Photo Forum / Digital Photography / DSLR Cameras / December 2005
Pentax *ist DS2
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BrianEWilliams - 10 Dec 2005 15:41 GMT Anyone have one of these?
http://www.pentaximaging.com/products/product_details/digital_camera--*ist_DS2/r eqID--6919574/subsection--digital_slr
or
http://tinyurl.com/dtzsz
I have an existing Pentax film SLR with a lens marked:
SMC Pentax-FA 1:3.5-5.6 28-80mm
Since the Pentax *ist DS2 comes without a lens, I hope to use my existing lens with it and save some money.
BTW, B&H sells them for $750:
http://www.bhphotovideo.com/bnh/controller/home?O=productlist&A=details&Q=&sku=3 99882&is=REG&addedTroughType=search
or
http://tinyurl.com/83ur9
Paul Mitchum - 10 Dec 2005 19:20 GMT > Anyone have one of these? > [quoted text clipped - 12 lines] > Since the Pentax *ist DS2 comes without a lens, I hope to use my > existing lens with it and save some money. Is that a question? :-)
Yes, you can use your FA lens with the *istDS2. If you get the DA lens that comes with the DS, you likely won't be able to use it with the film camera, unless you like a lot of vignetting.
Learn a lot here: <http://www.bdimitrov.de/kmp/>
Pete D - 10 Dec 2005 21:14 GMT Brian,
Spend the extra and get the kit 18-55mm lens, it is a pretty good little lens and is nice and wide for landscape and indoor use. If you get one in with a kit it will not cost much. I have a Ds and use the 18-55mm lens a lot, I have a faster 28-105 but find the smaller lens more versitile.
Cheers.
Pete D
> Anyone have one of these? > [quoted text clipped - 19 lines] > > http://tinyurl.com/83ur9 Paul Mitchum - 10 Dec 2005 22:32 GMT > Brian, > > Spend the extra and get the kit 18-55mm lens, it is a pretty good little > lens and is nice and wide for landscape and indoor use. If you get one in > with a kit it will not cost much. I have a Ds and use the 18-55mm lens a > lot, I have a faster 28-105 but find the smaller lens more versitile. If I had it to do over again, I wouldn't get the 18-55, and get the 16-45 instead. Maybe I got a bad one, but the 18-55 is kinda soft and has vignetting at wider zoom. I leave it on the camera so there's something relatively unobtrusive that I can pick up and shoot with, but it's not that great.
BTW, Pentax has their current lens offerings listed here: <http://www.pentaxslr.com/lenses>
Cheesehead - 11 Dec 2005 18:55 GMT I've got the DS. And I sold the 18-55 right away. It's not a bad lens by any means, but it is *slow*. Many reasonably-fast AF lenses exist and at a reasonable price. Just adding an extra $50 can get you a nicer lens. And the lens is what it's all about.
http://www.brendemuehl.net/images/IMGP1400800.jpg http://www.brendemuehl.net/images/IMGP1403800.jpg
Both shot with FA50/1.4, 1/60 @ f5.6. The violin needs some work (compositionally, that is) but the dried roses came out very nicely. The DS does a good jpb. The DS2 is the same body with a larger viewing screen on the back.
Collin
Don Farrow - 11 Dec 2005 19:01 GMT I have a 70 to 210 zoom lens from my pentax sf1 how will it work with the Pentax ist dl
Thanks Don
> I've got the DS. And I sold the 18-55 right away. > It's not a bad lens by any means, but it is *slow*. [quoted text clipped - 12 lines] > > Collin Pete D - 11 Dec 2005 20:04 GMT Can you point to examples of these lenses, the 16-45 ED is considerably more than the basic 18-55mm and had better give better results.
> I've got the DS. And I sold the 18-55 right away. > It's not a bad lens by any means, but it is *slow*. [quoted text clipped - 12 lines] > > Collin Charles Self - 12 Dec 2005 11:54 GMT > I've got the DS. And I sold the 18-55 right away. > It's not a bad lens by any means, but it is *slow*. [quoted text clipped - 10 lines] > The DS does a good jpb. > The DS2 is the same body with a larger viewing screen on the back. Jeez, I hate those multi-colored backgrounds. With the violin, you've got 100% improvement with a solid color, black, white, red, almost at the "whatever" stage. Think about all white, or black, really bring the whole emphasis in on the violin and bow.
Or not, too. Just a suggestion.
Cheesehead - 16 Dec 2005 21:10 GMT Thanks. It would have been better with more powerful lights so that I could have stopped down further and made the background go darker. Or if I'd directed the lights a little differently. Anything to get the background to go darker.
Collin
Bronek Kozicki - 12 Dec 2005 17:33 GMT > If I had it to do over again, I wouldn't get the 18-55, and get the > 16-45 instead. Maybe I got a bad one, but the 18-55 is kinda soft and 100% agree (I bought *ist DS with 18-55)
B.
Marc Sabatella - 11 Dec 2005 03:18 GMT > Anyone have one of these? It's pretty new and not widely available yet, but the DS it replaces is virtually identical (especially after doing the firmware upgrade), so a few of us here can comment.
> I have an existing Pentax film SLR with a lens marked: > > SMC Pentax-FA > 1:3.5-5.6 28-80mm > > Since the Pentax *ist DS2 comes without a lens Note sure if you are thinking it *only* comes that way. You certainly *can* get it with no lens, but most retailers sell it by default in a kit with an 18-55 zoom. After applying the 1.5 magnification factor (due to the DSLR sensor being smaller than 35mm), this would give basically the same results as your existing 28-80. Your 28-80 will work, but you won't really be getting as wide as 28 - it will actually be more like 42, in terms of what you're used to. On the plus side, you'll be getting a lot longer than the 80 you're used to. If you can live without the wide angle, go for it. Otherwise, youre probably better off getting the kit. There are, of course, other lenses available as well - such as the 16-45 already mentioned - but they are rather more expensive. If cost is a major concern, I'd be thinking kit unless you are *sure* you won't want the wide angle.
--------------- Marc Sabatella marc@outsideshore.com
Music, art, & educational materials Featuring "A Jazz Improvisation Primer" http://www.outsideshore.com/
BrianEWilliams - 11 Dec 2005 14:29 GMT Thanks. Will the 1.5x magnification factor be evident when I look through the viewfinder? I don't have a good feel for what the zoom numbers mean.
Charles Self - 11 Dec 2005 16:04 GMT > Thanks. Will the 1.5x magnification factor be evident when I look > through the viewfinder? I don't have a good feel for what the zoom > numbers mean. Well, on my *istD with 16-45mm lens, it means that the 16mm is equal to a 35mm film camera (or full frame digital)with 24mm at the wide end. Multiply it all by 1.5, in other words. It is evident in the viewfinder in that you get that view. There's nothing flashing to say, "Hey, bub, this is the equivalent of 24mm, not 16mm."
Marc Sabatella - 13 Dec 2005 04:09 GMT > Thanks. Will the 1.5x magnification factor be evident when I look > through the viewfinder? Yes. As with any SLR-type camera (digital or otherwise), what you see in the viewfinder is pretty much what you get.
> I don't have a good feel for what the zoom > numbers mean. They refer to the "focal length", the exact meaning of which isn't relevant. What *is* relevant is that smaller numbers mean a wider angle view, larger numbers mean a more "telephoto" view. You might want to spend some time with your film camera looking through the viewfinder, zooming in and out, and then checking the lens to see what focal lengths you like (the numbers are printed right on the side - just look for the numbers change when you zoom in or out. If you find yourself never using the focal lengths below 42, then you'll be perfectly happy using the lens on a digital - zooming all the way out to 28 on the digital will produce results similar to 42 on film. If you find you are often zooming out and using focal lengths in the 28-42 range with film, however, you'll be disappointed when you mount the lens on a a digital and find that a focal length of 28, which on your film camera might allow you to get most of a room in a shot, ends up cropping out way too much on the sides (the equivalent to what a setitng of 40 would do on your film camera).
With film, 28 is considered fairly "wide", 40-50 is considered "normal" (similar to what the naked eye perceives), and bigger numbers "telephoto". The 70 at the long end of your lens isn't very telephoto at all with film; "real" telephoto lenses would be in the range of 100 to 300 or higher. So at least the 70 on your lens will be equivalent to a 105 on film, which is noticeably more telephoto than you've got now.
--------------- Marc Sabatella marc@outsideshore.com
Music, art, & educational materials Featuring "A Jazz Improvisation Primer" http://www.outsideshore.com/
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