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Photo Forum / Digital Photography / Digital Photo / January 2006

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3x Wendy

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Gregoir Hoppenbrouwers - 28 Jan 2006 11:19 GMT
Three portraits of Wendy on:

http://www.fotogregoir.dds.nl/portret/index5.html

Your comments are highly appreciated !

Gregoir
Mark - 28 Jan 2006 13:07 GMT
> Three portraits of Wendy on:
>
[quoted text clipped - 3 lines]
>
> Gregoir

Teeth are too yellow.....see minimal correction:
http://www.flashworth.com/allnude/untitled.jpg
John H - 28 Jan 2006 13:37 GMT
>> Three portraits of Wendy on:
>>
[quoted text clipped - 6 lines]
>Teeth are too yellow.....see minimal correction:
>http://www.flashworth.com/allnude/untitled.jpg

    Teeth are too white for me, distracting from the picture.

John H
Tony Cooper - 28 Jan 2006 13:52 GMT
>> Three portraits of Wendy on:
>>
[quoted text clipped - 6 lines]
>Teeth are too yellow.....see minimal correction:
>http://www.flashworth.com/allnude/untitled.jpg

Was the goal here to take a well-composed photograph of Wendy, or to
take a picture of Wendy and improve her looks?

If the former, there's no need to correct the color of her teeth.  The
photographer has done a good job.  Especially on the middle shot.

With Photoshop, we can whiten teeth, erase wrinkles, and eliminate
eye-bags.  When this is done, though, the results are no longer
photographs.  They are artistic creations based on manipulated images.

Signature

Tony Cooper
Orlando, FL

Mark - 28 Jan 2006 14:24 GMT
>>> Three portraits of Wendy on:
>>>
[quoted text clipped - 16 lines]
> eye-bags.  When this is done, though, the results are no longer
> photographs.  They are artistic creations based on manipulated images.

I agree, especially the middle shot is good......however a good photographer
will make his client/model look good. I was distracted by something that
took away from the photograph--it immediately caught my eye--it doesn't
necessarily become an "artistic creation" to make the photograph a better
photograph.

Yes, you can eliminate eye-bags, wrinkles and change the personna of the
model by doing so, and make a photograph an artistic creation, but
correcting color to make a photograph better is an obligation. (And there
are many who would argue that great photography is an artistic creation in
and of itself, without manipulation.)

Mark
Tony Cooper - 28 Jan 2006 15:30 GMT
>>>> Three portraits of Wendy on:
>>>>
[quoted text clipped - 28 lines]
>are many who would argue that great photography is an artistic creation in
>and of itself, without manipulation.)

There's a line somewhere that shouldn't be crossed unless the
photograph is a commercial shot where the model is in the picture to
sell a product.

If the image of Wendy is just a well-composed photograph of Wendy,
then no alteration should be performed.  To whiten her teeth would be
akin to adding wrinkles and nicotine-stains on the fingers to an aged
person photographed as a character shot.  

Should Karsh have added some worry-wrinkles to
http://www.acepilots.com/ww2/churchill_portrait.jpg
to make a "better" shot?

Signature

Tony Cooper
Orlando, FL

John McWilliams - 28 Jan 2006 17:35 GMT
> There's a line somewhere that shouldn't be crossed unless the
> photograph is a commercial shot where the model is in the picture to
[quoted text clipped - 4 lines]
> akin to adding wrinkles and nicotine-stains on the fingers to an aged
> person photographed as a character shot.  

Thanks, Tony, for your definitive views on what photography is and isn't.

Have you any particular credentials to expound majestically about
photography?

Signature

John McWilliams

I know that you believe you understood what you think I said, but I'm
not sure you realize that what you heard is not what I meant.

Tony Cooper - 28 Jan 2006 18:23 GMT
>> There's a line somewhere that shouldn't be crossed unless the
>> photograph is a commercial shot where the model is in the picture to
[quoted text clipped - 9 lines]
>Have you any particular credentials to expound majestically about
>photography?

I'm working on them right now in Photoshop.  I have an old
subscription offer from "Modern Photography", and with a little
cutting and pasting I'll soon have a fine set of credentials.  

Your comments on my comments are always appreciated.  You have no idea
how much importance I attach to them.  

Signature

Tony Cooper
Orlando, FL

John H - 28 Jan 2006 18:59 GMT
>>> There's a line somewhere that shouldn't be crossed unless the
>>> photograph is a commercial shot where the model is in the picture to
[quoted text clipped - 16 lines]
>Your comments on my comments are always appreciated.  You have no idea
>how much importance I attach to them.  

    LOL :-)

    As an undirected comment in general I recall someone once
offering that "Opinions are like (*) holes - everyone has one and the
other fellows stinks".  Dogs have their own outlook and perhaps there
is a whiff of wisdom to it.  To them no "opinion" stinks.  They're
just different.  ;-)

John H
Tony Cooper - 28 Jan 2006 19:38 GMT
>>>> There's a line somewhere that shouldn't be crossed unless the
>>>> photograph is a commercial shot where the model is in the picture to
[quoted text clipped - 24 lines]
>is a whiff of wisdom to it.  To them no "opinion" stinks.  They're
>just different.  ;-)

It seems to me that when someone posts some images and says "What do
you think of these?", that the poster is soliciting opinions.  Not
opinions from credentialed experts, but opinions.  Mr McWilliams
obviously has some other criterion in mind.

Signature

Tony Cooper
Orlando, FL

Eric Schreiber - 28 Jan 2006 20:18 GMT
> It seems to me that when someone posts some images and says "What do
> you think of these?", that the poster is soliciting opinions.  Not
> opinions from credentialed experts, but opinions.  Mr McWilliams
> obviously has some other criterion in mind.

I doubt that in asking "What do you think of these" the OP was looking
for your opinions about what constitutes photography vs crossing a line.
Tony Cooper - 28 Jan 2006 20:54 GMT
>> It seems to me that when someone posts some images and says "What do
>> you think of these?", that the poster is soliciting opinions.  Not
[quoted text clipped - 3 lines]
>I doubt that in asking "What do you think of these" the OP was looking
>for your opinions about what constitutes photography vs crossing a line.

I'm sorry that you fail to understand what a newsgroup is all about.
Unsolicited opinions and extensions of the topic are the very heart of
newsgroupery.  

While I wasn't asking for your opinion of my opinion, your offering of
that opinion is well within the expectations anyone should have when
reading a newsgroup.

Signature

Tony Cooper
Orlando, FL

Eric Schreiber - 29 Jan 2006 06:39 GMT
> I'm sorry that you fail to understand what a newsgroup is all about.

Good try, but a quick Google should clear up any misconceptions. I've
been playing on Usenet for a long time indeed. I grok its fullness.

Signature

www.ericschreiber.com

Eric Schreiber - 28 Jan 2006 20:15 GMT
> There's a line somewhere that shouldn't be crossed unless the
> photograph is a commercial shot where the model is in the
> picture to sell a product.

Nonsense. Even if one accepts that there is such a line, the only
person who should decide if and when to cross it is the photographer
(or their employer), for whatever reasons he or she decides.
Tony Cooper - 28 Jan 2006 21:11 GMT
>> There's a line somewhere that shouldn't be crossed unless the
>> photograph is a commercial shot where the model is in the
[quoted text clipped - 3 lines]
>person who should decide if and when to cross it is the photographer
>(or their employer), for whatever reasons he or she decides.

You've snipped a bit of context here, and in doing so you've
overlooked the basis for the comment.  The photographer, Gregoir,
stated that he didn't think the alternation was an improvement.  The
alteration was suggested and provided by another poster.  

It seems to me that Gregoir was trying to present an image of Wendy -
as Wendy is - and not an image of Wendy as she should be.  He set the
line.  The "improvement" crossed the photographer's line.

I don't see a problem with suggesting that Wendy's look can be
improved by whitening the teeth.  What I do see as a problem is
suggesting that it's not a good picture unless the teeth are whitened.

(Not that the poster suggested that without the whitening the picture
was not good.)

Signature

Tony Cooper
Orlando, FL

Eric Schreiber - 29 Jan 2006 06:44 GMT
> You've snipped a bit of context here, and in doing so you've
> overlooked the basis for the comment.  The photographer, Gregoir,
> stated that he didn't think the alternation was an improvement.  The
> alteration was suggested and provided by another poster.  

Clearly, I should not have snipped the context. Perhaps had I not, you
would have better remembered that your "shouldn't cross the line"
comment was in response not to the OP, but to Mark's "correcting color
to make a photograph better is an obligation."

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www.ericschreiber.com

Tony Cooper - 29 Jan 2006 07:35 GMT
>> You've snipped a bit of context here, and in doing so you've
>> overlooked the basis for the comment.  The photographer, Gregoir,
[quoted text clipped - 5 lines]
>comment was in response not to the OP, but to Mark's "correcting color
>to make a photograph better is an obligation."

You might want to read the exchange again in context.  You have
indicated that you are quoting me, but you have not quoted me.  You
have not even represented my comment.  There's a line in appearing to
quote, too, that should not be crossed.

The photographer, in my opinion, has no obligation whatsoever to
correct color, when "correct color" means "to change color", to
present a false image anymore than he has an obligation to correct a
blemish.  He may choose to, but he has no obligation.  A false image
is not a better image unless the photographer's intent is to present
what he or the subject would like the subject to look like.

Signature

Tony Cooper
Orlando, FL

Eric Schreiber - 29 Jan 2006 21:19 GMT
> You might want to read the exchange again in context. You have
> indicated that you are quoting me, but you have not quoted me.

You mean to say that you did not write:

"There's a line somewhere that shouldn't be crossed unless the
photograph is a commercial shot where the model is in the picture to
sell a product."

Because, if that's what you're saying, you might want to take better
care to lock your doors at night, because someone using your IP address
and your screen name did, in fact, say that very thing.

Signature

www.ericschreiber.com

Tony Cooper - 29 Jan 2006 23:35 GMT
>> You might want to read the exchange again in context. You have
>> indicated that you are quoting me, but you have not quoted me.
[quoted text clipped - 8 lines]
>care to lock your doors at night, because someone using your IP address
>and your screen name did, in fact, say that very thing.

I would think that you would know what constitutes a quote, what
constitutes a paraphrase, and what constitutes an allusion to what was
said.  I would also think that you would know that you really don't
slip anything past people when you selectively snip.  

You wrote:

"Clearly, I should not have snipped the context. Perhaps had I not,
you would have better remembered that your "shouldn't cross the line"
comment was in response not to the OP, but to Mark's 'correcting color
to make a photograph better is an obligation'."

The above presents what appears to be a quote of what I said, but is
not a quote of what I said.

In the post that I'm replying to, you've restored what I've said.  It
is quite different from saying that Mark "crossed the line" as you
have implied.

Signature

Tony Cooper
Orlando, FL

Eric Schreiber - 30 Jan 2006 03:05 GMT
> I would think that you would know what constitutes a quote

I do. For example, I quoted what you posted.

> I would also think that you would know that you really don't
> slip anything past people when you selectively snip.  

Since the entire thread is quite new, I expect it is still all
available on everyones local Usenet server, and if not, is readily
searchable on Google. Therefore, it would be fruitless to even attempt
to 'slip anything past', since anyone who cares to can read the entire
thread for themselves.

Though at this point, I daresay most would not be interested.

Signature

www.ericschreiber.com

Frank ess - 30 Jan 2006 03:20 GMT
>> I would think that you would know what constitutes a quote
>
[quoted text clipped - 12 lines]
>
> Though at this point, I daresay most would not be interested.

Actually there is a lurker who monitors these groups and keeps an
account of who zips up last in such monumental pissing contests.

Have at it, kids. You may set a record.

Signature

Frank ess
"You know my method, Watson.
It is founded upon
the observation of trifles."
 —Sherlock Holmes—

Eric Schreiber - 30 Jan 2006 15:22 GMT
> Actually there is a lurker who monitors these groups and keeps an
> account of who zips up last in such monumental pissing contests.
> Have at it, kids. You may set a record.

I seriously doubt it - I can't imagine this comes anywhere close to
qualifying as "monumental".

Unless, perhaps, when used in the phrase "monumentally pointless".

Signature

www.ericschreiber.com

Tony Cooper - 30 Jan 2006 03:21 GMT
>> I would think that you would know what constitutes a quote
>
>I do. For example, I quoted what you posted.

And you also quoted what I did not post.

>> I would also think that you would know that you really don't
>> slip anything past people when you selectively snip.  
[quoted text clipped - 4 lines]
>to 'slip anything past', since anyone who cares to can read the entire
>thread for themselves.

Many newsreaders, as mine is, are set to show only unread and current
posts.  The trail of the thread may be opened, but people seldom
bother.

>Though at this point, I daresay most would not be interested.

Very true.  

I look forward to meeting you again in an exchange.  Perhaps you will
actually address the topic or question.  I'd like to see how you
handle that.

 
Signature


Tony Cooper
Orlando, FL

Eric Schreiber - 30 Jan 2006 15:29 GMT
> And you also quoted what I did not post.

Incorrect. My inital post, in its entirety, was:

********

> There's a line somewhere that shouldn't be crossed unless the
> photograph is a commercial shot where the model is in the
> picture to sell a product.

Nonsense. Even if one accepts that there is such a line, the only
person who should decide if and when to cross it is the photographer
(or their employer), for whatever reasons he or she decides.
********

> The trail of the thread may be opened, but people seldom
> bother.

I would recommend to you that you take the time to develop the habit,
as your memory is obviously too flawed to be trusted.

> I look forward to meeting you again in an exchange.  Perhaps you will
> actually address the topic or question.  I'd like to see how you
> handle that.

As is clear from my quoted post above, I set out to do exactly that.
Unfortunately, you were more interested in dissembling and obfuscating
than in defending your absurd comment about a line that shouldn't be
crossed. Perhaps you recognized that it was a pretty foolish thing to
say, and so were simply trying to distract from it by spinning as fast
as you could.

Signature

www.ericschreiber.com

Rita Ä Berkowitz - 30 Jan 2006 20:56 GMT
> As is clear from my quoted post above, I set out to do exactly that.
> Unfortunately, you were more interested in dissembling and obfuscating
> than in defending your absurd comment about a line that shouldn't be
> crossed. Perhaps you recognized that it was a pretty foolish thing to
> say, and so were simply trying to distract from it by spinning as fast
> as you could.

Totally irrelevant!  Tony and I determined in another newsgroup that he
does, in fact, have Wainscoting on his walls.

Rita
Eric Schreiber - 30 Jan 2006 21:37 GMT
Rita D Berkowitz wrote:

> Totally irrelevant!  Tony and I determined in another newsgroup that
> he does, in fact, have Wainscoting on his walls.

If you're convinced, well, hell, I reckon that's good enough for me.

Signature

www.ericschreiber.com

Rita Ä Berkowitz - 30 Jan 2006 22:36 GMT
>> Totally irrelevant!  Tony and I determined in another newsgroup that
>> he does, in fact, have Wainscoting on his walls.
>
> If you're convinced, well, hell, I reckon that's good enough for me.

Convinced?  Well, after a mindless pissing contest in the true spirit of any
Usenet conversation Tony did admit having Wainscoting on his walls.  True, I
was highly skeptical since my stance was he used Photoshop to put it on
there.  I won't back down on my accusation that he digitally removed the
knots and nail holes.  But, if it's good enough for you then is surely is
good enough for me.  Want an after dinner mint?

Rita
Eric Schreiber - 31 Jan 2006 01:38 GMT
> Want an after dinner mint?

You got any of them booze filled chocolates instead?

Signature

www.ericschreiber.com

Jon Danniken - 28 Jan 2006 21:05 GMT
> >>> Three portraits of Wendy on:
> >>>
[quoted text clipped - 22 lines]
> necessarily become an "artistic creation" to make the photograph a better
> photograph.

You're caught up in the trend towards white teeth that is all the rage in a
small subset of current human culture.  It used to be wildly popular at one
time for teeth to be distinctly off-white, and preparations were sold for
this purpose.

Looking beyond trendy social conditioning, Wendy's teeth look perfectly fine
to me.

Nice photographs, BTW.

Jon
Rita Ä Berkowitz - 28 Jan 2006 21:14 GMT
> You're caught up in the trend towards white teeth that is all the
> rage in a small subset of current human culture.  It used to be
> wildly popular at one time for teeth to be distinctly off-white, and
> preparations were sold for this purpose.

That's a good point.  What amazes me is how people are literally destroying
their teeth much more quickly for the sake of vanity.

> Looking beyond trendy social conditioning, Wendy's teeth look
> perfectly fine to me.

I agree.  They are what they are.

> Nice photographs, BTW.

Agree.

Rita
Gregoir Hoppenbrouwers - 28 Jan 2006 16:03 GMT
>>> Three portraits of Wendy on:
>>>
[quoted text clipped - 16 lines]
> eye-bags.  When this is done, though, the results are no longer
> photographs.  They are artistic creations based on manipulated images.

Teeth are too white for me too in:
http://www.flashworth.com/allnude/untitled.jpg

My only goal was to make a good spontaneous shot of Wendy.

Gregoir (NL)
Frank ess - 28 Jan 2006 17:24 GMT
>>>> Three portraits of Wendy on:
>>>>
[quoted text clipped - 29 lines]
>
> Gregoir (NL)

If the teeth "require" lightening, then the eye-whites, too.

Otherwise, if I hadn't seen the originals, the "corrected" version
would be OK.

I don't like the wrist in the last one. My eyes kept jumping away from
the very pleasant face to the angles. Natural as it may be, it
distracts from what I think was the purpose of the photo.

Remember that a v v large percentage of people viewing such pictures
are not philosophers, photographers, nor hypercritical lesson-givers.
They may see things through a haze of ignorance, tastelessness, and
disinterest in novel or extreme dimensions, but their appreciation is
no less poignant, on their own terms.

Shoot for yourself. If your self needs a little catering to the
intended audience, so be it. It is yourself who contributed the
perception of that need and its valence, resulting in your personal
product. Which does not have to conform to any parameters other than
your own. That may include any influences you may adopt as germane.
Including but not limited to "generally accepted guidelines".

--
Frank ess
"In this universe there are things
that just don't yield to thinking
—plain or fancy—Dude".
—J. Spicoli, PolyPartyPerson
John McWilliams - 28 Jan 2006 17:37 GMT
>>>>Three portraits of Wendy on:
>>>>
[quoted text clipped - 21 lines]
>
> My only goal was to make a good spontaneous shot of Wendy.

And that you did. I did note, tho, that her skin tones are more alive in
the altered image. Some folks have teeth at least as white as in the
alteration......

Signature

John McWilliams

Pat - 28 Jan 2006 19:12 GMT
If your only goal was to take a spontaneous photo, you have done well.
Assuming you are an amateur, they are very good and you should keep it
up.

As for the teeth, that's a personal thing.  Personally, might lighten
them some, but not too bleached-white.

The only comment I have is that it appears that you removed the
background.  On photo #1, the loose hairs look a little photoshopped --
if you look at the ones near HER right ear.  Also, below that there is
a gap in the hair where the background isn't quite as light.

Loose hair are particularly hard to handle when deleting a background,
but you did well.

All in all, they are very good.  Keep up the good work.
Gregoir Hoppenbrouwers - 28 Jan 2006 19:30 GMT
> If your only goal was to take a spontaneous photo, you have done well.
> Assuming you are an amateur, they are very good and you should keep it
[quoted text clipped - 12 lines]
>
> All in all, they are very good.  Keep up the good work.

Thanks.
No I did not remove the background.
The background is white paper, a bit (too)overexposed.

Gregoir
Pat - 28 Jan 2006 19:48 GMT
Touch up those loose hairs, print it, hang it on your wall and be VERY
proud of it.

... and give her a copy, too, I suppose ....
Tony Cooper - 28 Jan 2006 20:33 GMT
>If your only goal was to take a spontaneous photo, you have done well.
>Assuming you are an amateur, they are very good and you should keep it
>up.

If you click on the back arrows on that page, and look at the rest of
his photographs, it doesn't look like Gregoir is just snapping
spontaneous photos and happened to come across Wendy.  He seems to
have an endless supply of very attractive young ladies.  I don't think
he needs encouragement to keep it up.  (Pun intended)

Since his site link is snipped, I'll put it back:

http://www.fotogregoir.dds.nl/portret/index5.html

Signature

Tony Cooper
Orlando, FL

Pat - 28 Jan 2006 21:23 GMT
Damn, your right. An endless supply of good lucking women. Maybe we
should be asking for HIS advice.
skim - 29 Jan 2006 14:52 GMT
Nice photos, frankly better than mine. I see from your porfolio you are
a professional. I saw the rest of your portrait portfolio on your site.
What's your typical lighting setup? I like it.

skim
Gregoir Hoppenbrouwers - 29 Jan 2006 16:49 GMT
> Nice photos, frankly better than mine. I see from your porfolio you are
> a professional. I saw the rest of your portrait portfolio on your site.
> What's your typical lighting setup? I like it.
>
> skim

Thank you , Skim.
No I'am not a professional.
For my portraits with a white background I use mostly 1 studioflash with a
white umbrella. The flash goes through the umbrella.
And two flashes,(without umbrella) on the white background to get the
backgrond nicely white.
For portraits with a dark backround I us 1 flash with the umbrella and 1
flash with a  snoot from behind on the hair of the model.

Best regards,
Gregoir (NL)
www.fotogregoir.dds.nl
Rita Ä Berkowitz - 28 Jan 2006 20:37 GMT
> Was the goal here to take a well-composed photograph of Wendy, or to
> take a picture of Wendy and improve her looks?

Good question.

> If the former, there's no need to correct the color of her teeth.  The
> photographer has done a good job.  Especially on the middle shot.

True, minor color correction isn't always a bad thing, but if the person has
smoker's teeth like this person does you would be misrepresenting what the
subject is by whitening the teeth.  Of course, this would be fine if the
subject wanted a picture that didn't represent reality and you still get
paid.

> With Photoshop, we can whiten teeth, erase wrinkles, and eliminate
> eye-bags.  When this is done, though, the results are no longer
> photographs.  They are artistic creations based on manipulated images.

Tony, we usually don't agree on much, but you nailed it perfectly.  This
reminds of that picture of the Burger King Whopper.  That damn thing looks
so good; the beef looks to be about 20oz, the lettuce and tomatoes look so
fresh and full of color.  I wonder how many people actually got a Whopper
that looks close to the one in the picture?  Photoshop is great, but it
seems to be an over abused tool in some cases.  I guess it all depends on
what you goals are for the end product?

Rita
Tony Cooper - 28 Jan 2006 21:13 GMT
>Tony, we usually don't agree on much, but you nailed it perfectly.

It always makes me nervous when someone who normally disagrees with me
does agree with me.  It makes me feel like I misstated my position.

Signature

Tony Cooper
Orlando, FL

John McWilliams - 29 Jan 2006 18:39 GMT
>>Tony, we usually don't agree on much, but you nailed it perfectly.
>
> It always makes me nervous when someone who normally disagrees with me
> does agree with me.  It makes me feel like I misstated my position.

You did! But not to worry; "Rita" often disagrees with whomever. (Or
agrees, depending on which is the minority opinion.)

But, since you know all about both photography and usenet, this does
fall, does it not, well within what's expected in this old NG?

Signature

John McWilliams

Tony Cooper - 29 Jan 2006 19:38 GMT
>>>Tony, we usually don't agree on much, but you nailed it perfectly.
>>
[quoted text clipped - 3 lines]
>You did! But not to worry; "Rita" often disagrees with whomever. (Or
>agrees, depending on which is the minority opinion.)

Rita is a familiar poster to me from another newsgroup.  

>But, since you know all about both photography and usenet, this does
>fall, does it not, well within what's expected in this old NG?

Quite so.  Newsgroup behavior is very predictable.  For example, I
know that people who are normally intelligent and reasonable often
turn snide when their own opinions are not mirrored by others.  They
feel that if their opinion is challenged, then they are challenged.  

Most of my postings in the last five years have been in an English
usage group that deals - in part - with the meaning of words.
"Opinion", for example, means a view formed in the mind of the person
expressing it.  A "differing opinion" is not a contradiction of fact,
but simply an alternative view.  It's unfortunate that, in newsgroups,
so many people bristle at differing opinions.  

Just for the record, I do not feel I know very much about photography.
That's an iceberg that grows larger as you approach it.  I do know
quite a bit about how I react to photographs, and my opinions reflect
my reaction.

Signature

Tony Cooper
Orlando, FL

Rita Ä Berkowitz - 29 Jan 2006 22:22 GMT
>> It always makes me nervous when someone who normally disagrees with
>> me does agree with me.  It makes me feel like I misstated my
>> position.
> You did! But not to worry; "Rita" often disagrees with whomever. (Or
> agrees, depending on which is the minority opinion.)

Hey, when in Rome....  Isn't this what Usenet is all about, 90% noise and
disinformation to 10% quality information?  I'm just trying to liven up the
complacent natives and get them to think for themselves.

As for Tony's opinion on this subject I genuinely agree with him.
Photography, whether good or bad, is becoming a lost art to creative mass
manipulation.  Why buy a camera when you can manufacture a better image with
CGI?

> But, since you know all about both photography and usenet, this does
> fall, does it not, well within what's expected in this old NG?

Anyone that's been on Usenet for a while knows the in and out of what goes
on.  That being said, one can expect, in any group, that they will be abused
or offered smart-a.s comments instead of a sincere answer to their genuine
question.  So, it's always best to take in all the information and noise and
then to extrapolate any shred of usable data.  Unfortunately, this is the
norm so each of us find ways to adapt to our environment.

Rita
snapper@mailinator.com - 29 Jan 2006 00:14 GMT
 
> Teeth are too yellow.....see minimal correction:
> http://www.flashworth.com/allnude/untitled.jpg 

A lot cheaper to use Photoshop than to visit a Dentist.  :-)
Pat - 29 Jan 2006 00:23 GMT
But photoshop has a steeper learning curve than denistry.
Paul Rubin - 28 Jan 2006 20:49 GMT
> http://www.fotogregoir.dds.nl/portret/index5.html
> Your comments are highly appreciated !

I like #2 the best.  The smile looks less natural on #1 and #3.
 
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