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Photo Forum / Digital Photography / DSLR Cameras / October 2006

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New Sigma SD-14 announced ...

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Tony Polson - 26 Sep 2006 00:47 GMT
... here!

http://www.sigma-sd14.com/

(Embargoed until 00.00 EST September 26, 2006.)
John McWilliams - 26 Sep 2006 01:10 GMT
> ... here!
>
> http://www.sigma-sd14.com/
>
> (Embargoed until 00.00 EST September 26, 2006.)

Past my bedtime, but I'll be looking with interest when I arise tomorrow
morning.

Any other bets on new Canon or Nikon announcements? It's been pretty
quiet here.

Signature

John McWilliams

Randall Ainsworth - 26 Sep 2006 02:40 GMT
I'll stick with my present equipment which doesn't use oddball
technology.
bmoag - 26 Sep 2006 17:30 GMT
So is this a 4.8mp sensor?
Pete D - 26 Sep 2006 19:19 GMT
> So is this a 4.8mp sensor?

We will never actually know, the add is cool though.
nospam - 26 Sep 2006 19:41 GMT
> So is this a 4.8mp sensor?

4.7 really.

the camera has 2652 x 1768 pixels.

that's 4.68 mpix, or 4.7mpix with a little more roundoff.

the real zinger is, according to the comments at dpreview, $1600.
John Francis - 26 Sep 2006 20:11 GMT
>> So is this a 4.8mp sensor?
>
[quoted text clipped - 5 lines]
>
>the real zinger is, according to the comments at dpreview, $1600.

Seems a little pricy :-)

Based on images I've seen from the earlier Sigmas, I'd expect this
camera to have around the image quality of an 8MP Bayer sensor.
That's going to be a hard sell against 10MP bodies costing far less.
Peter A. Stavrakoglou - 27 Sep 2006 00:23 GMT
>>> So is this a 4.8mp sensor?
>>
[quoted text clipped - 11 lines]
> camera to have around the image quality of an 8MP Bayer sensor.
> That's going to be a hard sell against 10MP bodies costing far less.

I'll bet it equals the IQ of a 10 MP Bayer rather than an 8 MP.
Bart van der Wolf - 27 Sep 2006 01:16 GMT
SNIP
> I'll bet it equals the IQ of a 10 MP Bayer rather than an 8 MP.

Define image quality.
No aliasing, resolution, higher than ISO 100 noise, dynamic range, or
a weighted average of those?

What's the bet?

Signature

Bart

Bart van der Wolf - 27 Sep 2006 01:10 GMT
> So is this a 4.8mp sensor?

Well, yes it samples co-located RGB data at 4.8M positions ..., so
physically the resolution is limited by that.

4.8M Red + 4.8M Green + 4.8M Blue samples is 4.8M R/G/B samples.

It may look like more resolution, but that is due to the omission of
an AA-filter to reduce aliasing artifacts. That will fake to produce
more resolution than physically possible ...

Signature

Bart

Randall Ainsworth - 27 Sep 2006 02:39 GMT
> So is this a 4.8mp sensor?

The Web site is long on marketing BS and short on facts. I'd continue
to avoid everything with the Sigma stigma.
Mark² - 27 Sep 2006 01:50 GMT
> ... here!
>
> http://www.sigma-sd14.com/

Let me guess...
...The name "SD-14" mens they are going to pretend that it has a 14MP
sensor, when it's really only 1/3rd that...right??

:)

Signature

Images (Plus Snaps & Grabs) by Mark² at:
       www.pbase.com/markuson

Randall Ainsworth - 27 Sep 2006 02:39 GMT
> Let me guess...
> ...The name "SD-14" mens they are going to pretend that it has a 14MP
> sensor, when it's really only 1/3rd that...right??

That's standard Sigma marketing.
Steve Wolfe - 27 Sep 2006 03:21 GMT
>> ...The name "SD-14" mens they are going to pretend that it has a 14MP
>> sensor, when it's really only 1/3rd that...right??
>
> That's standard Sigma marketing.

 That's standard across the board, like Canon, Nikon, and the rest
pretending that their cameras produce 6, 8, 12, or however many pixels of
RGB color.  Foveon sensors interpolate for detail, others make guesses for
color.

  In principle, the Foveon technology sounds cool, now if they could only
follow it through with real-world performance.  12 megapixels (or however
many) of both real detail and real color would be very cool.  But I'm not
holding my breath.

steve
Mark² - 27 Sep 2006 04:46 GMT
>>> ...The name "SD-14" mens they are going to pretend that it has a
>>> 14MP sensor, when it's really only 1/3rd that...right??
[quoted text clipped - 12 lines]
>
> steve

I don't care to re-hash the reality of the clear lack of spatial resolution
in the foveon...and the "invented" lines inherent in its lack of a sensor
filter...  Sigma renderings of a Large number of textures is utter crap.  No
thanks.

Signature

Images (Plus Snaps & Grabs) by Mark² at:
       www.pbase.com/markuson

acl - 27 Sep 2006 15:29 GMT
>>>...The name "SD-14" mens they are going to pretend that it has a 14MP
>>>sensor, when it's really only 1/3rd that...right??
[quoted text clipped - 4 lines]
> RGB color.  Foveon sensors interpolate for detail, others make guesses for
> color.

However, try this: Take any image in photoshop, open it three times; in
one copy, add noise only to the blue channel, in the second only to the
blue, and in the third, only to the green (same noise distribution).
Compare the results. Are all channels contributing equally to resolution
(as perceived by the eye/brain combination)? What do we conclude from this?

Not that it's not better to sample 3 colours from each of N sites than 1
colour from each of N, just shows that 3 colours from each of N/3 is not
the same as 1 colour from each of N (in terms of perceived resolution;
if you have a sharp transition between red and blue, the Bayer CFA will
get give artifacts; but of what spatial extend? Things are not so simple).

>    In principle, the Foveon technology sounds cool, now if they could only
> follow it through with real-world performance.  12 megapixels (or however
> many) of both real detail and real color would be very cool.  But I'm not
> holding my breath.
>
> steve
David Kilpatrick - 27 Sep 2006 19:14 GMT
> ... here!
>
> http://www.sigma-sd14.com/
>
> (Embargoed until 00.00 EST September 26, 2006.)

Handled it, shot with it, but only to examine pix on screen. Very nice
body, not ultra compact, chunky and firm; fantastic shutter/mirror sound
and 'speed' - up there with the best (I know reports will confirm, it is
one of the things along with the bright pentaprism finder which puts it
in with higher end, not entry level, stuff).

The samples I used had some strange things happening, like bright green
posterised preview images on the little compact wide-angle cam using the
same sensor, but perfect results on review. The SD14 review images look
like a coloured snowstorm when fitted to screen, then you zoom in and
they clean up totally.

It's got a flash socket, a wider dioptre control range than any of my
current DSLRs, decent build but not waterproof/etc, and now has JPEG+RAW
added in a fimrware upgrade before the cameras have been released.

I have seen the gallery images shot by the Sigma User Group beta testers
and they are good, but predictably, mostly ISO 100 (nearly all...) and
in bright sun with certain types of colourful subject matter. Colours
don't look all that wonderful for some landscapes, skin tones are great,
mono and infra-red unmatched - the best. Worst results appeared to
happen in very contrasty sunshine, just look harsh. Aliasing evident.

The camera can be set to record raw with normal size images, but JPEGs
can be interpolated up to 14 megapixels in-camera (no RAW seems to be
possible when you take this option). Normally, the camera produces a raw
file and a 4.7 megapixel JPEG - this is ultra-sharp, obviously, no
Bayer. The 14 megapixel JPEG, quickly shot and zoomed in at ISO 800,
looked a bit rough and coarse with tone-breaks but this was in the
lighting of a photokina booth - hardly ideal. Prints from the test
studio set with flash looked good.

david
Epoch - 28 Sep 2006 08:50 GMT
>> ... here!
>>
[quoted text clipped - 33 lines]
> booth - hardly ideal. Prints from the test studio set with flash looked
> good.<<

There was a certain irony in the pictures posted on blogs by Sigma
enthusiasts at Photokina.

The pics were taken with SD9's & SD10's, and showed groups of people with
typically Foveon-yellow skins gazing admiringly at large display prints from
the new SD14.

Perhaps the peculiar skin tone rendition has been solved with the Sigma Mk3
version? - or, perhaps, in two years time, there will be more photo's of
oddly yellow-skinned people gazing admiringly at prints from the Sigma
Mk4?..........
David Kilpatrick - 28 Sep 2006 10:14 GMT
> The pics were taken with SD9's & SD10's, and showed groups of people with
> typically Foveon-yellow skins gazing admiringly at large display prints from
[quoted text clipped - 4 lines]
> oddly yellow-skinned people gazing admiringly at prints from the Sigma
> Mk4?..........

Ah, you mean not puce pink like most DSLRs!

Depends where you live in the world. Americans favour almost purple pink
skins, as Kodak and the US photo lab industry know well. I continue to
be amazed by the 'colourful putty' shades of pink in US portraits, even
by some of the top masters - and I have the job of publishing them.
European preferences are quite different, ranging from the ideal of a
golden colour (light tan) to the estuarine Essex 'oompah-loompah' look
also known as doing a David Dickinson, Orange People, etc - an extreme
fake tan acquired in the total absence of sunshine, ideally in winter,
and the same colour as a nearly-ripe tangerine.

Sigma skin tones are quite well regarded and it's no accident that their
publicity has always majored on large full face skin shots.

No idea how their JPEG conversion will handle skin colour, but in the
raw conversion software colour balance has always been hue wheel based
(rotate for values) with radial adjustment for saturation. Nikon is the
first company to imitate this method of customising colour, and has
incorporated hue shift adjustment rather than Magenta-Green shift in the
D80 (Blue-Yellow shift is taken care of by WB). In the Sigma case, it is
possible to have the default skin tone (which is much more to European
than American taste, despite SigmaSD/Foveon being US-originated) are
shift this towards the pink favoured in the USA.

David
Randall Ainsworth - 28 Sep 2006 13:23 GMT
> Sigma skin tones are quite well regarded and it's no accident that their
> publicity has always majored on large full face skin shots.

Well regarded by who - Homer Simpson?
David Kilpatrick - 28 Sep 2006 15:29 GMT
>>Sigma skin tones are quite well regarded and it's no accident that their
>>publicity has always majored on large full face skin shots.
>
> Well regarded by who - Homer Simpson?

That's funny, because the term used to describe early Kodak, Nikon and
Canon digital face tones (one shade for all!) was cartoon colouring.
Fortunately things have improved.
Peter A. Stavrakoglou - 29 Sep 2006 01:48 GMT
>>>Sigma skin tones are quite well regarded and it's no accident that their
>>>publicity has always majored on large full face skin shots.
[quoted text clipped - 4 lines]
> Canon digital face tones (one shade for all!) was cartoon colouring.
> Fortunately things have improved.

There's no question that the SD9 and SD10 produce yellow skintones at times.
I have the SD9 and I'm fully aware of it.  But IMO and the opinion of some
others, it may be the fault of the RAW conversion software.  When a photo is
first opened in the convertor, the skintones are fine until it is processed
at which point they can be yellowish.  But it is an easily correctible
problem such as this photo http://ntotrr.smugmug.com/photos/13539136-M.jpg.
And then there are some that require no adjustment
http://ntotrr.smugmug.com/photos/32270132-M.jpg
Michael Schnell - 02 Oct 2006 08:55 GMT
> Ah, you mean not puce pink like most DSLRs!

I heard that there is software that is able to shift colors <g>.

So image/camera quality can't be measured by comparing a single pixel.

-Michael
Helen - 27 Sep 2006 21:41 GMT
> ... here!
>
> http://www.sigma-sd14.com/

A sub-5 megapixel DSLR in this day and age, when some of the cheapest point
and shoots can offer 7 to 10?
Wow, that's going to be a hit then.

However, on the up side, there's an enormous range of lenses available, from
a wide range of manufacturers right?
Wrong.  Sigma or Sigma.

But they're great lenses, right?
Wrong.  Sigma make only one good lens, and it's very good indeed.

You need to be one of those rather strange Sigma fanatics to believe it's
really 14 mpx.  All this mumbo jumbo about 14 m receptors, or whatever
strange technology Foveon says they are, surely the size of the RAW is what
should be measured, and it's < 5mpx.

Bet there's hardly any noise though.
Wrong.  Noisier than a Glasgow tram.

Sub-point and shoot overweight overmarketed hype.
Peter A. Stavrakoglou - 28 Sep 2006 00:01 GMT
>> ... here!
>>
[quoted text clipped - 3 lines]
> point and shoots can offer 7 to 10?
> Wow, that's going to be a hit then.

Not all megapixels are created equal.  The SD14 will resolve on a par with
10-12MP  Bayers.

> However, on the up side, there's an enormous range of lenses available,
> from a wide range of manufacturers right?
> Wrong.  Sigma or Sigma.
>
> But they're great lenses, right?
> Wrong.  Sigma make only one good lens, and it's very good indeed.

YOu haven't used many, have you?  The 50mm EX, 105mm EX, 70-200mm EX,
80-400mm EX, 50-500mm EX.  All very good lenses.  Try them sometime.

> You need to be one of those rather strange Sigma fanatics to believe it's
> really 14 mpx.  All this mumbo jumbo about 14 m receptors, or whatever
> strange technology Foveon says they are, surely the size of the RAW is
> what should be measured, and it's < 5mpx.

You need to ne one of those who simply will not be ojective to talk like
that.  There are plenty of people who just love to hate the Sigma DSLRs,
it's your loss.

> Bet there's hardly any noise though.
> Wrong.  Noisier than a Glasgow tram.

So you've seen the photos from the SD14 have you?  I didn't think so,
therefore you're not qualified to make this judgment.

> Sub-point and shoot overweight overmarketed hype.

Blah, blah, blah.  You're free to buy and use any camera you wish.  Don't
obsess over a camera you have no interest in.
Mark² - 28 Sep 2006 00:56 GMT
>>> ... here!
>>>
[quoted text clipped - 6 lines]
> Not all megapixels are created equal.  The SD14 will resolve on a par
> with 10-12MP  Bayers.

-As long as you don't mind false resolution...

Don't ever take pictures with thin, near-vertical or near-horizontal lines
with a Sigma...because you'll be looking at some SERIOUSLY weird renditions.

No thanks.
Seen enough to steer clear of anything Foveon...
nospam - 28 Sep 2006 01:12 GMT
> > A sub-5 megapixel DSLR in this day and age, when some of the cheapest
> > point and shoots can offer 7 to 10?
> > Wow, that's going to be a hit then.
>
> Not all megapixels are created equal.  The SD14 will resolve on a par with
> 10-12MP  Bayers.

you know this how?  where are the sample pictures from the camera?
what tests have you done?  or has anyone done, for that matter?

if it is anything like the sd9/10, the difference will  be due to
omitting the anti-alias filter and sharpening in the raw processing,
and not anything inherent in the sensor.  bayer cameras could play
those tricks too if they wanted to fool people.

> > You need to be one of those rather strange Sigma fanatics to believe it's
> > really 14 mpx.  All this mumbo jumbo about 14 m receptors, or whatever
[quoted text clipped - 4 lines]
> that.  There are plenty of people who just love to hate the Sigma DSLRs,
> it's your loss.

what part is not objective?  that sounds like a very accurate
description.  the camera is 4.7 milion spatially distinct pixels, and
counting each layer seperately doesn't magically make it 14 million
pixels.  nor does offering an interpolated 14mp jpeg output.

furthermore, a quick peek at dpreview's forums this past week confirms
the insane and outright absurd rationalizations from people trying to
justify a sub-5mpix camera in todays 10mpix+ world.  fanatic is a very
accurate description.

> > Bet there's hardly any noise though.
> > Wrong.  Noisier than a Glasgow tram.
>
> So you've seen the photos from the SD14 have you?  I didn't think so,
> therefore you're not qualified to make this judgment.

but above, you say it will resolve on par with 10-12mp bayer cameras.
please share with us the sample pictures and how the tests were done.
why keep it a secret?

or are you also disqualifying yourself too because you don't have the
camera either?

> > Sub-point and shoot overweight overmarketed hype.
>
> Blah, blah, blah.  You're free to buy and use any camera you wish.  Don't
> obsess over a camera you have no interest in.

it is not so much obsessing over the camera but rather calling out
sigma and foveon on their misleading and deceptive claims.
Randall Ainsworth - 28 Sep 2006 02:50 GMT
> what part is not objective?  that sounds like a very accurate
> description.  the camera is 4.7 milion spatially distinct pixels, and
[quoted text clipped - 5 lines]
> justify a sub-5mpix camera in todays 10mpix+ world.  fanatic is a very
> accurate description.

You won't see any pros using these things, just like only a small
handful used their predecessors. And like the Sigmas before it, the
dent in the marketplace will be insignificant.
Peter A. Stavrakoglou - 28 Sep 2006 11:46 GMT
>> > A sub-5 megapixel DSLR in this day and age, when some of the cheapest
>> > point and shoots can offer 7 to 10?
[quoted text clipped - 6 lines]
> you know this how?  where are the sample pictures from the camera?
> what tests have you done?  or has anyone done, for that matter?

I trust those who have seen the results.  I suspect that no test results or
samples or whatever will change minds like the OP.

> if it is anything like the sd9/10, the difference will  be due to
> omitting the anti-alias filter and sharpening in the raw processing,
[quoted text clipped - 15 lines]
> counting each layer seperately doesn't magically make it 14 million
> pixels.  nor does offering an interpolated 14mp jpeg output.

The OP accuses some of being a Sigma fanatic, she can be accused of being an
anti-Sigma fanatic just as easily.

> furthermore, a quick peek at dpreview's forums this past week confirms
> the insane and outright absurd rationalizations from people trying to
> justify a sub-5mpix camera in todays 10mpix+ world.  fanatic is a very
> accurate description.

When the camera performs as well as a 10-12 MP camera, where is the insane
and outright absurd rationalization?

>> > Bet there's hardly any noise though.
>> > Wrong.  Noisier than a Glasgow tram.
[quoted text clipped - 16 lines]
> it is not so much obsessing over the camera but rather calling out
> sigma and foveon on their misleading and deceptive claims.

It's obsessing and it's evident by the aburd statements that are made
without having any real knowledge or evidence to back them.
Helen - 28 Sep 2006 20:33 GMT
> When the camera performs as well as a 10-12 MP camera, where is the insane
> and outright absurd rationalization?

Absolute rot.  How can you possibly say a sub 5 mpx pic is on a par with
something from a 5D at 12.8?
nospam - 28 Sep 2006 21:18 GMT
> > When the camera performs as well as a 10-12 MP camera, where is the insane
> > and outright absurd rationalization?
> >
> Absolute rot.  How can you possibly say a sub 5 mpx pic is on a par with
> something from a 5D at 12.8?

over at dpreview, one guy claims his sigma sd-10 is better than his
canon eos-1ds with canon l glass!  i don't know why he hasn't had his
canon equippment examined by a technician - something is clearly very
out of adjustment, if not totally broken.
David Kilpatrick - 28 Sep 2006 22:56 GMT
>>>When the camera performs as well as a 10-12 MP camera, where is the insane
>>>and outright absurd rationalization?
[quoted text clipped - 6 lines]
> canon equippment examined by a technician - something is clearly very
> out of adjustment, if not totally broken.

I can well believe it. Long time ago, when we first had the Sigma to
test, we put it up against the Kodak DCS Pro SLR/n in very controlled
and high quality studio tests reproduced at 200 screen full page, and
also against the Nikon D100 which was around at the same time. The SD10
comfortably exceeded the quality of the 6 megapixel camera - that never
seemed to be in doubt - and while the image it produced (all processed
from raw) was softer than the very crisp Kodak result, within that soft
'skin' there appeared to be just as much real detail, and some of the
colour distinctions were better.

The original Canon 1Ds - not the mark II - was significantly lower in
resolved detail than the Kodak, though we never tested it against the
Sigma directly, and I would imagine an SD10 owner with a 1Ds would have
some difficult moments. Some Sigma images would be just 'oh sh*t, I wish
the Canon was like this' moments. As it happens, some Sigma images are
just 'oh sh*t' moments. As a working tool, the Canon wins any day and
it's not just the camera, the Canon sensor/s are generally far more
robust when exposed to the daily mix of contrast, WB, colours, required
ISO speeds, etc.

But for resolving useful detail, the Foveon remains unbeaten - and the
Sigma SD cameras, being hand-made in tiny quantities and sold at
correspondly high prices, are generally very well assembled with no back
focus or sensor skew problems, and conservatively slow, simple AF
mechanisms which actually focus correctly.

Would I want to work with a Sigma only? Probably not. Would I like to
without a Sigma? No - it's a lovely camera to use. Would I buy a Canon?
Yes, just have. Next purchase? Possibly another Sigma if the SD14 shows
that the new Korean fab for the chip has improved on the last production
line.

David
Peter A. Stavrakoglou - 29 Sep 2006 01:29 GMT
>> > When the camera performs as well as a 10-12 MP camera, where is the
>> > insane
[quoted text clipped - 7 lines]
> canon equippment examined by a technician - something is clearly very
> out of adjustment, if not totally broken.

I hope you
ve read David's reply.  Sometimes the people who have actually used the
cameras do know better than those that haven't.
nospam - 28 Sep 2006 21:01 GMT
> >> > A sub-5 megapixel DSLR in this day and age, when some of the cheapest
> >> > point and shoots can offer 7 to 10?
[quoted text clipped - 9 lines]
> I trust those who have seen the results.  I suspect that no test results or
> samples or whatever will change minds like the OP.

what results?  sigma hasn't released any sample pictures yet.  from
what i've read, a few people at photokina handled the camera for a very
brief time, but they didn't get to actually use the camera in a
controlled test, either alone or to compare with other cameras.  

the images on display at the booth are reportedly not from the sd-14,
but from the sd-10 (one must wonder why that is), and who knows what
kind of post-processing any of those images had.  

and from this, we know the sd-14 is as good as 10-12mp bayer cameras,
some of which are so new that they have yet to be evaluated themselves?
that is amazing.

i also suspect no test results will change your mind or that of other
sigma fans.  i'm beginning to think that the sigma cameras induce some
sort of optical disease, where people can no longer see things as they
really are.  

> >> > You need to be one of those rather strange Sigma fanatics to believe
> >> > it's
[quoted text clipped - 13 lines]
> The OP accuses some of being a Sigma fanatic, she can be accused of being an
> anti-Sigma fanatic just as easily.

foveon is interesting technology, but not without flaws.  the fact that
sigma/foveon users get all bent out of shape when anything regarding
the camera or technology is criticized suggests quite clearly where the
title of fanatic belongs.

> > furthermore, a quick peek at dpreview's forums this past week confirms
> > the insane and outright absurd rationalizations from people trying to
[quoted text clipped - 3 lines]
> When the camera performs as well as a 10-12 MP camera, where is the insane
> and outright absurd rationalization?

in what test did it perform as well as a 10-12mp camera?  particularly
since no sample pictures have been released?  

is it not insane and outright absurd to claim that an unreleased camera
with no sample pictures performs as well as 10-12mp cameras, with
absolutely no tests to back it up?  

> > it is not so much obsessing over the camera but rather calling out
> > sigma and foveon on their misleading and deceptive claims.
>
> It's obsessing and it's evident by the aburd statements that are made
> without having any real knowledge or evidence to back them.

you mean like no evidence to back up the claim that an unreleased
camera with no sample images matches a 10-12mpix bayer camera?
Peter A. Stavrakoglou - 29 Sep 2006 01:41 GMT
>> >> > A sub-5 megapixel DSLR in this day and age, when some of the
>> >> > cheapest
[quoted text clipped - 24 lines]
> some of which are so new that they have yet to be evaluated themselves?
> that is amazing.

There are Sigma users who have shot with the camera.  I trust their word,
and there are photos at Photokina from the SD14 that they have producsed and
their reports are extremely good.

> i also suspect no test results will change your mind or that of other
> sigma fans.  i'm beginning to think that the sigma cameras induce some
> sort of optical disease, where people can no longer see things as they
> really are.

No, no optical disease.  I full-well know the limitations of my Sigma.  I
also know that it has better resolution then my Nikon D50.  My eyes are
fine.

>> >> > You need to be one of those rather strange Sigma fanatics to believe
>> >> > it's
[quoted text clipped - 23 lines]
> the camera or technology is criticized suggests quite clearly where the
> title of fanatic belongs.

This is laughable.  A retort to someone's claim by me is getting
bent-out-of-shape.  Perhaps you should reread the OPs post and then tell me
who is bent-out-of-shape.  I don't obsess over a camera but I will respond
to what I believe are falshoods being spread.

>> > furthermore, a quick peek at dpreview's forums this past week confirms
>> > the insane and outright absurd rationalizations from people trying to
[quoted text clipped - 11 lines]
> with no sample pictures performs as well as 10-12mp cameras, with
> absolutely no tests to back it up?

There are results and I've heard from the people who have seen them.  As
I've said, I trust them.  You don't have to but you'll see tests and results
eventually.  I hope you're not like many who have already made up their
minds, facts be damned.

>> > it is not so much obsessing over the camera but rather calling out
>> > sigma and foveon on their misleading and deceptive claims.
[quoted text clipped - 4 lines]
> you mean like no evidence to back up the claim that an unreleased
> camera with no sample images matches a 10-12mpix bayer camera?
nospam - 29 Sep 2006 03:02 GMT
> There are Sigma users who have shot with the camera.  I trust their word,
> and there are photos at Photokina from the SD14 that they have producsed and
> their reports are extremely good.

<snip>

> There are results and I've heard from the people who have seen them.  As
> I've said, I trust them.  You don't have to but you'll see tests and results
> eventually.  I hope you're not like many who have already made up their
> minds, facts be damned.

you mean like deciding that the sigma sd-14 is fantastic because a
couple of sigma users at photokina said so, despite there being no
information about how their testing was done, no images available for
public scrutiny, nor any indication of what other cameras were
evaluated?  

are we to just blindly trust you and these unnamed people?

so what was that about making up one's mind, facts be damned?

how about waiting for actual images and tests, and then let's compare.
David Kilpatrick - 29 Sep 2006 11:02 GMT
>>There are Sigma users who have shot with the camera.  I trust their word,
>>and there are photos at Photokina from the SD14 that they have producsed and
[quoted text clipped - 12 lines]
> public scrutiny, nor any indication of what other cameras were
> evaluated?  

An entire stand covered with large prints of images from the camera
makes a reasonable bit of published evidence. I've seen it, and the
images inside the stand, and images being printed after being shot on
the camera, live.

Go there and find out for yourself.

David
Bart van der Wolf - 29 Sep 2006 14:25 GMT
SNIP
> An entire stand covered with large prints of images from the camera
> makes a reasonable bit of published evidence.

With the earlier SD9 introduction at Photokina in mind, the examples
they showed were markedly different than the TIFF files they were
supposedly printed from, I am sceptical but willing to be surprised in
a meaningful comparison.

> I've seen it, and the images inside the stand, and images being
> printed after being shot on the camera, live.

I don't know what type of images they shot, but by themselves it is
not really a comparison. Most cameras can produce a nice enlargement,
until compared with something better. Given their claim of 14 MP,
there surely will be a proper same FOV comparison with a 5D of the
same scene, I presume?

> Go there and find out for yourself.

Yes, I am going there in a few days, and will have a look (if they let
me in ;-)).
I'll even challenge them to take an image of a resolution star chart
which I'll bring, if I get a chance to take the resulting file/crop to
analyze.

Signature

Bart

Peter A. Stavrakoglou - 29 Sep 2006 11:16 GMT
>> There are Sigma users who have shot with the camera.  I trust their word,
>> and there are photos at Photokina from the SD14 that they have producsed
[quoted text clipped - 20 lines]
>
> how about waiting for actual images and tests, and then let's compare.

As David responded, there are enough facts present.  If you know trustworthy
people, they are more than capable of relaying facts to you.
nospam - 29 Sep 2006 23:23 GMT
> >> There are Sigma users who have shot with the camera.  I trust their word,
> >> and there are photos at Photokina from the SD14 that they have producsed
[quoted text clipped - 23 lines]
> As David responded, there are enough facts present.  If you know trustworthy
> people, they are more than capable of relaying facts to you.

what facts?  

the only 'facts' stated are the opinions of a few people who saw some
test prints that may have looked good on their own, but were not
compared with other cameras (as far as i can tell).  

furthermore, none of these images have been made public for others to
examine.  nor do we know anything about how these images were created
and what amount of post-processing manipulation was done to them.  

and as bart posted, the samples on display at the booth for the sd-9
introduction were different from the files from the camera.  one begins
to wonder just what kind game they are trying to play...

so there are very few 'facts' available, but yet we are to blindly
accept that the camera is as good or better than 10-12mpix bayer
cameras.

and you wonder why terms like 'fanatic' get applied...
Peter A. Stavrakoglou - 30 Sep 2006 05:01 GMT
>> >> There are Sigma users who have shot with the camera.  I trust their
>> >> word,
[quoted text clipped - 48 lines]
>
> and you wonder why terms like 'fanatic' get applied...

I guess we can say you are an "anti-fanatic" then.  The facts are that the
users themselves have produced the prints and their word is far more
trustworthy to me than the words of someone who had a predisposition to not
liking the camera and certainly never used it.
nospam - 30 Sep 2006 12:44 GMT
> I guess we can say you are an "anti-fanatic" then.  The facts are that the
> users themselves have produced the prints and their word is far more
> trustworthy to me than the words of someone who had a predisposition to not
> liking the camera and certainly never used it.

if needing more than 'trust me and my friends' to substantiate the
claims of how fantastic the sd-14 camera is qualifies me as an
'anti-fanatic' (whatever that is), so be it.  i want real images.
Randall Ainsworth - 28 Sep 2006 02:48 GMT
> You need to ne one of those who simply will not be ojective to talk like
> that.  There are plenty of people who just love to hate the Sigma DSLRs,
> it's your loss.

I don't love to hate them. I've just been in photography long enough to
see how the company does business and the quality of their products. No
loss here.
Peter A. Stavrakoglou - 28 Sep 2006 11:39 GMT
>> You need to ne one of those who simply will not be ojective to talk like
>> that.  There are plenty of people who just love to hate the Sigma DSLRs,
[quoted text clipped - 3 lines]
> see how the company does business and the quality of their products. No
> loss here.

Randall, you know you weren't the person I was responding to when I posted
this.
Helen - 28 Sep 2006 20:30 GMT
> "Helen" <gormless@gormless.co.uk> wrote in message
>>
[quoted text clipped - 4 lines]
> Not all megapixels are created equal.  The SD14 will resolve on a par with
> 10-12MP  Bayers.

I cannot see how that is physically possible.
No doubt you will quote back some Sigma marketing hype which will imply the
equivalent of disappearing the Empire State Building.

>> But they're great lenses, right?
>> Wrong.  Sigma make only one good lens, and it's very good indeed.
>
> YOu haven't used many, have you?  The 50mm EX, 105mm EX, 70-200mm EX,
> 80-400mm EX, 50-500mm EX.  All very good lenses.  Try them sometime.

I or my friends have tried several of those.
Not impressed, except that you mention the one lens which, in my opinion, is
way way out of the Sigma norm, the Bigma, which I own.

>> You need to be one of those rather strange Sigma fanatics to believe it's
>> really 14 mpx.  All this mumbo jumbo about 14 m receptors, or whatever
[quoted text clipped - 4 lines]
> that.  There are plenty of people who just love to hate the Sigma DSLRs,
> it's your loss.

Objective?
Is the picture <5 or is it not?  This is not my gut feelings here, the
picture is < 5, perfectly regardless of my subjective impressions.
My objective observation is that it produces a <5 picture. There is no other
way to state it.
Whoa, abracadabra, big flash of light ... Geez, 14 mpx, wow!!

>> Bet there's hardly any noise though.
>> Wrong.  Noisier than a Glasgow tram.
>
> So you've seen the photos from the SD14 have you?  I didn't think so,
> therefore you're not qualified to make this judgment.

I can read.  I doubt Foveon have made any enormous quantum leap progress
since their previous poor offerings.

>> Sub-point and shoot overweight overmarketed hype.
>
> Blah, blah, blah.  You're free to buy and use any camera you wish.  Don't
> obsess over a camera you have no interest in.
Obsess?  I obsess over that 160 mpx thing I recently read about.
I laugh about Sigma's offerings.
Why would I obsess over something in which I hold nothing but contempt for
and amusement at?

H
Peter A. Stavrakoglou - 29 Sep 2006 01:57 GMT
>> "Helen" <gormless@gormless.co.uk> wrote in message
>>>
[quoted text clipped - 8 lines]
> No doubt you will quote back some Sigma marketing hype which will imply
> the equivalent of disappearing the Empire State Building.

I won't quote back any marketing spiel.  I have an SD9 and a D50.  I can
tell you without a doubt that the SD9 outresolves the D50.  We're dealing
with two different types of sensors, judging one against another in terms of
MPs is not the way to do it.  Results are far more indicative than anything
else for me and the results I have seen are enough for me.

>>> But they're great lenses, right?
>>> Wrong.  Sigma make only one good lens, and it's very good indeed.
[quoted text clipped - 5 lines]
> Not impressed, except that you mention the one lens which, in my opinion,
> is way way out of the Sigma norm, the Bigma, which I own.

The Sigma 50mm EX and 105mm EX are two of the sharpest lenses you can get.
Perhaps you've been a victim of spotty QA.

>>> You need to be one of those rather strange Sigma fanatics to believe
>>> it's really 14 mpx.  All this mumbo jumbo about 14 m receptors, or
[quoted text clipped - 11 lines]
> other way to state it.
> Whoa, abracadabra, big flash of light ... Geez, 14 mpx, wow!!

Results, results.  I see how the 3.4 MP SD9 is better then the 6MP D50, I've
heard from users who shot with the SD14 and their reports indicate that it
is in the league of any 10MP Bayer.

>>> Bet there's hardly any noise though.
>>> Wrong.  Noisier than a Glasgow tram.
[quoted text clipped - 4 lines]
> I can read.  I doubt Foveon have made any enormous quantum leap progress
> since their previous poor offerings.

In the right conditions the SD10 can produce very clean high ISO shots but
it definitely not it's stron-suit by any margin.  From those who've seen the
24x36 SD14 prints, which were produced by some of us lowly Sigma users - not
pros - the improvements in handling noise are big.

>>> Sub-point and shoot overweight overmarketed hype.
>>
[quoted text clipped - 4 lines]
> Why would I obsess over something in which I hold nothing but contempt for
> and amusement at?

I think that someone who has, in your words, "contempt" for an inanimate
object like a camera is a bit obsessive about it.
Bart van der Wolf - 29 Sep 2006 13:46 GMT
SNIP
> I won't quote back any marketing spiel.  I have an SD9 and a D50.  I
> can tell you without a doubt that the SD9 outresolves the D50.

You mean the SD9 results *look* sharper than the D50 results?

The D50 images are 2000 pixels high, the SD9 images are 1512 pixels
high, in landscape orientation. That means that for a meaningful same
size output comparison, the SD9 image needs to be resampled to 2000
pixels high, or 132.3% of its original size. Did you do that? It's the
only way to make a visual comparison that makes at least some sense.

> We're dealing with two different types of sensors, judging one
> against another in terms of MPs is not the way to do it.  Results
> are far more indicative than anything else for me and the results I
> have seen are enough for me.

Which is what counts in the end, as long as you don't fool yourself by
looking at incomparable images to come to that conclusion.

What's more, besides visual tests that are easily flawed if you don't
standardize the comparison variables. The resolution (=true resolution
as the type that can be mathematically/objectively established) of the
output images shows the SD9 resolution to be limited to the physical
limit imposed by the sampling density, i.e. 54.8 cycles/mm on sensor
with a significant modulation at that so-called Nyquist frequency.
That high modulation also means significant aliasing if the lens
projected image contains higher spatial frequencies, which is usually
the case for in-focus objects.

The Nikon D50 is physically limited to 64.1 cycles/mm luminance
resolution on sensor with a lower modulation due to the anti-aliasing
filter used. It also needs 32% less magnification for equal sized
output. So the least that can be expected is similar resolution to the
SD9, if not better (depending on the AA-filter characteristics and
sharpening method/settings).

In addition, the 'look' of the images is significantly influenced by
the Raw converter used. Did you use the same Raw converter for both
types of images?
If not, you are comparing apples to pears due to number of variables
introduced. Basing an opinion on that, would border on irresponsible
if you present that as a user comparison for the benefit of others.

Signature

Bart

Jan Böhme - 29 Sep 2006 15:32 GMT
Bart van der Wolf skrev:

> What's more, besides visual tests that are easily flawed if you don't
> standardize the comparison variables. The resolution (=true resolution
[quoted text clipped - 12 lines]
> SD9, if not better (depending on the AA-filter characteristics and
> sharpening method/settings).

Not saying that you are wrong in your estimate, but here you, as far as
I can understand, only talk about the effects of the AA filter on the
Nikon resolution. Do you consider the effect of the Bayer interpolation
itself on resolution negligible, and, if so, why?

Jan Böhme
Bart van der Wolf - 29 Sep 2006 19:01 GMT
Bart van der Wolf skrev:
SNIP
> Not saying that you are wrong in your estimate, but here you, as
> far as I can understand, only talk about the effects of the AA
> filter
> on the Nikon resolution. Do you consider the effect of the Bayer
> interpolation itself on resolution negligible, and, if so, why?

It is more accurate to describe it as Bayer CFA reconstruction or
demosaicing, rather than interpolation, because there is much more
going on than e.g. mere Bicubic interpolation. Demosaicing if done
well is a procedure that is adaptive to image content and it is
optimized for sampled images with different sampling densities.

The most important resolution for human vision, is luminance
resolution. So even despite the lower sampling frequency for Red and
Blue (which account together for say 35% of luminance), the majority
is dictated by Green light. The fact that that reasonably matches the
human visual system (peak color sensitivity in Green, and luminance
for resolution) is why it gives an (not perfect but) acceptable
result.

This test I did some time ago, also shows that the loss of luminance
resolution from a Bayer CFA reconstruction is very small, and it
becomes a balancing act between (false color) artifacts and sampled
resolution:
<http://www.xs4all.nl/~bvdwolf/main/foto/bayer/bayer_cfa.htm>
The simple blur I used (so others could repeat the experiment) is much
simpler than what a properly dimensioned AA-filter does. So real life
is even more effective than what I could show.

Modern Raw converters are very good at balancing the various
trade-offs, delivering both resolution and little or no false color
artifacting. The only resolution issue you can expect is when Red and
Blue colors with nearly *equal* luminance need to be resolved from
each other. Luckily that is very uncommon in everyday subjects.

Signature

Bart

Gisle Hannemyr - 29 Sep 2006 09:15 GMT
> "Peter A. Stavrakoglou" <ntotrr@optonline.net> wrote in message
>> "Helen" <gormless@gormless.co.uk> wrote in message

>>> A sub-5 megapixel DSLR in this day and age, when some of the
>>> cheapest point and shoots can offer 7 to 10?

>> Not all megapixels are created equal.  The SD14 will resolve on a
>> par with 10-12MP Bayers.

> I cannot see how that is physically possible.

I am not sure if there is much point in participating in these type of
discussions. The opnions on both sides seems to well entrenched, so it
is likely that what I am about to say will make a difference.  Also,
as someone whose opinion is based upon actual use of a Foveon camera,
as well as several Bayer cameras, (see sig) - I will probably be
written off as brainwashed anyway.

But against better judgement, here is my article ...

First since I have not used the SD14, I will not comment on the 10-12
Mpx (equivalence claim), but address the more general problem of
comparing Mpx number between Foveon and Bayer sensors.

I own a Sigma SD10.  It is a camera with 3.4 Mpx a Foveon sensor.  My
subjective findings, based upon numerous side-by-side comparions with
images shot with a 6.3 Mpx Canon EOS 10D camera is that the 3.4 Mpx
Foveon resolves on par (or better) than the 6.3 Mpx Bayer sensor in
the Canon.  Both were tested with the same lens, a 50mm f/1.8 Nikkor
stopped down to f/8, (used via adapter, and focused manually).

How can that be?  3.4 Mpx < 6.3 Mpx, right?

However, a 6.3 Mpx bayer doesn't resolve 6.3 Mpx.  For starters: the
particular Bayer design mandates that it has an AA filter.  Otherwise
false colour moire becomes a huge problem.  Depending on how aggresive
the AA filter is, spatial resolution is reduced.  A filter that
removes all frequencies above the Nyquist limit would half the spatial
resolution, but "real" filters are not a as aggressive as that, so the
effect of putting an AA-filter in front of a 6.3 Mpx bayer will
probably reduce it to something bewtween 3.5 and 4.5 Mpx
resolutionwise.

The Foveon sensor design doesn't create false colour moire, so there
is no AA-filter in my SD10.  That means that is resolution of a Foveon
sensor is the number of megapixels that follows from the number of
spatial locations where it captures light (3.4 million in the case of
the SD10).

As a number of well respected contributors without doubt will tell me,
Foveon's design isn't immune to other aliasing artifacts, such as
regular (monochrome) moire, and staircasing - so it really /should/
have an AA-filter.  Yes and no.  It is true that with certain
subjects, aliasing is a problem.  However, for a number of subjects,
it isn't a problem, and that is the type of subjects I use it to
photograph.

However, the AA-filter is not the whole story.  I have also compared
a SD10 (3.4 Mpx) to a Kodak DCS 460c studio camera (6.0 Mpx).  The
Kodak is a fairly rare animal, in the sense that it is a camera
with a Bayer sensor /without/ and AA-filter.  I.e. both cameras are
without an AA-filter, and still the Sigma produces sharper images.

To understand this, we need to look closer at how the Bayer image
is created. A 6.0 Mpx Bayer sensor has 3.0 Mpx green photosites, 1.5
Mpx blue, and 1.5 Mpx red.  It measures luminance in all 6 million
photosites, but since colour information isn't available at each
photosite, it need to interpolate the missing colour information to
create a 6.0 Mpx image.

People that argue that 3.4 Mpx Foveon < 6.0 Mpx Bayer tend to forget
that a lot of the colour information presented in the 6.0 Mpx Bayer
(66 % of it, mathematically speaking) comes from interpolated data.

I haste to add that speaking mathematically does not reveal the whole
story. The human visual system is much more sensitive to variation in
luminance compared to chroma, and for this reason, Bayer interpolation
works extremely well and much better than the math predicts.  However,
some of the information in the "Mpx" quoted in the marketing
literature by Bayer manufacturers /are/ interpolated.  So there is
some hypocracy when people attack Sigma for inflating their
"marketing" Mpx count by referring to interpolated figures, but not
mentioning that the numbers quoted by Canon, Nikon et al, also do this
(to some degree - not necessarely the same extreme degree as Sigma's
figures).

To return to your original question: How is it physically possible for
a 4.6 Mpx Sigma SD14 resolve on par with a 10-12 Mpx Bayer camera?

First - I am not saying it does (I am waiting for the tests), but the
claim is not as ludicrous as you think it is.  You see: The 10-12 Mpx
Bayer doesn't really resolve 10-12 Mpx.  The presence of the AA-filter
probably cuts it effective resolution to 5.5-8 Mpx, and the colour
interpolation that is part of Bayer demosaicing probably knocks
another Mpx of its effective resolution.  So a 10-12 Mpx Bayer shall
probably resolve something like 4.5-7 Mpx non-interpolated pixels - so
this is the figure you should compare to the non-interpolated 4.6 Mpx
produced by the SD14's Foveon sensor.

For those that wants hard data, here is a paper that compares
the effective resolution of Foveon vs. Bayer technologies:

  http://www.foveon.com/files/ResolutionforColorPhotography.pdf

For those that don't want to read the whole thing, the most
interesting data is on page 4 (figure 3 og 4), and page 6 (figure 5
and 6). Both compare the measured resolution of a Sigma SD10 (3.4 MPx)
and an unnamed 6.3 Mpx Bayer camera (however, the number of pixels
matches the sensor used in Canon EOS 10D/300D).

For the record: One of the two authors work for Foveon (the other
works for the German research foundation Stiftung Warentest), but the
paper documents the way the measurements are done, so the whole thing
is open to peer review and independent replication and verification/
falsification.
Signature

- gisle hannemyr [ gisle{at}hannemyr.no - http://hannemyr.com/photo/ ]
------------------------------------------------------------------------
      Sigma SD10, Kodak DCS460, Canon Powershot G5, Olympus 2020Z
------------------------------------------------------------------------

Bart van der Wolf - 29 Sep 2006 15:54 GMT
SNIP
> For those that wants hard data, here is a paper that compares
> the effective resolution of Foveon vs. Bayer technologies:
>
>   http://www.foveon.com/files/ResolutionforColorPhotography.pdf

Shooting a Siemens star through color separation filters is implicitly
more a "test" of Bayer CFA demosaicing than resolution testing. It's a
flawed test because it witholds information for the demosaicing
algorithm to work properly (it requires R+G+B input for Luminance and
Chrominance). The 'test' is designed to benefit a monochrome sensor
array + filter-wheel, or triple sensor array + prism, or (how
surprising) a Foveon design.

> For those that don't want to read the whole thing, the most
> interesting data is on page 4 (figure 3 og 4),

So their CFA based camera is blind for any detail below 160(?) LP/PH,
and suddenly starts seeing detail ???  They present their test results
side-by-side but with different LP/PH scales. For optical illusion, or
confusion, certainly not for clarification? And all that under the
guise of a proper ISO testing method.

> and page 6 (figure 5 and 6).

What on earth are we looking at? The labeling of graphs 5 and 7, as
well as graphs 6 and 8 is identical (although the graphs are at a
different scale) yet it is presumed to show something different. There
is no mention of the figures 5-8 in the document that I could find.
Maybe I overlooked it, can you point me to what the differences are
supposed to be?

> Both compare the measured resolution of a Sigma SD10 (3.4 MPx)
> and an unnamed 6.3 Mpx Bayer camera (however, the number of
> pixels matches the sensor used in Canon EOS 10D/300D).

I also noticed that the figure 12 interference patterns ar not well
aligned with the sensel grid, which leads to lower modulation. Is
their setup and method flawed for what they suggest to be testing?
Besides, which Raw converter was used, if any?

All their biased 'test' does is 'show' that color resolution (of
lesser importance for human viewing) differs between sensor designs,
especially amplified because the ' test' is flawed.

I could have told them the outcome without testing. Bayer CFAs have
different sampling densities between Red/Blue and Green, so that is
predictable if compared with a system that has equal sampling
densities. Raw converters also need more than a single spectral band
to do what they are designed for.

What a waste of time.

Signature

Bart

nospam - 30 Sep 2006 00:29 GMT
> > "Peter A. Stavrakoglou" <ntotrr@optonline.net> wrote in message
> >> "Helen" <gormless@gormless.co.uk> wrote in message
[quoted text clipped - 10 lines]
> discussions. The opnions on both sides seems to well entrenched, so it
> is likely that what I am about to say will make a difference.  

i think you meant to say, 'won't make a difference.'

> Also,
> as someone whose opinion is based upon actual use of a Foveon camera,
> as well as several Bayer cameras, (see sig) - I will probably be
> written off as brainwashed anyway.

and the opinion of people who may not have used a sigma/foveon camera
are brandished as not being credible, despite these people having
looked at zillions of sample images available online.  

> But against better judgement, here is my article ...
>
[quoted text clipped - 8 lines]
> the Canon.  Both were tested with the same lens, a 50mm f/1.8 Nikkor
> stopped down to f/8, (used via adapter, and focused manually).

how did you compensate for the differences in field of view, sensor
sensitivity, exposure, the different raw converters, the different
sharpening settings of the raw converters, and of course, the
anti-alias filter in one camera and lack thereof in the other?

or are we testing quite a bit more than just bayer versus foveon here?

> How can that be?  3.4 Mpx < 6.3 Mpx, right?
>
> However, a 6.3 Mpx bayer doesn't resolve 6.3 Mpx.  For starters: the
> particular Bayer design mandates that it has an AA filter.  

*all* discrete sampling systems require an anti-alias filter; this is
not specific to bayer.

> Otherwise
> false colour moire becomes a huge problem.  Depending on how aggresive
> the AA filter is, spatial resolution is reduced.  A filter that
> removes all frequencies above the Nyquist limit would half the spatial
> resolution,

anything past nyquist cannot be resolved, so those frequencies, if
present, will alias back to bogus data below nyquist if not removed by
an anti-alias filter.  

> but "real" filters are not a as aggressive as that, so the
> effect of putting an AA-filter in front of a 6.3 Mpx bayer will
> probably reduce it to something bewtween 3.5 and 4.5 Mpx
> resolutionwise.

ideally, the anti-alias filter would pass everything up to nyquist then
sharply drop to zero.  that is currently impossible, so rolloff
typically starts around 65-70% of nyquist.  there's still detail
captured, it is just lower in modulation.  

> The Foveon sensor design doesn't create false colour moire, so there
> is no AA-filter in my SD10.  That means that is resolution of a Foveon
> sensor is the number of megapixels that follows from the number of
> spatial locations where it captures light (3.4 million in the case of
> the SD10).

there is no anti-alias filter on the sigma because otherwise, the
camera would do no better than any other 3.4 megapixel camera with a
proper anti-alias filter.  and they need some edge (no pun intended) to
compete against the 6 megapixel (for the sd-9/10) and 10 megapixel (for
the sd-14) cameras.

> As a number of well respected contributors without doubt will tell me,
> Foveon's design isn't immune to other aliasing artifacts, such as
> regular (monochrome) moire, and staircasing - so it really /should/
> have an AA-filter.  Yes and no.  

yes, it should.

an anti-alias filter is required unless you want alias artifacting, or
somehow limit it in other ways (i.e. low quality lens).  however, the
artifacting that occurs on foveon without an anti-alias filter is less
objectionable than with bayer, and it seems that a lot of people don't
notice or care.

> It is true that with certain
> subjects, aliasing is a problem.  However, for a number of subjects,
> it isn't a problem, and that is the type of subjects I use it to
> photograph.

consider yourself fortunate that the subject matter you photograph does
not have high enough spatial detail to alias.  but then again, you
aren't pushing the limits of the sensors, either.

> However, the AA-filter is not the whole story.  I have also compared
> a SD10 (3.4 Mpx) to a Kodak DCS 460c studio camera (6.0 Mpx).  The
> Kodak is a fairly rare animal, in the sense that it is a camera
> with a Bayer sensor /without/ and AA-filter.  I.e. both cameras are
> without an AA-filter, and still the Sigma produces sharper images.

although the issue of the anti-alias filter is not an issue in this
comparison, there are still quite a few other variables left.  as
before, how did you compensate for different lenses, crop factor/field
of view, sensor iso differences, exposure, different raw converters and
different raw conversion settings including sharpening?  

or is this once again, a test of two *cameras & software* and not two
*sensors* ?

> To understand this, we need to look closer at how the Bayer image
> is created. A 6.0 Mpx Bayer sensor has 3.0 Mpx green photosites, 1.5
[quoted text clipped - 6 lines]
> that a lot of the colour information presented in the 6.0 Mpx Bayer
> (66 % of it, mathematically speaking) comes from interpolated data.

are you implying that the data is wrong by as much as 66% ??

> I haste to add that speaking mathematically does not reveal the whole
> story. The human visual system is much more sensitive to variation in
> luminance compared to chroma, and for this reason, Bayer interpolation
> works extremely well and much better than the math predicts.  

indeed, it works quite well.

> However,
> some of the information in the "Mpx" quoted in the marketing
[quoted text clipped - 4 lines]
> (to some degree - not necessarely the same extreme degree as Sigma's
> figures).

the bayer manufacturers don't inflate megapixel counts.  if the chip
has 6 mpix spatially distinct pixels, they state 6 mpix.  sigma DOES
inflate the pixel counts - the chip in the sd-9/10 has 3.4 mpix and
they claim 10.2 mpix, or more recently with the sd-14 - it has 4.7
spatially distinct mpix and they claim 14 mpix.

they even contradict themselves - in the case of the sd-14, at
<http://www.sigma-sd14.com> they say it has 14 mpix as well as it
captures 3 colors per pixel.  but if you count each layer individually
(to get 14 mpix) then each 'pixel' is capturing only one color, not
three.  if you count each spatial location (which is what a pixel
actually is), you get 4.7 mpix.  you can't have it both ways.  in
short, they are attempting to deceive.  

> To return to your original question: How is it physically possible for
> a 4.6 Mpx Sigma SD14 resolve on par with a 10-12 Mpx Bayer camera?
>
> First - I am not saying it does (I am waiting for the tests),

i'm glad you are waiting for real tests and not blindly accepting
claims like some people apparently are.

> but the
> claim is not as ludicrous as you think it is.  You see: The 10-12 Mpx
[quoted text clipped - 9 lines]
>
>    http://www.foveon.com/files/ResolutionforColorPhotography.pdf

chuckle...now there's an unbiased source.

> For those that don't want to read the whole thing,  the most
> interesting data is on page 4 (figure 3 og 4), and page 6 (figure 5
[quoted text clipped - 7 lines]
> is open to peer review and independent replication and verification/
> falsification.

bart found some issues already...

i have also noticed in foveon's other white papers that they use the
most simplistic bayer demosaicing algorithms when comparing output.  to
their credit, they at least mention that better methods exist, but yet
they continue using the method that artifacts the most in their
comparisons, despite that method not being used in any contemporary
camera.
Bart van der Wolf - 30 Sep 2006 02:42 GMT
SNIP
>> For the record: One of the two authors work for Foveon (the other
>> works for the German research foundation Stiftung Warentest), but
[quoted text clipped - 3 lines]
>
> bart found some issues already...

Yes, and I may have under-stressed the AA-filter effect in my
comments.
I apparently have to stop assuming objective data from Foveon sources
(benefit of the doubt doesn' seem to work with them), since they keep
comparing non-AA-filtered sensor results to AA-filtered Bayer CFA
results (in addition to other biases). Doesn't inspire trust, to say
the least. A solid technology leap doesn't require the amount of
(let's stay neutral) obvious spin that Foveon applies.

--
Bart
John Francis - 30 Sep 2006 03:15 GMT
>SNIP
>>> For the record: One of the two authors work for Foveon (the other
[quoted text clipped - 13 lines]
>the least. A solid technology leap doesn't require the amount of
>(let's stay neutral) obvious spin that Foveon applies.

If you think Foveon *users* are fanatical, wait until you hear the
Foveon folks themselves.  I was lucky(?) enough to be at one of the
pre-announce presentations of the SD-10, given by the top Foveon guys.
At least their CTO had the grace to look embarrassed at some of the
more outrageous claims made by their CEO and the head of marketing.
David Kilpatrick - 28 Sep 2006 00:22 GMT
>>... here!
>>
[quoted text clipped - 20 lines]
>
> Sub-point and shoot overweight overmarketed hype.

Sadly, you are the one who's got it wrong, not Sigma. I have used Sigma
and we do own one (actually two, I damaged one so we replaced it) and we
will get the SD14. Unless you have actually used one, you have no idea
at all what you are discussing. The SD10 is still capable of matching an
8 megapixel DSLR (they claimed 10) and the SD14 should be a fair match
for a 10 if not a 12.

I have no axe to grind here, I use Sony/KM personally and test all the
major cameras, and my latest is a Canon 400D. Just be assured - the
Foveon claims are not hype, they are meaningful, the sensor is not
perfect and there are drawbacks.

But, if they could make it perfect and there were no protective patents
to stop other copying the concept, it would wipe the floor so thoroughly
with other types of sensor that the Bayer pattern conventional sensor
would disappear in a matter of months. You've not seen a sharp digital
image until you have seen a native res Foveon image (that is, actually
4.7 megapixels, not blown up 2X which they do to make it into a 'real'
14 megapixels).

If you are thinking of the 30mm f1.4 it's one of the least impressive
lenses Sigma makes! Since they also make various lenses which you
probably know under other names - much the same way that Tokina do, and
Tamron do, and Cosina do, if you bother to do the research - any claim
that Sigma only make one good lens is trashing some very well respected
glass sold under names whose owners frequently, er, trash Sigma. And
don't trash the body either, as Sigma has been making digital bodies
sold under other names (not just Kodak) almost since the first digital
bodies appeared.

David
Helen - 28 Sep 2006 20:51 GMT
>> Sub-point and shoot overweight overmarketed hype.
>
[quoted text clipped - 4 lines]
> megapixel DSLR (they claimed 10) and the SD14 should be a fair match for a
> 10 if not a 12.

I completely fail to understand how anybody can possibly state, or even
imagine, that a camera which produces RAWs of less than 5 mpx can be
compared with one producing even as few as 8, never mind your laughable 10
or 12 "fair match" mpx.  It doesn't compare.  Never mind subjective views
regarding perceived sharpness (real or artefactual), let's just stick to
pure mathematics :- 5 is less than half of my 5Ds' 12.8, and I hope you
don't dare bring my 1DS MkII into these comparisons.
Oh, and I have used one, by the way, an SD10, a loaner when I was in
extremis.

> If you are thinking of the 30mm f1.4 it's one of the least impressive
> lenses Sigma makes! Since they also make various lenses which you probably
[quoted text clipped - 4 lines]
> body either, as Sigma has been making digital bodies sold under other
> names (not just Kodak) almost since the first digital bodies appeared.

I like lenses, I own a lot, and I do try to give other manufacturers a
decent chance, but I have, honestly, found only one Sigma lens which
delivers, the Bigma.  I have a Sigma 105 macro which I thought seemed
attractive and right for a particular project I had on the go.  Most
annoyingly, it dramatically and completely ran out of res just at the point
where the dof was becoming worthwhile, F/13, and therein is the prob with
cheaper lenses, they can't deliver throughout. Never used it since.

H
David Kilpatrick - 28 Sep 2006 22:35 GMT
> I like lenses, I own a lot, and I do try to give other manufacturers a
> decent chance, but I have, honestly, found only one Sigma lens which
[quoted text clipped - 3 lines]
> where the dof was becoming worthwhile, F/13, and therein is the prob with
> cheaper lenses, they can't deliver throughout. Never used it since.

Here you have an intractable problem. I have Minolta's excellent 100mm
f2.8 macro, and like the Nikon 105mm, and like the Sigma, it does
exactly the same - stop down below f8, even at 1:2-1:1 macro distances,
and the diffraction begins to take the edge off resolution. Take it down
to f22 or f32, which I have to do until I replace the controller for my
ringflash (only usable on full power right now) and the pix are not
usable. Digital sensors show me what film might not reveal, the critical
sharpness present at f5.6 (about the best for most of these lenses) is
destroyed. So it's a choice, either get depth of field, or ultimate
sharpness in a narrow plane.

It does not run out of res, it hits a physical factor which will always
be present now we are using the discrete pixel well size associated with
digital sensors, instead of fuzzy gelatin analog film. Most expert macro
photographers are finding the same thing regardless of the brand or type
of macro.

I just acquired a 25mm f2.5 micro bellows head lens after 20 years
without one - and guess what - it's diffraction limited in a serious way
for digital shooting.

As for your dismissal of the Foveon sensor and the Sigma, it's hard to
understand why you should do so. The native (true 3.4 megapixel) image
from the original Foveon has remained, for me, a benchmark against which
to judge Bayer sensor results and the quality of raw convolution
algorithms for deBayering. Only because it doesn't need them! It is as
pure an image as the three-line RGB from our early Leaf scanning back
used to be, or three-pass from Dicomed and other pioneers.

There are issues present with aliasing of diagonal structures and
rendering some straight edge contrasts (one of my first test shots with
the SD9, of Melrose Abbey, apparently doubled the number of steps in the
lead roofing pattern). Checking the 24 x 36 prints at photokina from the
SD14, these are not solved - they are still present, distinctive and
unwanted stepping of certain edges and textures. Hair can really show
this up.

However, once you get away from man-made structures and into the more
random and fractal world of trees, leaves, grass, skin, rocks, etc the
regular geometry of the Foveon captures a better impression of textures
and forms than typical Bayer sensors, and the result stands enlargement
to the kind of degree they claim.

Personally I will support and encourage Sigma and Foveon alongside the
other cameras we use. For one thing, it is the only technology which
does NOT show the diffraction sharpness loss problem associated with
extremely small pixel wells, and one chance we have (if the design can
be progressed) of full frame sensors with relatively big pixels.

David
Jan Böhme - 29 Sep 2006 12:20 GMT
Helen skrev:

> I completely fail to understand how anybody can possibly state, or even
> imagine, that a camera which produces RAWs of less than 5 mpx can be
> compared with one producing even as few as 8, never mind your laughable 10
> or 12 "fair match" mpx.

This is because you haven't understood to what extent anti-aliasing and
Bayer interpolation, neither present in a Foveon sensor, decrease
actual resolution in a conventional sensor. With a sensor of the Foveon
type, you get full resolution value for your megapixels. With a Bayer
sensor, you don't - it's inherent in a construction that only records a
single channel at a given pixel site. There are several other
advantages to a Bayer type sensor, but information efficiency in terms
of resolution/pixel number isn't one of them.

> I like lenses, I own a lot, and I do try to give other manufacturers a
> decent chance, but I have, honestly, found only one Sigma lens which
> delivers, the Bigma.

There are certainly others. I have a friend who sold his Canon 14mm 2.8
L and bought Sigma's corresponding lens, and who claims that the Sigma
is not only equal, but actually sharper. At like half the price.

Sigma generally seems to have a good hand with fixfocal wides. I have
tried their 20mm 1.8 on a couple of occasions. It's a surprisingly good
lens for such a reasonable price.

> I have a Sigma 105 macro which I thought seemed
> attractive and right for a particular project I had on the go.  Most
> annoyingly, it dramatically and completely ran out of res just at the point
> where the dof was becoming worthwhile, F/13, and therein is the prob with
> cheaper lenses, they can't deliver throughout.

I own this lens, and I've never noticed any sharp transition of
resolution at f/13. I shoot routinely at f/22, and, while diffraction
necessarily kills some fine resolution at that aperture, it's not more
than what could be expected from any lens.

Maybe you just got a bad copy?

Jan Böhme
Alan Browne - 29 Sep 2006 16:10 GMT
> But, if they could make it perfect and there were no protective patents
> to stop other copying the concept, it would wipe the floor so thoroughly
[quoted text clipped - 3 lines]
> 4.7 megapixels, not blown up 2X which they do to make it into a 'real'
> 14 megapixels).

Sigma's greatest blunder with Foveon has been, well, Sigma.  Had they
taken advantage of the molasses-slow start of Minolta and Olympus to get
into digital they could have offered compatible bodies and locked up
much of that population of users.  I likely would have bought an SD9 or
10 in that period when Minolta had nothing...  Sigma could also have
offered Nikon, Canon, Pentax and other mounts and they would have
buttressed their line against the hundreds of thousands of lenses out
there.  For all the shortcomings of Foveon it can still produce very
decent 12 x 8 images and skin tones can be adjusted.

Instead, they use it as a platform to increase lens sales and their
reputation there is unsteady enough that relatively few professionals
and dedicated/serious amateurs will bet on them.

Cheers,
Alan

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David Kilpatrick - 29 Sep 2006 16:48 GMT
>> But, if they could make it perfect and there were no protective
>> patents to stop other copying the concept, it would wipe the floor so
[quoted text clipped - 17 lines]
> reputation there is unsteady enough that relatively few professionals
> and dedicated/serious amateurs will bet on them.

I know the background to this, at least in part, and the Foveon was
offered to and considered by two major names. One of them was supposed
to run with it. However, that company relied on Sony for consumer
digital camera sensors, and Sony put great commercial pressure on them
to abandon the Foveon chip, and use their 'new' 6 megapixel CCD.
Accordingly, they did so, delaying their camera by 2 years in the
process, so that when it appeared it was based on a surprisingly old
body design.

Foveon had to find a camera maker partner - other than Canon, who had no
 interest - which did not make a line of compact digitals, or have an
existing vital relationship with Sony which would have been placed under
stress by choosing a National Panasonic backed technology.

Sigma had no compacts. They had no other DSLRs. They bought sensors from
no-one, but made digital SLRs for everyone. They were already making
DSLRs under various names (as a customiser, using parts of the maker's
gear and adding new components of their own). They had all the
experience and none of the disadvantages of being commercially tied to
an implacably hostile Foveon competitor -

so Sigma got the deal. This is also why Polaroid ended up using Foveon -
no history of dependence on other technology.

Two years after Foveon first planned to be there.

David
Alan Browne - 29 Sep 2006 16:53 GMT
>>> But, if they could make it perfect and there were no protective
>>> patents to stop other copying the concept, it would wipe the floor so
[quoted text clipped - 41 lines]
> so Sigma got the deal. This is also why Polaroid ended up using Foveon -
> no history of dependence on other technology.

The point I was making was that Sigma's bodies (their own label) could
have been offered by Sigma in Nikon, Canon, Minolta, Pentax, Oly
(reverse engineered) mounts... then they would have sold a lot of SD9/10's.

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Alan Browne - 29 Sep 2006 15:52 GMT
> ... here!
>
> http://www.sigma-sd14.com/
>
> (Embargoed until 00.00 EST September 26, 2006.)

This would not be so bad (I assume it's a 4.7 Mpix spatial resolution,
the website seems to obfuscate that very effectively) if the body came
in Nikon, Canon, Minolta, Pentax, Oly mounts.  Sigma could have captured
a lot of the Minolta and Olympus users in particular, an opportunity
forever lost.

That has been and will remain Sigma's worst marketting boo-boo for the
Foveon platform: Sigma lenses are simply not respected enough due to
their often cheap design and usually less than stellar optics (some
exceptions).

Cheers,
Alan
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Mark² - 01 Oct 2006 23:18 GMT
> ... here!
>
> http://www.sigma-sd14.com/

As expected, even Sigma's own "best prints" looked like crap:

Read for yourself this quote from Luminous Landscape, which can be read
here:
http://luminous-landscape.com/new/index.shtml

" We are used to reading and viewing a range of commentary when it comes to
art, literature and politics. Yet somehow, when it comes to photographic
equipment, if someone gores your own favourite sacred cow (to mix a
metaphor) the sky starts to fall - or at least so it seems whenever I
criticize a new product (or at least when I'm the first to do so).
It is therefore with some trepidation that I publish today my Sigma SD14 /
Fuji S5 Pro Videoblog from Photokina. I'm sure that these product's fans
will throw a hissy fit - but, we saw what we saw, and so there's no point in
holding back.
My colleague Walter and I were quite astonished at the poor image quality
shown by sample display prints in both company's booths. Yes, they
superficially looked big and bright, but up close and with a critical eye,
images from both new cameras left a lot to be desired.
Of course this is not any sort of product or image quality review. We simply
spent a half hour in each booth looking at the cameras, chatting with booth
personnel, and especially closely examining sample prints. As I mention in
the Videoblog, one has to assume that prints on display in a manufacturer's
booth at the world's largest trade show, at the time of product
introduction, are going to be of as high quality as possible. If that was
the case with the SD14 and S5 Pro, then there is reason to be concerned.
Actual product reviews will follow when sample cameras are available. At
that time we'll know if these image quality concerns remain valid or not."
---------------
Once again...Sigma DSLRs remain...well...Sigma DSLRs.

-Mark²

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David Kilpatrick - 02 Oct 2006 01:33 GMT
>>... here!
>>
[quoted text clipped - 30 lines]
> ---------------
> Once again...Sigma DSLRs remain...well...Sigma DSLRs.

What you must bear in mind is that the worst prints, by far, were on the
Sony stand - the camera is NOT the worst out there, but the prnts were
awful - over enlarged, flat, dull, and pretty poor photography. The
Canon stand had in effect zero prints. The Nikon stand also did not
showcase prints in the same way.

The Sigma stand had a larger number of straight, moderate but large (in
real terms) enlargements of a wide range of typical amateur/f