> "Charles Pezeshki" posted
> "...
> I don't have time to test.
> ..."
>
> A common mistake made by *amateurs.*
Charles is too much of a gentleman and professional to respond, so I will:
f.ck You, RSD99
RSD99 - 14 May 2004 22:35 GMT
"jjs" posted:
"...
f.ck You, RSD99
..."
HeHeHeHeHe
Reminds me about an old parable ... something about "repeating the mistakes of the past."
...
And no ... my posting was *not* a flame, just an illustration ...
HeHeHeHeHe
> "Charles Pezeshki" posted
> "...
> I don't have time to test.
> ..."
>
> A common mistake made by *amateurs.*
Hi Folks,
You know, I don't know why this is such a hard question for people to
answer. Provia 100F was engineered to be spot-on with ASA, and it is for
properly calibrated equipment. I shoot a lot of Provia 100F.
I am going to assume that Velvia 100 is similar.
Additionally, living in the Pacific NW, it is very difficult, if not
impossible to judge a super-saturated film like Velvia on film speed
relativity in an environment like the Southwest. It's green up here, and
red down there. It makes a huge difference.
BTW, I never thought that this thread would turn into a flame war. I
thought people would be happy to shoot Velvia at 100.
No? Is it not popular?
Chuck
http://www.wildcountry.info
Stacey - 15 May 2004 02:04 GMT
>> "Charles Pezeshki" posted
>> "...
[quoted text clipped - 7 lines]
> You know, I don't know why this is such a hard question for people to
> answer.
Me either. You obviously know that your "system" works right with other film
so transferring this to another film shouldn't be a problem.
But sorry, I've never shot any velvia 100 so can't help ya..

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Stacey