Hi,
I am buying my first digital SLR - the Canon Rebel XT. I am currently
researching lenses and would like some input.
The place I am looking to buy has a package that comes with two lenses:
Canon 28-105mm auto focus lens and
Canon 75-300mm USM Auto focus lens
another package close to the same price includes these two lenses:
Canon 18-55mm f/3.5-5.6 Auto Focus lens
Canon 55-200mm f/4.5-5.6 Auto Focus lens
It was also recommended that just buy the body and get the:
Canon EF-S 17-85mm f/4-5.6 IS USM Zoom Super Wide Angle Autofocus Lens
All three options are nearly the same price. The EF-S 17-85mm seems the best
quality lens. But wouldn't it be more versatile to have two lens that offer
more zoom range?
I guess the question is which is smarter - get one high quality lens that
provides standard zoom capabilities. Or get more zoom options with two
lenses that are of lesser quality. Is IS worth the extra cost?
I have both landscape and wildlife options where I live and I also have an
interest in photographic art.
This is all still relatively new to me, so any input and suggestions would
be great.
Steve
Thomas - 25 Mar 2006 10:58 GMT
APT:
> I have both landscape and wildlife options where I live and I also have an
> interest in photographic art.
Unfortunately, these two topics have very different needs on the lense.
For landscape, you usually want sharp wide angle lenses. Because of the
crop factor of your camera, wide angle meens really short focal length.
The 17-85mm is probably the closest you mentioned for landscape
photography.
For wildlife however you usually need long and *fast* lenses. The crop
factor actually helps here, but for good results you still need to
invest serious money. Depending on what you want to do, you probably
need 200 or 300mm focal length, good sharpness, and a speed of f/4 is
really recommended. I would be extremely sceptical about the kit
75-300. It may be cheap, but I would still call it a waste of money.
Unfortunately, serious lenses for wildlife photography also tend to be
seriously expensive.
One lense absolutely worth getting though is the 50/1.8. It is very
helpful for working in dark conditions, for getting crisp results, for
working with selective focus and for any kind of portrait work. Nothing
you mentioned, but this is a cheap, good and versatile lense.
Thomas
Prometheus - 25 Mar 2006 11:05 GMT
>Hi,
>
[quoted text clipped - 3 lines]
>The place I am looking to buy has a package that comes with two lenses:
>Canon 28-105mm auto focus lens and
Given the crop factor this might not be wide enough for your
requirements since it is about equal to using 45mm on a 35mm SLR.
>Canon 75-300mm USM Auto focus lens
This is on my list.
>another package close to the same price includes these two lenses:
>Canon 18-55mm f/3.5-5.6 Auto Focus lens
>Canon 55-200mm f/4.5-5.6 Auto Focus lens
I bought mine with the kit lens because it was only slightly more than
the body only and it got me started.
A not bad combination, at a low price, and giving you effectively 29 -
320mm. How suitable it is for you depends on the photographs YOU will
take and how large you will print them.
>It was also recommended that just buy the body and get the:
>Canon EF-S 17-85mm f/4-5.6 IS USM Zoom Super Wide Angle Autofocus Lens
This also is on my list.
>All three options are nearly the same price. The EF-S 17-85mm seems the best
>quality lens. But wouldn't it be more versatile to have two lens that offer
>more zoom range?
It depends on your requirements.
>I guess the question is which is smarter - get one high quality lens that
>provides standard zoom capabilities. Or get more zoom options with two
>lenses that are of lesser quality. Is IS worth the extra cost?
If most of your photographs are from tripod then you do not need it, if
your are photographing moving wild life then probably not because you
will be tracking it. Having said that it is another tool which can let
you obtain a sharp photo under some conditions and as such it is
desirable, and essential to some.
>I have both landscape and wildlife options where I live and I also have an
>interest in photographic art.
I bought my 350D with the kit lens as stated above and intend to
purchase the 70-300 next and then perhaps the 17-85, although I might
get the 10-22 before that. For photographing art you might consider the
50mm f/1.8, its quite cheap, fast, and has a good reputation.

Signature
Ian G8ILZ
w.beckley@gmail.com - 25 Mar 2006 12:01 GMT
Around here I'm bound to be building a reputation for giving this exact
advice too often, but I think it is fine advice so I'll keep doing it.
When I bought my first camera, I went for a slow superzoom giving me
wide and telephoto focal lengths, assuming that I would have more
options and I'd learn more. It's an easy assumption to make, and is
certainly seems to have all of the weight of logic behind it. But it is
wrong. It wasn't for a couple of years, when I was learning to be a
cinematographer using very fast prime lenses that I actually learned
anything about taking good pictures. You're just starting, and honestly
you'll develop those creative muscles if you have a fixed focal length
and you don't have the option of zooming in or zooming out. More
importantly, with a fast(er) prime, you'll be able to play with focus
and take pictures in low light. If you have a zoom that (at best) opens
up to a 4.0, you won't be doing half of what you could be.
Now, I get that you want to be able to take both wide and telephoto
pictures, so the suggestion of getting only prime lenses isn't going to
hold alot of water. Of the options you mentioned, only the 17-85 seems
like a good idea to me. First of all, if 28mm is your widest option,
you won't be getting any wide pictures at all... 28mm is a bit longer
than the textbook definition of "normal" on the Rebel XT. Secondly,
that 18-55 is a pretty poor lens.
So get the 17-85. And if you have an extra $250 to spare, get both the
50mm 1.8 and the 28mm 2.8. Neither will break the bank and both will
teach you alot. If you can't afford both, then get one of them,
considering the following:
The 50mm 1.8 will be a great portraiture lens and will be a fast lens,
affording you the opportunity to play with selective focus and low
light. It will, however, be a bit too "long" for alot of all around
use.
The 28mm 2.8 will be a normal lens and will be rather fast. Using it,
you may frequently want to be just a little longer or just a little
wider, but that's what makes a normal lens such a great way to discover
your own tastes when shooting. You could easily get the 35mm 2.0
instead and get a little bit of both worlds too, as an option.
You could also splurge and get the 28mm 1.8, which is an outstanding
lens for a cropped sensor like the XT has. You likely don't have the
$400 to spare, but if you do, this would be the best learning tool you
can get. I have the 28mm 1.8 along with a 16-35 2.8, a 50mm 1.4, and a
100mm 2.0, and ever since I got the 28, it has been on my camera 80% of
the time. There's nothing it does better than all other lenses, but it
does everything nearly as well as any other lens. And it's fast. It is
the closest thing to a "fast 50" on a 35mm camera that you can get.
In the end, the decision is yours to make, and on your own terms, as
you stated them, the 17-85 is the only good choice. But please, for
your own good, invest in some kind of a fast prime as well.
Will
APT - 26 Mar 2006 09:04 GMT
> Around here I'm bound to be building a reputation for giving this exact
> advice too often, but I think it is fine advice so I'll keep doing it.
[quoted text clipped - 50 lines]
>
> Will
Hmmm... I wasn't even considering a fixed lens. But you make some good
points.
Thanks for putting it on my radar.
ian lincoln - 25 Mar 2006 12:06 GMT
> Hi,
>
[quoted text clipped - 27 lines]
>
> Steve
The thing to remember is the crop factor. the 28-105 will become 44.8-168.
Traditional lenses were sold with 28-80 and 28-90. That is good for indoor
work, landscapes and portrait. Some better lenses were the 28-105.
This is why the basic kit lens is 17-55. Its really a 27.2-88 or roughly a
28-90. The EF-S is much better quality glass. It has at least one
aspherical element in it. It is also Images stabilised. Great for indoor
and low light.
Unless you are selling your work the basic 17-55 is good to use. I use it
just for the 17mm. I normally keep a 2nd hand 28-105 on it. Its a better
version than the current 28-105 that is sold new. It is surprisingly good
and sharp. Lots of detail and resolution. For general purpose photography
you will want one lens in your kit that goes wide as 17mm. Unless you do
sport or wildlife leave the long zooms alone for now. so just get a basic
body and 17-55 or splurge for the 17-85. Thats my final verdict.
Skip M - 25 Mar 2006 14:07 GMT
>> Hi,
>>
[quoted text clipped - 37 lines]
> aspherical element in it. It is also Images stabilised. Great for indoor
> and low light.
Ahem, the kit lens _is_ an EF-S lens. I know what you meant, but the OP may
not.
As an aside, unless he has access to the Japanese version of the 17-55, it
isn't a USM lens, either. The 17-85 is.

Signature
Skip Middleton
http://www.shadowcatcherimagery.com
Jack Mac - 25 Mar 2006 14:12 GMT
>> Hi,
>>
[quoted text clipped - 36 lines]
>aspherical element in it. It is also Images stabilised. Great for indoor
>and low light.
Careful what you say! This basic kit 17-55 lens in NOT image stabilized!
At least mine isn't!
Jack Mac
>Unless you are selling your work the basic 17-55 is good to use. I use it
>just for the 17mm. I normally keep a 2nd hand 28-105 on it. Its a better
[quoted text clipped - 3 lines]
>sport or wildlife leave the long zooms alone for now. so just get a basic
>body and 17-55 or splurge for the 17-85. Thats my final verdict.
JPS@no.komm - 25 Mar 2006 15:13 GMT
>Careful what you say! This basic kit 17-55 lens in NOT image stabilized!
>At least mine isn't!
Canon has announced a new EF-S 17-55mm f/2.8 IS lens, which can easily
be confused with the existing EF-S 17-55. The former is supposed to
sell for over $1000 US, IIRC. Between the wider maximum aperture, and
the IS, it should be hand-holdable for non-action work in 3 to 4 stops
less light than the kit lens; the difference between a well-exposed ISO
800 and an under-exposed 1600 in many night or indoor situations; it
could make filters for incandescent light more practical, too, indoors,
for hand-held shots.

Signature
<>>< ><<> ><<> <>>< ><<> <>>< <>>< ><<>
John P Sheehy <JPS@no.komm>
><<> <>>< <>>< ><<> <>>< ><<> ><<> <>><
Frank ess - 25 Mar 2006 22:05 GMT
>> Careful what you say! This basic kit 17-55 lens in NOT image
>> stabilized! At least mine isn't!
[quoted text clipped - 11 lines]
> it could make filters for incandescent light more practical, too,
> indoors, for hand-held shots.
I must have missed a transition somewhere: both my Canon "kit" lenses
were/are EF-S 18-55. Both work good or better for any Web or other
computer screen display; both cover useful focal ranges; one of them
makes middle-tone caucasoid skin look very good.
...I'm sticking to it.

Signature
Frank ess
"You know my method, Watson.
It is founded upon
the observation of trifles."
-Sherlock Holmes-
ian lincoln - 25 Mar 2006 23:27 GMT
>>> Careful what you say! This basic kit 17-55 lens in NOT image
>>> stabilized! At least mine isn't!
[quoted text clipped - 14 lines]
>
> ...I'm sticking to it.
yup my bad. Just checked my lens itself to be doubly sure. The basic EFs
18-55 adds £50 to the kit price but sold seperately for £100. I only use it
when wide angles are a must. I already had the 18-55 which came with my
300D. Bought the 20D body only.The rest of the time i have 28-105. Which i
bought the year before for my film camera. If i was starting from scratch
i would have got the EFs 17-85 USM IS.
JPS@no.komm - 26 Mar 2006 00:45 GMT
>>> Careful what you say! This basic kit 17-55 lens in NOT image
>>> stabilized! At least mine isn't!
[quoted text clipped - 13 lines]
>
>I must have missed a transition somewhere:
Actually I had a typo; I should have wrote "existing EF-S 18-55"
>both my Canon "kit" lenses
>were/are EF-S 18-55. Both work good or better for any Web or other
>computer screen display; both cover useful focal ranges; one of them
>makes middle-tone caucasoid skin look very good.
>
>...I'm sticking to it.
Whatever, but I am considering the 17-55 2.8 IS; my "kit lens" doesn't
get much use with my 10-22 and Tamron 28-75 2.8 in the bag all the time.
The new 17-55 IS will be more hand-holdable in low light than any of
them.

Signature
<>>< ><<> ><<> <>>< ><<> <>>< <>>< ><<>
John P Sheehy <JPS@no.komm>
><<> <>>< <>>< ><<> <>>< ><<> ><<> <>><
Frank ess - 26 Mar 2006 03:00 GMT
>>>> Careful what you say! This basic kit 17-55 lens in NOT image
>>>> stabilized! At least mine isn't!
[quoted text clipped - 35 lines]
> John P Sheehy <JPS@no.komm>
>> <<> <>>< <>>< ><<> <>>< ><<> ><<> <>><
whatever
ian lincoln - 25 Mar 2006 23:23 GMT
"Jack Mac" <camkcaj@parkspringscommunities.com> wrote in message >>
> Careful what you say! This basic kit 17-55 lens in NOT image stabilized!
> At least mine isn't!
> Jack Mac
oops my bad! I just checked and my 17-55 is actually an 18-55. Originally
came with my 300D. Bought a body only for my 20D.
>>Unless you are selling your work the basic 18-55 is good to use.
I use it
>>just for the 18mm.
I normally keep a 2nd hand 28-105 on it. Its a better version than the
current 28-105 that is sold new. It is surprisingly good and sharp. Lots
of detail and resolution. For general purpose photography
>>you will want one lens in your kit that goes wide as 17mm. Unless you do
>>sport or wildlife leave the long zooms alone for now. so just get a basic
>>body and
18-55 or splurge for the 17-85. Thats my final verdict.
AaronW - 26 Mar 2006 06:49 GMT
> I am buying my first digital SLR - the Canon Rebel XT. I am currently
> researching lenses and would like some input.
Canon 50/1.8
Canon 28/2.8
Olympus 0.7x
Canon 70-300/4-5.6 IS
http://digitcamera.tripod.com/#slr
Paul J Gans - 27 Mar 2006 03:52 GMT
>> I am buying my first digital SLR - the Canon Rebel XT. I am currently
>> researching lenses and would like some input.
>Canon 50/1.8
>Canon 28/2.8
>Olympus 0.7x
>Canon 70-300/4-5.6 IS
>http://digitcamera.tripod.com/#slr
Ok. I'll do it this time. You can't just list lenses. What
are your aims? What do you intend to photograph? What sort
of pictures do you usually take? Portraits, landscapes,
high-speed motor sports, what?
Lenses are tools. Which one to use in a given situation depends
on the situation. And that depends on you.
Folks here will gladly offer opinions, but they'll need more
information.
---- Paul J. Gans
APT - 27 Mar 2006 10:26 GMT
>>> I am buying my first digital SLR - the Canon Rebel XT. I am currently
>>> researching lenses and would like some input.
[quoted text clipped - 18 lines]
>
> ---- Paul J. Gans
ah, I think you are replying to the wrong poster. The original message
stated the photographic aims.
The message you are replying to are just the lens suggestions.
APT - 26 Mar 2006 09:09 GMT
Thank you all for helping out. I certainly learned a lot.
If anything I will go for the EF-S 17-85. I think wide angle is more where
my interest is now.
I may splurge for a second lens. Either an inexpensive zoom like the 75-300,
so I can play around with wildlife photography. Or a fixed lens to really
enhance my learning curve.
I am sure you all hear from me again.
Great news group!
Steve