Home | Contact Us | FAQ | Search & Site Map | Link to Us
Sign In | Join | Other 45 Sites in Network
PhotoKB Home
Discussion Groups
Digital Photography
Digital PhotoDSLR CamerasZLR CamerasPoint & Shoot Cameras
Film Photography
35 mmLarge FormatMedium formatDarkroomFilm and LabsOther Equipment
Photo Technique
Nature PhotographyPeople PhotographyTechnique General
General Photo Topics
General TopicsAustralian PhotographyUK Photography
DirectoryPhoto Clubs

Photo Forum / Digital Photography / DSLR Cameras / April 2006

Tip: Looking for answers? Try searching our database.

Understanding resolution

Thread view: 
Enable EMail Alerts  Start New Thread
Thread rating: 
Guns/Zen4 - 13 Apr 2006 14:17 GMT
First a little background. I was asked to take a group photo. I have a
D70 and a couple of lenses, the one I used was my Nikkor 24-120 VR. In
previous years, the photographer (no longer with us) used a medium
format (Hasselblad, IIRC) and I knew I couldn't approach the resolution
with my 6Mp.

I set the camera to minimum ISO (200), aperture priority, f/16. VR was
off, it was on a tripod. I shot the picture, EXIF tells me the lens was
at 34mm, then I asked them to hold still a minute longer. I zoomed in a
bit and shot a series of 9 photos -- left, middle, right starting at
the bottom, then middle of the group, then the top -- with a couple of
extra shots in there for good luck. The lens was at 70mm for these
exposures.

On the pixelboard I converted the RAW images, equalized the exposures
as best I could, then set CS2 to work photomerging the shots. In the
end, it took me about 6 hours to complete the merge to my satisfaction
(if people would only hold still... LOL)

OK, enough background. I compared the original single image to the
merged shot. I COULD NOT BELIEVE THE DIFFERENCE. I knew the merged
image would be sharper but this was incredible. I don't understand it,
but I would like to, so if anyone has an explanation...

The merged shots were at 2x the focal length which to me would be 4x
the resolution. But the image looks MUCH sharper than that.

Here's a low-res copy of the original single shot
http://faczen.smugmug.com/gallery/452395/2/62072792

Here the same sized merged photo
http://faczen.smugmug.com/gallery/452395/2/62071409

and here's a detail out of the two pictures for comparison
http://faczen.smugmug.com/gallery/452395/2/62072791

Comments?

Glenn
Photo gallery at http://faczen.smugmug.com
Reply via the web portal at www.faczen.com
or email usenet at faczen dot ca
Paul Furman - 13 Apr 2006 19:16 GMT
> OK, enough background. I compared the original single image to the
> merged shot. I COULD NOT BELIEVE THE DIFFERENCE. I knew the merged
[quoted text clipped - 8 lines]
>
> Comments?

Interesting, if you scale the detailed one to 25% then back up it's
still better in some ways but worse in others. I think the bayer pattern
 and AA filter have a lot to do with the differences.
Frank ess - 13 Apr 2006 20:46 GMT
>> OK, enough background. I compared the original single image to the
>> merged shot. I COULD NOT BELIEVE THE DIFFERENCE. I knew the merged
[quoted text clipped - 13 lines]
> still better in some ways but worse in others. I think the bayer
>  pattern and AA filter have a lot to do with the differences.

Think of it in terms of the number of pixel per face. Your single
frame is like 3000 wide? Looks to me like maybe 30 faces edge-to-edge?
A generous 100 pixels side-to-side in a face?

You say the composite consists in three shots side-by-side; with
overlap, at least twice the number of pixels per face, right? Or maybe
I don't understand...

Signature

Frank ess

Paul Furman - 13 Apr 2006 22:20 GMT
>>> OK, enough background. I compared the original single image to the
>>> merged shot. I COULD NOT BELIEVE THE DIFFERENCE. I knew the merged
[quoted text clipped - 20 lines]
> overlap, at least twice the number of pixels per face, right? Or maybe I
> don't understand...

I was thinking twice the width but my math was for 4x the width so that
makes the experiment even more dramatic that it was still better in some
respects.

The difference between say 6MP & 12MP would be relatively minor though,
only 75% of the width.
12mp = 4000 x 3000
6mp  = 3000 x 2000
wayne - 13 Apr 2006 23:43 GMT
I use this technique a lot for my very large photo collages, where I
just can't get enough resolution out of my 8MP. Firstly you may have
put the zoom into a range where you get a sharper result, widest
position is also often the softest. But the big gain is also just in
pixels. Shooting a 3x3 grid, even with overlap, from a (rough) 3000 x
2000 to a 6000 x 4000, or 6MP to 24MP. Depending on how you did the
overlap it might be even more.

Cheers,

Wayne

Wayne J. Cosshall
Publisher, The Digital ImageMaker, http://www.dimagemaker.com/
Blog and Podcast http://www.digitalimagemakerworld.com/
Personal art site http://www.artinyourface.com/
Scott W - 14 Apr 2006 01:00 GMT
> I use this technique a lot for my very large photo collages, where I
> just can't get enough resolution out of my 8MP. Firstly you may have
[quoted text clipped - 3 lines]
> 2000 to a 6000 x 4000, or 6MP to 24MP. Depending on how you did the
> overlap it might be even more.

I have a panoramic head that make taking the shoots much easier.  It
holds the camera sideways which gives allows you to get more sky then
otherwise.  I find that getting a good 40MP image is very easy and 100
to 200 MP is not too hard.

Others have pushed this way up getting well over 1 Gpixel.

The method works so well because the lens is only imaging a small part
of the image at any one time. The result is that a cheap zoom lens can
produce an image that is far sharper, when stitching photos, then the
very best lens can produce in a single photo.

The part I get a kick out of is that a fairly cheap camera can produce
an image that is far better then a $40,000 state of the art digital
camera.  Of course there are limits to what you can photograph when
stitching, but not as many as what most people believe.

The other thing this gives us is sharp wide angle shoots, there are no
wide angle lenses that are really sharp all the way to the corners of
the image, but with stitching we can get very wide angle shots that are
sharp all over.

Scott
wayne - 14 Apr 2006 05:29 GMT
Exactly. A panoramic head sure helps, but even a normal tripod at
reasonable subject distances and handheld even with longer subject
distances usually works very well. The thing with hand holding is to
try to pivot around the camera rather than your body, just as a
panoramic tripod head does.

Even the best lenses have resolution limits defined by diffraction and
some digitals get very close to this already. So it is a great
technique. Scott, you should enter some of yours (perhaps cropped) in
the panorama competition running on my main site.

Cheers,

Wayne

Wayne J. Cosshall
Publisher, The Digital ImageMaker, http://www.dimagemaker.com/
Blog and Podcast http://www.digitalimagemakerworld.com/
Personal art site http://www.artinyourface.com/
Pete D - 14 Apr 2006 23:19 GMT
> Exactly. A panoramic head sure helps, but even a normal tripod at
> reasonable subject distances and handheld even with longer subject
[quoted text clipped - 15 lines]
> Blog and Podcast http://www.digitalimagemakerworld.com/
> Personal art site http://www.artinyourface.com/

Even with a P&S camera you can get good results like this.

http://www.shuttertalk.com/forums/images/upload/Pano-1--smaller.jpg
Scott W - 15 Apr 2006 01:01 GMT
> Even with a P&S camera you can get good results like this.
>
> http://www.shuttertalk.com/forums/images/upload/Pano-1--smaller.jpg

Yes indeed, I think the main two things that help for high resolution
photos is a somewhat long lens and being able to set the shutter and
aperture to fix setting. I find it interesting that under the right
conditions a $20 lens can out perform a $2000 lens.

Scott
Scott W - 13 Apr 2006 20:47 GMT
> First a little background. I was asked to take a group photo. I have a
> D70 and a couple of lenses, the one I used was my Nikkor 24-120 VR. In
[quoted text clipped - 9 lines]
> extra shots in there for good luck. The lens was at 70mm for these
> exposures.

Well a 4X increase in the number of pixels is a pretty big gain, but
added to that is the fact that zoom lenses at their wide angle point
are much softer then at a more normal FL.

Scott
Rich - 14 Apr 2006 04:15 GMT
>First a little background. I was asked to take a group photo. I have a
>D70 and a couple of lenses, the one I used was my Nikkor 24-120 VR. In
[quoted text clipped - 38 lines]
>Reply via the web portal at www.faczen.com
>or email usenet at faczen dot ca

You are experiencing something called "passing a detail threshold."
If you take an image at 2x the magnification of another image, you
will end up by seeing details 2x smaller than what you could with the
image with lower magnification.  However, if the image you are taking
has numerous details that suddenly appear at a specific magnification,
the image will appear even sharper than you thought it might.
Had you taken a shot of something else, it might not appear so much
more detailed.  It all depends on the subject.
 
Sign In
Join
My Latest Posts
My Monitored Threads
My Blog
My Photo Gallery
My Profile
My Homepage

Start New Thread
Enable EMail Alerts
Rate this Thread



©2009 Advenet LLC   Privacy Policy - Terms of Use
This website includes both content owned or controlled by Advenet as well as content owned or controlled by third parties.