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Photo Forum / Film Photography / Medium format / September 2004

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TP120- followup

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Martin Francis - 04 Sep 2004 01:08 GMT
http://wwwuk.kodak.com/global/en/professional/products/films/bw/catalog/kodakPro
fessionalTechnicalPanFilm.jhtml?id=0.1.18.14.21.24.18&lc=en


looks like the whole "manufactured 'til December" thing was a few months
off...

Signature

Martin Francis  http://www.sixbysix.co.uk
"Go not to Usenet for counsel, for it will say both no, and yes, and
no, and yes...."

Ron Todd - 04 Sep 2004 01:42 GMT
>http://wwwuk.kodak.com/global/en/professional/products/films/bw/catalog/kodakPro
fessionalTechnicalPanFilm.jhtml?id=0.1.18.14.21.24.18&lc=en

>
>looks like the whole "manufactured 'til December" thing was a few months
>off...

Probably meant, expecting to run out of remaining stock in December.
steven.sawyer@banet.net - 05 Sep 2004 01:52 GMT
I didn't get that.  They haven't actually manufactured the product in years?    Why didn't they announce this when they actually stopped
manufacturing the product.  Something's rotten in Denmark!  (or is it Rochester)
I was thinking about writing a letter to Kodak, threatening to stop buying their E6 and C41 products if they stopped shipping Tech Pan, but
then I thought about it and realized that I had done that already.

> http://wwwuk.kodak.com/global/en/professional/products/films/bw/catalog/kodakPro
fessionalTechnicalPanFilm.jhtml?id=0.1.18.14.21.24.18&lc=en

>
[quoted text clipped - 5 lines]
> "Go not to Usenet for counsel, for it will say both no, and yes, and
> no, and yes...."
Ken Nadvornick - 05 Sep 2004 02:22 GMT
> I was thinking about writing a letter to Kodak, threatening to
> stop buying their E6 and C41 products if they stopped shipping
> Tech Pan, but then I thought about it and realized that I had
> done that already.

Maybe we need to write letters to Kodak informing them that if this is how
they treat their long-time, loyal film customers, then when the time does
come we'll definitely never buy any of their *digital* offerings - hardware,
software or supplies.  After all, if they demonstrate they can no longer be
counted upon in the traditional photography arena, why should they be
accorded any trust in the digital gadgets arena?

Just a thought...

Ken
Michael Scarpitti - 07 Sep 2004 03:28 GMT
> > I was thinking about writing a letter to Kodak, threatening to
> > stop buying their E6 and C41 products if they stopped shipping
[quoted text clipped - 11 lines]
>
> Ken

My experienecs with Tech Pan are limited, but it was difficult to get
the stuff to develop properly. I gave up. Ilford Pan-F is as
fine-grained as I need.
McLeod - 08 Sep 2004 22:37 GMT
>My experienecs with Tech Pan are limited, but it was difficult to get
>the stuff to develop properly. I gave up. Ilford Pan-F is as
>fine-grained as I need.

Jeez, by your own admission you can't develop Tech Pan, any T-Max
films, and the 1960's football images and "waffle boy" images you were
so proud to post earlier blew chunks.  What can you do and why should
anyone listen to you?
Michael Scarpitti - 10 Sep 2004 14:45 GMT
> >My experienecs with Tech Pan are limited, but it was difficult to get
> >the stuff to develop properly. I gave up. Ilford Pan-F is as
> >fine-grained as I need.
>
> Jeez, by your own admission you can't develop Tech Pan,

It could be that Paterson tanks just don't get along well with that
developer.

> any T-Max
> films,

I develop them just fine. They're designed for studio work. I do
outdoor work. T-Max films are useless for my purposes.

> and the 1960's football images and "waffle boy" images you were
> so proud to post earlier blew chunks.

'Waffle Boy' has been very highly prsed by many people. It's better
than 'Man Leaping over Puddle' by HCB. What content!

>  What can you do and why should
> anyone listen to you?

Because I know more than almost anybody on the planet about 35mm
monochrome.
Michael R. Lachance - 10 Sep 2004 14:51 GMT
"Michael Scarpitti" wrote in message

  > Because I know more than almost anybody on the planet
  > about 35mm monochrome.

This could very well be the stupidest man alive.

ML
Jim Phelps - 11 Sep 2004 15:02 GMT
> "Michael Scarpitti" wrote in message
>
[quoted text clipped - 4 lines]
>
> ML

A great many of us have already made this decision.  He is...
Uranium Committee - 12 Sep 2004 20:28 GMT
> > "Michael Scarpitti" wrote in message
> >
[quoted text clipped - 6 lines]
>
> A great many of us have already made this decision.  He is...

Ha ha ha. If you would be so kind, please tell me where you THINK I am
mistaken. I'll set you straight.
Jim Phelps - 13 Sep 2004 07:09 GMT
>> > "Michael Scarpitti" wrote in message
>> >
[quoted text clipped - 9 lines]
> Ha ha ha. If you would be so kind, please tell me where you THINK I am
> mistaken. I'll set you straight.

Hey Mike,  I though you didn't know how to change your setting and that you
were a computer ignoramus.  Go stalk your self..
Uranium Committee - 13 Sep 2004 14:45 GMT
> >> > "Michael Scarpitti" wrote in message
> >> >
[quoted text clipped - 12 lines]
> Hey Mike,  I though you didn't know how to change your setting and that you
> were a computer ignoramus.  Go stalk your self..

When I publish my book, don't come crying to me...a.shole...
Jim Phelps - 13 Sep 2004 16:06 GMT
> When I publish my book, don't come crying to me...a.shole...

Please let me sign up to be the first NOT TO BUY IT.  It'll be a flop, for
sure...
jjs - 13 Sep 2004 16:24 GMT
> When I publish my book, don't come crying to me...a.shole...

Vanity Press will print anything. I can see it now, "Nostradamus Gives B&W
Advice".
Uranium Committee - 13 Sep 2004 20:19 GMT
> > When I publish my book, don't come crying to me...a.shole...
>
> Please let me sign up to be the first NOT TO BUY IT.  It'll be a flop, for
> sure...

Given that 90% of the books available are crap, mine is certain to
succeed. Please continue in your ignorant ways....it  makes you such
an easy mark...

Let me give you a clew:

Most of the material will be derived from Kodak's own publications, as
well as other authorities.

Do you know what 'authorities' are, huh? They are people who know what
the f.ck they are talking abiout, not internet losers like you...
jjs - 13 Sep 2004 21:05 GMT
>> > When I publish my book, don't come crying to me...a.shole...
>>
[quoted text clipped - 4 lines]
> Given that 90% of the books available are crap, mine is certain to
> succeed.

Given that 90% of all books are crap,  yours will fit right in.
Jim Phelps - 13 Sep 2004 22:52 GMT
>> > When I publish my book, don't come crying to me...a.shole...
>>
[quoted text clipped - 13 lines]
> Do you know what 'authorities' are, huh? They are people who know what
> the f.ck they are talking abiout, not internet losers like you...

Well, assfuck.  Seeing as this surely will make you a "Professional
Photographer" and by your own rules - Stupid.  So, using your own rules and
extrapolating it to any product from you, your book will be stupid.  And now
for your 'Clue'.  It's spelled C L U E.  You may need to use a spell checker
so your book isn't that STUPID!  Or are you typing it on a 40 year old
typewriter which is as old as the rest of your resource material.

I apologize to the civilized among us for my language.  I can't take any
more of this jerk.
Uranium Committee - 14 Sep 2004 04:28 GMT
> >> > When I publish my book, don't come crying to me...a.shole...
> >>
[quoted text clipped - 23 lines]
> I apologize to the civilized among us for my language.  I can't take any
> more of this jerk.

That's because you're such an ignorant fool who can't handle the truth.
Michael R. Lachance - 13 Sep 2004 16:21 GMT
> When I publish my book, don't come crying to me...a.shole...

It is bound to be right up there with the best seller:
PSYCHO BITCH: The Martha Stewart Story.

As a matter of fact, Amazon is planning on pairing them up for a "Best
Value" promotion, buy 3 monthsupply of Prozac and you get both books FREE!

ML
jjs - 13 Sep 2004 16:26 GMT
>> When I publish my book, don't come crying to me...a.shole...
>
> It is bound to be right up there with the best seller:
> PSYCHO BITCH: The Martha Stewart Story.

Martha is coming back with a 30 minute show called "Cooking Again with
Martha" and there will be a 60 minute follow-up entitled "Cleaning Up After
the Bitch".
Michael R. Lachance - 13 Sep 2004 16:46 GMT
> >> When I publish my book, don't come crying to me...a.shole...
> >
[quoted text clipped - 4 lines]
> Martha" and there will be a 60 minute follow-up entitled "Cleaning Up After
> the Bitch".

Eeei! Ive been bested!

Salute!

Mike Lachance
Jim Phelps - 13 Sep 2004 18:48 GMT
I wonder if Mikey will include a self portrait.  Or will Waffle Bastard  be
on the back coverleaf???  Who cares!!!!
Uranium Committee - 12 Sep 2004 20:26 GMT
> "Michael Scarpitti" wrote in message
>
[quoted text clipped - 4 lines]
>
> ML

Why? Because I don't accept the drivel spouted by photographic idiots?
Are you one of them?

Tell me where you THINK I' wrong, and I'll set you straight.
dr bob - 11 Sep 2004 15:09 GMT
> >  What can you do and why should
> > anyone listen to you?
>
> Because I know more than almost anybody on the planet about 35mm
> monochrome.

OH Mike.  This is the _Medium_ Format equipment forum.
Jim Phelps - 11 Sep 2004 16:20 GMT
>> McLeod <cerveza61@sympatico.ca> wrote in message
> news:<imuuj0teunfqgjkahgocrm1elbi8nmvia4@4ax.com>...
[quoted text clipped - 6 lines]
>
> OH Mike.  This is the _Medium_ Format equipment forum.

Doesn't he use a Leica Medium Format?  ;~)))
Neil Gould - 05 Sep 2004 12:23 GMT
Recently, steven.sawyer@banet.net <steven.sawyer@banet.net> posted:

> I didn't get that.  They haven't actually manufactured the product in
> years?    Why didn't they announce this when they actually stopped
> manufacturing the product.  Something's rotten in Denmark!  (or is it
> Rochester)

What might that be? Isn't it more telling that they can shut down
production for years without running out of inventory? From this, it seems
clear that the market has abandoned TP, not the other way around.

Neil
Ron Todd - 05 Sep 2004 16:30 GMT
>Recently, steven.sawyer@banet.net <steven.sawyer@banet.net> posted:
>
[quoted text clipped - 6 lines]
>production for years without running out of inventory? From this, it seems
>clear that the market has abandoned TP, not the other way around.

Yes, that is the explanation although most refuse to see it.  AIR, I
read a line in Kodak's 10k filing with the SEC where they stated that
sales of low ISO emulsions had died.

When you have a publicly held company, widows and orphans depending on
those dividends, you can't subsidize the money loosing lines.  As much
techno geek status as there was in creating and manufacturing a
product like TP, if they can't make money on it, they have to drop it.
Nick Zentena - 05 Sep 2004 16:43 GMT
> Recently, steven.sawyer@banet.net <steven.sawyer@banet.net> posted:
>
[quoted text clipped - 6 lines]
> production for years without running out of inventory? From this, it seems
> clear that the market has abandoned TP, not the other way around.

 Telling of what?
 
 1) They can't manage thier inventory?
 
 2) Thier batch size is so huge they have to make one batch representing
several years of demand?

 3) They invested so little in promoting the film nobody knew it existed?
 
 Maybe people did stop wanting it but I wonder.
 
 Nick
RSD99 - 05 Sep 2004 18:22 GMT
"Nick Zentena" posted:
"...
 2) Thier batch size is so huge they have to make one batch
representing
several years of demand?
..."

Bingo ...

That's "the nature of the beast."

Picture a 'sheet' of plastic, something like 12" to 36" wide
and several MILES long. That is coated with the 'emulsion'
layer(s), slit to the specified width, cut to the specified
length, and packaged to become that little roll of film you
purchase at the drug store.

It is only economical to manufacture this kind of product in
batches of several million rolls ...
Nick Zentena - 05 Sep 2004 21:02 GMT
> "Nick Zentena" posted:
> "...
[quoted text clipped - 15 lines]
> It is only economical to manufacture this kind of product in
> batches of several million rolls ...

 Didn't Konica used make it's IR film once a year? I'd guess an IR film
wouldn't exactly be a big seller either.

    Nick
steven.sawyer@banet.net - 06 Sep 2004 19:23 GMT
What I find interesting is that it appears that it's more of an issue of
inconvienience that profits for Kodak.  Go ahead and make it on a different
base with different gels.  It might turn out to be an improvement.

> Recently, steven.sawyer@banet.net <steven.sawyer@banet.net> posted:
>
[quoted text clipped - 8 lines]
>
> Neil
Q.G. de Bakker - 06 Sep 2004 19:44 GMT
> What I find interesting is that it appears that it's more of an issue of
> inconvienience that profits for Kodak.  Go ahead and make it on a different
> base with different gels.  It might turn out to be an improvement.

... which still noone wil buy.

It's an issue of not producing things only to keep them in stock until
shelf-life expires and they become waste that needs to be disposed of
carefully.
steven.sawyer@banet.net - 06 Sep 2004 19:48 GMT
I know quite a few people that use this film.  Kodak's just got to work out a
different way of selling this stuff.  Maybe sell it in ten roll packages and
force the users to mop up the inventory.  Or maybe set up something on
amazon.com where users can buy the product in advance of production and when
enough buyers have signed up, start coating the base.   If the issue is simply
one of inconvenience, then it's a management issue.  If film is going survive,
Kodak's got to look at alternative ways of marketing the product.

> > What I find interesting is that it appears that it's more of an issue of
> > inconvienience that profits for Kodak.  Go ahead and make it on a
[quoted text clipped - 6 lines]
> shelf-life expires and they become waste that needs to be disposed of
> carefully.
Q.G. de Bakker - 06 Sep 2004 20:05 GMT
> I know quite a few people that use this film.  Kodak's just got to work out a
> different way of selling this stuff.  Maybe sell it in ten roll packages and
> force the users to mop up the inventory.  Or maybe set up something on
> amazon.com where users can buy the product in advance of production and when
> enough buyers have signed up, start coating the base.   If the issue is simply
> one of inconvenience, then it's a management issue.

Yes.

And if it is one of having a product that will not sell, despite the "quite
a few people" (now if it were "quite many"... ;-)), it's a financial issue,
and a sound decision to quite pushing.

> If film is going survive,
> Kodak's got to look at alternative ways of marketing the product.

Maybe.
But maybe film is not going to... nah... can't be.
Still, it is very hard trying to sell something to people who simply do not
want it.
steven.sawyer@banet.net - 06 Sep 2004 20:49 GMT
How many people buy Aston-Martins each year?  I'm sure a lot fewer than those
who buy Tech-Pan, but it's still in production isn't it?  The issue for Kodak
should be profits.  That's what the Economics 101 textbook teaches isn't it?
If it's too inconvenient for them to make then they should sell the formula.
How much Bergger or Eke film is sold?  If that stuff can continue in
production, so can Tech Pan.  I agree that photographers don't use as much of
the stuff as they should, given that it is the highest resolving B&W film out
there.  Kodak should fix a minimum quantity as was mentioned below or they
should jack up the price to $12/ a roll.  If the issue is profits fine, but if
it's one of inconvenience, then shame on Kodak.

> > I know quite a few people that use this film.  Kodak's just got to work
> out a
[quoted text clipped - 20 lines]
> Still, it is very hard trying to sell something to people who simply do not
> want it.
Neil Gould - 07 Sep 2004 12:26 GMT
Recently, steven.sawyer@banet.net <steven.sawyer@banet.net> posted:

> How many people buy Aston-Martins each year?  I'm sure a lot fewer
> than those who buy Tech-Pan, but it's still in production isn't it?
[quoted text clipped - 7 lines]
> should jack up the price to $12/ a roll.  If the issue is profits
> fine, but if it's one of inconvenience, then shame on Kodak.

The problem with this notion is that it presumes that the same number of
TP users will continue to use it regardless of the price. This flies in
the face of Economics 101, which dictates that there is an inverse
relationship between price and the number of purchasers. Kodak can't win
that one, either, because they need *more* purchasers, not fewer, in order
to support the production capability.

If it were *my* factory that required a dedicated room to produce a
product that only sold in levels such that the market could be supplied
for years with a 1-week production run, it would certainly make me think,
"Hmmm... what's wrong with this picture?"

Neil
Nick Zentena - 07 Sep 2004 13:10 GMT
> The problem with this notion is that it presumes that the same number of
> TP users will continue to use it regardless of the price. This flies in
> the face of Economics 101, which dictates that there is an inverse
> relationship between price and the number of purchasers. Kodak can't win

 Some things go down in volume with price. Some stay steady. Some go up
with price.

    Nick
Mxsmanic - 07 Sep 2004 15:02 GMT
> If it were *my* factory that required a dedicated room to produce a
> product that only sold in levels such that the market could be supplied
> for years with a 1-week production run, it would certainly make me think,
> "Hmmm... what's wrong with this picture?"

Then again, why not?  It's only one week, and it lasts for years.

Signature

Transpose hotmail and mxsmanic in my e-mail address to reach me directly.

Neil Gould - 07 Sep 2004 16:03 GMT
Recently, Mxsmanic <mxsmanic@hotmail.com> posted:

>> If it were *my* factory that required a dedicated room to produce a
>> product that only sold in levels such that the market could be
>> supplied for years with a 1-week production run, it would certainly
>> make me think, "Hmmm... what's wrong with this picture?"
>
> Then again, why not?  It's only one week, and it lasts for years.

-- Photographic materials don't produce themselves. You need a skilled
workforce trained and maintaining the knowledge base required for making
the product. With a product that requires only a short production run
every few years, that knowledge base is going to disappear in a relatively
short period of time.

-- Sources for critical or specialized materials will dry up if you aren't
consuming in sufficient volumes to support their continuation. In most
cases, it is impractical (or impossible) start producing those products
in-house.

-- If that same space can be productive for the other 51 weeks of the year
by producing another product, the company is *way* ahead, because of the
above.

Neil
Mxsmanic - 07 Sep 2004 19:28 GMT
> With a product that requires only a short production run
> every few years, that knowledge base is going to disappear in a relatively
> short period of time.

All films are pretty much the same in most respects.  If you have people
who can run one batch, they can run another.  Otherwise coming up with
new films would be prohibitively expensive.

> -- Sources for critical or specialized materials will dry up if you aren't
> consuming in sufficient volumes to support their continuation. In most
> cases, it is impractical (or impossible) start producing those products
> in-house.

Which such materials are required for Tech Pan?

Signature

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Neil Gould - 07 Sep 2004 22:15 GMT
Recently, Mxsmanic <mxsmanic@hotmail.com> posted:

>> With a product that requires only a short production run
>> every few years, that knowledge base is going to disappear in a
[quoted text clipped - 3 lines]
> people who can run one batch, they can run another.  Otherwise coming
> up with new films would be prohibitively expensive.

On the other hand, one can say that all table saw operations "are pretty
much the same in most respects". None the less, there are differences that
can make some operators "specialists". As TP is a specialized product, I
wouldn't be at all surprised to find such differences. I also don't see
the connection between R&D -- "coming up with new films" -- and these
production issues.

>> -- Sources for critical or specialized materials will dry up if you
>> aren't consuming in sufficient volumes to support their
>> continuation. In most cases, it is impractical (or impossible) start
>> producing those products in-house.
>
> Which such materials are required for Tech Pan?

I see that you didn't read the original Kodak statement referenced by
Martin Francis that began this thread? Why not start there?

Neil
Mxsmanic - 08 Sep 2004 01:34 GMT
> I also don't see
> the connection between R&D -- "coming up with new films" -- and these
> production issues.

If each coating were a specialty, then coming up with new films would be
extremely expensive, as you'd need to train new specialists for each
film.

> I see that you didn't read the original Kodak statement referenced by
> Martin Francis that began this thread?

I did, but they didn't answer the question, either.

Signature

Transpose hotmail and mxsmanic in my e-mail address to reach me directly.

RSD99 - 08 Sep 2004 06:08 GMT
"Mxsmanic" posted:
"...
> I see that you didn't read the original Kodak statement referenced by
> Martin Francis that began this thread?

I did, but they didn't answer the question, either.
..."

Actually ... it did. IIRC, your question was "... Which such
materials are required for Tech Pan? ..."

= = = = = Begin Quote = = = = =
The last Tech Pan coating was several years ago. Since that
time, the old coating room has been shut down, the gels used
in the product formulation have become obsolete, and we no
longer manufacture the ESTAR support on which the 35 mm
product was coated.
= = = = = End Quote = = = = =

Apparently the materials no longer available are

(1) The "coating room" ... which is a LOT more than "just a
room" ... it includes the rather specialized equipment used
to spread a very thin and uniform layer of the emulsion on
the film base, and etcetera ... [IIRC, Tech Pan had a very
thin emulsion ... one of the reasons why it was "so sharp."]

(2) The gels used to formulate the emulsion are "obsolete"
and not being produced for any other use ...

(3) The special 'film base' that is coated. This was a
special Estar material, special composition and special
thickness (IIRC).

Bottom line is that it would probably cost Kodak much more
$$$ to "recreate" Tech Pan than they could ever hope to
receive in sales.

They go on to say "...
There would be considerable cost to recreate the product,
with no guarantee that it would look and act the same as the
Tech Pan Film of old.
..."

Therefore ... another technology is lost.
steven.sawyer@banet.net - 09 Sep 2004 01:47 GMT
I love how everyone buys Kodak's line of crap.  I can see none of you
have worked in a big corporate environment.  OK, I'll buy that it's
inconvenient for Kodak to continue manufacturing the film.  But isn't it
funny that the sob story that Kodak's telling has to do mostly with
producing the film and not how much profit per roll Kodak's been
collecting on the last batch produced.  Nowhere do they say that a
subsequent batch will be un-profitable, just that it'll be a big pain in
the butt to produce.

> "Mxsmanic" posted:
> "...
[quoted text clipped - 42 lines]
>
> Therefore ... another technology is lost.
jjs - 09 Sep 2004 17:23 GMT
>I love how everyone buys Kodak's line of crap.  I can see none of you
> have worked in a big corporate environment.  OK, I'll buy that it's
[quoted text clipped - 4 lines]
> subsequent batch will be un-profitable, just that it'll be a big pain in
> the butt to produce.

Were you expecting a cost and outcome report?
steven.sawyer@banet.net - 11 Sep 2004 00:58 GMT
Well, I believe they've given you one by using manufacturing inconvenience as
their excuse instead of profits.

> >I love how everyone buys Kodak's line of crap.  I can see none of you
> > have worked in a big corporate environment.  OK, I'll buy that it's
[quoted text clipped - 6 lines]
>
> Were you expecting a cost and outcome report?
Neil Gould - 11 Sep 2004 12:54 GMT
Recently, steven.sawyer@banet.net <steven.sawyer@banet.net> posted:

> Well, I believe they've given you one by using manufacturing
> inconvenience as their excuse instead of profits.

The way *I* read their statement, it's a very small extrapolation from
those "manufacturing inconvenience" points to understand its poor
profitability. One only has to consider that almost *anything* else that
uses those resources more efficiently and that doesn't require
re-engineering of all the basic materials will exceed the profitabililty
of TP.

Neil
Tom Bombadil - 11 Sep 2004 14:28 GMT
Neil Gould wrote, in rec.photo.equipment.medium-format:

> The way *I* read their statement, it's a very small extrapolation from
> those "manufacturing inconvenience" points to understand its poor
[quoted text clipped - 4 lines]
>
> Neil

Oh man, I've definitely been reading this thread too long.  I totally
forgot it was about Tech Pan until I read your final word "TP"!
I've been preoccupied with the fact that Kodak has just closed their
film lab in New Jersey, abandoning all Kodachrome processing in the
United States to a single remaining third party, Dwaynes Photo in Kansas.
Of course turnaround time has increased dramatically, and this will help
drive down sales, paving the way for a "justifiable" discontinuance
of the product itself.

This may be an efficient use of resources for Kodak.  I call it shameful.

But oops, medium format Kodachrome was lost years ago, so:

OT! OT!  Followups to rec.photo.film+labs, please.

-Tom
steven.sawyer@banet.net - 11 Sep 2004 17:56 GMT
I believe it's the reflection of a defeatist "cash cow" mentality at Kodak.
They've bought into the digital hype and are convinced that film will
ultimately disappear, so now they'll just milk the cow until it dies.  Where's
the money now?  C41 obviously, but where will the money be tommorow?  On niche
film products that appeal to artists and die-hard enthusiasts.

> Neil Gould wrote, in rec.photo.equipment.medium-format:
>
[quoted text clipped - 23 lines]
>
> -Tom
Geoffrey S. Mendelson - 11 Sep 2004 23:51 GMT
> I believe it's the reflection of a defeatist "cash cow" mentality at Kodak.
> They've bought into the digital hype and are convinced that film will
> ultimately disappear, so now they'll just milk the cow until it dies.

What else can they do? There really hasn't been any significant development
in monochromatic film technology since the 80s, T-grain and chromogenic
film, both spin offs of color film technology.

Despite what any of us want, digital is the technology of the future,
and it will replace film the way that video replaced home movies.

What they've done is to "streamline" their operations, moving monochrome
film production to the same plant as color and dropping the overly complex
kodachrome, which from a business point of view should have died with the
the development of the simple, enivromently friendly Ektachrome.

I'm not saying it should of, but to be honest if Kodak lived by my kodachrome
purchases in the last 10 years they would be out of business.

>  Where's
> the money now?  C41 obviously, but where will the money be tommorow?  On niche
> film products that appeal to artists and die-hard enthusiasts.

The money is on hybrid digital/analog processes, such as optical printing
of digital "pictures". Until someone can come up with a digital method that
is as cheap and good looking as a regular print.

Or until printer manufactures figgure out how to make a good looking,
long lasting inkjet where the true economics of the printing process are
in force. Or in plain English, you don't pay $25 for a cartridge with
$.50 worth of ink in it.

The end will be due to economics pure and simple. When will it cost $50 for
a roll of film? How many will you buy at that price.

When I first saw this thread, I thought that TP meant TRI-X Pan. Same thoughts
but not as quickly, But it will happen.  

Maybe in the future,  film will be sold by subscription. Someone will
contract Kodak to make a production run of for example, TP-120, only
after they have sold enough rolls in paid advance to cover the cost of
the run.

If you had to buy 10,000 rolls at $10 each, do you think you could get enough
paid in advance sales to do it? How much would you have to charge for each
roll to cover your administrative, packaging and shipping costs?

Maybe we could convince Kodak to place the formula for "abandonedware"
products in the public domain? Then we could get a small company to produce
a much smaller run  for example, how about using Verichrome (not VP) in
that old box camera, or good old fashinoned Panatomic-X?

Geoff.

Signature

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The Wogster - 12 Sep 2004 02:26 GMT
>> I believe it's the reflection of a defeatist "cash cow" mentality at Kodak.
>> They've bought into the digital hype and are convinced that film will
[quoted text clipped - 11 lines]
>kodachrome, which from a business point of view should have died with the
>the development of the simple, enivromently friendly Ektachrome.

I doubt there is much more they could do with monochrome, except maybe
introduce some different speed emulsions, I expect in about 10 years,
traditional MQ processes for B&W will probably die out, replaced by
Chromogenics.  I have shot a lot of FP-4 and HP-5 over the years,
tried XP-2 and will try BW400CN, in that it's cheaper and easier to
get processed.   Come to think of it, if you have a film scanner, you
can simply get a C-41 kit, process both your colour and Black & White
in the same soup, and not run multiple processes.  

Kodachrome, has a lot of steps, and nothing else can be processed with
it, since any other colour reversal film, by any manufacturer, uses
E6.  Will film die out, probably not, however there will be fewer
films, and fewer film manufacturers.  I expect that 25 years from now,
there will be a half dozen film choices, a couple of B&W Chromogenics,
and couple of negative films, and a couple of reversal films, the
choice of speeds will be smaller, probably all will be 400ASA.  A
company in China or India will do the manufacturing of 2m x 500m rolls
of film, and a few local distribution companies, will buy these rolls,
and cut and package the films.

W

>I'm not saying it should of, but to be honest if Kodak lived by my kodachrome
>purchases in the last 10 years they would be out of business.
[quoted text clipped - 33 lines]
>
>Geoff.
Mxsmanic - 12 Sep 2004 03:42 GMT
> Despite what any of us want, digital is the technology of the future,
> and it will replace film the way that video replaced home movies.

Or it will remain, in the way that film has not been replaced by video
in motion pictures.

> If you had to buy 10,000 rolls at $10 each, do you think you could get enough
> paid in advance sales to do it?

Well, some people are willing to pay $8000 in advance to take pictures
with a chip.

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Bob Monaghan - 12 Sep 2004 04:44 GMT
well, film sales in USA were ~1 billion roll equiv. in 2000, 822 million
rolls of 35mm (see http://medfmt.8k.com/third/economics.html ) and

SILVER HALIDE BASED FILM SALES:
         2000                         2001
Europe    25%/ 790 mln                 26%/ 810 mln
USA       25%/ 770 mln                 23%/ 720 mln
Japan     13%/ 390 mln                 13%/ 390 mln
RoW       37%/ 1150 mln                38%/ 1200 mln

Total     3100 mln (+ 3%)             3120 mln (+ 1%)

with       350 mln single use cameras   370 mln single use cameras

a previous posting at the above URL estimated only 1 million rolls/yr
per emulsion in 120/220 MF, at an average wholesale price of circa $2
(e.g., Kodak).

On the other hand, some film makers have had only a few % of USA
marketshare in film, yet continued to sell despite total USA sales of only
7 to 15 million rolls/year ($10-25 million/yr wholesale).

So you can read this either way ;-)  The good news is that despite modest
volumes (1 million rolls/yr) per emulsion worldwide, 120/220 MF film
continues to be produced and sold, and remains part of the "cash cow" side
of Kodak and other producers. The bad news is that each emulsion only
represents on average a few million dollars in sales, and so only a
$100,000 or so in profits on average. Popular sellers (velvia, portra 160)
may do much better, so some 120/220 emulsions must be more marginal in
sales and profits (e.g., 250,000 rolls/yr = $25k in profits only).

With film sales overall dropping circa 17% this last year per some posted
reports, you would expect the loss of 7 (.17*40) marginal emulsions - cf.
loss of 220 filmstocks (Ilford..), kodachromes, Ektar 25, VPS, etc.

I have wrongly assumed that corporations like Kodak would protect their
unique film offerings as an effective monopoly, e.g., kodachrome, ektar
25, and charge what the market might bear. This does NOT seem to be
happening. Instead, unique films are being lost, with nearly all the slow
very fine grained films now gone, as I've noted in a prior posting.

Conversely, this means that Kodak really is going to compete on price for
their remaining products against Fuji, as they stated in their (in)famous
press release on cannabalizing the film cash cow to support digital, no
more film development etc. (since retracted, mostly).

So the implications are that film will get CHEAPER, and we won't have the
option of paying more for less popular films, they are simply being
shutdown. It remains to be seen if Ilford's plants remain shutdown or if
the assets and film technologies reappear.

So I'm tending to agree that we will see a handful of popular film types
and speeds left standing, if these trends continue. On the other hand, if
all the remaining sales get concentrated in these few film stocks, they
will be increasingly profitable to maintain (esp. with no R&D $ and using
older plants long paid for..).

bobm
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********************Standard Disclaimers Apply*************************

Ron Todd - 12 Sep 2004 17:27 GMT
...

>I have wrongly assumed that corporations like Kodak would protect their
>unique film offerings as an effective monopoly, e.g., kodachrome, ektar
>25, and charge what the market might bear. This does NOT seem to be
>happening. Instead, unique films are being lost, with nearly all the slow
>very fine grained films now gone, as I've noted in a prior posting.

...

In those cases the sales volume dropped so low, that even though they
were high margin items, there wasn't enough cash coming back to make a
significant contribution to overhead.
Bob Monaghan - 13 Sep 2004 02:31 GMT
yes, that make sense, but where does it stop? You cut one film like ektar
25, and now techpan is the low seller, so you cut it. Now you cut 220
films, as they aren't big sellers (as Ilford has). Now slide films are the
low seller, so you cut them.  Now B&W is the low seller, so you cut
them, and...

as suggested, you end up with 8 choices of 400 ASA C41 color print film,
and nothing else ;-)

Suppose film sales drop another 17% this year?  The loss of films from
Ilford's UK factories being shutdown, as one current example, would mean
the loss of a series of films which are pretty popular with certain types
of photo shooters and art users. As with the slow fine grained films we
have lost, there are no true replacements for some of these emulsions.

time will tell...

bobm
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Michael Benveniste - 13 Sep 2004 04:19 GMT
>yes, that make sense, but where does it stop?

If there's sufficient demand, and that's a big if, niche providers
step in to fill the gap.  I believe Efke and Macophot still make
traditional, silver rich ISO 25 films.

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Ron Todd - 13 Sep 2004 17:45 GMT
>yes, that make sense, but where does it stop?
...

Well, it stops with the end of 120 B&W film.  The demand just drops so
low that it is unsupportable by a reasonably sized organization.  It
goes the way of the slide rule.

....

>Suppose film sales drop another 17% this year?  The loss of films from
>Ilford's UK factories being shutdown, as one current example, would mean
>the loss of a series of films which are pretty popular with certain types
>of photo shooters and art users.

....

I don't mean to be rude by stating the obvious, but "pretty popular"
seems to be not enough to support commercial production.
Gordon Moat - 14 Sep 2004 03:16 GMT
> >yes, that make sense, but where does it stop?
> ...
>
> Well, it stops with the end of 120 B&W film.  The demand just drops so
> low that it is unsupportable by a reasonably sized organization.  It
> goes the way of the slide rule.

Probably be a very long time before we ever see that. Even 5" by 7" B/W film
is still available. Now maybe it will not be easy to get, or available only
through internet or mail order, but not disappear.

The world is a much bigger place than Europe, North America and Japan. We
might find that our choice of film is made in China, India, or somewhere in
South America in the future, though I don't necessarily see that as a bad
change.

> ....
>
[quoted text clipped - 7 lines]
> I don't mean to be rude by stating the obvious, but "pretty popular"
> seems to be not enough to support commercial production.

Basically true. As long as profits can be made from film, some companies will
continue to make it.

Ciao!

Gordon Moat
A G Studio
<http://www.allgstudio.com/gallery.html> Updated!
Ron Todd - 14 Sep 2004 06:33 GMT
>> >yes, that make sense, but where does it stop?
>> ...
[quoted text clipped - 6 lines]
>is still available. Now maybe it will not be easy to get, or available only
>through internet or mail order, but not disappear.

That is a good point, but sheet film is easier to produce than rolled
products.  It isn't difficult to do the cut off of the emulsion run. I
imagine someone could cut Panatomic-X Aero ( I think Kodak was still
selling this two years ago, maybe still is.)  down for sheet film if
there was enough of a demand.  I imagine they could just as easily cut
down to 120/220 for that matter.

The problem is when you get to rolls and spools.  AIR,Film for
Classics had to finally drop some of their sizes because their wasn't
enough demand left to get the backing made up.

>The world is a much bigger place than Europe, North America and Japan. We
>might find that our choice of film is made in China, India, or somewhere in
>South America in the future, though I don't necessarily see that as a bad
>change.

....

Yes, but that is trading on cheaper labor, less restrictive work
rules, and the abscense of the EPA and the Green movement.  I am sure
most concerned and progressive photographers would go to the ramparts
on that one.

>> I don't mean to be rude by stating the obvious, but "pretty popular"
>> seems to be not enough to support commercial production.
>
>Basically true. As long as profits can be made from film, some companies will
>continue to make it.

....

In part that is true, but there is less truth in it than appears on
the surface.  Profit is such a loose word and not really useful when
trying to decide in a capital investment for a product line in a multi
line enterprise.  Fact of life:  A rational man is not going to put
his savings in a 1/2 % passbook account when he can get 2% on
ninety-day certificates of deposit.
steven.sawyer@banet.net - 14 Sep 2004 01:47 GMT
Where has it been announced that Ilford's factory will be closing?

> yes, that make sense, but where does it stop? You cut one film like ektar
> 25, and now techpan is the low seller, so you cut it. Now you cut 220
[quoted text clipped - 18 lines]
> * Robert Monaghan POB 752182 Southern Methodist Univ. Dallas Tx 75275 *
> ********************Standard Disclaimers Apply*************************
Gordon Moat - 13 Sep 2004 08:18 GMT
> well, film sales in USA were ~1 billion roll equiv. in 2000, 822 million
> rolls of 35mm (see http://medfmt.8k.com/third/economics.html ) and
[quoted text clipped - 9 lines]
>
> with       350 mln single use cameras   370 mln single use cameras

I do not have the figures handy, though the so called "One Time Use" cameras
are currently the largest volume of film sales. The numbers have also
increased in recent years. While few of us might ever use on of these, they
are the big profit item for Fuji, Kodak, and AGFA.

> a previous posting at the above URL estimated only 1 million rolls/yr
> per emulsion in 120/220 MF, at an average wholesale price of circa $2
[quoted text clipped - 3 lines]
> marketshare in film, yet continued to sell despite total USA sales of only
> 7 to 15 million rolls/year ($10-25 million/yr wholesale).

One recent comment about Ilford on Reuters was that Ilford had about 60%
market share of B/W films world-wide. I was a bit surprised on that figure,
and I am not sure how accurate it is.

> So you can read this either way ;-)  The good news is that despite modest
> volumes (1 million rolls/yr) per emulsion worldwide, 120/220 MF film
[quoted text clipped - 4 lines]
> may do much better, so some 120/220 emulsions must be more marginal in
> sales and profits (e.g., 250,000 rolls/yr = $25k in profits only).

Profits are substantially better than what you can imagine. I had an
interesting conversation today with a chemical engineer who works for Eastman
Chemicals . . . guess what one of their products is used to make. Anyway, the
biggest cost on film production is the packaging and shipping.

> With film sales overall dropping circa 17% this last year per some posted
> reports, you would expect the loss of 7 (.17*40) marginal emulsions - cf.
[quoted text clipped - 4 lines]
> 25, and charge what the market might bear. This does NOT seem to be
> happening.

Did you check the pricing of Kodachrome lately, especially the "Pro"
versions?

> Instead, unique films are being lost, with nearly all the slow
> very fine grained films now gone, as I've noted in a prior posting.

Replaced by a good many ISO 100 choices, some quite new. Maybe I am somewhat
new to this compared to most of you guys, but I don't really miss Kodachrome,
and I never even saw Ektar 25. I do miss AGFA APX25, though I am quite happy
with APX100, and in general, ISO 100 films are just a little easier to use.

> Conversely, this means that Kodak really is going to compete on price for
> their remaining products against Fuji, as they stated in their (in)famous
> press release on cannabalizing the film cash cow to support digital, no
> more film development etc. (since retracted, mostly).

Of course, we are already seeing that stated idea not working. Also, why do
so many people twist those words to mean all films, when in reality the
release from Kodak only indicated that move for "consumer" films. At the
moment when Fuji introduces a newer emulsion, you can bet that Kodak will
soon introduce a competing product, if only to avoid more loss of market
share.

> So the implications are that film will get CHEAPER, and we won't have the
> option of paying more for less popular films, they are simply being
> shutdown. It remains to be seen if Ilford's plants remain shutdown or if
> the assets and film technologies reappear.

Quite the dilemma . . . . . . . to the competitors, there is the chance to
acquire technology, though another consideration is: let Ilford disappear,
and divide up the remaining market for the currently made Kodak, Fuji, and
AGFA products. I would definitely miss SFX, Pan F 50, and Delta 3200, though
arguably Delta 3200 has a directly competing product from Kodak.

> So I'm tending to agree that we will see a handful of popular film types
> and speeds left standing, if these trends continue. On the other hand, if
> all the remaining sales get concentrated in these few film stocks, they
> will be increasingly profitable to maintain (esp. with no R&D $ and using
> older plants long paid for..).

If Kodak and Fuji agreed to not compete on film products, then they could
achieve that level. However, in the US, that sort of arrangement would fall
foul to anti-trust laws.

I think a bigger issue is that the better films are fast becoming mail order
only items, even in larger cities. Of course, this is a problem smaller
retailers have experienced for years.

Ciao!

Gordon Moat
A G Studio
<http://www.allgstudio.com/gallery.html> Updated!
Derek Gee - 13 Sep 2004 01:32 GMT
> Neil Gould wrote, in rec.photo.equipment.medium-format:
>
[quoted text clipped - 15 lines]
> drive down sales, paving the way for a "justifiable" discontinuance
> of the product itself.

Frankly, anyone who is concerned with turnaround times was no longer using
Kodachrome prior to Kodak's latest lab closure.  The number of reasons to
continue using Kodachrome are becoming fewer and fewer as the E-6 stocks
improve.  The biggest reason I can think of to use it is the better
reproduction of blacks than the E-6 films.  The other reasons I can think of
are:

Proven dark stability
High degree of sharpness
Thin film travels smoother through cameras

The E-6 films have:

finer grain
more saturated colors
fast processing available

If you want Kodachrome to continue being made, better keep buying it, no
matter what the turnaround times end up being.

Derek
Bob Monaghan - 13 Sep 2004 02:39 GMT
I think kodachromes are being killed more for the issues with processing
chemistry pollution (esp. in EU) than any technical issues with the film.

I further think this is going to have a lot more impact on the
availability and cost of film development, if small labs have to reach
much higher anti-pollution levels. The classification of silver as a heavy
metal pollutant in the USA and EU bodes poorly for the costs of film based
processing.

Unfortunately, I suspect environmental regulators will be unsympathetic,
and the (pro-digital) photo industry won't make much or any effort to
block this, seeing it as yet another way to promote digital? (remember how
they didn't fight for a recycle setup for mercury batteries for all those
millions of cameras and light meters they sold us still in use?).

bobm
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********************Standard Disclaimers Apply*************************

Michael R. Lachance - 13 Sep 2004 06:17 GMT
> I think kodachromes are being killed more for the issues with processing
> chemistry pollution (esp. in EU) than any technical issues with the film.

Having been a Kodachrome QC Tech in 1980's/early 1990's I feel it was
inevitable that the K-14 labs eventually would fall off the planet one by
one... we predicted it back in '92! We ended our own processing in 1999 or
so.

The process is SO completely labor intensive. Maintaining acceptable process
control is akin to balancing 12 teacups on one's nose while walking a tight
rope. (but we did it!) ..  The Analytical QC on the process is anything but
simple, and the machinery / mechanical requirements of the process
(rexposure lamps, etc) are exacting.

Chemically, the fogging agent (RA-1, compounded into Magenta Developer) is
the nastiest chemical in the process. It is lethally toxic and can kill you
outright. Beyond that the rest of the process isnt so bad, althouth the
ferrocyanide bleach *can* be a bit treacherous if pH goes acidic.

The cost of the Couplers (Y55, C16, M38) are over-the-top mega-expensive
(theyre manufactured in France)

Toxicity of the color developers (CD-3, CD4, CD6) are about the same as
other CD's in other processes.

But when combined, all these factors add up to a process that is expensive
to formulate and expensive to maintain, requiring of a team of invaluable,
highly expensive operators and QC personnel.

Moreover, K14 120 film processing was even more rare, requiring wide roll
cine machinery...  adding exponentially to the costs involved in all of the
above points, especially machinery.  K14 cannot be dip-n-dunk processed.

As it is, Im surprised the process lasted as long as it did. It is a
testament to this day, that it was and is the best color imaging process
ever produced, both archivally, and in color rendering. (when process is in
control, of course.... something that was not easily done)!

But anyway...
Among the inevitables... I was  and am still bummed that FX32 was dropped.
:(
Grrr... Any other FX fans out there?

Mike Lachance
Geoffrey S. Mendelson - 13 Sep 2004 12:51 GMT
> Among the inevitables... I was  and am still bummed that FX32 was dropped.
>:(
> Grrr... Any other FX fans out there?

Do you mean panatomic-x? My second favorite film, the first being Adox KB-14.
Panatomic X did home some advanages, i.e. being kodak it was easily availble
when I lived in the U.S. the qaulity control and backing were much better
and it was truely panchromatic.

If I remember correctly, the closest thing to it was plus-x which could
produce a picture nearer pantomic-x than anything else, but not the same. :-(

Geoff.

Signature

Geoffrey S. Mendelson, C.T.O. GW&T Ltd., Jerusalem Israel
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IL Voice: 972-544-608-069  IL Fax: 972-2-648-1443 U.S. Voice: 1-215-821-1838

Michael R. Lachance - 13 Sep 2004 13:36 GMT
> Geoffrey S. Mendelson
> Do you mean panatomic-x? My second favorite film, the first being Adox KB-14.
[quoted text clipped - 7 lines]
>
> Geoff.

Yes, I am referring to Panatamic X (FX5060) I loved the stuff and felt it
was one of the finest (no pun) films ive ever used. More than just fine
grain.
Of course it was less popular than Plus-X but it yielded far better quality
than PX and gave nice results in many different situations.
Im sure since it wasnt the big seller like PX and TX Kodak went with the
bottom line and axed it.

But compare this to the demise of Kodachrome and it is 100% different. FX
was a comparatively simple black and white medium, whereas Kodachrome was a
monstrously expensive and labor intensive undertaking in most every regard,
from mfr through processing.

Mike Lachance
Ron Todd - 13 Sep 2004 17:51 GMT
>> Geoffrey S. Mendelson
>> Do you mean panatomic-x? My second favorite film, the first being Adox
[quoted text clipped - 24 lines]
>
>Mike Lachance

I thought they were still manufacturing Panatomic-X as a aero film.
Michael R. Lachance - 14 Sep 2004 01:56 GMT
  Ron Todd wote:
  > I thought they were still manufacturing Panatomic-X as a aero film.

Are they?
Thatd be news to me.
Anyone?

Mike Lachance
Ron Todd - 14 Sep 2004 06:40 GMT
>   Ron Todd wote:
>   > I thought they were still manufacturing Panatomic-X as a aero film.
>
>Are they?
>Thatd be news to me.
>Anyone?

...

http://www.kodak.com/US/en/business/aim/aerial/products/bw-film.shtml

The still use the name and it has a low ISO, no confirmation that it
is the same stuff.  Have not heard of anyone getting a roll end and
cutting it down for sheet film.  Would be interesting........

However, I believe that the negative in Polaroid 52 P/N film is said
to be Panatomic-X.
Hemi4268 - 14 Sep 2004 12:48 GMT
>The still use the name and it has a low ISO, no confirmation that it
>is the same stuff.  Have not heard of anyone getting a roll end and
>cutting it down for sheet film.  Would be interesting........

Most aerial film is way too thin to be cut into 4x5 sheets.  In fact, some of
the Ultra Ultra Thin Base or UUTB for short is not much different then the
plastic wrap you buy at the supermarket for food.

Larry
jjs - 14 Sep 2004 16:22 GMT
> >The still use the name and it has a low ISO, no confirmation that it
>>is the same stuff.  Have not heard of anyone getting a roll end and
[quoted text clipped - 4 lines]
> the Ultra Ultra Thin Base or UUTB for short is not much different then the
> plastic wrap you buy at the supermarket for food.

People will get the impression that's like saran wrap - it is not.
jjs - 14 Sep 2004 16:22 GMT
> http://www.kodak.com/US/en/business/aim/aerial/products/bw-film.shtml

I have used the stuff in 35mm. In fact, I still have a lot left.  I used it
for a few very long tele shots. Not bad stuff.
Michael R. Lachance - 14 Sep 2004 16:45 GMT
It is ESTAR base so even though its thin, (.6 or .10 mil option) it is not
prone to kinking or tearing.  Kodak shows a picture of a 120 type roll, but
it then does not list it as available in that format. ???

They make a high contrast and a medium contrast version.

Arg.

Mike Lachance

> > http://www.kodak.com/US/en/business/aim/aerial/products/bw-film.shtml
>
> I have used the stuff in 35mm. In fact, I still have a lot left.  I used it
> for a few very long tele shots. Not bad stuff.
Ben Micklem - 14 Sep 2004 17:00 GMT
> It is ESTAR base so even though its thin, (.6 or .10 mil option) it is not
> prone to kinking or tearing.  Kodak shows a picture of a 120 type roll, but
> it then does not list it as available in that format. ???

I think that is a 70mm roll.

Ben
Michael R. Lachance - 14 Sep 2004 17:14 GMT
http://www.kodak.com/US/en/business/aim/aerial/technicalPubs/tiDocs/ti1172/ti1172.pdf
Paul Friday - 14 Sep 2004 21:18 GMT
>It is ESTAR base so even though its thin, (.6 or .10 mil option) it is not
>prone to kinking or tearing.  Kodak shows a picture of a 120 type roll, but
>it then does not list it as available in that format. ???
>
>They make a high contrast and a medium contrast version.

Anyone tried Jessops' R200? It's made by Fotokemika-Sambor in Croatia,
under licence from Du Pont de Nemours GmbH.
OK, so it's hardly a replacement for Tech Pan, but it has a very thin
base.

It seems to confuse my scanner, and needs a sheet of fogged film or a
piece of paper laid over the neg to cut the light down.
Signature

----------------------------
Paul Friday

Michael R. Lachance - 14 Sep 2004 17:10 GMT
OK, Here is whats available for Panatomic-X via current Kodak sources:

KODAK PANATOMIC-X AEROGRAPHIC II Film 2412
70mm x 750ft  |  Spool 507  |  CAT No. 158-9555
Sales Unit = 1 roll
Units per Case = 6 Rolls
Min/Mult Sales Unit Order Qty = 18/18
Special Order / Not Factory Stocked

Speed = 40 ISO-A (ISO-A is not the same as Standard ISO)
Nominal Thickness = 4.45mil
Resolving Power @ T.O.C. 1000:1 = 400 line pairs/mm
Resolving Power @ T.O.C. 1.6:1    = 125 line pairs/mm

Besides the fact that this stuff would most likely be $$$$$$$$$$$, I guess
we could order this stuff and shoot it in a 70mm Hasselblad Back.

Mike Lachance

> > http://www.kodak.com/US/en/business/aim/aerial/products/bw-film.shtml
>
> I have used the stuff in 35mm. In fact, I still have a lot left.  I used it
> for a few very long tele shots. Not bad stuff.
steven.sawyer@banet.net - 14 Sep 2004 01:46 GMT
I've heard that when processed as a B&W film Kodachrome reacts much like
Tech-Pan.  I have not tried it however but soon will.  Too bad they discontinued
Kodachrome in the 120 format.

> > Neil Gould wrote, in rec.photo.equipment.medium-format:
> >
[quoted text clipped - 37 lines]
>
> Derek
Michael R. Lachance - 14 Sep 2004 02:06 GMT
> I've heard that when processed as a B&W film Kodachrome reacts much like
> Tech-Pan.  I have not tried it however but soon will.  Too bad they discontinued
> Kodachrome in the 120 format.

Affirmative. There are no color couplers in Kodachrome Film, Basically it is
three layers of silver emulsion, each with different color sensitivities.
The Dyes are provided in the chemistries, along with blue and yellow lamp
fogging, the final fog is magenta which is a chemical fog.

Run the Kodachrome through a Rem-Jet anti-halation removal bath, then
through PQ (1st Dev = Phenidone/Hydroquinone).
If you dont put the film in any of the three color developers there will be
no dye-oxidation bonding, thus no color. skip the bleach and go right to fix
and viola youve got a nice black and white negative!

A pretty expensive Black and White negative tho!

Of course you can just use standard BW chems but you WILL have to do a
rem-jet step before developing, otherwise youll have a real mess on yer
hands and film that will resemble decorator-flypaper

Mike Lachance
steven.sawyer@banet.net - 14 Sep 2004 03:18 GMT
I've heard that you can do the anti-halation layer removal by hand.  If it looks
like Tech-Pan, it'd be worth.  Remember I already agreed to pay $12/roll for
TechPan.  I have a hunch though that the fellow that told me that it looked like
TechPan was processing K12, but there's always hope.

> > I've heard that when processed as a B&W film Kodachrome reacts much like
> > Tech-Pan.  I have not tried it however but soon will.  Too bad they
[quoted text clipped - 19 lines]
>
> Mike Lachance
steven.sawyer@banet.net - 14 Sep 2004 03:18 GMT
Sorry, I meant the now discontinued K25.

> I've heard that you can do the anti-halation layer removal by hand.  If it looks
> like Tech-Pan, it'd be worth.  Remember I already agreed to pay $12/roll for
[quoted text clipped - 24 lines]
> >
> > Mike Lachance
Ron Baird - 14 Sep 2004 19:18 GMT
Greetings Tom,

Tech Pan is a great film and quite fine grained.  It started out in the
scientific and technical world and was adopted by the general BW community
shortly there after.  Special chemicals were created and offered as well as
research for processing in a variety of ways.

The Kodachrome process is an interesting one where dyes are introduced to
the film during the K-14 process.  Use as a BW film may not be what you
expect.  If it were me, I would continue with Tech Pan as the results are
much more specific.

Talk to you soon, let me know if you have any questions.

Ron Baird
Eastman Kodak Company

> I've heard that when processed as a B&W film Kodachrome reacts much like
> Tech-Pan.  I have not tried it however but soon will.  Too bad they discontinued
[quoted text clipped - 6 lines]
> > > > those "manufacturing inconvenience" points to understand its poor
> > > > profitability. One only has to consider that almost *anything* else
Tom Bombadil - 15 Sep 2004 16:30 GMT
> Frankly, anyone who is concerned with turnaround times was no longer using
> Kodachrome prior to Kodak's latest lab closure.  The number of reasons to
[quoted text clipped - 4 lines]
>
> Proven dark stability

OK

> High degree of sharpness

Not an issue for me.  The E-6's I use and Kodachrome are both quite sharp enough.

> Thin film travels smoother through cameras

Never have I worried about smooth traveling through cameras, even with
Verichrome Pan (still using up my cache of that)!

> The E-6 films have:
>
> finer grain

If I'm seeing grain in my Kodachromes, I'm liking it.

> more saturated colors

Well, DIFFERENT colors, and this is why I still use Kodachrome:  its unique,
beautiful color palette.  Here's where I want to insert the words:

FLAGSHIP PRODUCT

No one ever had a hit record singing about Astia, Velvia, or Sensia!

> fast processing available

Truer than ever by comparison.

> If you want Kodachrome to continue being made, better keep buying it, no
> matter what the turnaround times end up being.

I'm doing my part!
steven.sawyer@banet.net - 11 Sep 2004 18:02 GMT
They have to re-engineer the product (assuming what they're saying is true),
and that will cost money, but is this an issue of profitability or of just
doing away with all of their low volume products?  Where I disagree is that
this is one and the same question.  It is not.  One has to do with costs and
revenue and the other has to do with "streamlining" their manufacturing
operation.  Again "streamlining" as a corporate objective and not
necessarily as a profit maximizing objective.

> Recently, steven.sawyer@banet.net <steven.sawyer@banet.net> posted:
>
[quoted text clipped - 9 lines]
>
> Neil
Neil Gould - 11 Sep 2004 18:50 GMT
Recently, steven.sawyer@banet.net <steven.sawyer@banet.net> posted:

> They have to re-engineer the product (assuming what they're saying is
> true), and that will cost money, but is this an issue of
[quoted text clipped - 4 lines]
> Again "streamlining" as a corporate objective and not necessarily as
> a profit maximizing objective.

Some things just aren't that complicated. We can either assume that what
they're saying about manufacturing TP is true, or present some reputable
facts to the contrary. I'm sure that they know whether or not they still
manufacture the Estar substrate. Similarly, they would know whether the
gels have become obsolete. Or their estimate of the production resources
necessary to supply years' worth of TechPan to the market. There hasn't
been any reputable dispute of these facts, and they'd seem pretty critical
to making TechPan a worth-while product, at least to me. What's the point
in creating conspiracies about these issues sans any supportive evidence?

Neil
Peter Irwin - 12 Sep 2004 04:33 GMT
> Some things just aren't that complicated. We can either assume that what
> they're saying about manufacturing TP is true, or present some reputable
[quoted text clipped - 5 lines]
> to making TechPan a worth-while product, at least to me. What's the point
> in creating conspiracies about these issues sans any supportive evidence?

I don't doubt that recreating Technical Pan exactly or almost
exactly would involve expenses which Kodak cannot be certain
of recovering, but they could probably make another product
not wildly unlike it for minimal expenses.

TP is not wildly unlike microfilm. Kodak is still making microfilm,
and will probably be doing so for years to come. I don't see how
it could be very difficult or expensive for them to make one of
their standard microfilms available to consumers in popular film sizes.
It wouldn't be the same as Technical Pan, but it would probably make
a pretty decent substitute.

Peter.
Signature

pirwin@ktb.net

Bob Monaghan - 12 Sep 2004 04:56 GMT
Hi Peter

yes, but Neil is right for another reason - Kodak is suggesting that TP
users switch to Tmax 100. So kodak has probably anticipated that much of
what they lose in sales of TP will be made up in sales of Tmax, yes?  We
don't have much of a choice, the alternatives from Ilford or Efke aren't
competitive. So perhaps some of the TP leica users will give up and switch
to hasselblad or Linhofs for their highest quality shots. But the rest of
us will have to bite the bullet and use Tmax 100.

So Kodak doesn't care, because they still get the sale and the profits. If
anything, they probably will make more $$, due to larger volumes on Tmax
without the costs of maintaining two lines (Tmax and TP), right? ;-)

so they win, and we lose...

bobm

Signature

***********************************************************************
* Robert Monaghan POB 752182 Southern Methodist Univ. Dallas Tx 75275 *
********************Standard Disclaimers Apply*************************

Mxsmanic - 12 Sep 2004 10:34 GMT
> so they win, and we lose...

Not if photographers switch to chromogenic B&W films from another
vendor, which have finer grain and better resolution than T-Max 100
(although not as good as Tech Pan).

Kodak is playing a very dangerous game, and given their track record, I
think it's quite likely that they'll lose, again.

Signature

Transpose hotmail and mxsmanic in my e-mail address to reach me directly.

steven.sawyer@banet.net - 12 Sep 2004 22:02 GMT
You can use T-Max if you want to.  The two rolls in my cabinet are the last
I'll ever use.  As far as I know Ilford film is still available.  During
Polaroid's bankruptcy, most of their products were available.  And if Iford
goes under, I'll try some of the other European products, like Fomapan and
Bergger.  I will make every effort I can "not" to buy any Kodak product aside
from the occasional roll of Kodachrome, which will probably be MDed shortly.
And I'm debating whether or not I should "stock up" on TechPan.  One side of
me says that I'm just re-inforcing bad behaviour and the other side says I'm
cutting off my nose to spite my face.

> Hi Peter
>
[quoted text clipped - 18 lines]
> * Robert Monaghan POB 752182 Southern Methodist Univ. Dallas Tx 75275 *
> ********************Standard Disclaimers Apply*************************