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Photo Forum / Digital Photography / DSLR Cameras / February 2006

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photoshop v other programs

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ian lincoln - 31 Jan 2006 08:30 GMT
According to researchers on "the gadget show" the photomanipulation software
of choice is microsofts digital image suite.  Granted he didn't do an
exhaustive study of packages but the main thing that came up was ease of
use.  Photoshop CS and the elements range are great but ease of use is an
issue.  There was a free product by google that is supposed to be marvellous
at organising your files but not so hot on more than very basic adjustments.
Other software is difficult if you are used to photoshop, being just as
awkward but less familiar and already knowing photoshops way of doing things
is a hindrance.  The microsoft product was not only easy to use to the point
of the usual trade mark handholding and wizards but things like
photostitching were superior.  Magnetic lasso etc worked better and of
course things like autofix were the best.

Its a compelling argument.  Now that digital have spoiled it for film die
hards so that any prat can take a decent picture, now the early movers who
adopted photoshop and its quirky ways are going to have to put up with young
upstarts doing good work with half the effort using much more user friendly
software.  They also concluded that if you are familiar with elements 3 you
are wasting your money on version 4.
ink - 31 Jan 2006 08:44 GMT
"ian lincoln" wrote
<SNIP>
> Its a compelling argument.  Now that digital have spoiled it for film die
> hards so that any prat can take a decent picture...

Big misconception... "any prat" couldn't take a decent picture with film,
and "any prat" still can't take a decent picture with digital.

Believe me. I know. I'm one of those "prats".

Cheers,
ink
cjcampbell - 31 Jan 2006 09:36 GMT
> According to researchers on "the gadget show" the photomanipulation software
> of choice is microsofts digital image suite.  Granted he didn't do an
[quoted text clipped - 15 lines]
> software.  They also concluded that if you are familiar with elements 3 you
> are wasting your money on version 4.

Sorry, but most people take bad pictures and use software like this to
make those pictures look even worse. Neither Microsoft nor any other
company's software teaches photographers the basics they need to know
about composition, exposure, texture, color, or lighting. A static shot
of the Missus and the Kid standing in front of the Grand Canyon is
awful, no matter what kind of camera it was taken with and no matter
what was done with it afterwards. A landscape taken at high noon is
awful, and no photo software will fix it. A picture of a bee on a
flower with only the bee's thorax in focus is awful, no matter what you
do with it in software. It is also probably trite.

A picture of an animal in a cage which shows mostly bars or enclosure
and hardly any animal is awful. A picture of a sunset with the horizon
running across the middle and no other point of interest is awful. A
burned out flash picture of a bride cramming cake into her hubby's face
is awful. Yet another picture looking down at a baby in a bathtub is
awful. A black dog with no detail is awful.

None of these awful things are fixed by photo editing and they are
usually made worse. People with no talent usually end up making joke
pictures with their photo editing software, if they use it at all.

I am willing to bet that the gadget guys take awful pictures.
erics - 31 Jan 2006 09:51 GMT
>> According to researchers on "the gadget show" the photomanipulation
>> software
[quoted text clipped - 42 lines]
> is awful. Yet another picture looking down at a baby in a bathtub is
> awful. A black dog with no detail is awful.

Glad you got that off your mind!
Sheldon - 01 Feb 2006 04:17 GMT
>>> According to researchers on "the gadget show" the photomanipulation
>>> software
[quoted text clipped - 46 lines]
>
> Glad you got that off your mind!

He's got a good point.  I try to do most of the work with the camera, and
use an older copy of Photoshop LE to make minor fixes.  I also believe that
most "photographers" just take the picture and assume they will fix it up in
Photoshop.  An excellent photo tweaked in Photoshop can be awesome.
Beach Bum - 01 Feb 2006 23:28 GMT
"Sheldon" <sheldon@XXXXXXXXsopris.net> wrote in message

> He's got a good point.  I try to do most of the work with the camera, and
> use an older copy of Photoshop LE to make minor fixes.  I also believe that
> most "photographers" just take the picture and assume they will fix it up in
> Photoshop.  An excellent photo tweaked in Photoshop can be awesome.

You must know your tools and what they are capable of.  Getting it right at
shutter time doesn't necessarily mean that the image is print ready out of
the camera.  It means you know how to get the /best possible/ exposure and
how to tweak it later.  This is why Ansel Adams went to the trouble of
writing "The Film" and "The Print" rather than just writing "The Camera".

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ian lincoln - 31 Jan 2006 10:23 GMT
>> According to researchers on "the gadget show" the photomanipulation
>> software
[quoted text clipped - 48 lines]
>
> I am willing to bet that the gadget guys take awful pictures.

He went about recreating great photos of the past, 1, "here's jonny" 2.
tennis girls backside 3. workmen on girder building the empire state.  4.
guy with blue background similarly posed as famous footballer celebrating
victory over germany.  Cut and paste lasso etc.  The best effort was the
panoramic stitching and cropping for the workmen pose.

http://www.fris-design.nl/portfolio/beeld/engelsbeeld/1beelde.html

http://gadgetshow.five.tv/jsp/5gsmain.jsp?lnk=401&section=Consumer&show=s4e1&fea
tureid=27&description=Photo%20Editing%20Software

Simon Stanmore - 31 Jan 2006 13:55 GMT
>> I am willing to bet that the gadget guys take awful pictures.
>
[quoted text clipped - 7 lines]
>
> http://gadgetshow.five.tv/jsp/5gsmain.jsp?lnk=401&section=Consumer&show=s4e1&fea
tureid=27&description=Photo%20Editing%20Software

Those images prove CJ's point don't they?
--
Simon
http://www.pbase.com/stanmore
Scratch and Sniff - 01 Feb 2006 06:34 GMT
: > According to researchers on "the gadget show" the photomanipulation software
: > of choice is microsofts digital image suite.  Granted he didn't do an
[quoted text clipped - 39 lines]
:
: I am willing to bet that the gadget guys take awful pictures.

Thanks for your review of all that is bad.  I learned a bunch.  Where do I
find talent?  Or a proper education? Thanks
Randal L. Schwartz - 31 Jan 2006 16:55 GMT
>>>>> "ian" == ian lincoln <dragonslayer@whocares.com> writes:

ian> According to researchers on "the gadget show" the photomanipulation
ian> software of choice is microsofts digital image suite.  Granted he didn't
ian> do an exhaustive study of packages but the main thing that came up was
ian> ease of use.  Photoshop CS and the elements range are great but ease of
ian> use is an issue.  There was a free product by google that is supposed to
ian> be marvellous at organising your files but not so hot on more than very
ian> basic adjustments.  Other software is difficult if you are used to
ian> photoshop, being just as awkward but less familiar and already knowing
ian> photoshops way of doing things is a hindrance.  The microsoft product was
ian> not only easy to use to the point of the usual trade mark handholding and
ian> wizards but things like photostitching were superior.  Magnetic lasso etc
ian> worked better and of course things like autofix were the best.

Sounds like a mix-up between workflow products (managing images from camera
card to printer/web/archive/trash) and image editing products (like
photoshop).  Most workflow products have some simplified image editing tools
(like color correction or red-eye removal).  Most image editing tools have
some simplified workflow management (like actions in photoshop for batch
processing).  But it's best to keep the tools separate (yet linked), and
not confuse one for the other when you're talking about "best".

It's very likely that Microsoft's Digital Image Suite (which I've not seen,
nor care to) is a very good workflow product.  I would certainly not rush to
throw away Photoshop for it though, although someone might choose to use them
*together*.

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David Dyer-Bennet - 31 Jan 2006 17:08 GMT
> According to researchers on "the gadget show" the photomanipulation software
> of choice is microsofts digital image suite.  Granted he didn't do an
[quoted text clipped - 15 lines]
> software.  They also concluded that if you are familiar with elements 3 you
> are wasting your money on version 4.

Naw.  It'll take them twice the effort, and they won't produce as good
results (when post-processing is at issue).  The Photoshop interface
is immensely more powerful and productive than these extremely limited
"wizards" and things.
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Ray Fischer - 31 Jan 2006 17:15 GMT
>According to researchers on "the gadget show" the photomanipulation software
>of choice is microsofts digital image suite.

Step 1) Look at the features of the software you want to promote.
Step 2) Use those features to review several software packages.
Step 3) Surprise!  The software you want to promote is "best"!

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Pat - 31 Jan 2006 18:45 GMT
I think it has more to do with what you are trying to do.  Most people
who use PS use it for everything because they are familiar with it.
The don't need anything that powerful for basic cropping and
adjustments but they use it anyway because they are familiar with it.
Because of the familiarity, it is actually easier for them to use.

The other programs might be easier to use, but because of lack of
familiarity, they aren't as easy as PS for the person seasoned in PS.

So for someone who is used to PS, the "ease of use" arguement doesn't
make sense.

However, for the person just starting out, it might make sense.

The difference is any comp of PS and the Microsoft product (at least
the last time I used an older version of it) is sort of like comparing
a rowboat to an aircraft carrier.  Yeah, the rowboat is easier to use
and is a perfectly good vessel if all you want to do is go fishing, but
if you want to go half-way around the world and launch planes, a row
boat isn't what you want.
JPS@no.komm - 01 Feb 2006 00:15 GMT
>I think it has more to do with what you are trying to do.  Most people
>who use PS use it for everything because they are familiar with it.
>The don't need anything that powerful for basic cropping and
>adjustments but they use it anyway because they are familiar with it.

On my computer that does digital imaging, I hibernate the computer, and
Photoshop's been running or hibernated for weeks or months without being
restarted, so it is almost always already open.
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C J Southern - 31 Jan 2006 22:49 GMT
It's not comparing apples with apples.

What's a better car - a Toyota automatic or a Ferrari Formula 1?

Answer depends on what you want to do with it. The average driver would have
trouble getting even 50% of the F1's performance out of it - wheras the
Toyota would be one hell of a lot easier to drive (although I suspect not
nearly as much fun, but I digress!)
Beach Bum - 01 Feb 2006 00:52 GMT
"ian lincoln" <dragonslayer@whocares.com> wrote in message
<snip ease of use stuff>

Photoshop really isn't for the average snapshooter types.  MS Digital Image
Suite isn't for professionals.  There's not much overlap in their market
segments.

> Its a compelling argument.  Now that digital have spoiled it for film die
> hards so that any prat can take a decent picture,

Since when did digital cameras start composing photographs by themselves?

Any prat /can't/ take a decent picture and the numerous "look at my crappy
photo web site, please" posts prove that.

> now the early movers who
> adopted photoshop and its quirky ways are going to have to put up with young
> upstarts doing good work with half the effort using much more user friendly
> software.

It's like saying that artists who use oil paint and brushes are worried
about photographers taking their market share.  Sheesh...

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ian lincoln - 01 Feb 2006 18:01 GMT
> "ian lincoln" <dragonslayer@whocares.com> wrote in message
> <snip ease of use stuff>
[quoted text clipped - 11 lines]
> Any prat /can't/ take a decent picture and the numerous "look at my crappy
> photo web site, please" posts prove that.

The standard to 'decent picture' has risen.

correctly focused and exposed and sharp are within anyones grasp not simply
someone with a hand held light meter, measuring tape and interchangeable
carl zeiss lenses.

I have the perspective of being lazy by owning a highly automated
autoeverything camera (canon A1).  Same camera is now antiquated obsolete.
The greatest technophobe i know is my mother.  She won't even upgrade to an
electronic typewriter.  A good solid lump of cast iron that makes the whole
house shake when she hits 110 wpm.  She's gone through various compact
cameras of varying prices.  Couldn't even load the film without help.
Taking very decent shots of flowers and cats with a fuji 2800.  This has
merely upped the ante.  Even people who came in and spent £1000s on
equipment are merely trying to get correct focus, exposure and a bit of
zoom.

Now you can adjust the colour balance, compensate for exposure, crop and
sharpen.  Now redeye removal can be done at a kiosk. The latest is
photostiching panoramas.  "Photoshop CS is the most expensive dust and spot
removing tool in existence".

The reviewer noticed that the phrase 'photoshopping' is used whenever any
image manipulation takes place.
>> now the early movers who
>> adopted photoshop and its quirky ways are going to have to put up with
[quoted text clipped - 5 lines]
> It's like saying that artists who use oil paint and brushes are worried
> about photographers taking their market share.  Sheesh...

Once upon a time they were.  We did too.  Todays modern portrait artist
market is tiny next to the photographic one.

How many fine art graduate students do you know who own a gallery or print
studio or work on the sea front at tourist resorts and how many are
receptionists, typists or have said to you 'do you want fries with that?'.

Same with photography graduates.

How many participating in this thread now gain their main income from
photography?
Philip Homburg - 01 Feb 2006 20:04 GMT
>The standard to 'decent picture' has risen.
>
>correctly focused and exposed and sharp are within anyones grasp not simply
>someone with a hand held light meter, measuring tape and interchangeable
>carl zeiss lenses.

Maybe compared to 40 years ago. May parents had color print film in a
Nikkormat and slide film in a camera that requires measuring tape. The
print film frame are sharp and properly exposed. Unfortunately, old
color print film is horrible. The slides are often not properly exposed
(but a good scanner can handle that), but they are often also unsharp enough
to be unusable.

Interesting in this context are the slides my grandfather took in late
eighties and nineties (with a relatively simple P&S). Most slides are
well exposed, are reasonably sharp, and are perfectly boring.

I don't think that digital camera are much of an improvement. When DoF is
limited, cameras still make a lot of mistakes. The same thing applies to
more complicated (back lit) situations. In a lot of cases, even if people
recognize that something is wrong, they don't know what to do about it.

Knowledge about composition and light are still as low as ever.

I think digital is great for one group of people: the group that has some
intuition about composition, light, etc. but lacks the skills do deal
with the rather long feedback loop that is part of film based photography.

(Of course the group that can't handle the rather complex, modal interfaces
often found in digital stuff, will be out of luck).

>How many participating in this thread now gain their main income from
>photography?

In many professions, people don't talk on usenet about their work. Why
would that be different for photographers?

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Randal L. Schwartz - 01 Feb 2006 20:38 GMT
>>>>> "Philip" == Philip Homburg <philip@pch.home.cs.vu.nl> writes:

Philip> I think digital is great for one group of people: the group that has
Philip> some intuition about composition, light, etc. but lacks the skills do
Philip> deal with the rather long feedback loop that is part of film based
Philip> photography.

*Lack* *the* *skills*?

Try telling that to the photojournalists who shoot 90% of what you see in
papers every day on digital.  It's not about lack of skill.  It's about having
a far greater set of options for workflow with digital.

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Philip Homburg - 01 Feb 2006 21:41 GMT
>>>>>> "Philip" == Philip Homburg <philip@pch.home.cs.vu.nl> writes:
>
[quoted text clipped - 8 lines]
>papers every day on digital.  It's not about lack of skill.  It's about having
>a far greater set of options for workflow with digital.

This thread is about digital camera use by amateurs. Why else would one
chose something Microsoft cobbled together over Photoshop?

Of course photojournalists working for paper have to get a color photo
quicky, otherwise people are not going to read the article. (There is a good
chance that they are not going to read much beyond the caption anyhow).
But that is just a rather sad state of affairs.

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That was it. Done. The faulty Monk was turned out into the desert where it
could believe what it liked, including the idea that it had been hard done
by. It was allowed to keep its horse, since horses were so cheap to make.
    -- Douglas Adams in Dirk Gently's Holistic Detective Agency

David Dyer-Bennet - 01 Feb 2006 22:58 GMT
> >The standard to 'decent picture' has risen.
> >
[quoted text clipped - 12 lines]
> eighties and nineties (with a relatively simple P&S). Most slides are
> well exposed, are reasonably sharp, and are perfectly boring.

My mother had color slide film in a camera that had a built-in
rangefinder in 1956, and I think somewhat earlier (but that's the
earliest slides I remember scanning of hers).  They're decently
focused *and* decently exposed, mostly (and the camera had no
lightmeter, she used an external Weston meter as I remember).  (This
was a Bolsey 35, a fixed lens rangefinder from a company that didn't
make it into the future; nothing exotic.)

> I don't think that digital camera are much of an improvement. When
> DoF is limited, cameras still make a lot of mistakes. The same thing
> applies to more complicated (back lit) situations. In a lot of
> cases, even if people recognize that something is wrong, they don't
> know what to do about it.

You've just stumbled, though;  because of the short lens focal lengths
(because of the small sensors), digital P&S have much more dept of
field than 35mm P&S.  
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Philip Homburg - 02 Feb 2006 11:55 GMT
>You've just stumbled, though;  because of the short lens focal lengths
>(because of the small sensors), digital P&S have much more dept of
>field than 35mm P&S.  

It is not directly related to the focal length, but to the size of the
aperture. A small sized aperture will give a large DoF, more or less indepenent
of the format.

The DoF may be larger, but is not infinite. And the Sony R1 simply has
an APS-C sized sensor.

However, it is quite possible that unsharpness due to camera shake is a
bigger problem than lack of DoF.

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That was it. Done. The faulty Monk was turned out into the desert where it
could believe what it liked, including the idea that it had been hard done
by. It was allowed to keep its horse, since horses were so cheap to make.
    -- Douglas Adams in Dirk Gently's Holistic Detective Agency

Beach Bum - 01 Feb 2006 23:22 GMT
> > Since when did digital cameras start composing photographs by themselves?
> >
[quoted text clipped - 6 lines]
> someone with a hand held light meter, measuring tape and interchangeable
> carl zeiss lenses.

These things have always been within anyone's grasp since Kodak came out
with it's first easy to use 1 button camera.  If not then, certainly by the
time the Canon AE-1 was released.  I've seen amazing photos taken with those
$12 disposable film cameras with the plastic lenses.

> I have the perspective of being lazy by owning a highly automated
> autoeverything camera (canon A1).  Same camera is now antiquated obsolete.

Why?  It quit working?  Send it to me and I'll make use of it.

> The greatest technophobe i know is my mother.  She won't even upgrade to an
> electronic typewriter.  A good solid lump of cast iron that makes the whole
> house shake when she hits 110 wpm.  She's gone through various compact
> cameras of varying prices.  Couldn't even load the film without help.

My mom could always load film, but she can't figure out how to get the
digital images "out" of her new Nikon snappy cam I gave her for Christmas.
:)

> Taking very decent shots of flowers and cats with a fuji 2800.  This has
> merely upped the ante.  Even people who came in and spent £1000s on
> equipment are merely trying to get correct focus, exposure and a bit of
> zoom.

I spent $200 on a Canon Rebel 2000 and it doesn't have any problem focusing
or exposing.

> Now you can adjust the colour balance, compensate for exposure, crop and
> sharpen.

Sharpen doesn't focus an out of focus photograph, and you could always
crop - that's what scissors are for.  And where do you think compensation
for exposure comes from?  I can always push or pull film.  It's not rocket
science.

>  Now redeye removal can be done at a kiosk.

Redeye is best removed by using off camera flash, or better - high speed
film and no flash.

> "Photoshop CS is the most expensive dust and spot
> removing tool in existence".

Who uses it for such?  No one I know.

> > It's like saying that artists who use oil paint and brushes are worried
> > about photographers taking their market share.  Sheesh...
>
> Once upon a time they were.  We did too.  Todays modern portrait artist
> market is tiny next to the photographic one.

I guess I'll throw away my water colors then.

> How many fine art graduate students do you know who own a gallery or print
> studio or work on the sea front at tourist resorts and how many are
> receptionists, typists or have said to you 'do you want fries with that?'.

Actually I know quite a few that are professors, gallery owners, performers,
etc.

What you say can be said of any college curriculum.  I was shocked when a
guy I knew took a job paying $25k a year after spending 6 years in
engineering school getting his masters.  I was already making double that
with just an associates degree.

> Same with photography graduates.
>
> How many participating in this thread now gain their main income from
> photography?

It's hardly a valid measure.  How many derive pleasure and make the world a
better place by creating works of art - that's the true measure.

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