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Photo Forum / Digital Photography / DSLR Cameras / February 2006

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CDs and DVDs for archival of images.

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Joseph Chamberlain, DDS - 08 Feb 2006 11:13 GMT
Dear Members:

I am about to archive images to optical media and in light of recent debates
surrounding the issue of CDs x DVDs in terms of reliability I decided to do
some research first before choosing the media for the job.

Although I've done some basic research on the internet it is hard to know
what sites provide reliable and trustworthy information that can be fully
trusted.

Do any of you have information to share on the benefits of using CDs and
DVDs as long term storage media ? Which one is the best at this time ? I
understand CDs are more "universal" and the data is not quite as compressed,
but since DVDs are tempting due to their much greater storage capacity in
the same physical space, I would like to know how reliable they are (more
error prone than CDs ?) and how long they are expected to last compared to
CDs.

Do you have information on the differences between the two media ? Would you
suggest any specific web site that offers detailed and reliable informaition
on the subject ?

Thank you in advance for your help,

Joseph Chamberlain
Jørn Dahl-Stamnes - 08 Feb 2006 12:27 GMT
> Dear Members:
>
[quoted text clipped - 17 lines]
> you suggest any specific web site that offers detailed and reliable
> informaition on the subject ?

Take a look here:
http://www.networkworld.com/news/2006/011006-ibm-storage.html

I use DLTs for backup...

Signature

Jørn Dahl-Stamnes
http://www.dahl-stamnes.net/dahls/Foto/

Jon B - 08 Feb 2006 15:22 GMT
> > Dear Members:
> >
[quoted text clipped - 22 lines]
>
> I use DLTs for backup...

Following two DLT drive failures and one tape failure in 3 years I now
use Sony AIT tape drives for backup [1].

Personally whatever you are doing I'd keep two copies, if you don't want
to go to the expense of tape storage, I'd keep everything on at least
one HD, with a DVD backup to boot, therefore hopefully if one fails
you've still got the other to fall back on. The trick is to ensure that
you keep a check on both [2].

[1] I know propietary and other things say use DLT or something but they
run a hell of a lot quieter, faster, and so far have been a hell of a
lot more reliable. And they were cheaper to boot.
[2] I say this I keep warning a client against archiving to tape, and
then deleting the originals from HD. This is despite them having plenty
of room free nowadays and the cheap price of HDs. They've already had
one tape fail (taking the drive with it) [3], but that was a current
backup tape. Just hope non of the archive tapes ever fail on the day one
of them is needed.......
[3] Which also meant that because they had to be able to get at the
archives they had to go DDS again and not upgrade the tape drive :-/
Signature

Jon B
Above email address IS valid.
<http://www.bramley-computers.co.uk/> Apple Laptop Repairs.

Robert R Kircher, Jr. - 08 Feb 2006 15:36 GMT
>> Dear Members:
>>
[quoted text clipped - 22 lines]
>
> I use DLTs for backup...

Oh my here's that infamous article again.  How much you want to bet IBM
their doctor associate have a new storage media on the horizon and this 2-5
year claim is just a means to discredit the use of CD/DVD and to position
the new media as the archival panacea.

Fact, all media has it's failure point.  That failure rate increases if the
media isn't handled properly regardless if it's CD/DVD, Hard Drive, or the
most highly acclaimed TAPE.

Signature

Rob
"A disturbing new study finds that studies are disturbing"

Bruce Uttley - 08 Feb 2006 14:38 GMT
>Dear Members:
>
[quoted text clipped - 3 lines]
>
> [snip]

The National Institute of Standards and Technology (NIST)
has a site on the "Care and Handling of CDs and DVDs".  It
has a link to "Special Publication 500-252, October 2003",
a pdf titled "Care and Handling of CDs and DVDs -- A Guide for
Librarians and Archivists".

This 50 page report has chapters on ensuring that your digital
content remains available: disc structure, longevity, conditions
that affect the media and cleaning.  With proper handling of the
media, this report is optimistic.

The site is at:
  http://www.itl.nist.gov/div895/carefordisc/index.html
Robert R Kircher, Jr. - 08 Feb 2006 14:51 GMT
>>Dear Members:
>>
[quoted text clipped - 19 lines]
> The site is at:
>   http://www.itl.nist.gov/div895/carefordisc/index.html

In addition, although I don't have the link, the US Library of Congress also
has guidelines posted for the use of CD/DVD media and I can speak from first
hand knowledge of the LoC's use of CD's for long term storage of their
current image library.

Search the LoC website and I'm sure you'll find the information.

Signature

Rob
"A disturbing new study finds that studies are disturbing"

All Things Mopar - 08 Feb 2006 17:26 GMT
Today Robert R Kircher, Jr. commented courteously on the
subject at hand

>> The site is at:
>>   http://www.itl.nist.gov/div895/carefordisc/index.html
[quoted text clipped - 7 lines]
> Search the LoC website and I'm sure you'll find the
> information.

The Library of Congress and the National Archives have billions
of /your/ dollars to develop and maintain the very best in
preservation. So, it doesn't surprise me at all that it takes
them 50 pages to say what I can in one sentence - "don't touch
the media and keep it in a cool, dry place". Big deal!

Signature

ATM, aka Jerry

John A. Stovall - 08 Feb 2006 20:57 GMT
>Today Robert R Kircher, Jr. commented courteously on the
>subject at hand
[quoted text clipped - 16 lines]
>them 50 pages to say what I can in one sentence - "don't touch
>the media and keep it in a cool, dry place". Big deal!

No, they don't always know the best in preservation.  You should read
the book _Double Fold_ about the disaster they brought on the
historical community by microfilming and then destroying old news
papers.

Both the Library of Congress and National Archives while good are not
always  the last word in preservation.

http://www.salon.com/books/review/2001/04/27/baker/
**********************************************************

"A combat photographer should be able to make you see the
color of blood in black and white"

                    David Douglas Duncan
                Speaking on why in Vietnam
             he worked only in black and white
     http://www.hrc.utexas.edu/exhibitions/online/ddd/
All Things Mopar - 08 Feb 2006 21:19 GMT
Today John A. Stovall commented courteously on the subject at
hand

>>The Library of Congress and the National Archives have
>>billions of /your/ dollars to develop and maintain the very
[quoted text clipped - 13 lines]
> http://www.salon.com/books/review/2001/04/27/baker/
> **********************************************************

That was exactly my (sarcastic) point, John! They spend all
the money you and I will give them but don't have a clue what
they're, except to write 50 pages of drivel. It's like the
classic oxymorons like "military intelligence" and "postal
service". Maybe we should add "Libary of Congress
preservation". It's like what the National Archives have spent
so far, with no end in sight, to preserve the Star Spangled
Banner flag. Somebody should have thought about history 100
years ago when they literally let people cut a piece of the
flag out for souveniers!

Nobody intelligent, and I mean nobody, would /ever/ destroy
the originals of /anything/ after microfilming! Renting space
at a Bekins warehouse someplace (you know, where the nuclear
waste goes) is money well-spent compared to what their problem
is now - how the hell can they scan these newspapers to
digital, any format? The originals are gone.

Save a fire or other natural disaster, at least I still have
my slides and old snapshots if my digital media completely
goes belly up.

Signature

ATM, aka Jerry

All Things Mopar - 08 Feb 2006 17:24 GMT
Today Bruce Uttley commented courteously on the subject at
hand

>>I am about to archive images to optical media and in light
>>of recent debates surrounding the issue of CDs x DVDs in
[quoted text clipped - 17 lines]
> The site is at:
>    http://www.itl.nist.gov/div895/carefordisc/index.html

IMHO, the only real alternative any of us have is to follow
the technology and continually update our backups as new,
proven stuff comes along. How many of us still have 8" or
5.25" or 3.5" disks we can't read anymore for any of a hundred
reasons?

Ditto for CD-R/RW and DVD-R/RW. They work fine today, and will
for years to come if cared for properly. And, if you use the
IT "grandfathering" method of keeping at least 3 sets, and
rotating the oldest out as the newest comes in.

It has also been debated here what the best format is for
preserving graphics long-term. It certainly is /not/ PSD or
pspimage! If, for no other reason, Adobe or Corel might be
out-of-business when you try to retrieve your irreplaceable
images. Ditto, IMHO, for RAW/NEF. What do you do if Canon,
Nikon, Adobe, whomever stops supporting your incantation?

Again, all of this is fine for today, as are TIFF, PNG, JPEG,
and others. Today, we have Macs and Windoze FAT, FAT32, and
NTFS. Who knows what there will be in 5, 10, 100 years?

But, to come back to earth, who among us doesn't have boxes
and boxes of old snap shots and 35mm slides, that they've
taken or they rescued from a relative's house? Me? I've got
8,000+ slides, and several thousand unnamed old family B&Ws
alone. My daughter says that if I don't name this stuff, she's
going to throw them away after I'm dead. And, I say - "so
what?".

I started with floppies, went to Zip Disks, then CD-R, now
DVD-R. When the next better mouse trap comes along, I'll move
along. And, these are just the musings of a fool, YMMD. <grin>

BTW, I use UDF most of the time for my optical media to get
115 character file names, up from the 64 allowed by Joliet.

But, when I got my new Windoze XP Pro SP2 box last October,
the Windoze device driver crashes almost all the time upon
loading or attempting to read UDF-formatted CDs or DVDs. And,
while not as serious, SP2 also truncates the 32-char UDF
volume names to 15.

I /know/ this problem exists, I can Google for it and two of
my most knowledgeable computer guru friends can verify it. UDF
works fine on Win 98, 2000, NT, ME, and XP through SP1. But,
Bill the Gates broke something either in the base SP2 code -
probably for his bullshit non-security - or he broke it in one
of the hundreds of "critical updates" since. Who knows? All I
know is that the MS KB has no-thing to say about it, and the
many MVPs on Usenet claim the problem doesn't exist. But, when
I Google, I can find people just like me, wandering the desert
looking for help.

Anybody on this NG know what I'm talking about? Better still,
do you know how to fix it? I have to keep my old SP1 box
until/unless I find a cure and/or continually buy more and
more external HDs, and hope /they/ will read in 20 years!

Signature

ATM, aka Jerry

Zed Pobre - 08 Feb 2006 22:17 GMT
> the technology and continually update our backups as new,
> proven stuff comes along. How many of us still have 8" or
> 5.25" or 3.5" disks we can't read anymore for any of a hundred
> reasons?

There are only two reasons I have ever failed to get information off
of old archives: failure of the physical media, or a proprietary,
undocumented data format.  Guard against those two things, and you
have storage for as long as anyone cares about the data -- practically
by definition.

> It has also been debated here what the best format is for
> preserving graphics long-term. It certainly is /not/ PSD or
> pspimage! If, for no other reason, Adobe or Corel might be
> out-of-business when you try to retrieve your irreplaceable
> images. Ditto, IMHO, for RAW/NEF. What do you do if Canon,
> Nikon, Adobe, whomever stops supporting your incantation?

Well, on the Canon side, I'd use UFRaw, which is Free Software, and as
such will be around much longer than I am.  Even if it isn't, the
documentation on the CR2 format will still be around, and someone
could pretty easily rewrite it.  The Nikon encrypted white balance may
be a problem, but I haven't kept up with reports on how to work around
it.

> Again, all of this is fine for today, as are TIFF, PNG, JPEG,
> and others. Today, we have Macs and Windoze FAT, FAT32, and
> NTFS. Who knows what there will be in 5, 10, 100 years?

If there are still people in a hundred years that care about
retrieving old data, then they'll have preserved the documentation on
all of the old open data formats.  If society has degenerated to the
point where this information has been lost, forget about retrieving
your images and worry about whether you have enough food to last you
through the winter.

Proprietary/undocumented formats may get you into trouble, but I seem
to recall that PSD is actually well documented (I haven't personally
checked on this, but it was the impression I got), so it may be safe
as well.  Certainly, there are non-Adobe programs that read and write
PSD files.

I'm certainly not opposed to moving to the next available physical
storage format when it becomes available, just to get around media
failure and information density issues (if I had to keep all of my
current data on floppies, I'd have lined every wall with shelves and
had no room left), but if you're going to trust the archivability
stats on a CD, then I wouldn't worry about not being able to find
readers if the storage format was open to begin with.

> But, when I got my new Windoze XP Pro SP2 box last October,
> the Windoze device driver crashes almost all the time upon
> loading or attempting to read UDF-formatted CDs or DVDs. And,
> while not as serious, SP2 also truncates the 32-char UDF
> volume names to 15.
[...]

> Anybody on this NG know what I'm talking about? Better still,
> do you know how to fix it? I have to keep my old SP1 box
> until/unless I find a cure and/or continually buy more and
> more external HDs, and hope /they/ will read in 20 years!

I've never seen this problem, unfortunately.  The only problems I've
ever had from the Windows side are the CD driver locking up completely
and refusing access to the drive, or refusing to write a disc with
asian characters in the filenames.  I would suggest copying the data
to a hard drive on the SP1 machine, moving it over to the SP2 machine,
and then burning a fresh UDF disk from there to see if you get
something that works.  It's possible that SP1 was building slightly
defective disks, for instance.

Signature

Zed Pobre <zed@resonant.org> a.k.a. Zed Pobre <zed@debian.org>
PGP key and fingerprint available on finger; encrypted mail welcomed.

All Things Mopar - 08 Feb 2006 22:46 GMT
Today Zed Pobre commented courteously on the subject at hand

>> the technology and continually update our backups as new,
>> proven stuff comes along. How many of us still have 8" or
[quoted text clipped - 74 lines]
> see if you get something that works.  It's possible that
> SP1 was building slightly defective disks, for instance.

That's entirely true, Zed. I would add, though, that one
cannot prove a negative hypothesis by citing examples. All it
takes is /one/ exception to disprove your thesis. For example,
I have graphics made originally by Turbo Pascal under DOS 4.0
that are now irretrievable since I can't get it to run on XP
SP2. Someday, BMP, for example, may no longer be supported by
M$. Ditto for my HIRES graphics created with a graphics tablet
on my old Apple //e. Fortunately, I don't care about that any
more, but if I did, it'd be a tough roe to hoe to find a
converter.

And, to your point about proprietary formats, that's exactly
why one shouldn't trust their only copy of something important
to any graphics editor, such as PS CS or PSP or even the RAW
converter that came with your camera. Should whatever created
the files somehow now install on Bill the Gates better
mousetrap, and the developer can't or won't provide an upgrade
path, you are sh.t outta luck.

As to Windoze locking up, that's a good reason to create more
than one copy, preferably in a different format.

It's like the UDF crashes I'm getting right now in SP2. Maybe
I'll find a fix, and maybe I won't. At least, not for a long
time. I'm OK until my SP1 box dies, I suppose. Or, I can throw
money at the problem a different way and buy more and more
external HDs. Or, I could create a cross-reference between my
very long file names to ones that fit Joliet, and re-burn my
CDs and DVDs. That's a lot of "or's", so I'm still searching
for a way out of the woods on UDF.

Signature

ATM, aka Jerry

Zed Pobre - 10 Feb 2006 00:17 GMT
> That's entirely true, Zed. I would add, though, that one
> cannot prove a negative hypothesis by citing examples. All it
> takes is /one/ exception to disprove your thesis. For example,
> I have graphics made originally by Turbo Pascal under DOS 4.0
> that are now irretrievable since I can't get it to run on XP
> SP2.

I think you missed the point I was trying to make; I'm noting simply
that by sticking to open, documented formats this problem is
available.  The TP graphics are most likely a proprietary,
undocumented format, so you're out of luck, but that's not something
that generalizes out to all formats.  It's by knowing the distinction
that you can make good decisions about what formats are safe for
archival.

> Someday, BMP, for example, may no longer be supported by
> M$.

This wouldn't matter.  BMPs are just simple bitmaps with a known,
well-documented format.  They'll remain convertable pretty much
indefinitely, whether or not MS supports them.  You may have to go to
a Free Software solution in that case, but they'll remain
convertable.  The source code to "convert" (which handles them today),
for instance, isn't going to go away, though you may end up having to
install either a Unix-like OS or a Unix enivronment such as Cygwin.

> Ditto for my HIRES graphics created with a graphics tablet
> on my old Apple //e. Fortunately, I don't care about that any
> more, but if I did, it'd be a tough roe to hoe to find a
> converter.

Not familiar with that format.  There are a bunch of old Apple II fans
that made various emulators and reverse-engineered most of the old
formats, so I suspect you'd find those easier to handle than you might
think.

> And, to your point about proprietary formats, that's exactly
> why one shouldn't trust their only copy of something important
> to any graphics editor, such as PS CS or PSP or even the RAW
> converter that came with your camera.

... correct, but you're still missing the point that some of those
formats are *documented*, so you aren't relying on that specific piece
of software.  I'll be able to read the CR2s from my Canon pretty much
indefinitely because the format is well documented and there is
already Free Software available to handle it.  Even if that software
were to go unmaintained for so long that it stopped running on every
OS in use, the source code would be available and thus would be a
fairly simple matter to fix.  Even if that were infeasible, the
documentation of the format would likely be around, making it fairly
simple to rewrite.

> It's like the UDF crashes I'm getting right now in SP2. Maybe
> I'll find a fix, and maybe I won't. At least, not for a long
[quoted text clipped - 4 lines]
> CDs and DVDs. That's a lot of "or's", so I'm still searching
> for a way out of the woods on UDF.

Another possibility is to set up a file server running Linux, and use
its UDF support to read the disc and make the contents available over
a local network.

Signature

Zed Pobre <zed@resonant.org> a.k.a. Zed Pobre <zed@debian.org>
PGP key and fingerprint available on finger; encrypted mail welcomed.

All Things Mopar - 10 Feb 2006 12:50 GMT
Today Zed Pobre commented courteously on the subject at hand

>> That's entirely true, Zed. I would add, though, that one
>> cannot prove a negative hypothesis by citing examples. All
[quoted text clipped - 64 lines]
> Linux, and use its UDF support to read the disc and make
> the contents available over a local network.

Zed, we really do agree, just from differing viewpoints. When
I wore the clothes of a younger man, I used to enjoy graphics
programming and could do format conversion to a limited extent
when they were documented. These days, if I can't get it
through shareware or commercial, it don't help me.

But, we're basically arguing about what will happen when the
sun burns out and everybody freezes to death. You and I will
be dead then, and we'll be dead before TIFF and JPEG die, and
likely dead before any reasonable backup media will overtake
optical.

Thanks for sharing your views and your information.

Signature

ATM, aka Jerry

G.T. - 09 Feb 2006 05:37 GMT
> Today Bruce Uttley commented courteously on the subject at
> hand
[quoted text clipped - 31 lines]
> IT "grandfathering" method of keeping at least 3 sets, and
> rotating the oldest out as the newest comes in.

Wow, you are a clone of Mark Conrad from c.s.m.s.  From here on to a
bunch of bizarre tangents.

I'm not going to rely on CD-R because I've had too many failures even
with perfect handling.

Greg

Signature

"All my time I spent in heaven
Revelries of dance and wine
Waking to the sound of laughter
Up I'd rise and kiss the sky" - The Mekons

Apteryx - 09 Feb 2006 10:58 GMT
> IMHO, the only real alternative any of us have is to follow
> the technology and continually update our backups as new,
> proven stuff comes along. How many of us still have 8" or
> 5.25" or 3.5" disks we can't read anymore for any of a hundred
> reasons?

Hopefully it isn't because we got rid of the drives that would read it
without transferring the data to a format we could still read. That would be
silly.

> It has also been debated here what the best format is for
> preserving graphics long-term. It certainly is /not/ PSD or
> pspimage! If, for no other reason, Adobe or Corel might be
> out-of-business when you try to retrieve your irreplaceable
> images. Ditto, IMHO, for RAW/NEF. What do you do if Canon,
> Nikon, Adobe, whomever stops supporting your incantation?

You get your 2006 raw converter software off the backup disk you stored it
on.

Signature

Apteryx

Peter - 09 Feb 2006 11:52 GMT
>> It has also been debated here what the best format is for
>> preserving graphics long-term. It certainly is /not/ PSD or
[quoted text clipped - 5 lines]
> You get your 2006 raw converter software off the backup disk you stored it
> on.

And then it won't install because the trusted-computing platform/DRM
whatever we have then won't allow it. :-)

-peter
All Things Mopar - 09 Feb 2006 12:24 GMT
Today Apteryx commented courteously on the subject at hand

>> IMHO, the only real alternative any of us have is to
>> follow the technology and continually update our backups
[quoted text clipped - 5 lines]
> would read it without transferring the data to a format we
> could still read. That would be silly.

I still have a under dash 8-track player, lot of good it'd do,
can't hook it up to a modern computer controlled radio without
blowing out an $800 audio system.

And, while I still have a 5.25" and 3.5" floppy drive on my
old PC, it still doesn't matter. The software necessary to
read the data won't run on XP, which was my point.

>> It has also been debated here what the best format is for
>> preserving graphics long-term. It certainly is /not/ PSD
[quoted text clipped - 6 lines]
> You get your 2006 raw converter software off the backup
> disk you stored it on.

Signature

ATM, aka Jerry

Malcolm - 08 Feb 2006 17:19 GMT
> I am about to archive images to optical media and in light of recent debates
> surrounding the issue of CDs x DVDs in terms of reliability I decided to do
> some research first before choosing the media for the job.

I recently tried opening some files backed up to CD in 1999 and 2000. 100%
failure. In some cases the disc couldn't be read, on others the file names
would display but the files could not be opened.

HP drive ; dics were things like Dyasan, Verbatim, TDK. All CD-Rs. Don't
remember which exactly.

So much for 100 year shelf life.

Malcolm
Mr.Bolshoyhuy - 08 Feb 2006 17:51 GMT
http://www.cdrfaq.org/
Mr.Bolshoyhuy - 08 Feb 2006 19:07 GMT
bought from J&R in NYC:
TDK
10 pack(box no frills; w/jewel cases) $4
30 pack spindle(no jewel cases) 80min 700mb 52x - $6(0.20c each)

Khypermedia
100 pack spindle 700mb 52x - $15(0.15c each)
50 pack spindle - $7(0.14c each)

I did get data read error on a couple of pics when viewing on a DVD
player.  The names came up, but not the pics.  On the computer, never
had this problem.
C J Southern - 09 Feb 2006 00:18 GMT
Joseph,

Point your browser at ...

http://www.hardwaresecrets.com/news/849

Cheers,

Colin
wilt - 09 Feb 2006 04:26 GMT
Color film and color prints are made with organic dyes.  Burnable CD
and DVD are made with organic dyes to encode the 1s and 0s.  Kodak has
a list of things on a web site (simply do a Google search) which are
antagonistic to organic dyes, like PVC  and high acid content paper and
wood!  If you have to store color film and prints in the right storage
container, and you have to keep it out of the light to prevent fading,
it makes sense that you have to protect burnable CD and DVD in exactly
the same way to prolong the life.  Some can fail in a few years, others
will last long time.  Your Mileage May Vary.

I have a software CD that is about 3 years old, with Photoshop which
was bundled with some hardware I purchased.  It was stored exactly like
all my other software, in a dark place, in the original sleeve, and
about a week ago it consistently failed when I tried to reload the
software onto my PC...I had a second copy and that worked just fine!
Someone else mentioned that they had a data DVD only a few years old
also go bad on them!  So DVD is nowhere near as archival as a lot of
people think.  And re-writable are worse than write-once media in their
susceptibility to data read problems.
wilt - 09 Feb 2006 04:31 GMT
Oh, forgot to mention that there are three classes of organic dyes used
in recordable DVD and CD.  ONE of them is more archival than the
others.  One clue is a gold color, but beware that some disks are
painted gold and do not use this dye!
 
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