Dan,
I saw one once in a Tele-Rollei, where it seems to me, that it might
have some effect, since telephotos have much less depth of field than
normal focal-length lenses. But I used the Rollei 2.8 for some years
and never noticed any lack of sharpness without the glass. Admittedly,
I rarely shot with it wide open--- usually stopped down at least two
stops or more, but I'm very pleased with the 11X14's I made with it.
Larry
>Reading the manual for the F2.8, it mentions an optional optically flat
>glass(beveled) that can be inserted on the existing pressure plate to
[quoted text clipped - 7 lines]
>about this and it is deemed to be a worthwhile item, does anyone know
>where to get one?
Stacey - 24 Dec 2004 07:45 GMT
> Dan,
>
> I saw one once in a Tele-Rollei, where it seems to me, that it might
> have some effect, since telephotos have much less depth of field than
> normal focal-length lenses.
But a tele has more depth of focus so a flat film plane isn't a critical as
on a normal or a wide angle lens.
I do agree this glass plate will probably cause more problems than it will
fix.

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Stacey
LR Kalajainen - 24 Dec 2004 13:00 GMT
I'd worry more about dust on the glass plate than on any improvement in
sharpness it might add.
>
>
[quoted text clipped - 10 lines]
> I do agree this glass plate will probably cause more problems than it will
>fix.
Stacey - 24 Dec 2004 19:25 GMT
> I'd worry more about dust on the glass plate than on any improvement in
> sharpness it might add.
That and scratching the film etc.

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Stacey
jjs - 24 Dec 2004 16:06 GMT
> But a tele has more depth of focus so a flat film plane isn't a critical
> as
> on a normal or a wide angle lens.
Explain, please.
Stacey - 24 Dec 2004 19:36 GMT
>> But a tele has more depth of focus so a flat film plane isn't a critical
>> as
>> on a normal or a wide angle lens.
>
> Explain, please.
The shorter the lens, the less depth of =focus= it has i.e. the depth of
field behind the lens is shallower while the depth of field in front is
greater. It's why lenses like the 35mm mamiya 645 lens works better with
220 film than with 120. I bet your biogon would also work better with a 220
film back for this reason.
If you want to prove this to yourself, get say a couple of medium format
lenses of 50mm or less and 150mm or more, rack them from 3 meters to
infinity and measure how far each lens moves in it's mount to acomplish
this shift in focus distance. It's why trying to focus a short lens on a
view camera is such a bitch and long lenses seem so much easier.It takes
very little front standard movemt to shift the focus a bunch. With medium
format lenses, the short lenses have a much finer focus thread to make this
less of a problem.
I like many people I used to assume since there is more depth of field in
front of the lens, there would also be more at the film plane. But that's
not how it works.

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Stacey
jjs - 24 Dec 2004 19:47 GMT
>> Explain, please.
> The shorter the lens, the less depth of =focus= it has i.e. the depth of
[quoted text clipped - 3 lines]
> 220
> film back for this reason.
Are you suggesting that the paper backing of 120 is really a bad thing? I
hadn't thought of it. I should think that 220 and 120 backs would be made
with different film-distance if the backing were a significant issue.
Regarding the 3" Biogon - it's working very well with the Sinar back, but
just today (Merry Christmas) I got the 120 6x12 rollfilm back. I'll try it
out.
Concerning the rest of your assertion, well I suppose I had best hit the
books because intuition fails me in this case.
>Because it is a thin piece of glass I wonder too if they all broke
>making the user just give up altogether in using it.
I would guess that most folks gave up using the glass because it was
impossible to keep it clean enough.

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Paul Friday
Never seen this glass plate for the back.
But I have two Rolleiflex and I don't miss the glass plate.
There's enough sharpness the same.
For sharpness, IMO it's better to have an accurate focusing knob and a hood clear.
ciaO!!

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ed io imparo...