> All the other guys I know who use the 8000 (me, Tom Seaskate, Dan Lindsay,
> Rafe, a couple others) feel we get good results without it. I've made prints
> up to 20x24" with scans from mine with no problems, though I did have a film
> recently with a lot of curve and had to flatten it overnight to get it to fit
> right.
The glassless holder can produce good results, depending not only on the
curl of the film (hopeless when scanning the image on the end of a strip
that has a bit of curl), but also on how you insert and stretch the strip.
It can take several tries to get a strip in right, i.e. taut, straight, and
with rebate on either side after you have stretched the film.
If not done properly, the resulting sharpness fall-off can be quite
terrible. If done properly, using the glass holder instead will not produce
better results. On the contrary.
David J. Littleboy - 21 Nov 2003 04:04 GMT
> The glassless holder can produce good results, depending not only on the
> curl of the film (hopeless when scanning the image on the end of a strip
> that has a bit of curl), but also on how you insert and stretch the strip.
> It can take several tries to get a strip in right, i.e. taut, straight, and
> with rebate on either side after you have stretched the film.
Exactly. At which point, using the glass carrier would have been faster.
> If not done properly, the resulting sharpness fall-off can be quite
> terrible. If done properly, using the glass holder instead will not produce
> better results. On the contrary.
The glass carrier can result in Newton's rings from the lower
(non-anti-Newton) glass. It comes with masks that hold the film off the
glass, but they only work for one frame at a time. I've cut my own mask that
has enough extra width that I can get three 645 frames in at the same time
for the various frame spacings on the various camera/120/220 combinations I
use.
Lining up the film is a bit fiddly, but once it's in, I've got three sharp
scans.
IMHO, you don't really need the glass in the glass carrier at all. What you
really want is something that supports the frame at all four sides and also
provides the stretch function of the standard carrier. (In the one test I
did of 35mm, the 35mm holds the film plenty flat, and all it does is clamp
the film at 4 sides. 120 is harder, but it shouldn't be as much of a pain as
it is. Sigh.) But that would require adjustable supports (or multiple
holders for each format), since frame spacing varies, even on the same roll
in the same camera.
At which point, the only time you'd need the glass is for crumpled or
crinkled frames.
David J. Littleboy
Tokyo, Japan
Bart van der Wolf - 21 Nov 2003 10:23 GMT
SNIP
> The glass carrier can result in Newton's rings from the lower
> (non-anti-Newton) glass. It comes with masks that hold the film off the
> glass, but they only work for one frame at a time. I've cut my own mask that
> has enough extra width that I can get three 645 frames in at the same time
> for the various frame spacings on the various camera/120/220 combinations I
> use.
Just wondering, has anyone ever tried to quantify the loss of contrast due
to the addition of 4 (uncoated) air/glass surfaces? Each transition will
lose some 4-5% of the incident light, which has to go somewhere. The
contrast will be impacted most at the high film densities, they probably
have a higher RGB value than without glass, compared to low density film
areas.
Bart
Mxsmanic - 21 Nov 2003 11:59 GMT
> Just wondering, has anyone ever tried to quantify the loss of contrast due
> to the addition of 4 (uncoated) air/glass surfaces?
There are only two surfaces. The other two are behind the film.
I haven't noticed any difference.
> Each transition will lose some 4-5% of the incident light ...
That depends on the angle of incidence. If the angle of incidence is 90
degrees, the loss is very small, and the angle approaches this in the
case of a scanner.

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Rafe B. - 21 Nov 2003 13:30 GMT
>> All the other guys I know who use the 8000 (me, Tom Seaskate, Dan Lindsay,
>> Rafe, a couple others) feel we get good results without it. I've made
[quoted text clipped - 14 lines]
>terrible. If done properly, using the glass holder instead will not produce
>better results. On the contrary.
Pretty much my experience as well.
IMO, the glassless carrier is pretty well designed; the
only thing that might improve it is a more forceful, positive
grip on the two edges of the film -- though I don't really
see any way of accomplishing that easily.
Given that 120/220 film has been around for a while,
and has been pushed through countless optical
enlargers, you'd think there'd be a better solution
by now -- other than a sandwich of glass and film.
(Or glass and film and Kami oil.)
rafe b.
http://www.terrapinphoto.com
EDGY01 - 27 Nov 2003 07:22 GMT
As Bill mentioned earlier, I have had really good luck without the glass
holder. The standard one works fairly well. If I have a really tough
transparency I then consider mounting it with slide mounts (either glass-less
or with Newton-ring resistent glassmounts) and go with that route. (I
purchased the mounted slide holder with the 8000ED).
Dan Lindsay
Santa Barbara