Photo Forum / Digital Photography / DSLR Cameras / March 2005
6 or 8 MPIX?
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Chuck Deitz - 04 Mar 2005 01:06 GMT Hi,
I'm looking at something like a Minolta A1 or A2, or Panansonic Lumix FZ5.
I also see cameras like the Canons 300D, 20D, 350, Nikon D70, Pentax *istDS and Minolta 7 on some websites.
Is 8 Mpix really that much better than just 6? I want to make prints up to a sheet of paper on my inkjet, but mostly smaller, like from the drugstore.
Are Nikon and the others going to have 8 Mpix SLR cameras soon? (They all seem to have 8 Mpix in the other cameras like the Minolta A2, the Nikon 8400 and so on, so why not on the SLR's? (I know the sensors are different but if Canon are doing it where's Nikon and the others?).
I have a film rebel, but I don't use it much.
What lens should I get? I just need something to take on a vacation with the familly and stuff like that. I'll probably use it at work too. Some of them come with lenses so I'll probably just do that. One of the Canon 300 kits has a 18-55 lens. Is this okay? Can I use my Rebel lens instead? 28-80.
I also have a Canon flash, but I don't know the model, it's about 5 years old. can I use it if I get a 300 or the new 350D.
Thanks!
Ck
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Ben Rosengart - 04 Mar 2005 02:31 GMT > Is 8 Mpix really that much better than just 6? No.
> Some of them come with lenses so I'll probably just do that. One of > the Canon 300 kits has a 18-55 lens. Is this okay? It's fine. It's not the world's best lens, but there seems to be a consensus that it's a good deal for the money. I have one -- I don't find myself using it very often, but your mileage may vary. I don't think you'll find a lens that wide for cheaper.
> Can I use my Rebel lens instead? 28-80. Yeah. On any low-to-mid-range Canon DSLR (10D, 20D, 300D, 350D), it'll seem like a longer lens -- about 45-128. If you like the 28-80 range, then go with the 18-55, as it gives a similar field of view (29-88, roughly) on the digital cameras.
Note that the 18-55 only fits on the digital Rebel and the 20D. You can't use it on your film camera.
> I also have a Canon flash, but I don't know the model, it's about 5 > years old. can I use it if I get a 300 or the new 350D. Dunno, sorry.
 Signature Ben Rosengart (212) 741-4400 x215 Sometimes it only makes sense to focus our attention on those questions that are equal parts trivial and intriguing. --Josh Micah Marshall
Chuck Deitz - 04 Mar 2005 02:37 GMT > Yeah. On any low-to-mid-range Canon DSLR (10D, 20D, 300D, 350D), > it'll seem like a longer lens -- about 45-128. If you like the [quoted text clipped - 3 lines] > Note that the 18-55 only fits on the digital Rebel and the 20D. You > can't use it on your film camera. Thanks! Ck.
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Stacey - 04 Mar 2005 05:21 GMT >> Is 8 Mpix really that much better than just 6? > > No. Let me guess, you own a 6MP camera? :-)
Yea your right, 33% again the amount of pixels isn't going to help the resolution is it?
 Signature Stacey
Brian Baird - 04 Mar 2005 05:28 GMT > Yea your right, 33% again the amount of pixels isn't going to help the > resolution is it? No, it really won't.
33% more pixels does not equal a 33% increase in resolution. More like 10-12%. Not to say that 10-12% is insignificant, but it isn't so large as to make one superior and the other useless.
Stacey - 04 Mar 2005 06:16 GMT >> Yea your right, 33% again the amount of pixels isn't going to help the >> resolution is it? [quoted text clipped - 4 lines] > 10-12%. Not to say that 10-12% is insignificant, but it isn't so large > as to make one superior and the other useless. Didn't say that but maybe you can explain why it would be only a 10% increase is resolution? Seriously I'm not being a smart a.s, just wondering why it wouldn't be closer to the same as the increase in pixel count, especially at low ISO's.
But if the optics can deal with it, 10-15% isn't anything to sneeze at.
 Signature Stacey
Ben Rosengart - 04 Mar 2005 07:08 GMT > But if the optics can deal with it, 10-15% isn't anything to sneeze at. The O.P. wants to make drugstore prints and an occasional 8x10. I'm not saying he shouldn't get an 8MP camera, I'm just saying that the 6MP DSLRs are up to the task.
This isn't some kind of anti-8MP bias. I'm trying to unload a used Olympus C-8080, so if I were going to be dishonest, I'd say everyone needs an 8MP camera. :-) But look, from 6 megapixels you can print 8"x10" at a very respectable 270 dpi. For 4x6s or 5x7s 6MP is higher resolution than the print.
 Signature Ben Rosengart (212) 741-4400 x215 Sometimes it only makes sense to focus our attention on those questions that are equal parts trivial and intriguing. --Josh Micah Marshall
David J Taylor - 04 Mar 2005 07:15 GMT []
> Didn't say that but maybe you can explain why it would be only a 10% > increase is resolution? Seriously I'm not being a smart a.s, just [quoted text clipped - 3 lines] > But if the optics can deal with it, 10-15% isn't anything to sneeze > at. 6Mp or 8Mp is a count within the sensor area, so the linear density in each axis only goes up by the square root in the area density, 15.4% in this case.
From what I've read, however, the better signal-to-noise ratio in a digital SLR makes their 6Mp pixels look better than the pixels from an 8Mp point-and-shoot, so that to the eye the extra resolution may (or may not) be outweighed by the worse signal-to-noise.
It's one of those subjective comparisons, and why some people may prefer film, which also has a higher resolution and higher noise (grain), to digital.
Cheers, David
Stacey - 04 Mar 2005 08:02 GMT > [] >> Didn't say that but maybe you can explain why it would be only a 10% [quoted text clipped - 7 lines] > 6Mp or 8Mp is a count within the sensor area, so the linear density in > each axis only goes up by the square root in the area density, So this "15%" is based on about linear improvement? I thought someone was saying that the 2D image quality would only improve by 1/2 the increase in pixels, that didn't make sense. I can see what you mean that the linear increase (Lpmm) wouldn't increase 33%.
> From what I've read, however, the better signal-to-noise ratio in a > digital SLR makes their 6Mp pixels look better than the pixels from an 8Mp > point-and-shoot, I'm sure that's true. I'm not sure on the larger APS size sensors that the noise increase would be too much.
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David J Taylor - 04 Mar 2005 08:21 GMT []
>> 6Mp or 8Mp is a count within the sensor area, so the linear density >> in each axis only goes up by the square root in the area density, [quoted text clipped - 10 lines] > I'm sure that's true. I'm not sure on the larger APS size sensors > that the noise increase would be too much. For a given sensor size, the trade-off in number of pixels isn't obvious.
- If you, say, quadruple the number of pixels, the area of each is quatered, and the noise goes up proportionately. How does the eye react to having more pixels but with each pixel being noiser?
- If you halve the pixel-to-pixel centre spacing (to double the number of pixels in both X and Y dimensions), then there may be a certain fixed are required per pixel for readout electronics etc., so the smaller pixels may do worse than you expect, as the readout area is a greater fraction of the pixel area.
- If you produce a new sensor with these smaller pixels, likely something else in the process or design has improved, so you may recover some of that loss due to smaller area!
The way things are measured right now, you end up needing a final subject judgement about whether you prefer A or B.
Cheers, David
Stacey - 05 Mar 2005 01:24 GMT > The way things are measured right now, you end up needing a final subject > judgement about whether you prefer A or B. That's how I chose it when I was shopping comparing prints. Seems odd to me to compare 100% crops from a 6MP to a 8MP to compare "quality" when on the same size print, the 8MP's pixels will be smaller and whatever per pixel noise will also be less visible.
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David J Taylor - 05 Mar 2005 10:58 GMT >> The way things are measured right now, you end up needing a final >> subject judgement about whether you prefer A or B. [quoted text clipped - 3 lines] > when on the same size print, the 8MP's pixels will be smaller and > whatever per pixel noise will also be less visible. Comparing, on the screen, 100% crops from two different sized sensors will not be comparing the same sized image, so you are correct in what you say. It's not a fair comparison.
Comparing 6MP DSLR images and 6MP point-and-shoot images is a fair comparison, and that's where the noise difference is likely to show up, because of the significant difference of sensor size.
If I look on my screen at 100% magnification 8MP images (3264 x 2448), then as my screen is 1280 pixels wide and 14.8 inches wide, the equivalent print size I am looking at would be 37.7 x 28.3 inches. Something to bear in mind when looking at 100% zoom!
Cheers, David
Stacey - 05 Mar 2005 20:46 GMT > If I look on my screen at 100% magnification 8MP images (3264 x 2448), > then as my screen is 1280 pixels wide and 14.8 inches wide, the equivalent > print size I am looking at would be 37.7 x 28.3 inches. Something to bear > in mind when looking at 100% zoom! Exactly... And even if you made a print that size, you'd use some sort of "smart" interpolation to get the DPI back up to 300DPI so even in this worse case senerio, much of this still wouldn't be seen. I just don't get why people get so hung up on stuff they see in 100%+ crops that will never show up in a print or a full screen image. I look at 100% when I'm sharpening but that's about the only time I do. For any other comparison, I look at the output.
 Signature Stacey
Brian Baird - 04 Mar 2005 12:27 GMT > > No, it really won't. > > [quoted text clipped - 8 lines] > > But if the optics can deal with it, 10-15% isn't anything to sneeze at. You're equating a factor measurement with a linear one.
The number of pixels increases at a rate higher than the linear dimensions of the file produced. Since resolution is a feature of spatial frequency it relies on the number of rows and columns.
To make the example simple, let's imagine a square 3x3 sensor. It produces 9 pixels (3 x 3) and can't resolve much. Now, compare that to a 4x4 sensor, which has 16 pixels (an increase of 78%) but only one additional row and column of pixels for a slight increase in resolution.
It gets a little more complicated when you're dealing with rectangular sensors of differing aspect ratios, but the basic concept is the same. In order to record more data over the entire plane, you have to record more data at each row/column. That adds up fast while the total amount of resolving power of the sensor is increased only slightly.
Chuck - 04 Mar 2005 13:54 GMT "10-12% is insignificant, but it isn't so large
> > as to make one superior and the other useless. > > Didn't say that but maybe you can explain why it would be only a 10% > increase is resolution? Seriously I'm not being a smart a.s, yeah you area a smart a.s...
Ben Rosengart - 04 Mar 2005 05:38 GMT >>> Is 8 Mpix really that much better than just 6? >> >> No. > > Let me guess, you own a 6MP camera? :-) Nope, 8.
> Yea your right, 33% again the amount of pixels isn't going to help the > resolution is it? Not for the O.P.'s needs, no.
 Signature Ben Rosengart (212) 741-4400 x215 Sometimes it only makes sense to focus our attention on those questions that are equal parts trivial and intriguing. --Josh Micah Marshall
Darrell - 04 Mar 2005 13:52 GMT > >> Is 8 Mpix really that much better than just 6? > > [quoted text clipped - 4 lines] > Yea your right, 33% again the amount of pixels isn't going to help the > resolution is it? the number of pixels isn't the whole answer. I can take an 8 megapixel Canon Pro 1 and the 6.3 megapixel image from a Digital Rebel (300D) will be better. I hear it every day in the store, well that's 8 MP so it's better. Sensor size and quality has to be considered.
bmoag - 04 Mar 2005 03:28 GMT Many people who post on digital camera newsgroups have limited or no real experience with high end EVF (electronic viewfinder cameras like the Sony 828, Nikon 8800 et al) cameras but they have a lot of opinions. The main drawback as well as the main asset is the EVF as for most people the zoom lens is of sufficient range and quality. If you do not understand why the lens diaphragm is limited to f8 then it should not be of any concern to you whatever. Also those who have not worked extensively with images created from these 8mp sensors have absolutely no idea how stellar the images can be compared to 6mp dSLRs. If you want to see noise, moire and fringing pick up a D70. Because I am used to a lifetime of using SLRs I tend to use my D70 more than my Sony 828, but in general I prefer the image quality from my Sony 828. However because of the lens, which is of excellent quality and effectively maintains f2.8 through its zoom range, the 828 is much heavier than other EVF cameras in its class. The extra 2mps of an 8mp sensor make a real difference in image detail and sharpness prior to applying software sharpening. In fact, if one wants a dSLR I think it unwise to buy anything other than the new 8mp Canon dSLR (unfortunately I have a shelf full of Nikon lenses). Nikon has not let out any information about their upgrade for the D70/D100 but market conditions demand it be out in time for the next Christmas buying cycle and compete with Canon's upgrade to 8mp sensors. It is not clear who is manufacturing the 12mp sensor for the new high end Nikon dSLR (Sony? Mitsubishi?) or whether this will be the basis for Nikon's upgrade of their consumer dSLR line. An EVF allows one to preview what happens with exposure adjustments prior to taking the picture, e.g exposing for the highlights or the shadows. This can be very helpful as well as instructive. However it can be difficult to track moving objects or to use an EVF in very bright sunlight: sometimes one can only guess when to press the shutter button. This is probably not an issue for most casual users. EVF cameras handle much more slowly than dSLRS, most of which, like the D70, handle almost as quickly as film SLRs. If you do not want an SLR style/size/weight camera do not hesitate to get the EVF camera of your choice. It will allow you to grow into digital photography much more readily than any P&S style digicam.
G.T. - 04 Mar 2005 03:38 GMT > Many people who post on digital camera newsgroups have limited or no real > experience with high end EVF (electronic viewfinder cameras like the Sony [quoted text clipped - 14 lines] > The extra 2mps of an 8mp sensor make a real difference in image detail and > sharpness prior to applying software sharpening. You mean the extra 2mps shoved into a smaller sensor make a real difference in noise? Maybe my co-worker has a bad 828 but it is noisy.
Greg
Stacey - 04 Mar 2005 05:19 GMT > You mean the extra 2mps shoved into a smaller sensor make a real > difference > in noise? Maybe my co-worker has a bad 828 but it is noisy. You assume everyone gauge of image quality is noise. Also noise can be easily fixed if an image is worth printing, lack of resolution and detail OTOH can't be. I'd much rather see an image "saved" with some good NR rather than being over sharpened.
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Chuck - 04 Mar 2005 13:54 GMT get the 350D. You already have a lens for it and it will be an ecxellent camera.
Alan Browne - 04 Mar 2005 14:34 GMT > Hi, > [quoted text clipped - 6 lines] > to a sheet of paper on my inkjet, but mostly smaller, like from the > drugstore. For "mostly smaller", 6 Mpix is more than enough; for 8x10 or 8.5 x 11, Mpix is sufficient. If the dollar difference makes no difference to you then simply go for the 8 Mpix.
> Are Nikon and the others going to have 8 Mpix SLR cameras soon? (They > all seem to have 8 Mpix in the other cameras like the Minolta A2, the > Nikon 8400 and so on, so why not on the SLR's? (I know the sensors are > different but if Canon are doing it where's Nikon and the others?). Canon have their own sensor design capability and are close to the fabricator (if indeed they don't fabricate themselves). Nikon, Pentax and Minolta get their sensor from Sony, so they're slaves to Sony's desires and pace.
> I have a film rebel, but I don't use it much. Pity.
> What lens should I get? I just need something to take on a vacation > with the familly and stuff like that. I'll probably use it at work too. > Some of them come with lenses so I'll probably just do that. One of > the Canon 300 kits has a 18-55 lens. Is this okay? Can I use my Rebel > lens instead? 28-80. Sure. On a 300D it will crop out to seem like a 44-127mm.
> I also have a Canon flash, but I don't know the model, it's about 5 > years old. can I use it if I get a 300 or the new 350D. I don't believe the older flashes work properly on the digital cameras, although in manual mode it might... then you have to set the flash power per an incident flash meter reading or via a chart.
Cheers, Alan
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Alan Adrian - 04 Mar 2005 15:05 GMT One advantage of 8MP over 6MP is your cropability.... I know I'm always taking a simpler, better image out of the taken one. By having a 20D I can go deeper, and still print at 20cm x 30cm.
I agree that you don't even need 6MP for making 10x20's, and If I were offered a choice between a quick 6MP and a slow 8MP I'd go for the quicker working camera.... Fortunately it's not a decision if you go with the two Canon 8MP right now... The write time is very quick on the 20D (and I assume it will be on the 350XT as well).
As far as the 18-55 kit lens from Canon. My first copy was not great, but I'm very happy with the replacement. I don't use it that much, but it does take decent images... especially for the price I paid to have it.
Al...
> Is 8 Mpix really that much better than just 6? I want to make prints up > to a sheet of paper on my inkjet, but mostly smaller, like from the > drugstore. leo - 04 Mar 2005 16:40 GMT > Hi, > [quoted text clipped - 26 lines] > > Ck Get the 8MP if you can afford it. I just printed a 12x18 at Costco from Canon 20D. It's an interior shot of a new pipe organ, using 17-40/4 at 17mm, f/11, ISO 100, 5 sec, I upsized the file to the native resolution of the printer (3876x5814), The print is absolutely amazing. You would be happier with 350D's quicker response. Spend a bit more and you'll be happier for a longer time.
Dr. Joel M. Hoffman - 04 Mar 2005 19:18 GMT >Is 8 Mpix really that much better than just 6? I want to make prints up >to a sheet of paper on my inkjet, but mostly smaller, like from the >drugstore. Certainly at 4x6 you won't see any difference between 6 and 8 Mpix. The best thing you can do to improve the quality of your digital prints is not to use JPEG compression. The next step is to invest in a good lens. If you money left over, buy more MPix....
-Joel
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Chuck Deitz - 04 Mar 2005 22:26 GMT >>Is 8 Mpix really that much better than just 6? I want to make prints up >>to a sheet of paper on my inkjet, but mostly smaller, like from the [quoted text clipped - 4 lines] > prints is not to use JPEG compression. The next step is to invest in > a good lens. If you money left over, buy more MPix.... Thanks everyone for your replies. If I do go the DSLR route, I'll look mostly at the 350D. Looks great.
Ck.
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David J Taylor - 05 Mar 2005 00:02 GMT []
> Certainly at 4x6 you won't see any difference between 6 and 8 Mpix. > The best thing you can do to improve the quality of your digital > prints is not to use JPEG compression. The next step is to invest in > a good lens. If you money left over, buy more MPix.... > > -Joel Some recent cameras offer an extra-fine JPEG compression mode with negligible loss. Of course, RAW still offers more dynamic range.
Cheers, David
Scharf-DCA - 05 Mar 2005 02:00 GMT >Is 8 Mpix really that much better than just 6? I want to make prints up >to a sheet of paper on my inkjet, but mostly smaller, like from the >drugstore. Don't look just at megapixels. Many of the 8 megapixel non-SLRs have very high noise levels, the result of small pixels.
The 28-80 lens that came in the Rebel kits was a really poor lens, so don't base any decision on what to buy on that lens. It will still work on a Digital Rebel or Rebel XT, but it is not worth enough to make that a decision point on what to buy.
Look at the Nikon D70 and Canon EOS-350D. Your old flash may work on the 350D, what model is it (the EZ series doesn't work).
Drifter - 05 Mar 2005 02:24 GMT >Hi, > [quoted text clipped - 11 lines] >Nikon 8400 and so on, so why not on the SLR's? (I know the sensors are >different but if Canon are doing it where's Nikon and the others?). I'm just going to repost an earlier article I wrote up...
Digital Cameras, A short analogy...
Digital Camera Automobile --------------------------------------- Image sensor resolution
..Engine Processor...............Transmission Lens......................Tires Buffer....................Suspension Battery...................Gas tank Storage medium.....Trunk
Lately advertisers are pushing "Megapixels" harder than ever as the standard measurement of how great their latest cameras are. With this Camera-to-Automobile analogy I am going to attempt to explain why "megapixels" alone is simply not enough to judge the superiority of a camera.
The sensors (measured in Megapixels) keep increasing in resolution just like automotive engines increase in horsepower. However, all of the horsepower in the world is wasted if you have bald slippery tires (or a crappy lens). A car will just spin the tires and a camera will give you high resolution -but still blurry- images.
The improved automotive engine gives you more horsepower, but if the transmission hasn't been beefed up to handle it you get a pile of scrap metal. The higher resolution camera gives you more information but if the processor hasn't been beefed up you get slower response and longer wait times while the processor tries to render the larger files. Thus you may miss shots.
The same applies to the "Buffer/Suspension" parallel. A more powerful engine might be able to haul a larger load, but an undersized suspension will collapse under that load. So will a too-small buffer choke under the load of larger image sizes, causing extended waits. Etc, etc.
My point is simply that a dramatic improvement in one aspect of a digital camera can be rendered absolutely moot if the rest of the digital system has not kept pace. So cameras need to be judged a bit more "as a unit" not just by one criterion (like pixel count).
Like automobiles, which camera is right for you also depends on what you plan to do with it. A small Ford Focus is perfect for commuting around town just like a pocketable point-n-shoot is perfect for snapshots of the family reunion. But that same Ford Focus would not do very well in a rugged off-road environment just like that point-n-shoot would not work for photographing distant nesting eagles or trying to keep up with the action of a sports event.
Drifter "I've been here, I've been there..."
Alan Browne - 05 Mar 2005 15:14 GMT > Digital Cameras, A short analogy... You need an oil change.
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Frank ess - 05 Mar 2005 16:31 GMT >> Digital Cameras, A short analogy... > > You need an oil change. I think it is more a case of retarded tining.
Merritt Mullen - 05 Mar 2005 06:37 GMT > Is 8 Mpix really that much better than just 6? I want to make prints up > to a sheet of paper on my inkjet, but mostly smaller, like from the > drugstore. For that usage, 8 MP has absolutely no advantage over 6 MP, unless you plan to crop and enlarge a very small portion of the overall image to full 8x10 size.
Merritt
Skip M - 05 Mar 2005 11:19 GMT > Hi, > [quoted text clipped - 26 lines] > > Ck For prints that size, 3 1/2x5 or 4.6, 3mp is sufficient, frankly. The difference between 8mp and 6mp for even an 8x10, if you're not cropping much, is mostly in the bragging rights. We're printing up to 24x36, for that, 8mp is the bare minimum, in fact, maybe a bit under minimum. There's an interesting article in this months Digital Photo Pro about this very subject.
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Bill - 05 Mar 2005 19:34 GMT Chuck Deitz wrote:
>> Is 8 Mpix really that much better than just 6? I want to make prints up >> to a sheet of paper on my inkjet, but mostly smaller, like from the >> drugstore. On that size photos, it won't make a difference, unless you crop the original images a lot.
For most of my shots, 8mp is more than I need, but it's good to have for the few shots that I crop down as much as 50%.
>> Are Nikon and the others going to have 8 Mpix SLR cameras soon? (They all >> seem to have 8 Mpix in the other cameras like the Minolta A2, the Nikon >> 8400 and so on, so why not on the SLR's? (I know the sensors are >> different but if Canon are doing it where's Nikon and the others?). I'm sure Nikon will come out with something to compete. It's the nature of the market.
>> I have a film rebel, but I don't use it much. >> [quoted text clipped - 3 lines] >> 300 kits has a 18-55 lens. Is this okay? Can I use my Rebel lens >> instead? 28-80. You could use the 28-80 on the Canon 300 with a crop factor, but it won't be as good as the 18-55 kit lense - the 28-80 is not very good. The 18-55 EF-S lense was made specifically for the digital models, and it performs quite well, especially for the price - it's a great starter lense. And you can add more lenses if you wish.
Since you already have a Rebel, switching to the Digital Rebel/300 would be a very easy process with similar controls and features.
>> I also have a Canon flash, but I don't know the model, it's about 5 years >> old. can I use it if I get a 300 or the new 350D. Post the model number and someone should be able to confirm it. Or contact Canon and ask.
Chances are if it's only five years old, it'll work fine. The issue is usually trigger voltage - if it's about 6 volts it should be fine. I have an old SunPak bounce flash from my film cameras, and even though it will only do TTL-auto, it works just fine for the few times I need it.
Chuck Deitz - 05 Mar 2005 23:01 GMT > For prints that size, 3 1/2x5 or 4.6, 3mp is sufficient, frankly. The > difference between 8mp and 6mp for even an 8x10, if you're not cropping > much, is mostly in the bragging rights. We're printing up to 24x36, for > that, 8mp is the bare minimum, in fact, maybe a bit under minimum. > There's an interesting article in this months Digital Photo Pro about this > very subject. I hadn't thought about cropping much becasue I never do that with my film prints. But since it's so easy in photoshop I guess it would easy. I can get the 300D downtown for about $800 without waiting, so it's very tempting. I don't know when I can get the 350 and it's only a couple hundred more from what I see.
Thanks, Ck.
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Brian C. Baird - 06 Mar 2005 01:05 GMT > I don't know when I can get the 350 and it's only a > couple hundred more from what I see. The 350D should be available in the next couple of weeks.
Rumors have it in Australia already, but I haven't seen anyone posting pics yet.
Charles - 06 Mar 2005 01:11 GMT > The 350D should be available in the next couple of weeks. They have started to be available at some Best Buys in the US today. Some samples from purchased XT's have just been posted on dpreview.
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Brian C. Baird - 06 Mar 2005 01:28 GMT > > The 350D should be available in the next couple of weeks. > > They have started to be available at some Best Buys in the US today. > Some samples from purchased XT's have just been posted on dpreview. I just noticed that right after I posted.
The test images show noise that looks to be comparable with the original DRebel. Which means I might just hold off until I can afford the 20D or I see samples/tests that show similar noise levels to the 20D.
Even if the noise is the same as the 300D, that isn't really all that shabby to begin with - considering the extra two million pixels and a slightly smaller sensor. Should shake up the market a bit.
Chuck Deitz - 09 Mar 2005 22:49 GMT >>The 350D should be available in the next couple of weeks. > > They have started to be available at some Best Buys in the US today. > Some samples from purchased XT's have just been posted on dpreview. I've decided that it's probably the 350D that I'm getting. I was looking at Minolta A1 and A2 and Panisonic Lumix, Canon G6 and the Sony DSC-V3 and 828, but it's looking more and more like the 350D now. I have a lens for it and I hope my flash works on it too.
Ck.
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Ben Rosengart - 09 Mar 2005 23:01 GMT > I've decided that it's probably the 350D that I'm getting. I was > looking at Minolta A1 and A2 and Panisonic Lumix, Canon G6 and the Sony > DSC-V3 and 828, but it's looking more and more like the 350D now. ZLRs have much to recommend them, but I do not think you will regret going the DSLR route.
 Signature Ben Rosengart (212) 741-4400 x215 Sometimes it only makes sense to focus our attention on those questions that are equal parts trivial and intriguing. --Josh Micah Marshall
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