
Signature
well, it looked good on paper
JF:
As a matter of fact, I ordered a dozen rolls of HP-5 yesterday, suspecting
it was the Ilford equivalent of Tri-X. I also suspected the Delta emulsion
was similar to Kodak's T-Max technology--which I never cared for--and your
note confirms that.
So how about developer? I have quite a bit of D-76 stocked ahead, and I
thought I'd begin by developing the HP-5 according to the Tri-X specs.
Would that work?
Years ago I wrote a little book about a down-and-dirty Zone System approach,
using variable film-development times to control negative contrast. That
was keyed to Tri-X and D-76, so it looks as if I may have to do some
recalibrations with HP-5. And, given my suspicion that Kodak is easing out
of the film/chemical business, maybe I'd better switch to an Ilford
developer sooner rather than later.
Thanks for the tip, and I'd appreciate your thinking about the items above.
Best,
Dick Behan
Lopez Island, Washington
(I tried sending this note just to you via email, but it was rejected.)
>> Thanks, folks,
>>
[quoted text clipped - 14 lines]
>
> j f
Q.G. de Bakker - 17 Mar 2007 13:46 GMT
R.W. Behan
> So how about developer? I have quite a bit of D-76 stocked ahead, [...]
>
> [...] maybe I'd better switch to an Ilford
> developer sooner rather than later.
Ilford ID11 and Kodak D76 are the same stuff, same formulation.
R.W. Behan - 17 Mar 2007 17:31 GMT
Mr. de Bakker:
Thanks for the tip. I will rest at ease.
Cheers,
Dick Behan
> R.W. Behan
>
[quoted text clipped - 4 lines]
>
> Ilford ID11 and Kodak D76 are the same stuff, same formulation.
Bogdan Karasek - 17 Mar 2007 18:19 GMT
Hi,
Would it be possible to receive a copy or where I can get a copy. I
have also been using Tri-x since the early '60s and am always interested
in what others have managed to do with the film. The film has changed
over the years (I still treat it as a 200 iso film) and it is still my
workhorse in 35mm, push, pull, it does it all.
Cheers,
Bogdan
snip
> Years ago I wrote a little book about a down-and-dirty Zone System approach,
> using variable film-development times to control negative contrast. That
> was keyed to Tri-X and D-76,
snip
> Best,
>
[quoted text clipped - 21 lines]
>>
>>j f

Signature
__________________________________________________________________
Bogdan Karasek
Montréal, Québec e-mail: bkarasek@videotron.ca
Canada
"Wovon man nicht sprechen kann, darüber muss man schweigen"
"What we cannot speak about we must pass over in silence"
Ludwig Wittgenstein
________________________________________________________________
R.W. Behan - 17 Mar 2007 19:04 GMT
Bogdan;
Sure. I have a few old dusty copies and would be happy to send one. Send
me your mailing address.
Best,
Dick
> Hi,
>
[quoted text clipped - 41 lines]
>>>
>>>j f