Photo Forum / Film Photography / Medium format / September 2004
TP120- followup
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Martin Francis - 04 Sep 2004 01:08 GMT http://wwwuk.kodak.com/global/en/professional/products/films/bw/catalog/kodakPro fessionalTechnicalPanFilm.jhtml?id=0.1.18.14.21.24.18&lc=en
looks like the whole "manufactured 'til December" thing was a few months off...
 Signature Martin Francis http://www.sixbysix.co.uk "Go not to Usenet for counsel, for it will say both no, and yes, and no, and yes...."
Ron Todd - 04 Sep 2004 01:42 GMT >http://wwwuk.kodak.com/global/en/professional/products/films/bw/catalog/kodakPro fessionalTechnicalPanFilm.jhtml?id=0.1.18.14.21.24.18&lc=en > >looks like the whole "manufactured 'til December" thing was a few months >off... Probably meant, expecting to run out of remaining stock in December.
steven.sawyer@banet.net - 05 Sep 2004 01:52 GMT I didn't get that. They haven't actually manufactured the product in years? Why didn't they announce this when they actually stopped manufacturing the product. Something's rotten in Denmark! (or is it Rochester) I was thinking about writing a letter to Kodak, threatening to stop buying their E6 and C41 products if they stopped shipping Tech Pan, but then I thought about it and realized that I had done that already.
> http://wwwuk.kodak.com/global/en/professional/products/films/bw/catalog/kodakPro fessionalTechnicalPanFilm.jhtml?id=0.1.18.14.21.24.18&lc=en > [quoted text clipped - 5 lines] > "Go not to Usenet for counsel, for it will say both no, and yes, and > no, and yes...." Ken Nadvornick - 05 Sep 2004 02:22 GMT > I was thinking about writing a letter to Kodak, threatening to > stop buying their E6 and C41 products if they stopped shipping > Tech Pan, but then I thought about it and realized that I had > done that already. Maybe we need to write letters to Kodak informing them that if this is how they treat their long-time, loyal film customers, then when the time does come we'll definitely never buy any of their *digital* offerings - hardware, software or supplies. After all, if they demonstrate they can no longer be counted upon in the traditional photography arena, why should they be accorded any trust in the digital gadgets arena?
Just a thought...
Ken
Michael Scarpitti - 07 Sep 2004 03:28 GMT > > I was thinking about writing a letter to Kodak, threatening to > > stop buying their E6 and C41 products if they stopped shipping [quoted text clipped - 11 lines] > > Ken My experienecs with Tech Pan are limited, but it was difficult to get the stuff to develop properly. I gave up. Ilford Pan-F is as fine-grained as I need.
McLeod - 08 Sep 2004 22:37 GMT >My experienecs with Tech Pan are limited, but it was difficult to get >the stuff to develop properly. I gave up. Ilford Pan-F is as >fine-grained as I need. Jeez, by your own admission you can't develop Tech Pan, any T-Max films, and the 1960's football images and "waffle boy" images you were so proud to post earlier blew chunks. What can you do and why should anyone listen to you?
Michael Scarpitti - 10 Sep 2004 14:45 GMT > >My experienecs with Tech Pan are limited, but it was difficult to get > >the stuff to develop properly. I gave up. Ilford Pan-F is as > >fine-grained as I need. > > Jeez, by your own admission you can't develop Tech Pan, It could be that Paterson tanks just don't get along well with that developer.
> any T-Max > films, I develop them just fine. They're designed for studio work. I do outdoor work. T-Max films are useless for my purposes.
> and the 1960's football images and "waffle boy" images you were > so proud to post earlier blew chunks. 'Waffle Boy' has been very highly prsed by many people. It's better than 'Man Leaping over Puddle' by HCB. What content!
> What can you do and why should > anyone listen to you? Because I know more than almost anybody on the planet about 35mm monochrome.
Michael R. Lachance - 10 Sep 2004 14:51 GMT "Michael Scarpitti" wrote in message
> Because I know more than almost anybody on the planet > about 35mm monochrome.
This could very well be the stupidest man alive.
ML
Jim Phelps - 11 Sep 2004 15:02 GMT > "Michael Scarpitti" wrote in message > [quoted text clipped - 4 lines] > > ML A great many of us have already made this decision. He is...
Uranium Committee - 12 Sep 2004 20:28 GMT > > "Michael Scarpitti" wrote in message > > [quoted text clipped - 6 lines] > > A great many of us have already made this decision. He is... Ha ha ha. If you would be so kind, please tell me where you THINK I am mistaken. I'll set you straight.
Jim Phelps - 13 Sep 2004 07:09 GMT >> > "Michael Scarpitti" wrote in message >> > [quoted text clipped - 9 lines] > Ha ha ha. If you would be so kind, please tell me where you THINK I am > mistaken. I'll set you straight. Hey Mike, I though you didn't know how to change your setting and that you were a computer ignoramus. Go stalk your self..
Uranium Committee - 13 Sep 2004 14:45 GMT > >> > "Michael Scarpitti" wrote in message > >> > [quoted text clipped - 12 lines] > Hey Mike, I though you didn't know how to change your setting and that you > were a computer ignoramus. Go stalk your self.. When I publish my book, don't come crying to me...a.shole...
Jim Phelps - 13 Sep 2004 16:06 GMT > When I publish my book, don't come crying to me...a.shole... Please let me sign up to be the first NOT TO BUY IT. It'll be a flop, for sure...
jjs - 13 Sep 2004 16:24 GMT > When I publish my book, don't come crying to me...a.shole... Vanity Press will print anything. I can see it now, "Nostradamus Gives B&W Advice".
Uranium Committee - 13 Sep 2004 20:19 GMT > > When I publish my book, don't come crying to me...a.shole... > > Please let me sign up to be the first NOT TO BUY IT. It'll be a flop, for > sure... Given that 90% of the books available are crap, mine is certain to succeed. Please continue in your ignorant ways....it makes you such an easy mark...
Let me give you a clew:
Most of the material will be derived from Kodak's own publications, as well as other authorities.
Do you know what 'authorities' are, huh? They are people who know what the f.ck they are talking abiout, not internet losers like you...
jjs - 13 Sep 2004 21:05 GMT >> > When I publish my book, don't come crying to me...a.shole... >> [quoted text clipped - 4 lines] > Given that 90% of the books available are crap, mine is certain to > succeed. Given that 90% of all books are crap, yours will fit right in.
Jim Phelps - 13 Sep 2004 22:52 GMT >> > When I publish my book, don't come crying to me...a.shole... >> [quoted text clipped - 13 lines] > Do you know what 'authorities' are, huh? They are people who know what > the f.ck they are talking abiout, not internet losers like you... Well, assfuck. Seeing as this surely will make you a "Professional Photographer" and by your own rules - Stupid. So, using your own rules and extrapolating it to any product from you, your book will be stupid. And now for your 'Clue'. It's spelled C L U E. You may need to use a spell checker so your book isn't that STUPID! Or are you typing it on a 40 year old typewriter which is as old as the rest of your resource material.
I apologize to the civilized among us for my language. I can't take any more of this jerk.
Uranium Committee - 14 Sep 2004 04:28 GMT > >> > When I publish my book, don't come crying to me...a.shole... > >> [quoted text clipped - 23 lines] > I apologize to the civilized among us for my language. I can't take any > more of this jerk. That's because you're such an ignorant fool who can't handle the truth.
Michael R. Lachance - 13 Sep 2004 16:21 GMT > When I publish my book, don't come crying to me...a.shole... It is bound to be right up there with the best seller: PSYCHO BITCH: The Martha Stewart Story.
As a matter of fact, Amazon is planning on pairing them up for a "Best Value" promotion, buy 3 monthsupply of Prozac and you get both books FREE!
ML
jjs - 13 Sep 2004 16:26 GMT >> When I publish my book, don't come crying to me...a.shole... > > It is bound to be right up there with the best seller: > PSYCHO BITCH: The Martha Stewart Story. Martha is coming back with a 30 minute show called "Cooking Again with Martha" and there will be a 60 minute follow-up entitled "Cleaning Up After the Bitch".
Michael R. Lachance - 13 Sep 2004 16:46 GMT > >> When I publish my book, don't come crying to me...a.shole... > > [quoted text clipped - 4 lines] > Martha" and there will be a 60 minute follow-up entitled "Cleaning Up After > the Bitch". Eeei! Ive been bested!
Salute!
Mike Lachance
Jim Phelps - 13 Sep 2004 18:48 GMT I wonder if Mikey will include a self portrait. Or will Waffle Bastard be on the back coverleaf??? Who cares!!!!
Uranium Committee - 12 Sep 2004 20:26 GMT > "Michael Scarpitti" wrote in message > [quoted text clipped - 4 lines] > > ML Why? Because I don't accept the drivel spouted by photographic idiots? Are you one of them?
Tell me where you THINK I' wrong, and I'll set you straight.
dr bob - 11 Sep 2004 15:09 GMT > > What can you do and why should > > anyone listen to you? > > Because I know more than almost anybody on the planet about 35mm > monochrome. OH Mike. This is the _Medium_ Format equipment forum.
Jim Phelps - 11 Sep 2004 16:20 GMT >> McLeod <cerveza61@sympatico.ca> wrote in message > news:<imuuj0teunfqgjkahgocrm1elbi8nmvia4@4ax.com>... [quoted text clipped - 6 lines] > > OH Mike. This is the _Medium_ Format equipment forum. Doesn't he use a Leica Medium Format? ;~)))
Neil Gould - 05 Sep 2004 12:23 GMT Recently, steven.sawyer@banet.net <steven.sawyer@banet.net> posted:
> I didn't get that. They haven't actually manufactured the product in > years? Why didn't they announce this when they actually stopped > manufacturing the product. Something's rotten in Denmark! (or is it > Rochester) What might that be? Isn't it more telling that they can shut down production for years without running out of inventory? From this, it seems clear that the market has abandoned TP, not the other way around.
Neil
Ron Todd - 05 Sep 2004 16:30 GMT >Recently, steven.sawyer@banet.net <steven.sawyer@banet.net> posted: > [quoted text clipped - 6 lines] >production for years without running out of inventory? From this, it seems >clear that the market has abandoned TP, not the other way around. Yes, that is the explanation although most refuse to see it. AIR, I read a line in Kodak's 10k filing with the SEC where they stated that sales of low ISO emulsions had died.
When you have a publicly held company, widows and orphans depending on those dividends, you can't subsidize the money loosing lines. As much techno geek status as there was in creating and manufacturing a product like TP, if they can't make money on it, they have to drop it.
Nick Zentena - 05 Sep 2004 16:43 GMT > Recently, steven.sawyer@banet.net <steven.sawyer@banet.net> posted: > [quoted text clipped - 6 lines] > production for years without running out of inventory? From this, it seems > clear that the market has abandoned TP, not the other way around. Telling of what? 1) They can't manage thier inventory? 2) Thier batch size is so huge they have to make one batch representing several years of demand?
3) They invested so little in promoting the film nobody knew it existed? Maybe people did stop wanting it but I wonder. Nick
RSD99 - 05 Sep 2004 18:22 GMT "Nick Zentena" posted: "... 2) Thier batch size is so huge they have to make one batch representing several years of demand? ..."
Bingo ...
That's "the nature of the beast."
Picture a 'sheet' of plastic, something like 12" to 36" wide and several MILES long. That is coated with the 'emulsion' layer(s), slit to the specified width, cut to the specified length, and packaged to become that little roll of film you purchase at the drug store.
It is only economical to manufacture this kind of product in batches of several million rolls ...
Nick Zentena - 05 Sep 2004 21:02 GMT > "Nick Zentena" posted: > "... [quoted text clipped - 15 lines] > It is only economical to manufacture this kind of product in > batches of several million rolls ... Didn't Konica used make it's IR film once a year? I'd guess an IR film wouldn't exactly be a big seller either.
Nick
steven.sawyer@banet.net - 06 Sep 2004 19:23 GMT What I find interesting is that it appears that it's more of an issue of inconvienience that profits for Kodak. Go ahead and make it on a different base with different gels. It might turn out to be an improvement.
> Recently, steven.sawyer@banet.net <steven.sawyer@banet.net> posted: > [quoted text clipped - 8 lines] > > Neil Q.G. de Bakker - 06 Sep 2004 19:44 GMT > What I find interesting is that it appears that it's more of an issue of > inconvienience that profits for Kodak. Go ahead and make it on a different > base with different gels. It might turn out to be an improvement. ... which still noone wil buy.
It's an issue of not producing things only to keep them in stock until shelf-life expires and they become waste that needs to be disposed of carefully.
steven.sawyer@banet.net - 06 Sep 2004 19:48 GMT I know quite a few people that use this film. Kodak's just got to work out a different way of selling this stuff. Maybe sell it in ten roll packages and force the users to mop up the inventory. Or maybe set up something on amazon.com where users can buy the product in advance of production and when enough buyers have signed up, start coating the base. If the issue is simply one of inconvenience, then it's a management issue. If film is going survive, Kodak's got to look at alternative ways of marketing the product.
> > What I find interesting is that it appears that it's more of an issue of > > inconvienience that profits for Kodak. Go ahead and make it on a [quoted text clipped - 6 lines] > shelf-life expires and they become waste that needs to be disposed of > carefully. Q.G. de Bakker - 06 Sep 2004 20:05 GMT > I know quite a few people that use this film. Kodak's just got to work out a > different way of selling this stuff. Maybe sell it in ten roll packages and > force the users to mop up the inventory. Or maybe set up something on > amazon.com where users can buy the product in advance of production and when > enough buyers have signed up, start coating the base. If the issue is simply > one of inconvenience, then it's a management issue. Yes.
And if it is one of having a product that will not sell, despite the "quite a few people" (now if it were "quite many"... ;-)), it's a financial issue, and a sound decision to quite pushing.
> If film is going survive, > Kodak's got to look at alternative ways of marketing the product. Maybe. But maybe film is not going to... nah... can't be. Still, it is very hard trying to sell something to people who simply do not want it.
steven.sawyer@banet.net - 06 Sep 2004 20:49 GMT How many people buy Aston-Martins each year? I'm sure a lot fewer than those who buy Tech-Pan, but it's still in production isn't it? The issue for Kodak should be profits. That's what the Economics 101 textbook teaches isn't it? If it's too inconvenient for them to make then they should sell the formula. How much Bergger or Eke film is sold? If that stuff can continue in production, so can Tech Pan. I agree that photographers don't use as much of the stuff as they should, given that it is the highest resolving B&W film out there. Kodak should fix a minimum quantity as was mentioned below or they should jack up the price to $12/ a roll. If the issue is profits fine, but if it's one of inconvenience, then shame on Kodak.
> > I know quite a few people that use this film. Kodak's just got to work > out a [quoted text clipped - 20 lines] > Still, it is very hard trying to sell something to people who simply do not > want it. Neil Gould - 07 Sep 2004 12:26 GMT Recently, steven.sawyer@banet.net <steven.sawyer@banet.net> posted:
> How many people buy Aston-Martins each year? I'm sure a lot fewer > than those who buy Tech-Pan, but it's still in production isn't it? [quoted text clipped - 7 lines] > should jack up the price to $12/ a roll. If the issue is profits > fine, but if it's one of inconvenience, then shame on Kodak. The problem with this notion is that it presumes that the same number of TP users will continue to use it regardless of the price. This flies in the face of Economics 101, which dictates that there is an inverse relationship between price and the number of purchasers. Kodak can't win that one, either, because they need *more* purchasers, not fewer, in order to support the production capability.
If it were *my* factory that required a dedicated room to produce a product that only sold in levels such that the market could be supplied for years with a 1-week production run, it would certainly make me think, "Hmmm... what's wrong with this picture?"
Neil
Nick Zentena - 07 Sep 2004 13:10 GMT > The problem with this notion is that it presumes that the same number of > TP users will continue to use it regardless of the price. This flies in > the face of Economics 101, which dictates that there is an inverse > relationship between price and the number of purchasers. Kodak can't win Some things go down in volume with price. Some stay steady. Some go up with price.
Nick
Mxsmanic - 07 Sep 2004 15:02 GMT > If it were *my* factory that required a dedicated room to produce a > product that only sold in levels such that the market could be supplied > for years with a 1-week production run, it would certainly make me think, > "Hmmm... what's wrong with this picture?" Then again, why not? It's only one week, and it lasts for years.
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Neil Gould - 07 Sep 2004 16:03 GMT Recently, Mxsmanic <mxsmanic@hotmail.com> posted:
>> If it were *my* factory that required a dedicated room to produce a >> product that only sold in levels such that the market could be >> supplied for years with a 1-week production run, it would certainly >> make me think, "Hmmm... what's wrong with this picture?" > > Then again, why not? It's only one week, and it lasts for years. -- Photographic materials don't produce themselves. You need a skilled workforce trained and maintaining the knowledge base required for making the product. With a product that requires only a short production run every few years, that knowledge base is going to disappear in a relatively short period of time.
-- Sources for critical or specialized materials will dry up if you aren't consuming in sufficient volumes to support their continuation. In most cases, it is impractical (or impossible) start producing those products in-house.
-- If that same space can be productive for the other 51 weeks of the year by producing another product, the company is *way* ahead, because of the above.
Neil
Mxsmanic - 07 Sep 2004 19:28 GMT > With a product that requires only a short production run > every few years, that knowledge base is going to disappear in a relatively > short period of time. All films are pretty much the same in most respects. If you have people who can run one batch, they can run another. Otherwise coming up with new films would be prohibitively expensive.
> -- Sources for critical or specialized materials will dry up if you aren't > consuming in sufficient volumes to support their continuation. In most > cases, it is impractical (or impossible) start producing those products > in-house. Which such materials are required for Tech Pan?
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Neil Gould - 07 Sep 2004 22:15 GMT Recently, Mxsmanic <mxsmanic@hotmail.com> posted:
>> With a product that requires only a short production run >> every few years, that knowledge base is going to disappear in a [quoted text clipped - 3 lines] > people who can run one batch, they can run another. Otherwise coming > up with new films would be prohibitively expensive. On the other hand, one can say that all table saw operations "are pretty much the same in most respects". None the less, there are differences that can make some operators "specialists". As TP is a specialized product, I wouldn't be at all surprised to find such differences. I also don't see the connection between R&D -- "coming up with new films" -- and these production issues.
>> -- Sources for critical or specialized materials will dry up if you >> aren't consuming in sufficient volumes to support their >> continuation. In most cases, it is impractical (or impossible) start >> producing those products in-house. > > Which such materials are required for Tech Pan? I see that you didn't read the original Kodak statement referenced by Martin Francis that began this thread? Why not start there?
Neil
Mxsmanic - 08 Sep 2004 01:34 GMT > I also don't see > the connection between R&D -- "coming up with new films" -- and these > production issues. If each coating were a specialty, then coming up with new films would be extremely expensive, as you'd need to train new specialists for each film.
> I see that you didn't read the original Kodak statement referenced by > Martin Francis that began this thread? I did, but they didn't answer the question, either.
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RSD99 - 08 Sep 2004 06:08 GMT "Mxsmanic" posted: "...
> I see that you didn't read the original Kodak statement referenced by > Martin Francis that began this thread? I did, but they didn't answer the question, either. ..."
Actually ... it did. IIRC, your question was "... Which such materials are required for Tech Pan? ..."
= = = = = Begin Quote = = = = = The last Tech Pan coating was several years ago. Since that time, the old coating room has been shut down, the gels used in the product formulation have become obsolete, and we no longer manufacture the ESTAR support on which the 35 mm product was coated. = = = = = End Quote = = = = =
Apparently the materials no longer available are
(1) The "coating room" ... which is a LOT more than "just a room" ... it includes the rather specialized equipment used to spread a very thin and uniform layer of the emulsion on the film base, and etcetera ... [IIRC, Tech Pan had a very thin emulsion ... one of the reasons why it was "so sharp."]
(2) The gels used to formulate the emulsion are "obsolete" and not being produced for any other use ...
(3) The special 'film base' that is coated. This was a special Estar material, special composition and special thickness (IIRC).
Bottom line is that it would probably cost Kodak much more $$$ to "recreate" Tech Pan than they could ever hope to receive in sales.
They go on to say "... There would be considerable cost to recreate the product, with no guarantee that it would look and act the same as the Tech Pan Film of old. ..."
Therefore ... another technology is lost.
steven.sawyer@banet.net - 09 Sep 2004 01:47 GMT I love how everyone buys Kodak's line of crap. I can see none of you have worked in a big corporate environment. OK, I'll buy that it's inconvenient for Kodak to continue manufacturing the film. But isn't it funny that the sob story that Kodak's telling has to do mostly with producing the film and not how much profit per roll Kodak's been collecting on the last batch produced. Nowhere do they say that a subsequent batch will be un-profitable, just that it'll be a big pain in the butt to produce.
> "Mxsmanic" posted: > "... [quoted text clipped - 42 lines] > > Therefore ... another technology is lost. jjs - 09 Sep 2004 17:23 GMT >I love how everyone buys Kodak's line of crap. I can see none of you > have worked in a big corporate environment. OK, I'll buy that it's [quoted text clipped - 4 lines] > subsequent batch will be un-profitable, just that it'll be a big pain in > the butt to produce. Were you expecting a cost and outcome report?
steven.sawyer@banet.net - 11 Sep 2004 00:58 GMT Well, I believe they've given you one by using manufacturing inconvenience as their excuse instead of profits.
> >I love how everyone buys Kodak's line of crap. I can see none of you > > have worked in a big corporate environment. OK, I'll buy that it's [quoted text clipped - 6 lines] > > Were you expecting a cost and outcome report? Neil Gould - 11 Sep 2004 12:54 GMT Recently, steven.sawyer@banet.net <steven.sawyer@banet.net> posted:
> Well, I believe they've given you one by using manufacturing > inconvenience as their excuse instead of profits. The way *I* read their statement, it's a very small extrapolation from those "manufacturing inconvenience" points to understand its poor profitability. One only has to consider that almost *anything* else that uses those resources more efficiently and that doesn't require re-engineering of all the basic materials will exceed the profitabililty of TP.
Neil
Tom Bombadil - 11 Sep 2004 14:28 GMT Neil Gould wrote, in rec.photo.equipment.medium-format:
> The way *I* read their statement, it's a very small extrapolation from > those "manufacturing inconvenience" points to understand its poor [quoted text clipped - 4 lines] > > Neil Oh man, I've definitely been reading this thread too long. I totally forgot it was about Tech Pan until I read your final word "TP"! I've been preoccupied with the fact that Kodak has just closed their film lab in New Jersey, abandoning all Kodachrome processing in the United States to a single remaining third party, Dwaynes Photo in Kansas. Of course turnaround time has increased dramatically, and this will help drive down sales, paving the way for a "justifiable" discontinuance of the product itself.
This may be an efficient use of resources for Kodak. I call it shameful.
But oops, medium format Kodachrome was lost years ago, so:
OT! OT! Followups to rec.photo.film+labs, please.
-Tom
steven.sawyer@banet.net - 11 Sep 2004 17:56 GMT I believe it's the reflection of a defeatist "cash cow" mentality at Kodak. They've bought into the digital hype and are convinced that film will ultimately disappear, so now they'll just milk the cow until it dies. Where's the money now? C41 obviously, but where will the money be tommorow? On niche film products that appeal to artists and die-hard enthusiasts.
> Neil Gould wrote, in rec.photo.equipment.medium-format: > [quoted text clipped - 23 lines] > > -Tom Geoffrey S. Mendelson - 11 Sep 2004 23:51 GMT > I believe it's the reflection of a defeatist "cash cow" mentality at Kodak. > They've bought into the digital hype and are convinced that film will > ultimately disappear, so now they'll just milk the cow until it dies. What else can they do? There really hasn't been any significant development in monochromatic film technology since the 80s, T-grain and chromogenic film, both spin offs of color film technology.
Despite what any of us want, digital is the technology of the future, and it will replace film the way that video replaced home movies.
What they've done is to "streamline" their operations, moving monochrome film production to the same plant as color and dropping the overly complex kodachrome, which from a business point of view should have died with the the development of the simple, enivromently friendly Ektachrome.
I'm not saying it should of, but to be honest if Kodak lived by my kodachrome purchases in the last 10 years they would be out of business.
> Where's > the money now? C41 obviously, but where will the money be tommorow? On niche > film products that appeal to artists and die-hard enthusiasts. The money is on hybrid digital/analog processes, such as optical printing of digital "pictures". Until someone can come up with a digital method that is as cheap and good looking as a regular print.
Or until printer manufactures figgure out how to make a good looking, long lasting inkjet where the true economics of the printing process are in force. Or in plain English, you don't pay $25 for a cartridge with $.50 worth of ink in it.
The end will be due to economics pure and simple. When will it cost $50 for a roll of film? How many will you buy at that price.
When I first saw this thread, I thought that TP meant TRI-X Pan. Same thoughts but not as quickly, But it will happen.
Maybe in the future, film will be sold by subscription. Someone will contract Kodak to make a production run of for example, TP-120, only after they have sold enough rolls in paid advance to cover the cost of the run.
If you had to buy 10,000 rolls at $10 each, do you think you could get enough paid in advance sales to do it? How much would you have to charge for each roll to cover your administrative, packaging and shipping costs?
Maybe we could convince Kodak to place the formula for "abandonedware" products in the public domain? Then we could get a small company to produce a much smaller run for example, how about using Verichrome (not VP) in that old box camera, or good old fashinoned Panatomic-X?
Geoff.
 Signature Geoffrey S. Mendelson, C.T.O. GW&T Ltd., Jerusalem Israel gsm@mendelson.com gsm@gwandt.com IL Voice: 972-544-608-069 IL Fax: 972-2-648-1443 U.S. Voice: 1-215-821-1838
The Wogster - 12 Sep 2004 02:26 GMT >> I believe it's the reflection of a defeatist "cash cow" mentality at Kodak. >> They've bought into the digital hype and are convinced that film will [quoted text clipped - 11 lines] >kodachrome, which from a business point of view should have died with the >the development of the simple, enivromently friendly Ektachrome. I doubt there is much more they could do with monochrome, except maybe introduce some different speed emulsions, I expect in about 10 years, traditional MQ processes for B&W will probably die out, replaced by Chromogenics. I have shot a lot of FP-4 and HP-5 over the years, tried XP-2 and will try BW400CN, in that it's cheaper and easier to get processed. Come to think of it, if you have a film scanner, you can simply get a C-41 kit, process both your colour and Black & White in the same soup, and not run multiple processes.
Kodachrome, has a lot of steps, and nothing else can be processed with it, since any other colour reversal film, by any manufacturer, uses E6. Will film die out, probably not, however there will be fewer films, and fewer film manufacturers. I expect that 25 years from now, there will be a half dozen film choices, a couple of B&W Chromogenics, and couple of negative films, and a couple of reversal films, the choice of speeds will be smaller, probably all will be 400ASA. A company in China or India will do the manufacturing of 2m x 500m rolls of film, and a few local distribution companies, will buy these rolls, and cut and package the films.
W
>I'm not saying it should of, but to be honest if Kodak lived by my kodachrome >purchases in the last 10 years they would be out of business. [quoted text clipped - 33 lines] > >Geoff. Mxsmanic - 12 Sep 2004 03:42 GMT > Despite what any of us want, digital is the technology of the future, > and it will replace film the way that video replaced home movies. Or it will remain, in the way that film has not been replaced by video in motion pictures.
> If you had to buy 10,000 rolls at $10 each, do you think you could get enough > paid in advance sales to do it? Well, some people are willing to pay $8000 in advance to take pictures with a chip.
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Bob Monaghan - 12 Sep 2004 04:44 GMT well, film sales in USA were ~1 billion roll equiv. in 2000, 822 million rolls of 35mm (see http://medfmt.8k.com/third/economics.html ) and
SILVER HALIDE BASED FILM SALES: 2000 2001 Europe 25%/ 790 mln 26%/ 810 mln USA 25%/ 770 mln 23%/ 720 mln Japan 13%/ 390 mln 13%/ 390 mln RoW 37%/ 1150 mln 38%/ 1200 mln
Total 3100 mln (+ 3%) 3120 mln (+ 1%)
with 350 mln single use cameras 370 mln single use cameras
a previous posting at the above URL estimated only 1 million rolls/yr per emulsion in 120/220 MF, at an average wholesale price of circa $2 (e.g., Kodak).
On the other hand, some film makers have had only a few % of USA marketshare in film, yet continued to sell despite total USA sales of only 7 to 15 million rolls/year ($10-25 million/yr wholesale).
So you can read this either way ;-) The good news is that despite modest volumes (1 million rolls/yr) per emulsion worldwide, 120/220 MF film continues to be produced and sold, and remains part of the "cash cow" side of Kodak and other producers. The bad news is that each emulsion only represents on average a few million dollars in sales, and so only a $100,000 or so in profits on average. Popular sellers (velvia, portra 160) may do much better, so some 120/220 emulsions must be more marginal in sales and profits (e.g., 250,000 rolls/yr = $25k in profits only).
With film sales overall dropping circa 17% this last year per some posted reports, you would expect the loss of 7 (.17*40) marginal emulsions - cf. loss of 220 filmstocks (Ilford..), kodachromes, Ektar 25, VPS, etc.
I have wrongly assumed that corporations like Kodak would protect their unique film offerings as an effective monopoly, e.g., kodachrome, ektar 25, and charge what the market might bear. This does NOT seem to be happening. Instead, unique films are being lost, with nearly all the slow very fine grained films now gone, as I've noted in a prior posting.
Conversely, this means that Kodak really is going to compete on price for their remaining products against Fuji, as they stated in their (in)famous press release on cannabalizing the film cash cow to support digital, no more film development etc. (since retracted, mostly).
So the implications are that film will get CHEAPER, and we won't have the option of paying more for less popular films, they are simply being shutdown. It remains to be seen if Ilford's plants remain shutdown or if the assets and film technologies reappear.
So I'm tending to agree that we will see a handful of popular film types and speeds left standing, if these trends continue. On the other hand, if all the remaining sales get concentrated in these few film stocks, they will be increasingly profitable to maintain (esp. with no R&D $ and using older plants long paid for..).
bobm
 Signature *********************************************************************** * Robert Monaghan POB 752182 Southern Methodist Univ. Dallas Tx 75275 * ********************Standard Disclaimers Apply*************************
Ron Todd - 12 Sep 2004 17:27 GMT ...
>I have wrongly assumed that corporations like Kodak would protect their >unique film offerings as an effective monopoly, e.g., kodachrome, ektar >25, and charge what the market might bear. This does NOT seem to be >happening. Instead, unique films are being lost, with nearly all the slow >very fine grained films now gone, as I've noted in a prior posting. ...
In those cases the sales volume dropped so low, that even though they were high margin items, there wasn't enough cash coming back to make a significant contribution to overhead.
Bob Monaghan - 13 Sep 2004 02:31 GMT yes, that make sense, but where does it stop? You cut one film like ektar 25, and now techpan is the low seller, so you cut it. Now you cut 220 films, as they aren't big sellers (as Ilford has). Now slide films are the low seller, so you cut them. Now B&W is the low seller, so you cut them, and...
as suggested, you end up with 8 choices of 400 ASA C41 color print film, and nothing else ;-)
Suppose film sales drop another 17% this year? The loss of films from Ilford's UK factories being shutdown, as one current example, would mean the loss of a series of films which are pretty popular with certain types of photo shooters and art users. As with the slow fine grained films we have lost, there are no true replacements for some of these emulsions.
time will tell...
bobm
 Signature *********************************************************************** * Robert Monaghan POB 752182 Southern Methodist Univ. Dallas Tx 75275 * ********************Standard Disclaimers Apply*************************
Michael Benveniste - 13 Sep 2004 04:19 GMT >yes, that make sense, but where does it stop? If there's sufficient demand, and that's a big if, niche providers step in to fill the gap. I believe Efke and Macophot still make traditional, silver rich ISO 25 films.
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Ron Todd - 13 Sep 2004 17:45 GMT >yes, that make sense, but where does it stop? ...
Well, it stops with the end of 120 B&W film. The demand just drops so low that it is unsupportable by a reasonably sized organization. It goes the way of the slide rule.
....
>Suppose film sales drop another 17% this year? The loss of films from >Ilford's UK factories being shutdown, as one current example, would mean >the loss of a series of films which are pretty popular with certain types >of photo shooters and art users. ....
I don't mean to be rude by stating the obvious, but "pretty popular" seems to be not enough to support commercial production.
Gordon Moat - 14 Sep 2004 03:16 GMT > >yes, that make sense, but where does it stop? > ... > > Well, it stops with the end of 120 B&W film. The demand just drops so > low that it is unsupportable by a reasonably sized organization. It > goes the way of the slide rule. Probably be a very long time before we ever see that. Even 5" by 7" B/W film is still available. Now maybe it will not be easy to get, or available only through internet or mail order, but not disappear.
The world is a much bigger place than Europe, North America and Japan. We might find that our choice of film is made in China, India, or somewhere in South America in the future, though I don't necessarily see that as a bad change.
> .... > [quoted text clipped - 7 lines] > I don't mean to be rude by stating the obvious, but "pretty popular" > seems to be not enough to support commercial production. Basically true. As long as profits can be made from film, some companies will continue to make it.
Ciao!
Gordon Moat A G Studio <http://www.allgstudio.com/gallery.html> Updated!
Ron Todd - 14 Sep 2004 06:33 GMT >> >yes, that make sense, but where does it stop? >> ... [quoted text clipped - 6 lines] >is still available. Now maybe it will not be easy to get, or available only >through internet or mail order, but not disappear. That is a good point, but sheet film is easier to produce than rolled products. It isn't difficult to do the cut off of the emulsion run. I imagine someone could cut Panatomic-X Aero ( I think Kodak was still selling this two years ago, maybe still is.) down for sheet film if there was enough of a demand. I imagine they could just as easily cut down to 120/220 for that matter.
The problem is when you get to rolls and spools. AIR,Film for Classics had to finally drop some of their sizes because their wasn't enough demand left to get the backing made up.
>The world is a much bigger place than Europe, North America and Japan. We >might find that our choice of film is made in China, India, or somewhere in >South America in the future, though I don't necessarily see that as a bad >change. ....
Yes, but that is trading on cheaper labor, less restrictive work rules, and the abscense of the EPA and the Green movement. I am sure most concerned and progressive photographers would go to the ramparts on that one.
>> I don't mean to be rude by stating the obvious, but "pretty popular" >> seems to be not enough to support commercial production. > >Basically true. As long as profits can be made from film, some companies will >continue to make it. ....
In part that is true, but there is less truth in it than appears on the surface. Profit is such a loose word and not really useful when trying to decide in a capital investment for a product line in a multi line enterprise. Fact of life: A rational man is not going to put his savings in a 1/2 % passbook account when he can get 2% on ninety-day certificates of deposit.
steven.sawyer@banet.net - 14 Sep 2004 01:47 GMT Where has it been announced that Ilford's factory will be closing?
> yes, that make sense, but where does it stop? You cut one film like ektar > 25, and now techpan is the low seller, so you cut it. Now you cut 220 [quoted text clipped - 18 lines] > * Robert Monaghan POB 752182 Southern Methodist Univ. Dallas Tx 75275 * > ********************Standard Disclaimers Apply************************* Gordon Moat - 13 Sep 2004 08:18 GMT > well, film sales in USA were ~1 billion roll equiv. in 2000, 822 million > rolls of 35mm (see http://medfmt.8k.com/third/economics.html ) and [quoted text clipped - 9 lines] > > with 350 mln single use cameras 370 mln single use cameras I do not have the figures handy, though the so called "One Time Use" cameras are currently the largest volume of film sales. The numbers have also increased in recent years. While few of us might ever use on of these, they are the big profit item for Fuji, Kodak, and AGFA.
> a previous posting at the above URL estimated only 1 million rolls/yr > per emulsion in 120/220 MF, at an average wholesale price of circa $2 [quoted text clipped - 3 lines] > marketshare in film, yet continued to sell despite total USA sales of only > 7 to 15 million rolls/year ($10-25 million/yr wholesale). One recent comment about Ilford on Reuters was that Ilford had about 60% market share of B/W films world-wide. I was a bit surprised on that figure, and I am not sure how accurate it is.
> So you can read this either way ;-) The good news is that despite modest > volumes (1 million rolls/yr) per emulsion worldwide, 120/220 MF film [quoted text clipped - 4 lines] > may do much better, so some 120/220 emulsions must be more marginal in > sales and profits (e.g., 250,000 rolls/yr = $25k in profits only). Profits are substantially better than what you can imagine. I had an interesting conversation today with a chemical engineer who works for Eastman Chemicals . . . guess what one of their products is used to make. Anyway, the biggest cost on film production is the packaging and shipping.
> With film sales overall dropping circa 17% this last year per some posted > reports, you would expect the loss of 7 (.17*40) marginal emulsions - cf. [quoted text clipped - 4 lines] > 25, and charge what the market might bear. This does NOT seem to be > happening. Did you check the pricing of Kodachrome lately, especially the "Pro" versions?
> Instead, unique films are being lost, with nearly all the slow > very fine grained films now gone, as I've noted in a prior posting. Replaced by a good many ISO 100 choices, some quite new. Maybe I am somewhat new to this compared to most of you guys, but I don't really miss Kodachrome, and I never even saw Ektar 25. I do miss AGFA APX25, though I am quite happy with APX100, and in general, ISO 100 films are just a little easier to use.
> Conversely, this means that Kodak really is going to compete on price for > their remaining products against Fuji, as they stated in their (in)famous > press release on cannabalizing the film cash cow to support digital, no > more film development etc. (since retracted, mostly). Of course, we are already seeing that stated idea not working. Also, why do so many people twist those words to mean all films, when in reality the release from Kodak only indicated that move for "consumer" films. At the moment when Fuji introduces a newer emulsion, you can bet that Kodak will soon introduce a competing product, if only to avoid more loss of market share.
> So the implications are that film will get CHEAPER, and we won't have the > option of paying more for less popular films, they are simply being > shutdown. It remains to be seen if Ilford's plants remain shutdown or if > the assets and film technologies reappear. Quite the dilemma . . . . . . . to the competitors, there is the chance to acquire technology, though another consideration is: let Ilford disappear, and divide up the remaining market for the currently made Kodak, Fuji, and AGFA products. I would definitely miss SFX, Pan F 50, and Delta 3200, though arguably Delta 3200 has a directly competing product from Kodak.
> So I'm tending to agree that we will see a handful of popular film types > and speeds left standing, if these trends continue. On the other hand, if > all the remaining sales get concentrated in these few film stocks, they > will be increasingly profitable to maintain (esp. with no R&D $ and using > older plants long paid for..). If Kodak and Fuji agreed to not compete on film products, then they could achieve that level. However, in the US, that sort of arrangement would fall foul to anti-trust laws.
I think a bigger issue is that the better films are fast becoming mail order only items, even in larger cities. Of course, this is a problem smaller retailers have experienced for years.
Ciao!
Gordon Moat A G Studio <http://www.allgstudio.com/gallery.html> Updated!
Derek Gee - 13 Sep 2004 01:32 GMT > Neil Gould wrote, in rec.photo.equipment.medium-format: > [quoted text clipped - 15 lines] > drive down sales, paving the way for a "justifiable" discontinuance > of the product itself. Frankly, anyone who is concerned with turnaround times was no longer using Kodachrome prior to Kodak's latest lab closure. The number of reasons to continue using Kodachrome are becoming fewer and fewer as the E-6 stocks improve. The biggest reason I can think of to use it is the better reproduction of blacks than the E-6 films. The other reasons I can think of are:
Proven dark stability High degree of sharpness Thin film travels smoother through cameras
The E-6 films have:
finer grain more saturated colors fast processing available
If you want Kodachrome to continue being made, better keep buying it, no matter what the turnaround times end up being.
Derek
Bob Monaghan - 13 Sep 2004 02:39 GMT I think kodachromes are being killed more for the issues with processing chemistry pollution (esp. in EU) than any technical issues with the film.
I further think this is going to have a lot more impact on the availability and cost of film development, if small labs have to reach much higher anti-pollution levels. The classification of silver as a heavy metal pollutant in the USA and EU bodes poorly for the costs of film based processing.
Unfortunately, I suspect environmental regulators will be unsympathetic, and the (pro-digital) photo industry won't make much or any effort to block this, seeing it as yet another way to promote digital? (remember how they didn't fight for a recycle setup for mercury batteries for all those millions of cameras and light meters they sold us still in use?).
bobm
 Signature *********************************************************************** * Robert Monaghan POB 752182 Southern Methodist Univ. Dallas Tx 75275 * ********************Standard Disclaimers Apply*************************
Michael R. Lachance - 13 Sep 2004 06:17 GMT > I think kodachromes are being killed more for the issues with processing > chemistry pollution (esp. in EU) than any technical issues with the film. Having been a Kodachrome QC Tech in 1980's/early 1990's I feel it was inevitable that the K-14 labs eventually would fall off the planet one by one... we predicted it back in '92! We ended our own processing in 1999 or so.
The process is SO completely labor intensive. Maintaining acceptable process control is akin to balancing 12 teacups on one's nose while walking a tight rope. (but we did it!) .. The Analytical QC on the process is anything but simple, and the machinery / mechanical requirements of the process (rexposure lamps, etc) are exacting.
Chemically, the fogging agent (RA-1, compounded into Magenta Developer) is the nastiest chemical in the process. It is lethally toxic and can kill you outright. Beyond that the rest of the process isnt so bad, althouth the ferrocyanide bleach *can* be a bit treacherous if pH goes acidic.
The cost of the Couplers (Y55, C16, M38) are over-the-top mega-expensive (theyre manufactured in France)
Toxicity of the color developers (CD-3, CD4, CD6) are about the same as other CD's in other processes.
But when combined, all these factors add up to a process that is expensive to formulate and expensive to maintain, requiring of a team of invaluable, highly expensive operators and QC personnel.
Moreover, K14 120 film processing was even more rare, requiring wide roll cine machinery... adding exponentially to the costs involved in all of the above points, especially machinery. K14 cannot be dip-n-dunk processed.
As it is, Im surprised the process lasted as long as it did. It is a testament to this day, that it was and is the best color imaging process ever produced, both archivally, and in color rendering. (when process is in control, of course.... something that was not easily done)!
But anyway... Among the inevitables... I was and am still bummed that FX32 was dropped.
:( Grrr... Any other FX fans out there?
Mike Lachance
Geoffrey S. Mendelson - 13 Sep 2004 12:51 GMT > Among the inevitables... I was and am still bummed that FX32 was dropped. >:( > Grrr... Any other FX fans out there? Do you mean panatomic-x? My second favorite film, the first being Adox KB-14. Panatomic X did home some advanages, i.e. being kodak it was easily availble when I lived in the U.S. the qaulity control and backing were much better and it was truely panchromatic.
If I remember correctly, the closest thing to it was plus-x which could produce a picture nearer pantomic-x than anything else, but not the same. :-(
Geoff.
 Signature Geoffrey S. Mendelson, C.T.O. GW&T Ltd., Jerusalem Israel gsm@mendelson.com gsm@gwandt.com IL Voice: 972-544-608-069 IL Fax: 972-2-648-1443 U.S. Voice: 1-215-821-1838
Michael R. Lachance - 13 Sep 2004 13:36 GMT > Geoffrey S. Mendelson > Do you mean panatomic-x? My second favorite film, the first being Adox KB-14. [quoted text clipped - 7 lines] > > Geoff. Yes, I am referring to Panatamic X (FX5060) I loved the stuff and felt it was one of the finest (no pun) films ive ever used. More than just fine grain. Of course it was less popular than Plus-X but it yielded far better quality than PX and gave nice results in many different situations. Im sure since it wasnt the big seller like PX and TX Kodak went with the bottom line and axed it.
But compare this to the demise of Kodachrome and it is 100% different. FX was a comparatively simple black and white medium, whereas Kodachrome was a monstrously expensive and labor intensive undertaking in most every regard, from mfr through processing.
Mike Lachance
Ron Todd - 13 Sep 2004 17:51 GMT >> Geoffrey S. Mendelson >> Do you mean panatomic-x? My second favorite film, the first being Adox [quoted text clipped - 24 lines] > >Mike Lachance I thought they were still manufacturing Panatomic-X as a aero film.
Michael R. Lachance - 14 Sep 2004 01:56 GMT Ron Todd wote: > I thought they were still manufacturing Panatomic-X as a aero film.
Are they? Thatd be news to me. Anyone?
Mike Lachance
Ron Todd - 14 Sep 2004 06:40 GMT > Ron Todd wote: > > I thought they were still manufacturing Panatomic-X as a aero film. > >Are they? >Thatd be news to me. >Anyone? ...
http://www.kodak.com/US/en/business/aim/aerial/products/bw-film.shtml
The still use the name and it has a low ISO, no confirmation that it is the same stuff. Have not heard of anyone getting a roll end and cutting it down for sheet film. Would be interesting........
However, I believe that the negative in Polaroid 52 P/N film is said to be Panatomic-X.
Hemi4268 - 14 Sep 2004 12:48 GMT >The still use the name and it has a low ISO, no confirmation that it >is the same stuff. Have not heard of anyone getting a roll end and >cutting it down for sheet film. Would be interesting........ Most aerial film is way too thin to be cut into 4x5 sheets. In fact, some of the Ultra Ultra Thin Base or UUTB for short is not much different then the plastic wrap you buy at the supermarket for food.
Larry
jjs - 14 Sep 2004 16:22 GMT > >The still use the name and it has a low ISO, no confirmation that it >>is the same stuff. Have not heard of anyone getting a roll end and [quoted text clipped - 4 lines] > the Ultra Ultra Thin Base or UUTB for short is not much different then the > plastic wrap you buy at the supermarket for food. People will get the impression that's like saran wrap - it is not.
jjs - 14 Sep 2004 16:22 GMT > http://www.kodak.com/US/en/business/aim/aerial/products/bw-film.shtml I have used the stuff in 35mm. In fact, I still have a lot left. I used it for a few very long tele shots. Not bad stuff.
Michael R. Lachance - 14 Sep 2004 16:45 GMT It is ESTAR base so even though its thin, (.6 or .10 mil option) it is not prone to kinking or tearing. Kodak shows a picture of a 120 type roll, but it then does not list it as available in that format. ???
They make a high contrast and a medium contrast version.
Arg.
Mike Lachance
> > http://www.kodak.com/US/en/business/aim/aerial/products/bw-film.shtml > > I have used the stuff in 35mm. In fact, I still have a lot left. I used it > for a few very long tele shots. Not bad stuff. Ben Micklem - 14 Sep 2004 17:00 GMT > It is ESTAR base so even though its thin, (.6 or .10 mil option) it is not > prone to kinking or tearing. Kodak shows a picture of a 120 type roll, but > it then does not list it as available in that format. ??? I think that is a 70mm roll.
Ben
Michael R. Lachance - 14 Sep 2004 17:14 GMT http://www.kodak.com/US/en/business/aim/aerial/technicalPubs/tiDocs/ti1172/ti1172.pdf
Paul Friday - 14 Sep 2004 21:18 GMT >It is ESTAR base so even though its thin, (.6 or .10 mil option) it is not >prone to kinking or tearing. Kodak shows a picture of a 120 type roll, but >it then does not list it as available in that format. ??? > >They make a high contrast and a medium contrast version. Anyone tried Jessops' R200? It's made by Fotokemika-Sambor in Croatia, under licence from Du Pont de Nemours GmbH. OK, so it's hardly a replacement for Tech Pan, but it has a very thin base.
It seems to confuse my scanner, and needs a sheet of fogged film or a piece of paper laid over the neg to cut the light down.
 Signature ---------------------------- Paul Friday
Michael R. Lachance - 14 Sep 2004 17:10 GMT OK, Here is whats available for Panatomic-X via current Kodak sources:
KODAK PANATOMIC-X AEROGRAPHIC II Film 2412 70mm x 750ft | Spool 507 | CAT No. 158-9555 Sales Unit = 1 roll Units per Case = 6 Rolls Min/Mult Sales Unit Order Qty = 18/18 Special Order / Not Factory Stocked
Speed = 40 ISO-A (ISO-A is not the same as Standard ISO) Nominal Thickness = 4.45mil Resolving Power @ T.O.C. 1000:1 = 400 line pairs/mm Resolving Power @ T.O.C. 1.6:1 = 125 line pairs/mm
Besides the fact that this stuff would most likely be $$$$$$$$$$$, I guess we could order this stuff and shoot it in a 70mm Hasselblad Back.
Mike Lachance
> > http://www.kodak.com/US/en/business/aim/aerial/products/bw-film.shtml > > I have used the stuff in 35mm. In fact, I still have a lot left. I used it > for a few very long tele shots. Not bad stuff. steven.sawyer@banet.net - 14 Sep 2004 01:46 GMT I've heard that when processed as a B&W film Kodachrome reacts much like Tech-Pan. I have not tried it however but soon will. Too bad they discontinued Kodachrome in the 120 format.
> > Neil Gould wrote, in rec.photo.equipment.medium-format: > > [quoted text clipped - 37 lines] > > Derek Michael R. Lachance - 14 Sep 2004 02:06 GMT > I've heard that when processed as a B&W film Kodachrome reacts much like > Tech-Pan. I have not tried it however but soon will. Too bad they discontinued > Kodachrome in the 120 format. Affirmative. There are no color couplers in Kodachrome Film, Basically it is three layers of silver emulsion, each with different color sensitivities. The Dyes are provided in the chemistries, along with blue and yellow lamp fogging, the final fog is magenta which is a chemical fog.
Run the Kodachrome through a Rem-Jet anti-halation removal bath, then through PQ (1st Dev = Phenidone/Hydroquinone). If you dont put the film in any of the three color developers there will be no dye-oxidation bonding, thus no color. skip the bleach and go right to fix and viola youve got a nice black and white negative!
A pretty expensive Black and White negative tho!
Of course you can just use standard BW chems but you WILL have to do a rem-jet step before developing, otherwise youll have a real mess on yer hands and film that will resemble decorator-flypaper
Mike Lachance
steven.sawyer@banet.net - 14 Sep 2004 03:18 GMT I've heard that you can do the anti-halation layer removal by hand. If it looks like Tech-Pan, it'd be worth. Remember I already agreed to pay $12/roll for TechPan. I have a hunch though that the fellow that told me that it looked like TechPan was processing K12, but there's always hope.
> > I've heard that when processed as a B&W film Kodachrome reacts much like > > Tech-Pan. I have not tried it however but soon will. Too bad they [quoted text clipped - 19 lines] > > Mike Lachance steven.sawyer@banet.net - 14 Sep 2004 03:18 GMT Sorry, I meant the now discontinued K25.
> I've heard that you can do the anti-halation layer removal by hand. If it looks > like Tech-Pan, it'd be worth. Remember I already agreed to pay $12/roll for [quoted text clipped - 24 lines] > > > > Mike Lachance Ron Baird - 14 Sep 2004 19:18 GMT Greetings Tom,
Tech Pan is a great film and quite fine grained. It started out in the scientific and technical world and was adopted by the general BW community shortly there after. Special chemicals were created and offered as well as research for processing in a variety of ways.
The Kodachrome process is an interesting one where dyes are introduced to the film during the K-14 process. Use as a BW film may not be what you expect. If it were me, I would continue with Tech Pan as the results are much more specific.
Talk to you soon, let me know if you have any questions.
Ron Baird Eastman Kodak Company
> I've heard that when processed as a B&W film Kodachrome reacts much like > Tech-Pan. I have not tried it however but soon will. Too bad they discontinued [quoted text clipped - 6 lines] > > > > those "manufacturing inconvenience" points to understand its poor > > > > profitability. One only has to consider that almost *anything* else Tom Bombadil - 15 Sep 2004 16:30 GMT > Frankly, anyone who is concerned with turnaround times was no longer using > Kodachrome prior to Kodak's latest lab closure. The number of reasons to [quoted text clipped - 4 lines] > > Proven dark stability OK
> High degree of sharpness Not an issue for me. The E-6's I use and Kodachrome are both quite sharp enough.
> Thin film travels smoother through cameras Never have I worried about smooth traveling through cameras, even with Verichrome Pan (still using up my cache of that)!
> The E-6 films have: > > finer grain If I'm seeing grain in my Kodachromes, I'm liking it.
> more saturated colors Well, DIFFERENT colors, and this is why I still use Kodachrome: its unique, beautiful color palette. Here's where I want to insert the words:
FLAGSHIP PRODUCT
No one ever had a hit record singing about Astia, Velvia, or Sensia!
> fast processing available Truer than ever by comparison.
> If you want Kodachrome to continue being made, better keep buying it, no > matter what the turnaround times end up being. I'm doing my part!
steven.sawyer@banet.net - 11 Sep 2004 18:02 GMT They have to re-engineer the product (assuming what they're saying is true), and that will cost money, but is this an issue of profitability or of just doing away with all of their low volume products? Where I disagree is that this is one and the same question. It is not. One has to do with costs and revenue and the other has to do with "streamlining" their manufacturing operation. Again "streamlining" as a corporate objective and not necessarily as a profit maximizing objective.
> Recently, steven.sawyer@banet.net <steven.sawyer@banet.net> posted: > [quoted text clipped - 9 lines] > > Neil Neil Gould - 11 Sep 2004 18:50 GMT Recently, steven.sawyer@banet.net <steven.sawyer@banet.net> posted:
> They have to re-engineer the product (assuming what they're saying is > true), and that will cost money, but is this an issue of [quoted text clipped - 4 lines] > Again "streamlining" as a corporate objective and not necessarily as > a profit maximizing objective. Some things just aren't that complicated. We can either assume that what they're saying about manufacturing TP is true, or present some reputable facts to the contrary. I'm sure that they know whether or not they still manufacture the Estar substrate. Similarly, they would know whether the gels have become obsolete. Or their estimate of the production resources necessary to supply years' worth of TechPan to the market. There hasn't been any reputable dispute of these facts, and they'd seem pretty critical to making TechPan a worth-while product, at least to me. What's the point in creating conspiracies about these issues sans any supportive evidence?
Neil
Peter Irwin - 12 Sep 2004 04:33 GMT > Some things just aren't that complicated. We can either assume that what > they're saying about manufacturing TP is true, or present some reputable [quoted text clipped - 5 lines] > to making TechPan a worth-while product, at least to me. What's the point > in creating conspiracies about these issues sans any supportive evidence? I don't doubt that recreating Technical Pan exactly or almost exactly would involve expenses which Kodak cannot be certain of recovering, but they could probably make another product not wildly unlike it for minimal expenses.
TP is not wildly unlike microfilm. Kodak is still making microfilm, and will probably be doing so for years to come. I don't see how it could be very difficult or expensive for them to make one of their standard microfilms available to consumers in popular film sizes. It wouldn't be the same as Technical Pan, but it would probably make a pretty decent substitute.
Peter.
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Bob Monaghan - 12 Sep 2004 04:56 GMT Hi Peter
yes, but Neil is right for another reason - Kodak is suggesting that TP users switch to Tmax 100. So kodak has probably anticipated that much of what they lose in sales of TP will be made up in sales of Tmax, yes? We don't have much of a choice, the alternatives from Ilford or Efke aren't competitive. So perhaps some of the TP leica users will give up and switch to hasselblad or Linhofs for their highest quality shots. But the rest of us will have to bite the bullet and use Tmax 100.
So Kodak doesn't care, because they still get the sale and the profits. If anything, they probably will make more $$, due to larger volumes on Tmax without the costs of maintaining two lines (Tmax and TP), right? ;-)
so they win, and we lose...
bobm
 Signature *********************************************************************** * Robert Monaghan POB 752182 Southern Methodist Univ. Dallas Tx 75275 * ********************Standard Disclaimers Apply*************************
Mxsmanic - 12 Sep 2004 10:34 GMT > so they win, and we lose... Not if photographers switch to chromogenic B&W films from another vendor, which have finer grain and better resolution than T-Max 100 (although not as good as Tech Pan).
Kodak is playing a very dangerous game, and given their track record, I think it's quite likely that they'll lose, again.
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steven.sawyer@banet.net - 12 Sep 2004 22:02 GMT You can use T-Max if you want to. The two rolls in my cabinet are the last I'll ever use. As far as I know Ilford film is still available. During Polaroid's bankruptcy, most of their products were available. And if Iford goes under, I'll try some of the other European products, like Fomapan and Bergger. I will make every effort I can "not" to buy any Kodak product aside from the occasional roll of Kodachrome, which will probably be MDed shortly. And I'm debating whether or not I should "stock up" on TechPan. One side of me says that I'm just re-inforcing bad behaviour and the other side says I'm cutting off my nose to spite my face.
> Hi Peter > [quoted text clipped - 18 lines] > * Robert Monaghan POB 752182 Southern Methodist Univ. Dallas Tx 75275 * > ********************Standard Disclaimers Apply************************* |
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