>>>Is anyone using the Plustek Opticfilm 7200?
>>>Smitty
[quoted text clipped - 11 lines]
> States the dmax as 3.3, although I have heard those figures are always
> arbitrary.
Yes, Nikon and Minolta usually quote dmax w/o considering noise.
eg: Often a 16 bit/color dmax is quoted as log 2^16 which does not account for
system noise. CW says lower 1.5 bits are system noise so the theoretical dmax
should be log 2^(16-1.5) = 4.36 ...which is a bit more than a slide has...
So, if the claimed dmax of the opticfilm 7200 is 3.3, it suggests that each
color channel is only 12 bits and that the rest of the "color depth" is padded,
and at that, they may not be accounting for noise (unless they have 14 bits per
channel, but then the Dmax would be 3.7, not 3.3).
Cheers,
Alan

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Rich Pos - 24 Oct 2004 21:16 GMT
>>>>Is anyone using the Plustek Opticfilm 7200?
>>>>Smitty
[quoted text clipped - 21 lines]
>and at that, they may not be accounting for noise (unless they have 14 bits per
>channel, but then the Dmax would be 3.7, not 3.3).
Just a few years ago different calculations must have been used to
calculate dmax. IIRC, 4.0 was the limit and only achieved by drum
scanners.
RP©
Alan Browne - 24 Oct 2004 21:46 GMT
> Just a few years ago different calculations must have been used to
> calculate dmax. IIRC, 4.0 was the limit and only achieved by drum
> scanners.
I know what you're referring to, but I have no idea how that number was derived.
It could correspond to the maximum density of slide film, in which case the
ability of a scanner to go deeper is useless ...eg: once you're at 15 bits, even
accounting for noise, you are not going to get more info off of the film than
what the film can give... 10^4 = 10,000 corresponds to 13..14 bits without the
noise, 15 bits would do it and cover the noise ... 16 bits is what is available
available in A/D converters...
Cheers,
Alan

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