I have to ask what may possably be a really dumb question. I am starting
to concentrate my photography on portrait work. I have been shooting for many
years and have learned everything from trial and error and a few library
books.. My question is this. What exactly am I looking for in a backdrop for
studio portrait? I use flash projected through tranlucent material for
lighting and also flood lights depending on lighting demands. I dont want to
invest a lot of money in backdrops until I am sure that this is the road I
wish to follow. I see ads all the time for painted canvas and other very
expensive materials or for the colored paper on rolls. I would liket o go to
the fabric store and buy a few yards of basic colored material. Any thoughts
or ideas would be greatly appreciated.
Dan Ciccone
> I have to ask what may possably be a really dumb question. I am starting
> to concentrate my photography on portrait work. I have been shooting for many
[quoted text clipped - 7 lines]
> the fabric store and buy a few yards of basic colored material. Any thoughts
> or ideas would be greatly appreciated.
First, call around and see if any photogs have some unused backgrounds, the
average studio shooter will go through a background for awhile and then it
will fall out of favor, either cause they are sick of seeing it again, or
maybe cause they didn't like it in the first place.
Frankly painting your own is a PITA, the market is rather competitive so the
markups are not that much, you will find that you would probably spend as
much on the materials and paint as you would buying one (though you could
make several, and some local pro associations will have background making
parties which is even more fun cause then you have experience people helping
out.)
Ideally you want at least 8 feet wide, six feet minimum. The simplest way
to paint is to coat it flat gray blue, then take some warm tone, gold/tan
and water it down, take a long haired brush, same kind you'd use to paint a
house the old fashioned way, and a stick or pipe, holding the pipe up, whack
the brush against it so the little bits of paint splatter about where you
want it, work from near the center out, not too much, this effect is subtle,
but is as effective as having an artist paint vague clouds.
Cost about $200, would sell for about $400, takes about a day, use household
latex flat.
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