>Pixmantec RawShooter essentials
>IchiKawa SilkyPix
[quoted text clipped - 3 lines]
>
>http://digitcamera.tripod.com/#slr
irfanview (www.irfanview.com) will read camera raw and convert it. I
don't think you get a lot of controls and I'm sure there is better,
but it *is* free.

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JPS@no.komm - 04 Feb 2006 21:19 GMT
>irfanview (www.irfanview.com) will read camera raw and convert it. I
>don't think you get a lot of controls and I'm sure there is better,
>but it *is* free.
By default, it just rips the embedded JPEG out of the RAW file. You can
set an option for it to use Canon's conversion .dll, which has no
options, and probably converts like FVU with the default options. I
tried it once and it was *extremely* slow. I use Irfanview to cull my
RAW images, but by reading the embedded JPEGs.

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>IchiKawa SilkyPix
What makes you think this is freeware?

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AaronW - 03 Feb 2006 21:05 GMT
> >IchiKawa SilkyPix
>
> What makes you think this is freeware?
There is a functional free mode.
http://digitcamera.tripod.com/#slr
Adobe Camera RAW & DNG Converter (both v3.3)
Helen - 03 Feb 2006 22:06 GMT
> Adobe Camera RAW & DNG Converter (both v3.3)
Free indeed, but not standalone - they need a paid-for product to work with.
C J Southern - 04 Feb 2006 22:00 GMT
>> Adobe Camera RAW & DNG Converter (both v3.3)
>>
> Free indeed, but not standalone - they need a paid-for product to work
> with.
Yes and no.
You can convert to *.DNG then rename to *.TIF if you're desperate.
>Pixmantec RawShooter essentials
>IchiKawa SilkyPix
>Canon Digital Photo Professional
>Is there anything else, excluding timed trials?
>http://digitcamera.tripod.com/#slr
There is IRIS (http://www.astrosurf.com/buil), which doesn't really give
normal conversion; it just (optionally) interpolates the RAW data in
three separate color channels, and doesn't use any color profiling or
true RGB conversion but it can be useful for examining RAW data, as it
displays the actual values under the cursor. You can also make very
good B&W images with it, by not converting to color, and "binning" the
RAW data at 2x2 pixels. What you wind up with is a 50% resized B&W
image with excellent contrast, at 14 bits. You can also output the
three-color image and use a channel-mixer in greyscale mode in an
image-processing program for better B&W. Regular color conversion
really ruins images somewhat for use as B&W. The difference is like
real B&W film vs B&Ws made from color negatives.
There is also DCRAW, a command-line converter with many output options.
Its free source code is the foundation of many other RAW converters, or
was so in their earlier incarnations.

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Paul Furman - 05 Feb 2006 03:40 GMT
>>Pixmantec RawShooter essentials
>>IchiKawa SilkyPix
[quoted text clipped - 16 lines]
> really ruins images somewhat for use as B&W. The difference is like
> real B&W film vs B&Ws made from color negatives.
Interesting tool.
> There is also DCRAW, a command-line converter with many output options.
> Its free source code is the foundation of many other RAW converters, or
> was so in their earlier incarnations.
This can be useful. It gives a sharper conversion but with more jaggies,
less anti-aliasing filter and a very high gamut output, and a few extra
pizels around the edge!
Bart van der Wolf - 06 Feb 2006 14:23 GMT
SNIP
>> There is also DCRAW, a command-line converter with many output
>> options. Its free source code is the foundation of many other RAW
>> converters, or was so in their earlier incarnations.
>
> This can be useful. It gives a sharper conversion but with more
> jaggies,
That was the case with the VNG (Variable Number of Gradients)
interpolation method when high contrast edges/lines were involved, but
is solved since August 2005 by the more recent (default) AHD (Adaptive
Homogeneity-directed Demosaicing) algorithm:
<http://www.accidentalmark.com/research/papers/Hirakawa05MNdemosaicTIP.pdf>
<http://www.accidentalmark.com/research/papers/Hirakawa03MNdemosaicICIP.pdf>
<http://www.accidentalmark.com/research/papers/Gunturk05Demosaic.pdf>
Bart
Paul Furman - 06 Feb 2006 17:16 GMT
> SNIP
>
[quoted text clipped - 11 lines]
> <http://www.accidentalmark.com/research/papers/Hirakawa03MNdemosaicICIP.pdf>
> <http://www.accidentalmark.com/research/papers/Gunturk05Demosaic.pdf>
Hmm, I found the new version but it's converting to a different RGB
profile now?? http://www.insflug.org/raw/
these are the parameters I used with the feb 2005 version:
dcraw -v -b 4 -3 -w myfile.nef
Bart van der Wolf - 06 Feb 2006 19:53 GMT
SNIP
> Hmm, I found the new version but it's converting to a different RGB
> profile now?? http://www.insflug.org/raw/
The new version 8.03 apparently traded the -m parameter for an -o
parameter (Output colorspace), which allows to select between Raw,
sRGB, Adobe RGB, Wide or XYZ encoded data.
> these are the parameters I used with the feb 2005 version:
> dcraw -v -b 4 -3 -w myfile.nef
Try adding an -o 1 or an -o 2 parameter for sRGB or Adobe RGB,
depending on what your workflow uses.
Bart
Paul Furman - 06 Feb 2006 20:35 GMT
Thanks, wide gamut d65 color space is what I wanted. -o 3
One thing I use it for is reclaiming blown highlights, I stumbled across
this version that produces linear conversion useful for that:
DCRaw -n -b 0.25 -m -3 -o 3 myfile.nef
> SNIP
>
[quoted text clipped - 12 lines]
>
> Bart

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Bart van der Wolf - 06 Feb 2006 22:23 GMT
> Thanks, wide gamut d65 color space is what I wanted. -o 3
> One thing I use it for is reclaiming blown highlights, I stumbled
> across this version that produces linear conversion useful for that:
>
> DCRaw -n -b 0.25 -m -3 -o 3 myfile.nef
Looks like it should do that with a -b 0.25 an an -n, however I doubt
if the -m parameter still does anything (the -m option is no longer
mentioned on the list).
A small word of caution with respect to too wide a gamut. Upon
conversion to a much smaller gamut, posterization can occur.
Bart
> Pixmantec RawShooter essentials
> IchiKawa SilkyPix
> Canon Digital Photo Professional
>
> Is there anything else, excluding timed trials?
UFRaw
http://digitcamera.tripod.com/#slr