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Photo Forum / Digital Photography / DSLR Cameras / February 2007

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Some basic lighting setups

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Alan Browne - 06 Feb 2007 01:35 GMT
http://www.pbase.com/mcmomo/le_coin__mcmomo

Gives the relative lighting for each light in stops.

A good primer.  You can basically offset the "stops" and conserve the
difference and get the same ratios.

Cheers,
Alan
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Mark² - 06 Feb 2007 07:31 GMT
> http://www.pbase.com/mcmomo/le_coin__mcmomo
>
> Gives the relative lighting for each light in stops.
>
> A good primer.  You can basically offset the "stops" and conserve the
> difference and get the same ratios.

That's a GREAT page, Alan.
Neat to have images, together with the setup map used for each effect.
Bookmarked...  :)
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Images (Plus Snaps & Grabs) by Mark² at:
       www.pbase.com/markuson

Randall Ainsworth - 06 Feb 2007 13:18 GMT
Better information can be found here:

http://jzportraits.home.att.net/

This is the basis for professional portrait lighting.
blackmanblues@gmail.com - 06 Feb 2007 15:09 GMT
> In article <S8Wxh.55831$AK1.11...@newsfe11.phx>, Mark² <
>
[quoted text clipped - 3 lines]
>
> This is the basis for professional portrait lighting.

Bullshit--once again you prove you don't know what you're talking
about.
Randall Ainsworth - 07 Feb 2007 02:49 GMT
> Bullshit--once again you prove you don't know what you're talking
> about.

The images Joseph Zeltsmann's site may appear dated, but the concept
contained therein are the basis of professional portrait lighting.
mark.thomas.7@gmail.com - 07 Feb 2007 10:56 GMT
On Feb 7, 12:49 pm, Randall Ainsworth <r...@nospam.techline.com>
wrote:
> In article <1170774564.963198.72...@k78g2000cwa.googlegroups.com>,
>
[quoted text clipped - 4 lines]
> The images Joseph Zeltsmann's site may appear dated, but the concept
> contained therein are the basis of professional portrait lighting.

You mean:
http://jzportraits.home.att.net/chapter-13.html
????

I checked this page out, and it must qualify as the worst attempt at
an educational presentation I have ever seen.  I can't imagine wading
through that much text (and, frankly, *awful* (and sometimes fudged)
images) to cover what are relatively simple concepts.  Agonisingly
bad.

Alan's discovery is an excellent resource, has very good examples, and
the setups are clearly explained and *shown*.  I know which one I have
bookmarked.

http://www.pbase.com/mcmomo/le_coin__mcmomo
Randall Ainsworth - 07 Feb 2007 12:59 GMT
> I checked this page out, and it must qualify as the worst attempt at
> an educational presentation I have ever seen.  I can't imagine wading
> through that much text (and, frankly, *awful* (and sometimes fudged)
> images) to cover what are relatively simple concepts.  Agonisingly
> bad.

The images are from back in the late 70s, but the concepts remain
valid. If you want to try and reinvent the wheel, be my guest. But I
doubt that you'll discover the proper ways to light and pose people on
your own.

> Alan's discovery is an excellent resource, has very good examples, and
> the setups are clearly explained and *shown*.  I know which one I have
> bookmarked.

Flashy and trendy looking, but it's gimmicky portraiture. You won't
sell that kind of stuff to the general public. And just some pictures
of where to put the lights gives no understanding of why they're put
there.
Alan Browne - 08 Feb 2007 00:55 GMT
>>I checked this page out, and it must qualify as the worst attempt at
>>an educational presentation I have ever seen.  I can't imagine wading
[quoted text clipped - 15 lines]
> of where to put the lights gives no understanding of why they're put
> there.

But that's the key difference.  In Zeltsman's page there is little about
where and how the damned lights are actually placed and the metering and
ratios.  That's what makes the effect.

Zeltsman's site is very guidance on the posing of traditional poses.
However, as I said in my other reply, there is more to portraits than
repreating standards.  The referred page is certainly not "Gimmicky".

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blackmanblues@gmail.com - 07 Feb 2007 14:10 GMT
> In article <1170774564.963198.72...@k78g2000cwa.googlegroups.com>,
>
[quoted text clipped - 4 lines]
> The images Joseph Zeltsmann's site may appear dated, but the concept
> contained therein are the basis of professional portrait lighting.

Sure, if you work at Olan Mills...
Alan Browne - 08 Feb 2007 00:53 GMT
> Better information can be found here:
>
> http://jzportraits.home.att.net/
>
> This is the basis for professional portrait lighting.

I do like Zeltsmans page, and it's been in my bookmarks for a long time,
but it certainly is not the only iron in the bag.  Further it is quite
limited in scope and does not get into metering and lighting in a clear
and concise manner.  (Ratios).

The posted page gives a graphic and the meter setting.  The meter
settings can of course be increased or decreased while keeping the same
lighting ratio (which is important).

And there is never only one way or set of ways to do things.  That's
okay for people who want 1 year of experience repeated 40 times; 40
years of experience means 40 years of doing different things, falling
ones a.s from time to time or often, but always keeping on keeping on.

Cheers,
Alan

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Randall Ainsworth - 08 Feb 2007 02:22 GMT
> I do like Zeltsmans page, and it's been in my bookmarks for a long time,
> but it certainly is not the only iron in the bag.  Further it is quite
> limited in scope and does not get into metering and lighting in a clear
> and concise manner.  (Ratios).

I would not recommend using a meter if you're in a studio using
repeatable, predictable situations. Back in the film days, you had to
test your lights with film tests to determine the optimum shadow
density. Similar tests could be done with digital.

> And there is never only one way or set of ways to do things.  That's
> okay for people who want 1 year of experience repeated 40 times; 40
> years of experience means 40 years of doing different things, falling
> ones a.s from time to time or often, but always keeping on keeping on.

Ya gotta know the rules before you can break them.
Alan Browne - 08 Feb 2007 04:37 GMT
>>I do like Zeltsmans page, and it's been in my bookmarks for a long time,
>>but it certainly is not the only iron in the bag.  Further it is quite
[quoted text clipped - 5 lines]
> test your lights with film tests to determine the optimum shadow
> density. Similar tests could be done with digital.

You really have no idea how it works, do you?

With changing lighting setups, nobody is or was making film tests other
than a polaroid.  Some product shooters would do an actual film test and
come back and adjust.

But not for portraits.  Get real.

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Randall Ainsworth - 08 Feb 2007 13:30 GMT
> You really have no idea how it works, do you?

No, I only ran a portrait studio for 16+ years.

> With changing lighting setups, nobody is or was making film tests other
> than a polaroid.  Some product shooters would do an actual film test and
> come back and adjust.
>
> But not for portraits.  Get real.

The principle is to nail down your fill light so that it's a
predictable value, then adjust lighing ratios with your main light. To
get the proper value for your fill, you had to do film tests, and then
use a densitometer. Kinda hard to stick that compact flash card into a
densitometer. But the same principles apply.
Alan Browne - 09 Feb 2007 00:11 GMT
> The principle is to nail down your fill light so that it's a
> predictable value, then adjust lighing ratios with your main light. To
> get the proper value for your fill, you had to do film tests, and then
> use a densitometer. Kinda hard to stick that compact flash card into a
> densitometer. But the same principles apply.

The "idea" is lovely, the reality is far different.  And I assure you
that your favourite website "Zeltsman" never did anything like you propose.

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Randall Ainsworth - 09 Feb 2007 02:52 GMT
> The "idea" is lovely, the reality is far different.  And I assure you
> that your favourite website "Zeltsman" never did anything like you propose.

It was Frank Cricchio who taught the film tests, but ol'  Joe advocated
"nailing down" the fill so that it put out a predictable value. I
know...I studied with both.
Matt Clara - 06 Feb 2007 11:35 GMT
> http://www.pbase.com/mcmomo/le_coin__mcmomo
>
> Gives the relative lighting for each light in stops.

Wow, cool site!  Thanks.
Karl Winkler - 07 Feb 2007 20:17 GMT
On Feb 5, 6:35 pm, Alan Browne <alan.bro...@Freelunchvideotron.ca>
wrote:
> http://www.pbase.com/mcmomo/le_coin__mcmomo
>
[quoted text clipped - 5 lines]
> Cheers,
> Alan

I want more! This is a nice site with a group of outstanding pictures.
It never ceases to amaze me what can be done with a relatively simple
setup in the hands of someone who knows what they are doing.

-Karl
Blah - 12 Feb 2007 02:12 GMT
I am a novice and this is great! Thanks! blah

> http://www.pbase.com/mcmomo/le_coin__mcmomo
>
[quoted text clipped - 5 lines]
> Cheers,
> Alan
 
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