>I purchased a red 25 filter for outdoor black and white pictures hoping that
>it would yield better results than just using the red channel of a full
[quoted text clipped - 7 lines]
>about one stop too much. The camera is a Canon Rebel XT (350D) and of
>course I am capturing RAW.
My experience with Canon DSLRS (10D, 1Dmk2) suggests that their
metering is biased towards green, which might explain why you're
getting a huge overexposure when using a red filter. My advice would
be to (1) simply ditch the filter & dial in exp. comp. on a situation
by situation basis, (2) go full manual & expose by histogram, or (3)
keep the filter & dial down the exp. comp. by whatever amount
typically gives you the best red levels in your histogram. No matter
what you do, you're going to have to put some thought into your
exposures, so just go with whatever you find most
intuitive/comfortable.
default - 18 Dec 2006 08:40 GMT
>>I purchased a red 25 filter for outdoor black and white pictures hoping
>>that
[quoted text clipped - 22 lines]
> exposures, so just go with whatever you find most
> intuitive/comfortable.
Thank you for your response. That was the conclusion that I was coming to
also. The 350D doesn't have the three colour histogram that the 400D has,
so there is only luminance to go by. I suspect that I will have to just use
the exposure compensation and watch carefully for saturation when using the
filter. If it doesn't yeild better results than just doing a full colour
capture and discarding the blue and green, then I'll quit using the filter.
That would have the advantage of the image being useful for other purposes
too.
John McWilliams - 19 Dec 2006 06:04 GMT
>>> I purchased a red 25 filter for outdoor black and white pictures hoping
>>> that
[quoted text clipped - 30 lines]
> That would have the advantage of the image being useful for other purposes
> too.
Both the Lightroom and PSIII betas have very ramped up B+W conversion
controls for mucking about with all kinds of new sliders to control
underlying channels, now not just RGB.

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John McWilliams