>The standard to 'decent picture' has risen.
>
>correctly focused and exposed and sharp are within anyones grasp not simply
>someone with a hand held light meter, measuring tape and interchangeable
>carl zeiss lenses.
Maybe compared to 40 years ago. May parents had color print film in a
Nikkormat and slide film in a camera that requires measuring tape. The
print film frame are sharp and properly exposed. Unfortunately, old
color print film is horrible. The slides are often not properly exposed
(but a good scanner can handle that), but they are often also unsharp enough
to be unusable.
Interesting in this context are the slides my grandfather took in late
eighties and nineties (with a relatively simple P&S). Most slides are
well exposed, are reasonably sharp, and are perfectly boring.
I don't think that digital camera are much of an improvement. When DoF is
limited, cameras still make a lot of mistakes. The same thing applies to
more complicated (back lit) situations. In a lot of cases, even if people
recognize that something is wrong, they don't know what to do about it.
Knowledge about composition and light are still as low as ever.
I think digital is great for one group of people: the group that has some
intuition about composition, light, etc. but lacks the skills do deal
with the rather long feedback loop that is part of film based photography.
(Of course the group that can't handle the rather complex, modal interfaces
often found in digital stuff, will be out of luck).
>How many participating in this thread now gain their main income from
>photography?
In many professions, people don't talk on usenet about their work. Why
would that be different for photographers?

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Randal L. Schwartz - 01 Feb 2006 20:38 GMT
>>>>> "Philip" == Philip Homburg <philip@pch.home.cs.vu.nl> writes:
Philip> I think digital is great for one group of people: the group that has
Philip> some intuition about composition, light, etc. but lacks the skills do
Philip> deal with the rather long feedback loop that is part of film based
Philip> photography.
*Lack* *the* *skills*?
Try telling that to the photojournalists who shoot 90% of what you see in
papers every day on digital. It's not about lack of skill. It's about having
a far greater set of options for workflow with digital.

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Philip Homburg - 01 Feb 2006 21:41 GMT
>>>>>> "Philip" == Philip Homburg <philip@pch.home.cs.vu.nl> writes:
>
[quoted text clipped - 8 lines]
>papers every day on digital. It's not about lack of skill. It's about having
>a far greater set of options for workflow with digital.
This thread is about digital camera use by amateurs. Why else would one
chose something Microsoft cobbled together over Photoshop?
Of course photojournalists working for paper have to get a color photo
quicky, otherwise people are not going to read the article. (There is a good
chance that they are not going to read much beyond the caption anyhow).
But that is just a rather sad state of affairs.

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could believe what it liked, including the idea that it had been hard done
by. It was allowed to keep its horse, since horses were so cheap to make.
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David Dyer-Bennet - 01 Feb 2006 22:58 GMT
> >The standard to 'decent picture' has risen.
> >
[quoted text clipped - 12 lines]
> eighties and nineties (with a relatively simple P&S). Most slides are
> well exposed, are reasonably sharp, and are perfectly boring.
My mother had color slide film in a camera that had a built-in
rangefinder in 1956, and I think somewhat earlier (but that's the
earliest slides I remember scanning of hers). They're decently
focused *and* decently exposed, mostly (and the camera had no
lightmeter, she used an external Weston meter as I remember). (This
was a Bolsey 35, a fixed lens rangefinder from a company that didn't
make it into the future; nothing exotic.)
> I don't think that digital camera are much of an improvement. When
> DoF is limited, cameras still make a lot of mistakes. The same thing
> applies to more complicated (back lit) situations. In a lot of
> cases, even if people recognize that something is wrong, they don't
> know what to do about it.
You've just stumbled, though; because of the short lens focal lengths
(because of the small sensors), digital P&S have much more dept of
field than 35mm P&S.

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Philip Homburg - 02 Feb 2006 11:55 GMT
>You've just stumbled, though; because of the short lens focal lengths
>(because of the small sensors), digital P&S have much more dept of
>field than 35mm P&S.
It is not directly related to the focal length, but to the size of the
aperture. A small sized aperture will give a large DoF, more or less indepenent
of the format.
The DoF may be larger, but is not infinite. And the Sony R1 simply has
an APS-C sized sensor.
However, it is quite possible that unsharpness due to camera shake is a
bigger problem than lack of DoF.

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That was it. Done. The faulty Monk was turned out into the desert where it
could believe what it liked, including the idea that it had been hard done
by. It was allowed to keep its horse, since horses were so cheap to make.
-- Douglas Adams in Dirk Gently's Holistic Detective Agency
> > Since when did digital cameras start composing photographs by themselves?
> >
[quoted text clipped - 6 lines]
> someone with a hand held light meter, measuring tape and interchangeable
> carl zeiss lenses.
These things have always been within anyone's grasp since Kodak came out
with it's first easy to use 1 button camera. If not then, certainly by the
time the Canon AE-1 was released. I've seen amazing photos taken with those
$12 disposable film cameras with the plastic lenses.
> I have the perspective of being lazy by owning a highly automated
> autoeverything camera (canon A1). Same camera is now antiquated obsolete.
Why? It quit working? Send it to me and I'll make use of it.
> The greatest technophobe i know is my mother. She won't even upgrade to an
> electronic typewriter. A good solid lump of cast iron that makes the whole
> house shake when she hits 110 wpm. She's gone through various compact
> cameras of varying prices. Couldn't even load the film without help.
My mom could always load film, but she can't figure out how to get the
digital images "out" of her new Nikon snappy cam I gave her for Christmas.
:)
> Taking very decent shots of flowers and cats with a fuji 2800. This has
> merely upped the ante. Even people who came in and spent £1000s on
> equipment are merely trying to get correct focus, exposure and a bit of
> zoom.
I spent $200 on a Canon Rebel 2000 and it doesn't have any problem focusing
or exposing.
> Now you can adjust the colour balance, compensate for exposure, crop and
> sharpen.
Sharpen doesn't focus an out of focus photograph, and you could always
crop - that's what scissors are for. And where do you think compensation
for exposure comes from? I can always push or pull film. It's not rocket
science.
> Now redeye removal can be done at a kiosk.
Redeye is best removed by using off camera flash, or better - high speed
film and no flash.
> "Photoshop CS is the most expensive dust and spot
> removing tool in existence".
Who uses it for such? No one I know.
> > It's like saying that artists who use oil paint and brushes are worried
> > about photographers taking their market share. Sheesh...
>
> Once upon a time they were. We did too. Todays modern portrait artist
> market is tiny next to the photographic one.
I guess I'll throw away my water colors then.
> How many fine art graduate students do you know who own a gallery or print
> studio or work on the sea front at tourist resorts and how many are
> receptionists, typists or have said to you 'do you want fries with that?'.
Actually I know quite a few that are professors, gallery owners, performers,
etc.
What you say can be said of any college curriculum. I was shocked when a
guy I knew took a job paying $25k a year after spending 6 years in
engineering school getting his masters. I was already making double that
with just an associates degree.
> Same with photography graduates.
>
> How many participating in this thread now gain their main income from
> photography?
It's hardly a valid measure. How many derive pleasure and make the world a
better place by creating works of art - that's the true measure.

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