> I currently have a $200 28/2 AI MF which would be $800 if it didn't
> have a big scratch on the front element and really like shooting with
> it, I would be willing to sell that and 2 other lenses to fund the
> 28/1.4 but they are similarly rare on ebay or anywhere. The 17-35
> would be OK
The 17-35/2.8 is a killer lens and will serve you well. This is a must have
lens. The 28/1.4 is a super lens, but will bore you on APS-C. Get the
17-35/2.8 for starters and wait for Nikon to introduce an FF body or buy a
5D to hold you over till Nikon comes through.
Rita
Paul Furman - 06 Feb 2007 04:39 GMT
>> I currently have a $200 28/2 AI MF which would be $800 if it didn't
>> have a big scratch on the front element and really like shooting with
[quoted text clipped - 5 lines]
> have
> lens. The 28/1.4 is a super lens, but will bore you on APS-C.
It wouldn't bore me because I barely remember my film days it would just
be a super sweet normal 42mm f/2. The 30/1.4 Sigma is so tempting & the
$$28mm does seem a waste since I have not won the lottery. So the 17-35
comes out a winner given all that.
> Get the
> 17-35/2.8 for starters and wait for Nikon to introduce an FF body or buy a
> 5D to hold you over till Nikon comes through.
I can wait quite a few years for a FF D300. My D200 is built like a tank
and should last. I'd sure like to test that 30mm DX Sigma against my
28/2 though... if it's got the sharpness & bokeh people say, it'd be
worth it for a several years of great 'normal' shooting.
If I had won the lottery, I would get a D200 & a 28/1.4 AF for the
hypothetical 16-year-old's birthday. What a great kit package that would be!
Paul Furman - 07 Feb 2007 02:05 GMT
>>> I currently have a $200 28/2 AI MF which would be $800 if it didn't
>>> have a big scratch on the front element and really like shooting with
[quoted text clipped - 10 lines]
> $$28mm does seem a waste since I have not won the lottery. So the 17-35
> comes out a winner given all that.
Well, I ordered a bargain 17-35 from KEH and a new 10.5 DX fisheye
Nikkor. The Sigma 12-24 is going to have pretty limited use now. If I
ever find a 28/2 AF Nikkor or test a Sigma 30/1.4 DX well then we'll see
what happens.
>> Get the 17-35/2.8 for starters and wait for Nikon to introduce
>> an FF body or buy a 5D to hold you over till Nikon comes through.
[quoted text clipped - 7 lines]
> hypothetical 16-year-old's birthday. What a great kit package that would
> be!
Paul Furman - 07 Feb 2007 05:09 GMT
> Well, I ordered a bargain 17-35 from KEH and a new 10.5 DX fisheye
> Nikkor. The Sigma 12-24 is going to have pretty limited use now.
>
> If I ever find a 28/2 AF Nikkor
I meant to say the 28/1.4 at $2?00
> or test a Sigma 30/1.4 DX well then we'll see what happens.
ink - 07 Feb 2007 07:58 GMT
<SNIP>
>> If I had won the lottery, I would get a D200 & a 28/1.4 AF for the
>> hypothetical 16-year-old's birthday. What a great kit package that would
>> be!
Paul,
just asking - you mention the 28/1.4AF - can you point me to a place where
you would buy that? I can't seem to find that lens at B&H or Adorama.
Cheers,
ink
Paul Furman - 07 Feb 2007 08:53 GMT
>>>If I had won the lottery, I would get a D200 & a 28/1.4 AF for the
>>>hypothetical 16-year-old's birthday. What a great kit package that would
[quoted text clipped - 4 lines]
> just asking - you mention the 28/1.4AF - can you point me to a place where
> you would buy that? I can't seem to find that lens at B&H or Adorama.
Yeah it was discontinued so it's quite rare.
They show up on ebay occasionally.
I don't know why.
ink - 07 Feb 2007 09:12 GMT
>>>>If I had won the lottery, I would get a D200 & a 28/1.4 AF for the
>>>>hypothetical 16-year-old's birthday. What a great kit package that would
[quoted text clipped - 9 lines]
> They show up on ebay occasionally.
> I don't know why.
Righty-ho. Thanks for the info. Sound like something they shouldn't
discontinue... ;-)
Cheers,
ink
> This is mostly a repeat from an off topic rant in the 35mm group
> regarding the very rare 58mm f/1.2 Noct Nikkor so I'm giving it it's own
[quoted text clipped - 55 lines]
>
> : - )
I found out the other day why a wide aperture lens is difficult to
focus on a D200. The D200 won't use the full aperture, stops at f2.8
for focusing. Set your 28 at f2 depress the DOF button, will be the
same if you do that at f2.8, then at f4 you start to see the change. I
use a 24 f2 and have always had problems shooting it wide open with
the D200.
I realize the NOCT Nikkor is a legend but have heard several folks say
it is no better and maybe not as good as the 50 f1.4. It is an f1.2
and often the compromises in making these lenses lower performance for
speed. Just want to save you $3500.
Tom
Paul Furman - 06 Feb 2007 18:51 GMT
>>And the 28/2 AI is a bitch to manually focus especially at around 15
>>feet & beyond there's only 1/8 inch turn to infinity.
[quoted text clipped - 11 lines]
> use a 24 f2 and have always had problems shooting it wide open with
> the D200.
With my ancient 28/2 AI MF I can hold down the DOF preview button while
I turn the aperture ring and see it change at each click though I'll
admit I cannot distinguish between f/2.8 & f/2. Curiously, the most
obvious visual difference is more vignetting stopped down which ought to
be the opposite of the real results. I don't have anything faster than
f/2. My only other lens with an aperture ring is the new 45/2.8 AI-P
which must have it's aperture set to 22 & the camera dial does the
adjusting.
> I realize the NOCT Nikkor is a legend but have heard several folks say
> it is no better and maybe not as good as the 50 f1.4. It is an f1.2
> and often the compromises in making these lenses lower performance for
> speed. Just want to save you $3500.
That may be but I *DO* use these wide open like the sample photos I
posted in the dark forest conditions where I had to boost the ISO to 800
to catch a fern in that dim light. And the bokeh is important to me. The
28/2's bokeh can be nice but it can get pretty funky in some conditions
as well. I nevery really know about bokeh claims though because it has
more to do with avoiding harsh points of light but the NOCT has a
special correction for 'coma' abberations where you get funny crescent
shaped highlights in the corners. Kind of like cat's eye effect I've
seen in sample shots from acclaimed super-fast German lenses, it can be
interesting and is normally the price paid for shooting at crazy wide
apertures but apparently the NOCT has taken a step toward adressing
these kinds of problems.
Here's an example of the less than perfect bokeh on the 28/2:
<http://www.edgehill.net/1/?SC=go.php&DIR=California/Bay-Area/Peninsula/2007-02-0
3-sanborne-skyline/full-set&PG=12&PIC=69>
click the main pic & you'll see a full pixel crop with ugly little donut
highlights. If the 28/1.4 could beat that in a face to face shootout,
I'm interested. I won't be getting the NOCT until I win the lottery or
start making more money from my photography. If the Sigma 30/1.4 crashed
in a test against my 28/2 then I'd pass for sure even though it would be
nice to have AF & a wider aperture.
> Saturday I lugged my whole kit on a long hike & ended up shooting everything on the 28mm f/2 AI MF and even then because it was in
> the dark forest, I had to boost the ISO for many shots:
[quoted text clipped - 43 lines]
>
> : - )
Lens choice (with good "sequencing") is often frustrating, especially if
particular use-requirements are added (like sharpness with high speed).
You may find this of interest, since I have used many of the lenses you
list, and have rated them (full-frame, for corner performance at the widest
stop to expect good performance for the FL - so many would rate higher
on the smaller digital sensor size) - www.ferrario.com/ruether/slemn.html.
Comments on your choices: 10.5mm (appears to have poor corners in
sample photos I've seen, even well stopped down - the MF 16mm *f3.5*
is FAR better, though longer); 28mm f1.4 (somewhat low in contrast at
wide stops, outperformed by the Nikkor 28mm f4 PC, 28-70mm f3.5-4.5,
and 28mm f2.8 *AIS* [which outperforms the f2 wider than about f5.6]);
12-24mm Sigma FF (rather poor - but adequate well stopped down, only
for FF [the Sigma 10-20mm f4 is better, as is the Nikkor 12-24mm]);
45mm f2.8 (if anything like the old flash-Nikkor, good, but not great - the
50mm f1.8 or 1.4 is better at f2.8); 58mm f1.2 (I didn't like it wider than
f5.6 - get the 1.8 or 1.4 instead...); 105mm f2.8 VR (by reputation this
may not be as sharp as the non-VR, and I preferred infinity-focus sharpness
of the MF to the AF version [BTW, I'm selling my MF version...]);
70-200mm f2.8 AF-S VR (by reputation it is superb, but so are all the
80-200mm f2.8 Nikkors [I have one of these to sell...;-]).
How about this: 10-20 Sigma (or 12-24 Nikkor), 35mm f2 Nikkor, 60mm
f2.8 Micro-Nikkor (or 50mm), 105mm f2.8 Micro-Nikkor, 70-200/80-200
zoom + short converter? Or, for a small/light lens set, the 24mm f2.8 (or
20mm f2.8), 35mm f2, 60mm f2.8 Micro (or 85mm f1.8), and a 70/75-200/
300mm zoom (especially the VR?) or better yet, the superb Nikkor 180mm
f2.8 AF. All of these (if you select the zoom version carefully...) are excellent
lenses on the small digital sensor. If you go with the excellent but rather large
and heavy 17-35, it is compared with other Nikkors (on FF) at -
www.ferrario.com/ruether/wa-zooms.htm
Standard TTL flashes work very well for macro if mounted at the front
of the lens with a bracket, pointed directly at the subject (see "bugs", at
http://www.ferrario.com/ruether/phun.html - the *relatively* large flash
head makes one flash head look like a soft box to a bug...;-).
--
David Ruether
DRuether@twcny.rr.com
rpn1@cornell.edu
http://www.ferrario.com/ruether
achilleaslazarides@yahoo.co.uk - 06 Feb 2007 17:52 GMT
> How about this: 10-20 Sigma (or 12-24 Nikkor), 35mm f2 Nikkor, 60mm
The Sigma 10-20mm is a good lens, like you say, but it's f/4-5.6. This
"5.6" is a lot more irritating than I, at least expected! But it's
sharp, very well made, has an internal focusing motor (so it's quiet
and, more importantly, it has full-time manual focusing without
fiddling with switches). But it's half the price of the Nikkor, and I
cannot complain about the optical quality of mine.
> f2.8 Micro-Nikkor (or 50mm), 105mm f2.8 Micro-Nikkor, 70-200/80-200
> zoom + short converter? Or, for a small/light lens set, the 24mm f2.8 (or
[quoted text clipped - 3 lines]
> lenses on the small digital sensor. If you go with the excellent but rather large
> and heavy 17-35, it is compared with other Nikkors (on FF) at -www.ferrario.com/ruether/wa-zooms.htm
Paul Furman - 06 Feb 2007 19:28 GMT
>>How about this: 10-20 Sigma (or 12-24 Nikkor)
>
[quoted text clipped - 4 lines]
> fiddling with switches). But it's half the price of the Nikkor, and I
> cannot complain about the optical quality of mine.
My Sigma 12-24 is 4.5-5.6 & that doesn't bother me; at wide angles you
gather so much light & have so much DOF that it's almost a non-issue. I
chose it partly because it's full frame which is so far irrelevant and
it does have some good characteristics like very low barrel/pincusion
and consistent corner to corner sharpness although it's not particularly
sharp overall, especially at 24mm it's sort of a waste, only handy for
having that range in one lens. It flares hideously and if you have a
situation where the bokeh shows, it makes the most awful blobby freaky
donut ring highlights. It does have HSM (internal focusing motor). It's
huge & heavy & the odd slip-on lens cap was poorly designed & pretty
much broken on mine so it's always falling off.
Paul Furman - 06 Feb 2007 19:18 GMT
>>If I won the lottery, I'd go for these & be set for life:
>>$589 10.5mm DX fisheye
[quoted text clipped - 11 lines]
>
> How about this: 10-20 Sigma
The 10 would be tempting but I've already got 12mm rectalinear Sigma & I
could really use a fisheye for nature shooting.
> (or 12-24 Nikkor)
Not really a great lens for the price, and it's DX but yeah it would be
sharper than my Sigma so that'd be in my lottery bag.
> 35mm f2 Nikkor
I came close to getting this one but chose the 28 because I prefer a bit
wider than normal. And the 17-35 would cover this. I'll take one in my
lottery bag though, it is supposed to be quite a fine lens at a
reasonable price. I think it even comes in AF, I forget?
> 60mm f2.8 Micro-Nikkor (or 50mm)
Is there a wider micro? I've got the 105. For lottery dreaming I'd be
more likely to add a 200mm Micro.
> 105mm f2.8 Micro-Nikkor, 70-200 zoom + short converter?
I've got those.
> Or, for a small/light lens set, the 24mm f2.8 (or
> 20mm f2.8), 35mm f2, 60mm f2.8 Micro (or 85mm f1.8), and a 70/75-200/
> 300mm zoom (especially the VR?) or better yet, the superb Nikkor 180mm
> f2.8 AF.
I do have a 28-200 for backpacking but it's pretty slow & mediocre even
if it is small.
> All of these (if you select the zoom version carefully...) are excellent
> lenses on the small digital sensor. If you go with the excellent but rather large
> and heavy 17-35, it is compared with other Nikkors (on FF) at -
> www.ferrario.com/ruether/wa-zooms.htm
There is also an old 20-35/2.8 AF of comparable size & quality to the
17-35/2.8. I want the faster glass & the 18-35mm f3.5-4.5 drops from my
list for that reason.
> Standard TTL flashes work very well for macro if mounted at the front
> of the lens with a bracket, pointed directly at the subject (see "bugs", at
> http://www.ferrario.com/ruether/phun.html - the *relatively* large flash
> head makes one flash head look like a soft box to a bug...;-).
Beautiful work! I was thinking about the Nikon setup with several baby
flash units that mount on the front of the lens (2 should be plenty) but
it looks like you've got a good solution there and it's useful for
longer range flash work too. A ring flash just sounds like it would look
too flat, more for medical work than artistic natural effect. I
generally hate flash (prefer fast glass or a tripod) for most work but
for macros I could use something to get more DOF.
> If I won the lottery...
>
> oh and lets add a wildlife lens...
> (for my 1.4 & 2x AF-S TCs):
> $5000 200-400/4 AF-S VR
Scratch that & make it a used 400mm f/2.8 AF-S (no VR) for the same
price and one of those tripod things for swinging around big lenses like
that.