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Photo Forum / Film Photography / Medium format / May 2007

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How does TLR's shutter work?

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Steven Woody - 06 May 2007 03:15 GMT
hi, i want to check my Rolleiflex TLR's shutter condition.  i am sure
the 1/60 is slower than 1/125 and 1/30 is shlower than 1/60.  by these
evidences, can i ensure that some of most often used shutter speed
( 1/8, 1/15, 1/30, 1/60, 1/125 ) are accurate?

thanks.
Neil Gould - 06 May 2007 12:22 GMT
Recently, Steven Woody <narkewoody@gmail.com> posted:

> hi, i want to check my Rolleiflex TLR's shutter condition.  i am sure
> the 1/60 is slower than 1/125 and 1/30 is shlower than 1/60.  by these
> evidences, can i ensure that some of most often used shutter speed
> ( 1/8, 1/15, 1/30, 1/60, 1/125 ) are accurate?

An easy way to check this without test equipment would be to shoot a roll
using a gray card. Fill the frame with the card, then use equivalent
settings, e.g. 1/125 @ f16, 1/60 @ f8, etc. When developed, the frames
should all look the same.

Neil
Alan Browne - 06 May 2007 15:26 GMT
> Recently, Steven Woody <narkewoody@gmail.com> posted:
>
[quoted text clipped - 7 lines]
> settings, e.g. 1/125 @ f16, 1/60 @ f8, etc. When developed, the frames
> should all look the same.

In that case use slide film.  And include near white and near black in
the image.  Some color too.

I use a digital osciliscope and a IR photo sensor with an IR source
outside ... on the 500 C/M I pre-fire the mirror and body shutter and
hold the sensor inside the body.  Then fire the lens shutter.  At wide
aperture.  (could do it stopped down too I suppose).

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Neil Gould - 06 May 2007 16:21 GMT
Recently, Neil Gould <neil@myplaceofwork.com> posted:

> An easy way to check this without test equipment would be to shoot a
> roll using a gray card. Fill the frame with the card, then use
> equivalent settings, e.g. 1/125 @ f16, 1/60 @ f8, etc. When
> developed, the frames should all look the same.

To correct my pre-coffee response, equivalent settings should be "...
1/125 @ f8, 1/60 @ f16, etc.", but I hope you got the general idea.

Neil
Dave - 06 May 2007 16:56 GMT
> Recently, Neil Gould <neil@myplaceofwork.com> posted:
>
[quoted text clipped - 7 lines]
>
> Neil

Forgot about f 11 huh??
Neil Gould - 06 May 2007 19:51 GMT
Recently, Dave <dsmith5@optonline.net> posted:

>> Recently, Neil Gould <neil@myplaceofwork.com> posted:
>>
[quoted text clipped - 9 lines]
>>
> Forgot about f 11 huh??

Damn... I need more coffee!!!!

Neil
Randy Stewart - 06 May 2007 18:07 GMT
> hi, i want to check my Rolleiflex TLR's shutter condition.  i am sure
> the 1/60 is slower than 1/125 and 1/30 is shlower than 1/60.  by these
> evidences, can i ensure that some of most often used shutter speed
> ( 1/8, 1/15, 1/30, 1/60, 1/125 ) are accurate?
>
> thanks.

No. You can assume that if the speeds are not accurate, they are all out of
timing to about the same extent, at least withon the following groups: 1 -
1/15; 1/30 - 1/250; and 1/500. Depending on your model of Rollei, the
shutter speeds within these groups are probably governed by the same
mechanisms.  The exposure comparison tests others have described will tell
you whether each speed is or is not consistently out of timing with others,
but that will not tell you whether any speed is accurately timed.

You would need to test the actual timing of each shutter speed to judge its
accuracy.  You can usually get this done at a camera store for free or low
cost, assuming you have one remaining in your area. Years ago, there as
descibed an easy way to test such timing with a recortd turntable, by
photographing a white line on a black record to see how far it turns during
the exposure, then do the math. If you don't have a turntable or a head for
the math, that's out.  A current Google search will pull up a number of DIY
home built shutter speed testing devices which are cheap and easy to build,
if you have any experience with DIY electronics.

Lacking an ability to test absolute speeds, you can get by if the exposures
are relatively consistent, if not necessaily accurate. If so, you can adjust
your film speed rating to accomodate a shutter which runs about the same
amount slow at all commonly used speeds, using the exposure techniques which
several other replies have described.
Geoffrey S. Mendelson - 06 May 2007 19:09 GMT
> You would need to test the actual timing of each shutter speed to judge its
> accuracy.  You can usually get this done at a camera store for free or low
[quoted text clipped - 5 lines]
> home built shutter speed testing devices which are cheap and easy to build,
> if you have any experience with DIY electronics.

TV signals are made up of two interlaced fields to produce one frame.
Each field is half a frame and is displayed for 1/2 of the time.
For the U.S., that's 525 lines divided by 2 or 262.5 (the first line starts
in the middle of the screen) every 60th of a second.

In PAL/SECAM countries except Brazil, it's 625/2 (312.5) every 50th of
a second.

If you photograph the entire TV screen with enough resolution on the film
to count the lines you can test the shutter speed from 1/60th up.

For the U.S.:

1/60 = 262 lines (or so)
1/125 = 131 lines.
1/250 = 65 lines.
1/500th = 32 lines.

Geoff.

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IL Voice: (07)-7424-1667  Fax ONLY: 972-2-648-1443 U.S. Voice: 1-215-821-1838
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Dana H. Myers - 07 May 2007 02:38 GMT
> TV signals are made up of two interlaced fields to produce one frame.
> Each field is half a frame and is displayed for 1/2 of the time.
[quoted text clipped - 13 lines]
> 1/250 = 65 lines.
> 1/500th = 32 lines

Good in theory, might be a little challenging in practice.
For NTSC, the horizontal line rate is 15750, so each horizontal
line takes 63.492uS.  I believe this means the table is more like:

1/60: 262 lines (or so, as you point out)
1/125: 126 lines
1/250: 63 lines
1/500: 31.5 lines (might want to call this 31 lines)

If the shutter remains open longer than 1/60th of a second, you may
start to see additional lines in the vertical gap between the lines.
This just means you're seeing the "other" set of lines that make up
a complete frame.

If you're unlucky enough to include a vertical retrace period in your
exposure, there will be lines at the bottom or top of the screen, or
both.  Some of the lines are used to send non-video content and may not
be visible, and the blanking interval itself may vary somewhat in length,
but it's around 800-1300uS.  So you may want to take several exposures
at each shutter speed if you try this.

The real gotcha is that it's actually quite difficult to count lines with
much precision due to the persistence of the CRT.  The phosphors in the CRT
continue to emit light for quite a while after being scanned by the electron
beam.  It's true that phosphors scanned while shutter is open will be
brightest, but it can be hard to tell in practice, especially when the
content on the screen isn't one homogeneous intensity.

I don't know how long real CRTs will be commonly found, though.  Certainly,
I haven't given in to the temptation (yet) of LCD and plasma TVs, but I know
that LCD changes the rules and plasma might as well.

With all that said, this is a pretty useful technique and an excellent
way to find out if your shutter is grossly out of whack. I tried this
experiment with an SLR set to 1/500th of second, and was surprised how
often I caught the vertical retrace (or couldn't be sure).  Longer
shutter speeds will be more likely to catch the retrace.  The persistence
of the phosphors was quite evident; it could add 2-3 lines to a count if
not really careful.  At least once, I caught the faint ghost of a new
line beginning, too.  No film was harmed in this experiment; I did count
31 lines, but I could be off a line either way.

Cheers,
Dana
Lassi Hippeläinen - 07 May 2007 17:43 GMT
<...>
> The real gotcha is that it's actually quite difficult to count lines with
> much precision due to the persistence of the CRT.  The phosphors in the
[quoted text clipped - 3 lines]
> brightest, but it can be hard to tell in practice, especially when the
> content on the screen isn't one homogeneous intensity.

There's also another gotcha. The blades of a leaf shutter move at finite
speed. The opening and closing phases are not sudden but gradual. How much
so depends on aperture. If you see fading lines at the edges, part of them
is caused by the shutter.

The 1/500 mark means "1/500-equivalent amount of light at full aperture".
IIRC, the official speed at 1/500 is only 1/380, when measured at f/32. The
longer time compensates the slowness of the blades.

-- Lassi
Dana H. Myers - 07 May 2007 22:03 GMT
> <...>
>> The real gotcha is that it's actually quite difficult to count lines with
[quoted text clipped - 9 lines]
> so depends on aperture. If you see fading lines at the edges, part of them
> is caused by the shutter.

Good point; I haven't done such a test with a leaf shutter but it
makes complete sense.  The brief test I did was with an SLR with a
curtain shutter, so I wouldn't expect to see the same exact effect.

However, I would expect that a curtain shutter would have a similar
problem; assuming that the shutter curtains open down, in the same
direction the electron beam moves, the shutter will "chase" the
beam, perhaps at a rate far slower than the effective shutter speed
(which, I believe, really represents the delay between two curtains
falling).  While I do not know how fast shutter curtains actually
move, it's easy to imagine a shutter could move slowly enough to
skew a measurement.

> The 1/500 mark means "1/500-equivalent amount of light at full aperture".
> IIRC, the official speed at 1/500 is only 1/380, when measured at f/32. The
> longer time compensates the slowness of the blades.

Ah, right.  Fascinating.

Dana
Steven Woody - 08 May 2007 14:47 GMT
> > <...>
> >> The real gotcha is that it's actually quite difficult to count lines with
[quoted text clipped - 30 lines]
>
> Dana

did you both ment to say that a leaf shutter will exposure different
amount of light for the same 1/500 in different appertures? my shutter
is a leaf shutter.

-
woody
maja@dwf.de - 08 May 2007 14:58 GMT
> did you both ment to say that a leaf shutter will exposure different
> amount of light for the same 1/500 in different appertures? my shutter
> is a leaf shutter.

Yes, a well known fact. I just wouldn't expect to see the difference
with anything but a slow color chrome filme like Velvia 50.

Martin
Steven Woody - 07 May 2007 07:27 GMT
> > You would need to test the actual timing of each shutter speed to judge its
> > accuracy.  You can usually get this done at a camera store for free or low
[quoted text clipped - 30 lines]
> IL Voice: (07)-7424-1667  Fax ONLY: 972-2-648-1443 U.S. Voice: 1-215-821-1838
> Visit my 'blog athttp://geoffstechno.livejournal.com/

thank you.  ensure the exposures are relatively consistent rather than
all the way accurate is my real intent.  thank you Randy, i've got the
idea. one question left: it seems you think 1/8 is not with the same
group of 1/15, 1/30, does it?

-
woody
 
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