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Photo Forum / Digital Photography / DSLR Cameras / August 2006

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8 X 10

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Rod Williams - 24 Aug 2006 03:59 GMT
Where did 8X10 come from? It is ridiculous to have to shoot and leave
more headroom than necessary just in case you might someday want to
print an 8 X 10. Since 35 MM has been pretty much the standard for an
awfully long time, who decided that an 8X10 was a good print size?
SkipM - 24 Aug 2006 02:23 GMT
> Where did 8X10 come from? It is ridiculous to have to shoot and leave more
> headroom than necessary just in case you might someday want to print an 8
> X 10. Since 35 MM has been pretty much the standard for an awfully long
> time, who decided that an 8X10 was a good print size?

The guy who came up with 8x10 film in the 1880s... <grin>  He thought it
made a great contact print.

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Skip Middleton
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Greg "_" - 25 Aug 2006 02:29 GMT
> The guy who came up with 8x10 film in the 1880s... <grin>  He thought it
> made a great contact print.

& 16x20's when using my 8x10 enlarger :)
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Todd H. - 24 Aug 2006 04:14 GMT
> Where did 8X10 come from? It is ridiculous to have to shoot and leave
> more headroom than necessary just in case you might someday want to
> print an 8 X 10. Since 35 MM has been pretty much the standard for an
> awfully long time, who decided that an 8X10 was a good print size?

35mm roll film is but a pup compared to sheet film view cameras.

I don't profess to be a camera history expert by any stretch, but I'd
be willing to place a strong bet that the 8x10 print size's placement
in modern frame sizes/print sizes comes directly from the popularity
of 4x5 and 8x10 view camera sheet film.

Can you imagine getting an 8x10 as a contact print?  Woof....

Yeah the different aspect ratios are a pain.  If you're trying to get
std sized prints/frames.  Otherwise, just print an 8x12 and be done
with it.  

Best Regards,
--
Todd H.  
http://www.toddh.net/
Jeremy Nixon - 24 Aug 2006 05:19 GMT
> Where did 8X10 come from? It is ridiculous to have to shoot and leave
> more headroom than necessary just in case you might someday want to
> print an 8 X 10. Since 35 MM has been pretty much the standard for an
> awfully long time, who decided that an 8X10 was a good print size?

It was a good match for both 8x10 and 4x5 film.  I suspect that the only
reason it's stuck around for so long is because the frame making people
still haven't figured out that it's the wrong shape for almost anyone's
pictures these days.

Just print 8x12.  It makes it slightly harder to get a frame, as you may
have to have it made, but on the other hand, it fits well in an 11x14
frame with a matte.  (11x14 is another size that doesn't make any sense
any more.)

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Marc Sabatella - 24 Aug 2006 05:45 GMT
> Just print 8x12.  It makes it slightly harder to get a frame, as you
> may
> have to have it made, but on the other hand, it fits well in an 11x14
> frame with a matte.  (11x14 is another size that doesn't make any
> sense
> any more.)

It's actually a great size from  purely aesthetic standpoint
(independent of film or sensor size concernts).  But printing 8x12 won't
as well in 11x14 as it will in 12x16, unless you fudge your mat -
perhaps by bottom weighting if the pictue happens to be oriented that
way, but just as likely by extending the sides, which isn't considered
as cool.  But with a 12x16 frame and a two inch mat, the 8x12 fits
perfectly.  Then the problem simply becomes finding paper on which to
print 8x12.  So another option is to print 6x9 (which you can do with
most printers, on 8.5x11 paper), use a 2.5 inch mat, and the 11x14
frame.

BTW, assuming one does want to print larger than 8x5x11 and doesn't have
a printer that handles this - are there particular online services
people recommend?  Both in terms of obscure high end / specialty shops,
but also in terms of which of the big name consumer-oriented ones might
do especially well.

---------------
Marc Sabatella
marc@outsideshore.com

Music, art,  & educational materials
Featuring "A Jazz Improvisation Primer"
http://www.outsideshore.com/
Jeremy Nixon - 24 Aug 2006 05:51 GMT
> But printing 8x12 won't as well in 11x14 as it will in 12x16, unless
> you fudge your mat - perhaps by bottom weighting if the pictue happens
> to be oriented that way, but just as likely by extending the sides,
> which isn't considered as cool.  But with a 12x16 frame and a two inch
> mat, the 8x12 fits perfectly.

Great point, I've not tried it, but you're right, it would be about perfect.

> Then the problem simply becomes finding paper on which to
> print 8x12.

It's common with services that do optical photo prints.

> BTW, assuming one does want to print larger than 8x5x11 and doesn't have
> a printer that handles this - are there particular online services
> people recommend?  Both in terms of obscure high end / specialty shops,
> but also in terms of which of the big name consumer-oriented ones might
> do especially well.

I use printroom.com, and always recommend them when this question comes
up.  They do great work and are used to dealing with pros, so there's no
trouble with them thinking your pictures look "professional" and refusing
to print them.  They do 8x12 in addition to a huge range of sizes up to
large posters.

But the big thing is that they support ICC profiles, so you don't have to
butcher your pictures with sRGB.

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Jeremy  |  jeremy@exit109.com

JC Dill - 24 Aug 2006 20:22 GMT
>> Just print 8x12.  It makes it slightly harder to get a frame, as you
>> may
[quoted text clipped - 10 lines]
>as cool.  But with a 12x16 frame and a two inch mat, the 8x12 fits
>perfectly.  

Good point.

I'd love to find sources for ready-made 8x12 mats and frames that
don't cost an arm and a leg.  Does anyone here have any good sources
they recommend?

jc

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Marc Sabatella - 24 Aug 2006 20:41 GMT
> I'd love to find sources for ready-made 8x12 mats and frames that
> don't cost an arm and a leg.  Does anyone here have any good sources
> they recommend?

I don't know about mats, about for cheap frames of surprising good
quality, I've been using Art Supply Warehouse (aswexpress.com).  The
style of frame I've been using for my oil paintings runs under $20 for
the sizes we are talking about here, and that's considerably wider and
fancier (linen liner) than most folks probably want photos.  I've also
see Graphik Dimensions (pictureframes.com) advertising frame/mat combos,
and other artists I know use them.  Neither company caters specifically
to photographers, so I don't know you'll find the exact 2:3-friendly
sizes you want, but they are worth checking out.  It does seem at least
*some* frame styles come in 8x12.

---------------
Marc Sabatella
marc@outsideshore.com

Music, art,  & educational materials
Featuring "A Jazz Improvisation Primer"
http://www.outsideshore.com/
Al Reid - 26 Aug 2006 00:14 GMT
>>> Just print 8x12.  It makes it slightly harder to get a frame, as you
>>> may
[quoted text clipped - 18 lines]
>
> jc

I really don't have that problem.  I bought a mat cutter and I make my own
frames.  I bit more work, but I always get what I want, regardless size.

--
Al Reid
Paul Furman - 30 Aug 2006 00:20 GMT
...
>>I'd love to find sources for ready-made 8x12 mats and frames that
>>don't cost an arm and a leg.  Does anyone here have any good sources
>>they recommend?

I've used framedestination.com for matt, frame, glass assembled for
13x19 prints, 21x27 frame about $50 shipped.

> I really don't have that problem.  I bought a mat cutter and I make my own
> frames.  I bit more work, but I always get what I want, regardless size.
>
> --
> Al Reid

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ColinD - 24 Aug 2006 07:00 GMT
> Where did 8X10 come from? It is ridiculous to have to shoot and leave
> more headroom than necessary just in case you might someday want to
> print an 8 X 10. Since 35 MM has been pretty much the standard for an
> awfully long time, who decided that an 8X10 was a good print size?

In early photography beginnings, prints from glass negatives were made
by exposing the paper through the negative to daylight or direct
sunlight, which caused the paper to produce a brownish image directly
with no development required.  These papers were called 'printing out
papers', and the sepia color was the natural result of this process.
Enlargers were not known at this stage, and it wasn't until the arrival
of developable paper with much more sensitivity that enlarging, or
projection printing was possible.

So, if you wanted a large photograph, you needed an equally large
negative, various different sizes were invented.  The 8x10 and 4x5 sizes
were American, while England and Europe used 'Whole Plate' which was
6½x8½ inches, and a half-plate was 6½x4¼ inches - almost a 3:2 ratio
there - and a quarter-plate was 4¼x3¼ inches.

There was a photographer in the States that had a gigantic camera
mounted on a railroad flat wagon which produced huge negatives, I forget
the size.  Have a look at

http://www.bigshotz.co.nz/george_lawrence.html

Colin D.

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mark.thomas.7@gmail.com - 24 Aug 2006 11:30 GMT
Is there a digital back for that yet?

> There was a photographer in the States that had a gigantic camera
> mounted on a railroad flat wagon which produced huge negatives, I forget
[quoted text clipped - 3 lines]
>
> Colin D.
Randall Ainsworth - 24 Aug 2006 13:28 GMT
> Where did 8X10 come from? It is ridiculous to have to shoot and leave
> more headroom than necessary just in case you might someday want to
> print an 8 X 10. Since 35 MM has been pretty much the standard for an
> awfully long time, who decided that an 8X10 was a good print size?

It's an aspect ratio that's pleasing to the human eye.
Bart van der Wolf - 24 Aug 2006 16:19 GMT
>> Where did 8X10 come from?
SNIP

> It's an aspect ratio that's pleasing to the human eye.

Is it?

It would seem that since ages a golden ratio (approx. 5:3) is
considered to be more pleasing.
http://en.wikipedia.org/wiki/Golden_section

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Bart

Pat - 24 Aug 2006 18:16 GMT
... and if it's in Wikipedia, then you know it's true....

> >> Where did 8X10 come from?
> SNIP
[quoted text clipped - 6 lines]
> considered to be more pleasing.
> http://en.wikipedia.org/wiki/Golden_section
George K - 24 Aug 2006 18:50 GMT
Nor argument. The point that was trying to be made, is that there have
been many film sizes with aspect ratios that are different than 0.8 and
photographers have been composing shots and cropping to make images fit
the paper size they have to print to.

Can you tell us the mistake(s) in the Wikipedia article?

The wise man listens to the village idiot because sometimes the idiot
is correct.

> ... and if it's in Wikipedia, then you know it's true....
>
[quoted text clipped - 8 lines]
> > considered to be more pleasing.
> > http://en.wikipedia.org/wiki/Golden_section
Pat - 24 Aug 2006 20:24 GMT
Not in that article, per se, on this particular day.  But it's been
know to happen.  Remember the late-night talk show a few weeks ago that
did they whole thing with elephants?

It's an okay source, but a source worth double-checking for anything
that's important.

> Nor argument. The point that was trying to be made, is that there have
> been many film sizes with aspect ratios that are different than 0.8 and
[quoted text clipped - 18 lines]
> > > considered to be more pleasing.
> > > http://en.wikipedia.org/wiki/Golden_section
jeremy - 25 Aug 2006 13:43 GMT
> Nor argument. The point that was trying to be made, is that there have
> been many film sizes with aspect ratios that are different than 0.8 and
> photographers have been composing shots and cropping to make images fit
> the paper size they have to print to.

We know where the 3:2 aspect ratio came from--Oskar Barnack, when developing
the Leica, came up with the idea of using 35mm movie film, loaded into
little "magazines" as they were then called ("cartridges").  He came up with
that aspect ratio because he wanted to field of view to approximate that of
the human eye.  The Leica, unlike other larger cameras of its day, was
designed to be held up to the eye for focusing and shooting.

I have always preferred the 3:2 aspect ratio over the square format of MF.
I shoot landscapes, and the square format seems unnatural--too much earth
and sky taking up the square frame.
George K - 24 Aug 2006 16:51 GMT
I would guess that was the size the manufacturing equipment and
supplies that George Eastman and others could easily acquire. In the EU
A4,8.27×11.69 in, is a common large size print and confirms to their
paper standard.

Look at this site about early film sizes:
http://www.xs4all.nl/~wichm/filmsize.html#variety

For still film:
http://en.wikipedia.org/wiki/Film_formats

How would you like to carry a camera that used 20" X 40" sheet film?

> > Where did 8X10 come from? It is ridiculous to have to shoot and leave
> > more headroom than necessary just in case you might someday want to
> > print an 8 X 10. Since 35 MM has been pretty much the standard for an
> > awfully long time, who decided that an 8X10 was a good print size?
>
> It's an aspect ratio that's pleasing to the human eye.
Greg "_" - 25 Aug 2006 02:35 GMT
> How would you like to carry a camera that used 20" X 40" sheet film?

Maybe not that big but maybe 16x20,...and FYI few years back View Camera
magazine ran an article on a photographer that converted rooms into
cameras and then photographed projected images that came into them via a
small hole on one side.
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Reality-Is finding that perfect picture
and never looking back.

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George K - 25 Aug 2006 03:56 GMT
Very Roman, but the Chinese were first.

http://brightbytes.com/cosite/what.html

Imagine no glass lens, just a pinhole.

> > How would you like to carry a camera that used 20" X 40" sheet film?
> >
[quoted text clipped - 7 lines]
>
> www.gregblankphoto.com
Greg "_" - 26 Aug 2006 02:19 GMT
> Very Roman, but the Chinese were first.
>
> http://brightbytes.com/cosite/what.html
>
> Imagine no glass lens, just a pinhole.

No doubts here "GK" ;-)  ,....most of the math and science this world is
using is recycled knowledge. Nothing new under the sun as the saying
goes/ Take care-GB
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Reality-Is finding that perfect picture
and never looking back.

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Pat - 24 Aug 2006 18:26 GMT
I decided 8x10 was a good size to print.  If I didn't like it and find
it pleasing, then I wouldn't do it.  It's easy enough to cut down a mat
to any given side -- except metric, because my scale is in inches.

On the other hand, why did they decide to make that a common size?  It
probably had to do with the limits of technology.  Either they couldn't
make good glass for negs larger than that at a reasonable cost or it
had to do with the machine making the paper.  Or it could be that it
has to how many glass plates you could carry, easily.   Maybe it could
only to to 40' and they thought 4 8x10s was better than 2 10x12s with
lots of waste.

> Where did 8X10 come from? It is ridiculous to have to shoot and leave
> more headroom than necessary just in case you might someday want to
> print an 8 X 10. Since 35 MM has been pretty much the standard for an
> awfully long time, who decided that an 8X10 was a good print size?
Prometheus - 24 Aug 2006 20:01 GMT
>Where did 8X10 come from? It is ridiculous to have to shoot and leave
>more headroom than necessary just in case you might someday want to
>print an 8 X 10. Since 35 MM has been pretty much the standard for an
>awfully long time, who decided that an 8X10 was a good print size?

I normally print 8 x 12, or any other 2:3 size, I only use other ratios
where the image will benefit by cropping; perhaps the width or height of
the subject necessitated 'wasting' part of the frame. It is not wasted
by the print size, but by real scenes not always being 2:3.
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BJ in Texas - 24 Aug 2006 21:12 GMT
|| Where did 8X10 come from? It is ridiculous to have to shoot
|| and leave more headroom than necessary just in case you might
|| someday want to print an 8 X 10. Since 35 MM has been pretty
|| much the standard for an awfully long time, who decided that
|| an 8X10 was a good print size?

Probably the same guy that came up with 5x7. :-)

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Todd H. - 24 Aug 2006 21:14 GMT
"My agent asked me if I had an 8x10.  I said, 'Honey, if I had an 8x10
I wouldn't have to work anymore.'"

RD, RIP

--
Todd H.  
http://www.toddh.net/
 
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