confusion necessary, use sRGB
Colin D - 28 Jul 2005 05:07 GMT
> On 27/7/05 7:53 pm, in article
> PKQFe.1415$kk6.330@newssvr13.news.prodigy.com, "bmoag" <aetoo@hotmail.com>
[quoted text clipped - 9 lines]
> You are wrong, there are NO monitors which can display that gamut and
> probably no printers either, sRGB is the industry standard.

Partly right.  Monitors cannot accurately display Adobe RGB.  But better
cameras can shoot in aRGB, and the better printers cn print in aRGB.  My
Canon i9950 definitely prints in aRGB, and the results are easily
visible.  Commercial labs use sRGB for reasons of simplicity.

FWIW, the aRGB gamut extends further into the blue-green region than
sRGB, and images containing colors in that range, like ocean/water
shots, and bush scenery do have better repro in that area.

Colin D.
Margaret - 28 Jul 2005 13:04 GMT
I have been confused about this as well. My lab wants srgb. Stock library
requires adbobe rgb. So do I shoot everything in Adobe rgb and convert to
srgb for print...is conversion quick and easy as I send a lot to print?

margaret
Rolf Egil Sølvik - 28 Jul 2005 15:23 GMT
>I have been confused about this as well. My lab wants srgb. Stock library
>requires adbobe rgb. So do I shoot everything in Adobe rgb and convert to
>srgb for print...is conversion quick and easy as I send a lot to print?

http://www.digitalkb.com/nikon_d70/nikon_d70_articles/work_with_argb/
Colin D - 29 Jul 2005 03:37 GMT
> I have been confused about this as well. My lab wants srgb. Stock library
> requires adbobe rgb. So do I shoot everything in Adobe rgb and convert to
> srgb for print...is conversion quick and easy as I send a lot to print?
>
> margaret

For me, using Canon gear, the easiest way is to shoot RAW, then in the
RAW converter program - despite detractors I use Canon's Zoombrowser V -
I can choose what color space I want.  I simply convert the RAW file
twice, once in aRGB, and again in sRGB, saving the output as the same
filename but with (a) or (s) appended.  You could probably set up an
action in PS to batch-convert files from aRGB to sRGB, but I haven't had
to do that, so I can't help there.

Later versions of Photoshop - I think from 6 upwards - allow you to
choose or convert the color space as you want, but note that converting
from sRGB to aRGB will achieve nothing because the sRGB image has no
colors that can take advantage of the extra gamut afforded by aRGB.

I have no knowledge of other image-handling programs.

Colin D.
Paul Furman - 30 Jul 2005 03:39 GMT
>>I have been confused about this as well. My lab wants srgb. Stock library
>>requires adbobe rgb. So do I shoot everything in Adobe rgb and convert to
[quoted text clipped - 8 lines]
> filename but with (a) or (s) appended.  You could probably set up an
> action in PS to batch-convert files from aRGB to sRGB

Yes, I've got one for web re-sizing which also does that conversion.
That's the basic question, is how much hassle are you willing to put up
with to use a-rgb. I usually don't bother converting for web and it
usually doesn't matter much, it's just nice to know I've got archives
with the widest gamut.

>, but I haven't had
> to do that, so I can't help there.
>
> Later versions of Photoshop - I think from 6 upwards - allow you to
> choose or convert the color space as you want, but note that converting
> from sRGB to aRGB will achieve nothing

If you planned to tweak the colors in post-processing, it might be
helpful but yes this is generally not the sensible way to go.

> because the sRGB image has no
> colors that can take advantage of the extra gamut afforded by aRGB.
>
> I have no knowledge of other image-handling programs.
>
> Colin D.

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