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Photo Forum / Digital Photography / DSLR Cameras / December 2005

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Are we all being suckered?

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lens crack - 07 Dec 2005 02:36 GMT
Serious question - let me explain.

We love dslr's, we love lenses, flashguns, tripods, monopods, bags, and
gadgets of every shape and size.

We spend (most of us) more than we can afford on this passion of ours, and
always,it seems, the Holy Grail is almost within our grasp - if we can just
get just one more lens with better CA & flare control, or one more body with
a higher resolution sensor.......next year's model will the last camera I
buy for, oh, five years....honest....

But (and here's the irony) a quick look through some of the on-line hosting
sites will produce a thousand pictures that look quite fantastic - as sharp
as you could wish for, with terrific detail, or dreamy bokeh, or stunning
colours, the sort of pictures that we would have been immensely satisfied
with a few years ago.  and a great many of these images were produced on 2,
3, 4, and 5 megapixel 'compacts'!

So why do they look so good? - because we view them on our monitors, and the
monitor lends a brilliance and luminescence unachievable in even the highest
quality print, and remember that those on-line images have been downsized
for the web - on their owner's computers they will look even better!

What's more, most people (myself included) don't print any, except the very
best, of our images - we look at them on our monitors, so why do we need
10mp (or even 6mp) cameras to produce our shots?

Because we've been taught to be in love with technology?, because boys love
toys?, because it flatters our vanity to cart around two or three thousand
pound/dollars worth of equipment?

I dunno - but I do know that looking at old images taken on the sort of
digital cameras that we despise today makes me realise just how much money
I'm forking out for comparatively little extra return.
Tom Hughes - 07 Dec 2005 04:34 GMT
Ditto.........Ditto........Ditto...............:-((
> Serious question - let me explain.
>
[quoted text clipped - 39 lines]
> digital cameras that we despise today makes me realise just how much money
> I'm forking out for comparatively little extra return.
Xeke - 07 Dec 2005 04:34 GMT
Sorry, but I have to disagree with you although you do have some valid
points. I can't speak for anyone else, but I do spend more than what I
can afford on photography and I'm only a beginner. I have a Canon S1 IS
($250) and a Digital Rebel with the 18-55mm standard lens ($400) and in
love with both of them. The S1 was my first digicam and once I learned
the basics of photography, how to control aperture, exposure, etc. I
then felt comfortable to move up to the SLR and just use the S1 as my
"famcam" to take family shots and stuff. Once I get comfortable with
*this* SLR and become an expert, I may get the 20D or the 5D but really
they are too much camera for the simple stuff that I do; the Rebel is
enough for me. I imagine by that time rolls around, I could find a 20D
or 5D for less than $1000 because I plan on utilizing the Rebel for a
long long time.

I bought this stuff because true, I do want clarity but viewing on my
monitor, there is a definate difference between my 3.2Mp S1 and my 6Mp
Rebel. The photos are crisp on the Rebel. The S1 still looks good, but
there is a noticeable difference; especially in RAW.

I only use my images to make my photography site and although I know no
one really cares, I buy all this stuff because I *love* to do it. I
don't care about how much money I spend as long as I get that
self-gratification knowing that *I* took *that* picture; it has nothing
to do with being "suckered". But on the other hand, I only buy what I
can catch at a deal. I would never pay full price for those cameras. I
would wait until its been out for a while and price goes down.

My interests are in macrophotography, astrophotography and wildlife.
Although I know the magic comes from the lens, the Rebel delivers the
crisp look that I want. When I take a picture of the moon, I want it to
look like I took the photo from the Space Station. I ordered me a
75-300mm lens just so I can get more detail and I plan on getting me a
telescope so I can shoot Jupiter, Mars and the other tangible planets. I
am sure once I get bored with that, I will get an even stronger lens so
I can get nebulas, black holes and other heavenly bodies most people
only would see in books.

Like you, I don't print my photos either so the megapixels really don't
matter; I think a lot of people misunderstand this. If like me, people
are only putting stuff on the web or sending through emails, yes all
they need is a 1 megapixel camera. Peoples' mistake is they shop for
megapixels, not the size of the image sensor, which determines the
quality of the image you're going to get. And all one would need is a
3.2mp camera to do an 8x10 which is the largest a home photo printer can
do. In turn they are buying more camera than they need, but that is not
the fault of the manufacturers, that's the fault of the consumer not
being educated to make a smart shopping decision. And retailers don't
advertise the sensor, they advertise the megapixels. That's why I chose
the Rebel; it was in my price range and had a better image sensor.
People should buy cameras based on the size of its sensor, not
megapixels if they care about the look of their photos.

> Serious question - let me explain.
>
[quoted text clipped - 30 lines]
> digital cameras that we despise today makes me realise just how much money
> I'm forking out for comparatively little extra return.

Signature

Xeke
Home page http://xekes.com
Photo Gallery http://xekes.com/gallery
Flickr http://flickr.com/photos/xekes

G.T. - 07 Dec 2005 05:40 GMT
> Sorry, but I have to disagree with you although you do have some valid
> points.

In general I agree with your sentiment but I have to point out a couple
of errors in your post.

> My interests are in macrophotography, astrophotography and wildlife.
> Although I know the magic comes from the lens, the Rebel delivers the
[quoted text clipped - 5 lines]
> I can get nebulas, black holes and other heavenly bodies most people
> only would see in books.

You won't be getting an image of a black hole and you probably won't be
getting images of heavenly bodies like you see in books.

> Like you, I don't print my photos either so the megapixels really don't
> matter; I think a lot of people misunderstand this. If like me, people
[quoted text clipped - 4 lines]
> 3.2mp camera to do an 8x10 which is the largest a home photo printer can
> do.

Hmmmm, my home photo printer does 13x19.

Greg

Signature

"Destroy your safe and happy lives before it is too late
The battles we fought were long and hard
Just not to be consumed by rock and roll" - The Mekons

Xeke - 07 Dec 2005 13:17 GMT
> You won't be getting an image of a black hole and you probably won't be
> getting images of heavenly bodies like you see in books.

And just why not? I'm really curious what your response is going to be
because I've already seen it can be done with my own eyes. My friend
showed me a photo he took of Jupiter with his Digital Rebel and there
are tons of them floating around the Internet; planets, black holes,
nebulas, clusters, etc. So I'm wondering just why you would say
something like that.

>> Sorry, but I have to disagree with you although you do have some valid
>> points.
[quoted text clipped - 27 lines]
>
> Greg

Signature

Xeke
Canon S1 IS & Digital Rebel/300D
--
Home page http://xekes.com
Photo gallery http://xekes.com/gallery
Flickr http://flickr.com/photos/xekes

Brion K. Lienhart - 07 Dec 2005 19:17 GMT
>  > You won't be getting an image of a black hole and you probably won't be
>  > getting images of heavenly bodies like you see in books.
[quoted text clipped - 5 lines]
> nebulas, clusters, etc. So I'm wondering just why you would say
> something like that.

You can get pretty good pictures of planets, clusters & nebulae. Sky &
Telescope prints a couple pages of amateur pictures every month. You're
not going to be taking any pictures of black holes though.

A) They're black, i.e. the definition is that no light escapes.
2) You could get a picture of the accretion disk, but most of the
radiation isn't in the visible spectrum, and they're a long way away.

There's a picture of the accretion disk of the central black hole in the
Andromeda Galaxy on pg 24 of the Jan 2006 Sky & Telescope taken with the
Hubble Space Telescope Imaging Spectrograph, and it's a blurry orange &
blue smudge.
G.T. - 07 Dec 2005 20:56 GMT
> > You won't be getting an image of a black hole and you probably won't be
>  > getting images of heavenly bodies like you see in books.
[quoted text clipped - 5 lines]
> nebulas, clusters, etc. So I'm wondering just why you would say
> something like that.

Please provide me with just one link to a photo of a blackhole, not an
artist's rendering nor a suspected blackhole, even better if it was taken by
consumer equipment.

Regarding the other heavenly bodies please let me know what scope your
friend is throwing his DR on.  If he is getting book publishable images of
Jupiter then he has some serious cash invested in his astrophotography.  My
whole point is that astrophotography is not trivial so when you've bought
your first scope and excellent mount, along with an autoguider and other
imaging-related parts, please show your images.

Greg
Xeke - 07 Dec 2005 13:57 GMT
And regarding the photo printer, yes there are some people who have
printers that can do larger. But from my experience as a tech I see that
most people have the standard 8x10 printers.

>> Sorry, but I have to disagree with you although you do have some valid
>> points.
[quoted text clipped - 27 lines]
>
> Greg

Signature

Xeke
Canon S1 IS & Digital Rebel/300D
--
Home page http://xekes.com
Photo gallery http://xekes.com/gallery
Flickr http://flickr.com/photos/xekes

Stacey - 07 Dec 2005 06:05 GMT
> What's more, most people (myself included) don't print any, except the
> very best, of our images - we look at them on our monitors, so why do we
> need 10mp (or even 6mp) cameras to produce our shots?

But how can you make prints of the best shots if it's shot with a 2MP
compact? And I have to disagree on the "dreamy bokeh" from a compact, have
some examples? Most have limitless DOF or at best "choppy" bokeh from their
super wide zoom optics if they are focused on something VERY close to the
camera.  I'm not saying you can't take great shots with them, but there IS
a limit to what they can produce and do.

Signature


 Stacey

Pete D - 07 Dec 2005 07:08 GMT
> Serious question - let me explain.
>
> We love dslr's, we love lenses, flashguns, tripods, monopods, bags, and
> gadgets of every shape and size.

Yes

> We spend (most of us) more than we can afford on this passion of ours, and
> always,it seems, the Holy Grail is almost within our grasp - if we can
[quoted text clipped - 3 lines]
> a higher resolution sensor.......next year's model will the last camera I
> buy for, oh, five years....honest....

Have not found this a problem.

> But (and here's the irony) a quick look through some of the on-line
> hosting
[quoted text clipped - 5 lines]
> 2,
> 3, 4, and 5 megapixel 'compacts'!

Not where I look.

> So why do they look so good? - because we view them on our monitors, and
> the
> monitor lends a brilliance and luminescence unachievable in even the
> highest
> quality print, and remember that those on-line images have been downsized
> for the web - on their owner's computers they will look even better!

And???

> What's more, most people (myself included) don't print any, except the
> very
> best, of our images - we look at them on our monitors, so why do we need
> 10mp (or even 6mp) cameras to produce our shots?

Actually I print quite a few, even frame some.

> Because we've been taught to be in love with technology?, because boys
> love
> toys?, because it flatters our vanity to cart around two or three thousand
> pound/dollars worth of equipment?

Cheaper than the car enthusiasts by a long way.

> I dunno - but I do know that looking at old images taken on the sort of
> digital cameras that we despise today makes me realise just how much money
> I'm forking out for comparatively little extra return.

You are doing something very wrong if you are happier with a 2MP P&S over
any D-SLR.
David Geesaman - 07 Dec 2005 13:12 GMT
> Serious question - let me explain.
<snip>
> I dunno - but I do know that looking at old images taken on the sort of
> digital cameras that we despise today makes me realise just how much money
> I'm forking out for comparatively little extra return.

   For certain kinds of shooting, I see that being a realistic thing.  But
not all shooting - available-light action shooting and long-range nature
photography being two where superior equipment will yield dramatically
better results.
   But you're right in general - the sensitivity of the sensors used in P&S
cameras gets better by the month, and the gap seems to narrow in situations
where the camera gear isn't very challenged - and monitor-only viewing only
goes to filter that difference further.
   Take heart in knowing that compared to golfers who habitually spend $2k
on clubs every year, amateur photographers actually get *some* improvement
over the last rig.  There are a lot of sucker hobbyists out there who spend
lots of hard-earned money and get nothing at all out of it - although they'd
cry if you popped their bubble of toy-bliss.

   Dave
Michael Benveniste - 09 Dec 2005 15:21 GMT
>We spend (most of us) more than we can afford on this passion of ours, and
>always,it seems, the Holy Grail is almost within our grasp - if we can just
>get just one more lens with better CA & flare control, or one more body with
>a higher resolution sensor.......next year's model will the last camera I
>buy for, oh, five years....honest....

You could have stopped after this paragraph.  If you're spending
more than you can afford, you're getting suckered.

But once you get past that hurdle, people have different reasons
for buying gear.  I'm not a pro and have no ambition to become one.  I
understood the harsh realities in the "Do you make a living"
thread long ago.

So where's the reward?  Like many hobbies, some of it comes from pride
of ownership.  I don't expect much functionality out of an 18th century
1/13th shilling coin, nor much investment return, yet I still own one.
The same is true of a Pentax 110 SLR system, or even my Ansco Junior
Press Photographer badge.

Another possible reward is a sense of accomplishment.  There are
certainly cheaper ways to decorate one's walls, or to acquire
art to give at Christmas.  But there's still a kick in knowing a
picture is your own, or in exchanging homemade gifts.

Another source of a sense of accomplishment is getting something to
work.  In general I don't get much of a boost out of looking at a shot
pixel-by-pixel on a screen, nor by "winning" a Photoshop(tm) battle.
Getting back my first 4x5" slides, OTOH, ... well that's me.  It'll
be different for every one of us.

Still others get their reward from discovering or disseminating
knowledge.  Considering my wife is a college professor, I can
understand that as well.  

>What's more, most people (myself included) don't print any, except the very
>best, of our images - we look at them on our monitors, so why do we need
>10mp (or even 6mp) cameras to produce our shots?

In my case, those "very best" shots are a big part of the payoff.  
Except for the odd test shot, any time I grab a camera it's in the
hope I'll create something worth printing at size.

>Because we've been taught to be in love with technology?, because boys love
>toys?, because it flatters our vanity to cart around two or three thousand
>pound/dollars worth of equipment?

All valid reasons, if photography is your hobby and you understand
why you're spending the money.  If a camera is your jewelry, who am
I to challenge that?  I mentioned 4x5" slides above.  The vast
majority of the time, my 4x5" camera will be no more than an object
d' art.  If you don't see the beauty in a rosewood-and-brass field
camera, that's okay.  It's not your house.

>I dunno - but I do know that looking at old images taken on the sort
>of digital cameras that we despise today makes me realise just how
>much money I'm forking out for comparatively little extra return.

There's a 'trap' in digital photography.  Since the incremental outlay
per shutter click is virtually zero, one frequently invests less time
in visualization, composition and setup.  If you want to get more
out of your dSLR capital costs, consider spending the same amount of
time and effort to take fewer, better thought out pictures.

Signature

Michael Benveniste -- mhb-offer@clearether.com
Spam and UCE professionally evaluated for $419.  Use this email
address only to submit mail for evaluation.

lens crack - 09 Dec 2005 22:00 GMT
>>We spend (most of us) more than we can afford on this passion of ours, and
>>always,it seems, the Holy Grail is almost within our grasp - if we can
[quoted text clipped - 63 lines]
> out of your dSLR capital costs, consider spending the same amount of
> time and effort to take fewer, better thought out pictures.<<

A very thoughtful muse on the entire subject, if I might say so.

For myself, I don't actually enjoy taking pictures very much - for one
thing, I'm always scared that I'll drop my camera, or otherwise damage it.

I enjoy cleaning it and buffing up the plastic casing to a super dull
lustre.  I do the same with my collection of lenses, which I like to
arrange by height order.  Sometimes, for a bit of a change, I line them up
them by focal length (which always looks a bit messy to me, as the wider
angle ones are disproportionately long)

I sometimes think that I need to get out more, but every time I mention it
to Mother, she gets angry and threatens to call the police again.

So I usually just go back into me room and mess around with my camera stuff,
sometimes taking the odd macro shot of my axe.
Michael Benveniste - 09 Dec 2005 23:16 GMT
>So I usually just go back into me room and mess around with my camera stuff,
>sometimes taking the odd macro shot of my axe.

Well, there ya go.  While an axe can do justice to a point-and-
shoot, the opposite isn't true.  As you can see here, my Coolpix
995 is clearly not up to the task of photographing my wife's
antique folding axe:

    http://webwhat.home.comcast.net/axe.jpg

The fact that I took this shot handheld, with a raw pop-up
flash and no thought to lighting or layout be damned.  I
switched to aperture priority mode didn't I?  I must have
spent at least 4 minutes going downstairs, arranging
permissions, carrying the axe upstairs, clearing a spot
on my bookcase, and laying the axe at the appropriate angle
for a 4:3 aspect ratio.  Then I had to, get this, _lean
over_ in order to shoot downwards!  And that doesn't count
the time spent resizing and posting the picture on the website
nor the time returning the axe to it's place of honor.

Clearly, the equipment is at fault.  I've already ordered
a D200 and SB-800, but what macro lens did you say you used?  
Should I wait for the AF-S VR Micro-Nikkor 105mm f/2.8G IF-ED
which someone on dpreview.com assures me is about to be
announced?  I need your expert advice.

The sad thing is how much of the above is true.

Signature

Michael Benveniste -- mhb-offer@clearether.com
Spam and UCE professionally evaluated for $419.  Use this email
address only to submit mail for evaluation.

Roger - 09 Dec 2005 20:35 GMT
>Serious question - let me explain.
>
>We love dslr's, we love lenses, flashguns, tripods, monopods, bags, and
>gadgets of every shape and size.

Yup and that may or may not have much to do with photography

>We spend (most of us) more than we can afford on this passion of ours, and
>always,it seems, the Holy Grail is almost within our grasp - if we can just
>get just one more lens with better CA & flare control, or one more body with
>a higher resolution sensor.......next year's model will the last camera I
>buy for, oh, five years....honest....

If you want gadgets and a place to dump money take up flying and
purchase a high performance airplane.  I don't think you can find more
toys in one spot.

>But (and here's the irony) a quick look through some of the on-line hosting
>sites will produce a thousand pictures that look quite fantastic - as sharp
>as you could wish for, with terrific detail, or dreamy bokeh, or stunning
>colours, the sort of pictures that we would have been immensely satisfied
>with a few years ago.  and a great many of these images were produced on 2,
>3, 4, and 5 megapixel 'compacts'!

Those who are photographers realize we are looking at a resolution of
less than 100 ppi on a monitor and at least 300 dpi  on a print and
take that into consideration.

>So why do they look so good? - because we view them on our monitors, and the
>monitor lends a brilliance and luminescence unachievable in even the highest
>quality print, and remember that those on-line images have been downsized
>for the web - on their owner's computers they will look even better!

Maybe if you want the image to glow, but I find images that are really
good are quite comparable between the monitor and the print.

>What's more, most people (myself included) don't print any, except the very
>best, of our images - we look at them on our monitors, so why do we need
>10mp (or even 6mp) cameras to produce our shots?

There is the crux of the matter.  It's like the difference between the
point and shoot crowd and serious photographers.  In simple terms if
you are only going to view on a monitor AND you are not going to be
cropping small chunks out of images and then enlarging them there is
absolutely no need for an expensive, high res camera.  I do a lot of
photography and rarely have I seen a need for more resolution than my
5 and 6 megapixel cameras provide.

>Because we've been taught to be in love with technology?, because boys love

Depending on my budget I'm one of those early adopters.  I build my
own computers, and am at least near the leading edge. I gave up on the
bleeding edge long ago and with 4 computers  (over 4 Terabytes on the
network) to keep running I'm slipping from leading edge to "adequate
for the job"

>toys?, because it flatters our vanity to cart around two or three thousand

Toys? I've always liked toys and technology. No one had to teach me
that. I come by it naturally.   As far as vanity, I purchase stuff to
use, not to show off, but yes it does make me feel better when I have
equipment I know is up to the task.

>pound/dollars worth of equipment?

All of my equipment gets stuffed into a back pack with the exception
of the one or two cameras.  Many of the places where I shoot (air
shows and races) there are many cameras that would make me go hide if
I had purchased my cameras for an ego boost. <:-))

>I dunno - but I do know that looking at old images taken on the sort of
>digital cameras that we despise today makes me realise just how much money
>I'm forking out for comparatively little extra return.

I've never had an obsolete camera! I have some very old ones for which
parts are no longer available, but they still work.  I still use my
first digital camera (Oly E20N) on a regular basis and probably close
to as much as I use the D70.  These cameras *are* up-to-the-task with
the only faults being the E20N is slooowwww and the D70 has no mirror
lock-up.  I even did out my old "Highland H2 Pentax" with the screw
mount lenses on rare occasion. That camera is about 45 years old.

I would add for the gentleman who wants to do some astrophotography;
That is not a simple field.  In the 10" telescope I use, Mars and
Jupiter are a very small portion of the overall image. To put it
bluntly, they are tiny.  So, you can use eyepiece projection, careful
guiding, patience, cold feet, (well, cold all over), lack of sleep,
the neighbors leaving their outside lights on just when you want to do
some photography, and maybe someone a few houses over who installs a
Mercury Vapor light bright enough to cast shadows in your yard...

Ahhh...where was I?  Spent to much time out in the cold weather the
other night...

Getting good astro images takes skill and no small amount of luck.
You are talking very long time exposures for deep sky objects, but the
advent of applications like "Stacker" allow you to take many shorter
duration images and stack them with the result being a much sharper
image with less noise than one long exposure.

You most likely will not want a higher power telescope for deep sky
objects, but you will want a larger one.  Many deep sky objects are
large. Very large such as the Andromeda Galaxy which is about 5 to 7
times the angular width of the full moon, but it's very faint.  This
time of year it should be overhead some where around midnight and it
is naked eye visible from a good location.  It's just so faint most
who do see it mistake it for thin, high clouds.

As to the black holes; as others have already said, they really aren't
visible and even the evidence of such is capable of being seen by only
the most powerful scopes used by professional astronomers.  I'm
eagerly awaiting the images from the very large optical telescope
array when all of the telescopes come on line.  Even with just one the
images are astounding and they will be combining the images from (As I
recall) five of these huge telescopes.

If you are seriously considering astrophotography, I'd suggest seeking
out a local astronomy club and working with them.

Roger Halstead (K8RI & ARRL life member)
(N833R, S# CD-2 Worlds oldest Debonair)
www.rogerhalstead.com
Wolfgang Weisselberg - 11 Dec 2005 01:53 GMT
> Serious question - let me explain.

Go on ... "lens crack".

> We love dslr's, we love lenses, flashguns, tripods, monopods, bags, and
> gadgets of every shape and size.

Nice way of ingratiating yourself, that "We love" ... typical
way of making you look one of the crowd.

> We spend (most of us) more than we can afford on this passion of ours,

Now you are talking about addicts, not about us.

> and
> always,it seems, the Holy Grail is almost within our grasp - if we can just
> get just one more lens with better CA & flare control, or one more body with
> a higher resolution sensor.......next year's model will the last camera I
> buy for, oh, five years....honest....

Definitively addicts, not photographers.

> But (and here's the irony) a quick look through some of the on-line hosting
> sites will produce a thousand pictures that look quite fantastic - as sharp
> as you could wish for,

also called way oversharpened.

> with terrific detail,

at 800x600?  *suuure*
I have one image that on the monitor, even at 1:1, is OK.  Printed,
it's WOW.  On 800x600 it'd not be anything special.

> or dreamy bokeh,

Oh, yes, because the only way to get that bokeh at 800x600 is
using a huge sensor and f1.x lenses.

> or stunning colours,

The saturation slider is known to me as well.

> the sort of pictures that we would have been immensely satisfied
> with a few years ago.

You might have been, true enough.

> and a great many of these images were produced on 2,
> 3, 4, and 5 megapixel 'compacts'!

Which only shows that there are some people with the skill to
photograph the decicive moment, the right motives, from the right
angle, etc.  And some of them know and use a small camera for
when they don't want to carry or risk a big camera.

> So why do they look so good?

Because we are ignoring all the ones that don't and only look
at the top 0.001%?

> - because we view them on our monitors, and the
> monitor lends a brilliance and luminescence unachievable in even the highest
> quality print,

Nope.  The same images would look good printed.

> and remember that those on-line images have been downsized
> for the web - on their owner's computers they will look even better!

Nope, downscaling will hurt bokeh, but will (if done right)
hide a LOT of noise and increase sharpness. Where you may have
white-l.gray-gray-d.gray-black in 3000 pixels, at 800 you will
have a clean white-black border.  So they may well look unsharp
and undefined at the owner's monitor.

> What's more, most people (myself included) don't print any, except the very
> best, of our images - we look at them on our monitors, so why do we need
> 10mp (or even 6mp) cameras to produce our shots?

You cannot print 2MP with 300dpi in more than 5x4".
And wouldn't that be a pity, the perfect shot and you cannot get
a large image ...

> Because we've been taught to be in love with technology?, because boys love
> toys?, because it flatters our vanity to cart around two or three thousand
> pound/dollars worth of equipment?

Because we want printable images if we manage one of the real
good ones?

> I dunno - but I do know that looking at old images taken on the sort of
> digital cameras that we despise today makes me realise just how much money
> I'm forking out for comparatively little extra return.

Then you should stop forking out money and break your addiction.
Try learning to use your tools effectively instead.

-Wolfgang
lens crack - 11 Dec 2005 03:43 GMT
>> Serious question - let me explain.
>
[quoted text clipped - 5 lines]
> Nice way of ingratiating yourself, that "We love" ... typical
> way of making you look one of the crowd.<

Mmm, I'm in with the in-crowd - aren't you? (you should try it! - lot's of
wonderful midnight processions with flaming torches, hearty communal
singing, and inspiring oratory from the speakers.  Rousing stuff, really...)

>> We spend (most of us) more than we can afford on this passion of ours,
>
> Now you are talking about addicts, not about us<

> Definitively addicts, not photographers.<<

Yes, I'm an addict Wolfgang - but I'm trying to overcome my addiction.  It's
My Struggle...

>> But (and here's the irony) a quick look through some of the on-line
>> hosting
[quoted text clipped - 3 lines]
>
> also called way oversharpened.<

All digital images are sharpened, Liebling, either in camera or in PP -
didn't you know that?

>> with terrific detail,
>
> at 800x600?  *suuure*
> I have one image that on the monitor, even at 1:1, is OK.  Printed,
> it's WOW.  On 800x600 it'd not be anything special.<

Stop strutting about, Wolfgang, and pay attention!  No-one mentioned 800x600
resolution.

>> or dreamy bokeh,
>
> Oh, yes, because the only way to get that bokeh at 800x600 is
> using a huge sensor and f1.x lenses.<<

There you go again! - what is it with you and 800x600?

>> or stunning colours,
>
> The saturation slider is known to me as well.<

You're not terribly keen on colour then, I take it?

>> the sort of pictures that we would have been immensely satisfied
>> with a few years ago.
>
> You might have been, true enough.<

I'm easily satisfied Wolfgang - that's why I'm replying to you.

> Which only shows that there are some people with the skill to
> photograph the decicive moment, the right motives, from the right
> angle, etc.  And some of them know and use a small camera for
> when they don't want to carry or risk a big camera.<

Do you usually go around stating the bleeding obvious?

> Because we are ignoring all the ones that don't and only look
> at the top 0.001%?<

Bloody good job as well! - the servers of the world are creaking under the
weight of billions of digital masterpieces!

>> - because we view them on our monitors, and the
>> monitor lends a brilliance and luminescence unachievable in even the
>> highest
>> quality print,
>
> Nope.  The same images would look good printed<

(sigh) my point was/is that only a relatively small number of people
actually print their shots! - therefore, the high resolutions obtained from
dslr's are largely wasted.  Do try and keep up.

>> and remember that those on-line images have been downsized
>> for the web - on their owner's computers they will look even better!
[quoted text clipped - 4 lines]
> have a clean white-black border.  So they may well look unsharp
> and undefined at the owner's monitor.

A novel theory - you've certainly mastered the art of talking bollocks!

>> What's more, most people (myself included) don't print any, except the
>> very
[quoted text clipped - 4 lines]
> And wouldn't that be a pity, the perfect shot and you cannot get
> a large image ...

Read my lips! - 'No more ta........sorry,  'Most people don't print!'

>> Because we've been taught to be in love with technology?, because boys
>> love
[quoted text clipped - 4 lines]
> Because we want printable images if we manage one of the real
> good ones?<

I said...........oh, bugger it!.......

>> I dunno - but I do know that looking at old images taken on the sort of
>> digital cameras that we despise today makes me realise just how much
[quoted text clipped - 3 lines]
> Then you should stop forking out money and break your addiction.
> Try learning to use your tools effectively instead.

That's odd! - I once went out with a girl who said the very same
thing!......
Kelly B - 11 Dec 2005 17:49 GMT
-->SNIP

> (sigh) my point was/is that only a relatively small number of people
> actually print their shots! - therefore, the high resolutions obtained  
> from
> dslr's are largely wasted.

  I don't know what sort of photgraphy you do primarily but in several  
fields a SLR is almost a must. Point & shoot cameras typically take longer  
to start up and have a lengthy shutter lag, sometimes resulting in missing  
a photo (My five year old constantly would turn just as I tried to snap a  
picture--Laods of fun!)
  I do a fair amount of wildlife and point & shoot cameras simply did not  
have the zoom capability I needed, I typically use a 200 f2.8 with 1.4X  
extender and still wish for a bit more reach. When I can afford it I will  
get that reach without buying a new camera and probably a faster lens at  
that than a fixed lens style.
  Finally the resolution and file size allow me to partially compensate  
for my inability to afford a fast 400 or 500mm lens by cropping with less  
loss of detail.

-->SNIP

>>> What's more, most people (myself included) don't print any, except the
>>> very best, of our images - we look at them on our monitors, so why do  
>>> we need 10mp (or even 6mp) cameras to produce our shots?

  I print only the best shots, but I can print up to 13 X 19 at home. Even  
at 8.5 X 11 the extra quality allows me to crop for a better picture--I'm  
talking wildlife not landscapes so zooming with my feet is not an option.

-->SNIP
>>> Because we've been taught to be in love with technology?, because boys
>>> love
>>> toys?, because it flatters our vanity to cart around two or three
>>> thousand
>>> pound/dollars worth of equipment?

  Partially guilty here, but the main reason I buy the best I can afford  
is the better capability. And showing off a WOW image that I took is  
better than fluanting expensive equipment that doesn't say anything about  
my ability.

-->SNIP

>>> I dunno - but I do know that looking at old images taken on the sort of
>>> digital cameras that we despise today makes me realise just how much
>>> money
>>> I'm forking out for comparatively little extra return.

  If your equipment can do everything you want it to, why on earth would  
you waste money buying more for no benefit? I spend on new equipment to  
get faster lenses I can use in dim environs (morning in the woods, indoor  
sporting events, my kids school events, etc.) without resorting to flash.  
I also want sharper pics and more reach. I agonized over spending some  
serious $$$ (for me) on my first L lens, after the first photo session I  
had no doubt it was worth the investment. Your results may be different.

Kelly

Signature

Using Opera's revolutionary e-mail client: http://www.opera.com/mail/

Wolfgang Weisselberg - 12 Dec 2005 17:54 GMT
> "Wolfgang Weisselberg" <ozcvgtt02@sneakemail.com> wrote in message

>> Nice way of ingratiating yourself, that "We love" ... typical
>> way of making you look one of the crowd.<

> Mmm, I'm in with the in-crowd - aren't you? (you should try it! - lot's of
> wonderful midnight processions with flaming torches, hearty communal
> singing, and inspiring oratory from the speakers.  Rousing stuff, really...)

I oppose burning books, I oppose burning flags, so why should
I condone burning religious symbols, like crosses?  I can't
breathe well under hoods either and I look kinda silly in that
white garb.  I'd rather photograph them and sell the pics to the
press (attorneys get them for free for work-related purposes).

> Yes, I'm an addict Wolfgang - but I'm trying to overcome my addiction.  It's
> My Struggle...

Ok, 10 weeks no more internet, give all your photographic
gear to your local dealer, do something else for a while.

>>> But (and here's the irony) a quick look through some of the on-line
>>> hosting sites will produce a thousand pictures that look quite
>>> fantastic - as sharp as you could wish for,

>> also called way oversharpened.<

> All digital images are sharpened, Liebling, either in camera or in PP -
> didn't you know that?

Oh, I know even analog film is sharpened due to chemical
interactions during development.  But you should read slower.
These first 4 letters, I shall spell them out for you,
"Oscar", "Victor", "Echo", "Romeo", they do have a specific
meaning.  Go back, read again.

>>> with terrific detail,

>> at 800x600?  *suuure*
>> I have one image that on the monitor, even at 1:1, is OK.  Printed,
>> it's WOW.  On 800x600 it'd not be anything special.<

> Stop strutting about, Wolfgang, and pay attention!  No-one mentioned 800x600
> resolution.

Well, what *is* the typical web photo size?  Something around
800x600, or smaller, right?

>>> or dreamy bokeh,

>> Oh, yes, because the only way to get that bokeh at 800x600 is
>> using a huge sensor and f1.x lenses.<<

> There you go again! - what is it with you and 800x600?

see above.  Or are your web photos 3kx4k pixels, for the
browser to scale down?

>>> or stunning colours,

>> The saturation slider is known to me as well.<

> You're not terribly keen on colour then, I take it?

Black and white has it's uses, yes.  But you don't do that by
desaturation, do you?

However, color overdone is overdone.  Stunning only in the
context of stun guns, stun grenades and tasers.

>>> the sort of pictures that we would have been immensely satisfied
>>> with a few years ago.

>> You might have been, true enough.<

> I'm easily satisfied Wolfgang - that's why I'm replying to you.

So how comes you are addicted?

>> Which only shows that there are some people with the skill to
>> photograph the decicive moment, the right motives, from the right
>> angle, etc.  And some of them know and use a small camera for
>> when they don't want to carry or risk a big camera.<

> Do you usually go around stating the bleeding obvious?

Well, that IS why some web pictures are great, they were
great to begin with.

>> Because we are ignoring all the ones that don't and only look
>> at the top 0.001%?<

> Bloody good job as well! - the servers of the world are creaking under the
> weight of billions of digital masterpieces!

Let me go to any photo community and I can point out pictures
that are not sharp, not stunning, not good looking, not bokehy,
colorful in a "renders you unconcious" way, ... and are at best
simply unremarkable.  In other words, not at all what you
described.

>>> - because we view them on our monitors, and the
>>> monitor lends a brilliance and luminescence unachievable in even the
>>> highest
>>> quality print,

>> Nope.  The same images would look good printed<

> (sigh) my point was/is that only a relatively small number of people
> actually print their shots! - therefore, the high resolutions obtained from
> dslr's are largely wasted.  Do try and keep up.

Your point was that DSLRs are a waste of time and you don't
get:
- If I want or need to crop a picture, I need the MP
- If I want or need little depth sharpness, I need the large sensor
- If I want or need to print a picture *large* with a high DPI
 (and real detail, not simply blown up interpolations, thank you
 very much), I need the MP.  And I want to print my best pictures.
- If I want or need to do available darkness photography, I need
 the large sensor cells.
- If I want or need longer tele, well, do you know any non-DSLR
 with 500mm (35mm-equiv) and a usable picture?

Therefore, your point is well taken, if you *always* restrict
printing to small pictures, *always* crop little or nothing,
*always* photograph with full flash or with lots of light, if you
*always* use no more than 420mm (35mm equiv) and don't *ever*
care about separating objects by shallow depth of field, well,
you probably don't need a DSLR.

>>> and remember that those on-line images have been downsized
>>> for the web - on their owner's computers they will look even better!

>> Nope, downscaling will hurt bokeh, but will (if done right)
>> hide a LOT of noise and increase sharpness. Where you may have
>> white-l.gray-gray-d.gray-black in 3000 pixels, at 800 you will
>> have a clean white-black border.  So they may well look unsharp
>> and undefined at the owner's monitor.

> A novel theory - you've certainly mastered the art of talking bollocks!

So you claim downscaling increases bokeh, increses noise and
decreases sharpness?

Or do you care to point out what you belive I said wrong, so I
can disprove your theory?

>>> What's more, most people (myself included) don't print any, except the
>>> very
>>> best, of our images - we look at them on our monitors, so why do we need
>>> 10mp (or even 6mp) cameras to produce our shots?

>> You cannot print 2MP with 300dpi in more than 5x4".
>> And wouldn't that be a pity, the perfect shot and you cannot get
>> a large image ...

> Read my lips! - 'No more ta........sorry,  'Most people don't print!'

Most people don't own a DSLR, so there.

>>> Because we've been taught to be in love with technology?, because boys
>>> love
>>> toys?, because it flatters our vanity to cart around two or three
>>> thousand
>>> pound/dollars worth of equipment?

>> Because we want printable images if we manage one of the real
>> good ones?<

> I said...........oh, bugger it!.......

You said, yes, but that does not apply to most people with DSLRs.
Which is why you are wrong.

>>> I dunno - but I do know that looking at old images taken on the sort of
>>> digital cameras that we despise today makes me realise just how much
>>> money
>>> I'm forking out for comparatively little extra return.

>> Then you should stop forking out money and break your addiction.
>> Try learning to use your tools effectively instead.

> That's odd! - I once went out with a girl who said the very same
> thing!......

Which is a good indication I was right (again).  Cut your
addiction, learn how to use your tools effectively.

Yes, that includes your camera.

-Wolfgang
sisal - 13 Dec 2005 18:57 GMT
>> "Wolfgang Weisselberg" <ozcvgtt02@sneakemail.com> wrote in message
>
[quoted text clipped - 12 lines]
> white garb.  I'd rather photograph them and sell the pics to the
> press (attorneys get them for free for work-related purposes).

Sheets and pointy hats are so passé these days!

I much prefer the smartly turned out look of highly polished leather and
healthy tanned (not *too* tanned, of course!) faces surmounting a crisply
ironed black shirt.....

Add a belt with a snappy emblem, and perhaps a luger in a leather holster,
and one is presentable enough for any courtroom.

>> Yes, I'm an addict Wolfgang - but I'm trying to overcome my addiction.
>> It's
>> My Struggle...
>
> Ok, 10 weeks no more internet, give all your photographic
> gear to your local dealer, do something else for a while.<

Yes, I do need to catch up on the recruiting.......

> Oh, I know even analog film is sharpened due to chemical
> interactions during development.  But you should read slower.
> These first 4 letters, I shall spell them out for you,
> "Oscar", "Victor", "Echo", "Romeo", they do have a specific
> meaning.  Go back, read again.<

These things are always so damned subjective, Wolfgang - one man's nicely
sharpened image is another man's post-processed nightmare.  In much the same
way that one man's solution to vexing social problems is another man's idea
of mass murder.

>> Stop strutting about, Wolfgang, and pay attention!  No-one mentioned
>> 800x600
>> resolution.
>
> Well, what *is* the typical web photo size?  Something around
> 800x600, or smaller, right?<

I don't think so, not any more.  As larger monitors become standard, image
sizes are on the up.

>>>> or dreamy bokeh,

> see above.  Or are your web photos 3kx4k pixels, for the
> browser to scale down?<<

There you go again! - drawing conclusions from things I never said!   I was
referring to 'most people' viewing their photo's on their own PC's - no need
for web compression

> Black and white has it's uses, <

Their respective roles used to be clearly defined, Wolfgang, but now the
Devil finds work for idle hands, and the missionary is obliged to carry his
own harmonium!   It's a sick world that we're living in.

> However, color overdone is overdone.<

Well, on that point, I couldn't agree with you enough! - we hear a damn
sight too much about colour, if you ask me!

>> I'm easily satisfied Wolfgang - that's why I'm replying to you.
>
> So how comes you are addicted?<<

Dunno - they say (in the Party) that I'm weak willed - and they are probably
correct.

>>> Which only shows that there are some people with the skill to
>>> photograph the decicive moment, the right motives, from the right
[quoted text clipped - 17 lines]
> colorful in a "renders you unconcious" way, ... and are at best
> simply unremarkable.<<

Ah - been viewing mine, have you?

However, let's not judge on that basis, you know perfectly well that there
are any number of stunning images taken with low resolution cameras, and
that it's virtually impossible (on screen) to tell the difference between
those and images produced by an expensive dslr (hence my question, 'Are we
being suckered?')

> Therefore, your point is well taken, if you *always* restrict
> printing to small pictures, *always* crop little or nothing,
> *always* photograph with full flash or with lots of light, if you
> *always* use no more than 420mm (35mm equiv) and don't *ever*
> care about separating objects by shallow depth of field, well,
> you probably don't need a DSLR<

Glory! - you've seen the light!.......

.
>>> Nope, downscaling will hurt bokeh, but will (if done right)
>>> hide a LOT of noise and increase sharpness. Where you may have
[quoted text clipped - 6 lines]
> So you claim downscaling increases bokeh, increses noise and
> decreases sharpness?

Downscaling for the web plays havoc with images, as you well know! - you
argumentative little scamp, you!

> You said, yes, but that does not apply to most people with DSLRs.
> Which is why you are wrong.<

Ah - no, that's where *you* are wring!

What evidence have you got that shows dslr owners printing more images than
the owners of less exalted cameras!

Every study on the subject has shown that a majority of digital camera
owners (including slr's)  do not print more than a miniscule amount of their
shots.

>  Cut your
> addiction, learn how to use your tools effectively.<<

Er,I though that you were participating in this thread for precisely that
reason!......
Xeke - 13 Dec 2005 21:45 GMT
> These things are always so damned subjective, Wolfgang - one man's nicely
> sharpened image is another man's post-processed nightmare.  In much the same
> way that one man's solution to vexing social problems is another man's idea
> of mass murder.

Are you talking about George Bush?

>>>"Wolfgang Weisselberg" <ozcvgtt02@sneakemail.com> wrote in message
>>
[quoted text clipped - 151 lines]
> Er,I though that you were participating in this thread for precisely that
> reason!......

Signature

Xeke
Canon S1 IS & EOS 300d/Digital Rebel
--
Home page http://xekes.com
Photo gallery http://xekes.com/gallery
Flickr http://flickr.com/photos/xekes

Wolfgang Weisselberg - 14 Dec 2005 15:09 GMT
> "Wolfgang Weisselberg" <ozcvgtt02@sneakemail.com> wrote in message
>>> "Wolfgang Weisselberg" <ozcvgtt02@sneakemail.com> wrote in message

>> Oh, I know even analog film is sharpened due to chemical
>> interactions during development.  But you should read slower.
>> These first 4 letters, I shall spell them out for you,
>> "Oscar", "Victor", "Echo", "Romeo", they do have a specific
>> meaning.  Go back, read again.<

> These things are always so damned subjective, Wolfgang - one man's nicely
> sharpened image is another man's post-processed nightmare.

You'll find the more people become involved in photography the
more they see previously "nicely sharpened" as "post-processed
nightmare", so there.

> In much the same way that one man's solution to vexing social problems
> is another man's idea of mass murder.

And I think we can agree that the "nicely sharpened" solution to
vexing social problems is inacceptable.

>>> Stop strutting about, Wolfgang, and pay attention!  No-one mentioned
>>> 800x600
>>> resolution.

>> Well, what *is* the typical web photo size?  Something around
>> 800x600, or smaller, right?<

> I don't think so, not any more.  As larger monitors become standard, image
> sizes are on the up.

What are the common image sizes *today*?

>>>>> or dreamy bokeh,

>> see above.  Or are your web photos 3kx4k pixels, for the
>> browser to scale down?<<

> There you go again! - drawing conclusions from things I never said!   I was
> referring to 'most people' viewing their photo's on their own PC's - no need
> for web compression

A common monitor is 0.8 to 1.3MPix.  Add the start bar, the
window borders, the dressing, and you are soon in the
800-1000 pixel range.  Scaled down they are, obviously.

>> Black and white has it's uses, <

> Their respective roles used to be clearly defined, Wolfgang, but now the
> Devil finds work for idle hands, and the missionary is obliged to carry his
> own harmonium!   It's a sick world that we're living in.

Which Devil?

>> Let me go to any photo community and I can point out pictures
>> that are not sharp, not stunning, not good looking, not bokehy,
>> colorful in a "renders you unconcious" way, ... and are at best
>> simply unremarkable.<<

> Ah - been viewing mine, have you?

I wouldn't know.

> However, let's not judge on that basis, you know perfectly well that there
> are any number of stunning images taken with low resolution cameras,

Any number is wrong, I can easily claim that a number higher
than all images ever taken is any number, and that less
"stunning images taken with low resolution cameras" exist.

What you mean is that there are quite a few of them.  Many of
them will be from DSLRs with simply fewer MP.

> and
> that it's virtually impossible (on screen) to tell the difference between
> those and images produced by an expensive dslr (hence my question, 'Are we
> being suckered?')

Go try that on Available light shots.  Especially those with
people or other moving things in them.

And even though degraded, the bokeh of a f/1.4 lens on a
large sensor will look different than an f/2.8 on a tiny one.

>> Therefore, your point is well taken, if you *always* restrict
>> printing to small pictures, *always* crop little or nothing,
>> *always* photograph with full flash or with lots of light, if you
>> *always* use no more than 420mm (35mm equiv) and don't *ever*
>> care about separating objects by shallow depth of field, well,
>> you probably don't need a DSLR<

> Glory! - you've seen the light!.......

The light says I have *every* reason to use a DSLR, for I do
about *all* of the above.

>>>> Nope, downscaling will hurt bokeh, but will (if done right)
>>>> hide a LOT of noise and increase sharpness. Where you may have
>>>> white-l.gray-gray-d.gray-black in 3000 pixels, at 800 you will
>>>> have a clean white-black border.  So they may well look unsharp
>>>> and undefined at the owner's monitor.

>>> A novel theory - you've certainly mastered the art of talking bollocks!

>> So you claim downscaling increases bokeh, increses noise and
>> decreases sharpness?

> Downscaling for the web plays havoc with images, as you well know! - you
> argumentative little scamp, you!

Let me ask you:
Does downscaling help or hinder Bokeh?
Does downscaling help or hinder noise in the image?
Does downscaling help or hinder sharpness?

Go ahead, answer.

>> You said, yes, but that does not apply to most people with DSLRs.
>> Which is why you are wrong.<

> Ah - no, that's where *you* are wring!

> What evidence have you got that shows dslr owners printing more images than
> the owners of less exalted cameras!

Myself, for example.

> Every study on the subject has shown that a majority of digital camera
> owners (including slr's)  do not print more than a miniscule amount of their
> shots.

Doesn't matter, as we are comparing those "miniscule amounts"
between the groups --- which one prints more?  I wasn't claimimg
DSLR-people print all images.

-Wolfgang
Frank ess - 14 Dec 2005 21:15 GMT
<snippage has occurred>

>> What evidence have you got that shows dslr owners printing more
>> images than the owners of less exalted cameras!
[quoted text clipped - 8 lines]
> between the groups --- which one prints more?  I wasn't claimimg
> DSLR-people print all images.

It's "minuscule".

Signature

Frank ess
"You know my method, Watson.
It is founded upon
the observation of trifles."
 —Sherlock Holmes—

"All of philosophy consists of unlocking, exhuming,
and recanting what's been said before,
and then getting riled up about it."
 —V.S. Ramachandran—

Wolfgang Weisselberg - 15 Dec 2005 12:43 GMT
> <snippage has occurred>

>>> What evidence have you got that shows dslr owners printing more
>>> images than the owners of less exalted cameras!
[quoted text clipped - 8 lines]
>> between the groups --- which one prints more?  I wasn't claimimg
>> DSLR-people print all images.

> It's "minuscule".

Apart from the spelling (thanks): your math's off.

Assume:
   0.01%  of the DSLR images are printed
   0.001% of the non-DSLR-images are printed
that's minuscule, but still 10 times as many of the DSLR images
are printed, which is quite a difference.

-Wolfgang
Frank ess - 15 Dec 2005 16:48 GMT
>> <snippage has occurred>
>
[quoted text clipped - 21 lines]
> that's minuscule, but still 10 times as many of the DSLR images
> are printed, which is quite a difference.

Nuh uh. Not me. I don't _have_ any maths.

--
Frank ess
"In this universe there are things
that just don't yield to thinking
—plain or fancy—Dude".
—J. Spicoli, PolyPartyPerson
cjcampbell - 14 Dec 2005 08:14 GMT
Even if you are printing your photos, you are still being suckered. The
truth is, with all of today's technical advances, no one takes better
photos now than they did with the equipment available 100 years ago.
The only thing is that cameras have gotten a little lighter and they do
some common tasks automatically for you, but that is it.

I had a Kodak Brownie box camera when I was 8 years old. After nearly
fifty years of taking pictures with more and more expensive equipment,
my pictures still look as terrible as those I took with the Brownie
(sorry, Ken Rockwell, but I haven't learned anything since I was 8
years old, either :-) ).

Okay, now at least I know they look terrible, so maybe I have learned
that. But it has nothing to do with equipment.

One thing that modern equipment does let me do: I can now take hundreds
or even thousands of terrible photos while on a single vacation instead
of just the few dozen allowed by my film budget. Then I can post them
on the Internet where people can look at them and make polite "nice
picture" remarks and I can look at their terrible pictures and say the
same thing.
Xeke - 14 Dec 2005 13:34 GMT
Well first you have to define what you mean by no one is taking better
pictures than with century old equipent can do. If you're talking about
picture quality, I have an old Kodak 35mm film camera, a Polaroid and an
Digital Rebel SLR. I can DEFINATELY tell the difference in not only
clarity but also color between the two. I can also see the difference
between my Powershot S1 and the Digital Rebel photos.

The pics from my 35mm look soft, a little grainy and not clearly defined
lines. The Polaroid, well, it looks like a Polaroid; flat. My PowerShot
S1 takes far better pics but you can start seeing some depth in the
photos. But my Rebel the lines are clearly defined, the colors are
vibrant but I can also see some depth; it looks like I captured the
exact photo with the camera.

So, I'm sorry I have to disagree when you say that we are all still
being suckered because we are taking no better photos than 100 years ago.

I'm not a professional but I love to take photos especially now I can do
it since I don't drag the film to the finishers and have to wait on film
to develop.

Now if you mean as far as changing settings to get the photo you want,
than maybe true, you still have to adjust your exposure and stuff but
digital cameras have made it easy for novices like me to understand.
Although I did have to take a digital photography class to get the
basics of photography down, but once I learned that, it was a whole lot
easier. I definately would not have tried it with a film cam.

So still I have to disagree with you. Digicams have made it easy for
knuckleheads like me to understand and now that I know what to look for
in an image, I am definately taking better pics than I did just 1 year ago.

> Even if you are printing your photos, you are still being suckered. The
> truth is, with all of today's technical advances, no one takes better
[quoted text clipped - 17 lines]
> picture" remarks and I can look at their terrible pictures and say the
> same thing.
G.T. - 15 Dec 2005 05:07 GMT
> So still I have to disagree with you. Digicams have made it easy for
> knuckleheads like me to understand and now that I know what to look for
> in an image, I am definately taking better pics than I did just 1 year ago.

Yep.  I'm looking forward to your photos of blackholes.

Greg
cjcampbell - 16 Dec 2005 02:05 GMT
> Well first you have to define what you mean by no one is taking better
> pictures than with century old equipent can do. If you're talking about
> picture quality, I have an old Kodak 35mm film camera, a Polaroid and an
> Digital Rebel SLR. I can DEFINATELY tell the difference in not only
> clarity but also color between the two. I can also see the difference
> between my Powershot S1 and the Digital Rebel photos.

But are you taking better pictures than Ansel Adams did 100 years ago?
Or Henri Cartier-Bresson did?

> The pics from my 35mm look soft, a little grainy and not clearly defined
> lines. The Polaroid, well, it looks like a Polaroid; flat. My PowerShot
> S1 takes far better pics but you can start seeing some depth in the
> photos. But my Rebel the lines are clearly defined, the colors are
> vibrant but I can also see some depth; it looks like I captured the
> exact photo with the camera.

Good equipment makes taking good pictures easier, but it is not what
makes you an artist.

> So, I'm sorry I have to disagree when you say that we are all still
> being suckered because we are taking no better photos than 100 years ago.

I was being a little sarcastic there. Forgot the smiley. However, we
are not taking better photos than people were 100 years ago. What most
people seem to be doing is simply taking more photos.

<snip>
> So still I have to disagree with you. Digicams have made it easy for
> knuckleheads like me to understand and now that I know what to look for
> in an image, I am definately taking better pics than I did just 1 year ago.

I would agree that this is probably the most valuable contribution that
digital cameras have made (I cannot bring myself to use the word
'digicams,' it makes my skin crawl, a personal hangup, but I will not
think less of you for using it. :-) ) Digital cameras enable you to
gain a great deal more experience more quickly and for a lot less money
-- as long as you are willing to study your photos and learn from them.
Otherwise, you are just taking a lot more terrible photos.
Colin D - 16 Dec 2005 08:01 GMT
> > Well first you have to define what you mean by no one is taking better
> > pictures than with century old equipent can do. If you're talking about
[quoted text clipped - 5 lines]
> But are you taking better pictures than Ansel Adams did 100 years ago?
> Or Henri Cartier-Bresson did?

Er, small nitpick.  Adams was born in 1902, Bresson in 1908.  Neither
were taking photos 100 years ago.

<snip>

Colin D.
cjcampbell - 16 Dec 2005 10:00 GMT
Yes, I know that. But 100 years is close enough.

<grumble> Now there will be someone who claims Moses wandered in the
desert for 46.3179 years, not 40 as the Bible says. <grumble>
Charles Self - 16 Dec 2005 11:09 GMT
>> > Well first you have to define what you mean by no one is taking better
>> > pictures than with century old equipent can do. If you're talking about
[quoted text clipped - 9 lines]
> Er, small nitpick.  Adams was born in 1902, Bresson in 1908.  Neither
> were taking photos 100 years ago.

OK. 75 years ago, and, no, I'm not taking better pictures than either one,
but, then, I'm not hauling Adams 8x10 view camera around, with a calendar in
hand to time my shots, among other differences.

It is easier to be a *good* photographer these days than it was in, say,
1925 or 1930, or even 1949 when I got my first camera, but it is never going
to be easy to be a *great* photographer.
Frank ess - 16 Dec 2005 20:21 GMT
>>>> Well first you have to define what you mean by no one is taking
>>>> better pictures than with century old equipent can do. If you're
[quoted text clipped - 22 lines]
> is
> never going to be easy to be a *great* photographer.

I believe you are not taking into account an accommodation in another
dimension: I have personally seen, here in this froup, unchallenged
references to the Canon Powershot A620 as a "great" camera that takes
"great" pictures. I'd bet that in that frame of reference there are
myriad "great" photographers wandering about the world at this very
moment, making "great" photograph after "great" photograph.

"Neither *was*..." Nitpickally er-speaking.

I am closer to taking Truly Great (in the antiquated but legitimate
sense) than I was pre-digital, if only because -- assuming I have a
Great picture queued up within -- the gar_bahge_ will be sorted
through and tossed aside much sooner.

Why, just this morning I felt labor pains, and didn't think the Work
was due until next year! I bet if I had more MP in my camera and more
tools in my quiver, the blessed event would occur even sooner!

No, seriously. I agree with Mr Self: Good enough for gummint work, or
a little better, is easier these days, but there is no such thing as
"easy genius". Although it may be possible to approach Truly Great
without possessing True Genius by learning and application of effort
and intelligence, to the point where there is little chance that Mr/s
Hoi Polloi can distinguish between products, Genius by definition is a
step beyond.

Signature

Frank ess
"I can't sing,
but I know how to,
which is quite different."
-- Noel Coward

Kelly B - 14 Dec 2005 14:40 GMT
> Even if you are printing your photos, you are still being suckered. The
> truth is, with all of today's technical advances, no one takes better
[quoted text clipped - 17 lines]
> picture" remarks and I can look at their terrible pictures and say the
> same thing.

  Yeah, well my wife says I take great pictures! So does my mom! And my  
kids! Are you trying to imply they are just sparing my feelings or  
something!!!

Kelly

Signature

Using Opera's revolutionary e-mail client: http://www.opera.com/mail/

Wolfgang Weisselberg - 15 Dec 2005 13:25 GMT
> Even if you are printing your photos, you are still being suckered.

Am I?

> The
> truth is, with all of today's technical advances, no one takes better
> photos now than they did with the equipment available 100 years ago.

Which is because taking good photographs are not dependent on
equipment, as long as the equipment is good enough.

However, good equipment makes it much easier or at all
possible to get photographs in first place.  (Try capturing
fast moving objects 100 years ago!)

> The only thing is that cameras have gotten a little lighter and they do
> some common tasks automatically for you, but that is it.

You are so wrong, I don't even know where to start, looking
to 1905:
- larger film magazine
- negible cost per image
- lens coating (see flare/ghosting)
- much much higher light sensitivity and much much less noise
 at that
- much faster exposure times
- colour
- good variable (aka zoom) lenses
- much much improved flashlight, both luggable and studio
 hence possible 1/10.000s and 1/100.000s exposures.
- green and red sensitive film (and sensors).  At least in
 the 1890 the film was still only activated by blue light,
 and todays b/w film often still isn't sensible to red light
 (hence the red light in the dark room), so that you'd get b/w
 images comparable to using a blue filter today.  You'd have to
 paint in clouds, for the sky would be completely white.
- IR sensitive film (and sensors).

> I had a Kodak Brownie box camera when I was 8 years old. After nearly
> fifty years of taking pictures with more and more expensive equipment,
> my pictures still look as terrible as those I took with the Brownie
> (sorry, Ken Rockwell, but I haven't learned anything since I was 8
> years old, either :-) ).

> Okay, now at least I know they look terrible, so maybe I have learned
> that. But it has nothing to do with equipment.

So you are not a photographer but a snapshoter.  Thus no
photographer can use the better equipment for anything?

Thus I get suckered, too?

> One thing that modern equipment does let me do: I can now take hundreds
> or even thousands of terrible photos while on a single vacation instead
> of just the few dozen allowed by my film budget. Then I can post them
> on the Internet where people can look at them and make polite "nice
> picture" remarks and I can look at their terrible pictures and say the
> same thing.

This is perfectly possible with photographic equipment of 1905.
You just need to adjust your filmbudget (don't buy a digital
camera, buy film and development and a scanner instead

-Wolfgang
cjcampbell - 16 Dec 2005 01:55 GMT
Now, Wolfgang, calm down for a minute. You must realize that there was
more than a little tongue in cheek in my post. And I could not resist
poking a little fun at Ken Rockwell, who is often saying how he can
take pictures with his Brownie box camera that are just as good as
those he takes with latest in digital equipment. It just struck me as
funny that that can be taken two ways. :-)

But there is some truth, too, which I think you would agree with. First
of all, if you can't take a decent picture with a simple camera, buying
more expensive equipment is not going to solve your problem. I would
expect you to be one of the last guys around here to disagree with
that.

I agree with you that good equipment makes your task easier. I would
even go so far as to say that it makes learning photography easier,
because it is less in your way and you can take more pictures than you
can with older equipment. You can acquire a lot more experience a lot
more quickly and far less expensively than you could before.

Consider Ansel Adams, for example. Here is a guy who took the most
fantastic photos ever with what is now 100 year old equipment. But he
could not take nearly as many photos as easily as he could have with
modern equipment. Who knows what Ansel Adams would have been able to
accomplish with a modern camera? No doubt it would have been fantastic.
But at the same time, who has taken better pictures with the latest
gadgetry than Ansel Adams did 100 years ago? I will grant that Adams
simply could not have done some of the things that technology allows us
to do now. But from a purely artistic standpoint he has never been
surpassed.

And it is not just Ansel Adams, either. The same could be said for any
of the great photographers. Do you really think that Henri
Cartier-Bresson's photos would have been much different if he had had
available to him the wonders we take for granted? Or would you agree
with me that Bresson probably could have taken better pictures with a
cheap cell phone than most of the gearheads who call themselves
photographers nowadays are able to produce with the latest equipment?
Andrew Haley - 16 Dec 2005 12:27 GMT
> Now, Wolfgang, calm down for a minute. You must realize that there
> was more than a little tongue in cheek in my post.

Shrug.  People post bizarre nonsense on this list all the time.  And
it's easy to claim you were only kidding.

> And I could not resist poking a little fun at Ken Rockwell, who is
> often saying how he can take pictures with his Brownie box camera
> that are just as good as those he takes with latest in digital
> equipment. It just struck me as funny that that can be taken two
> ways. :-)

> But there is some truth, too, which I think you would agree
> with. First of all, if you can't take a decent picture with a simple
> camera, buying more expensive equipment is not going to solve your
> problem.

You're confusing good=complicated/expensive, bad=simple/cheap.  

The simplest camera I use is a Fuji GW 690, but its quality is
fabulous.  As was the quality of Adams' view cameras and
Cartier-Bresson's Leica.  I'm forever reading that it's the quality of
the photographer, not the quality of the camera, but I note that
renowned photographers seem to use really good cameras.  Gee, I wonder
why that is.

> And it is not just Ansel Adams, either. The same could be said for
> any of the great photographers. Do you really think that Henri
[quoted text clipped - 4 lines]
> themselves photographers nowadays are able to produce with the
> latest equipment?

According to Wikipedia, Cartier-Bresson used a Zeiss 50/1.5 Sonnar.
In the early 1950s the price of a Zeiss 50/1.5 Sonnar was supposedly
the equivalent of two month's salary for a person on average income.
About $10k equivalent, in other words.  But strangely, he didn't buy a
cheaper lens.

Andrew.
Wolfgang Weisselberg - 16 Dec 2005 17:35 GMT
> Now, Wolfgang, calm down for a minute.

I am calm.  You have not seen me un-calm yet.

> You must realize that there was
> more than a little tongue in cheek in my post.

I *must*?  Says who?  "ought to", maybe, maybe not.

> And I could not resist
> poking a little fun at Ken Rockwell, who is often saying how he can
> take pictures with his Brownie box camera that are just as good as
> those he takes with latest in digital equipment. It just struck me as
> funny that that can be taken two ways. :-)

It can be taken both ways.  I've been claiming that a good
photographer could outshoot a non-photographer and his most
expensive camera even with a mobile phone camera.

On the other hand, if you know how to take good photographs,
you still can take them (at times) with simple gear.

> But there is some truth, too, which I think you would agree with. First
> of all, if you can't take a decent picture with a simple camera, buying
> more expensive equipment is not going to solve your problem.

Wrong.  Go try that with hand-held (reporting) available light
photography, or long-time exposure with a sorry excuse of a tripod.

> I would expect you to be one of the last guys around here to disagree
> with that.

Well, you have not yet experienced me split hair, do you?

> I agree with you that good equipment makes your task easier.

Sometimes it makes it possible in first place.  Go try
shooting action pics using daguerrotypie or 1850's paper or
glass negatives.  No, no flash allowed.

> I would
> even go so far as to say that it makes learning photography easier,
> because it is less in your way and you can take more pictures than you
> can with older equipment. You can acquire a lot more experience a lot
> more quickly and far less expensively than you could before.

I'd say for learning a full manual only digital camera would be
much better.

> Consider Ansel Adams, for example. Here is a guy who took the most
> fantastic photos ever with what is now 100 year old equipment.

He also spent hours and hours developing and masking and
printing and and and his photos.

> But he
> could not take nearly as many photos as easily as he could have with
> modern equipment. Who knows what Ansel Adams would have been able to
> accomplish with a modern camera? No doubt it would have been fantastic.

Maybe, maybe not --- he needed to learn what he did, and he may
not have learned previsualization with LCD monitors on cameras, he
may not have learned darkroom techniques with photoshop, he might
not have understood his own zone system with automatic exposure ...

> But at the same time, who has taken better pictures with the latest
> gadgetry than Ansel Adams did 100 years ago? I will grant that Adams
> simply could not have done some of the things that technology allows us
> to do now. But from a purely artistic standpoint he has never been
> surpassed.

Can we name Michelangelo as surpassing Adams?

> And it is not just Ansel Adams, either. The same could be said for any
> of the great photographers. Do you really think that Henri
> Cartier-Bresson's photos would have been much different if he had had
> available to him the wonders we take for granted?

Oh yes.  His images would be crisper, sharper, less noisy, in
darker areas, maybe even with still faster lenses.  

> Or would you agree
> with me that Bresson probably could have taken better pictures with a
> cheap cell phone than most of the gearheads who call themselves
> photographers nowadays are able to produce with the latest equipment?

I've been making these arguments.

But then, how much did Adams spend on his gear (translate to
2005-USD, please)?  And Bresson?  I guess they did not go with
the cheapest producer, and the slowest, worst lenses ...

-Wolfgang
Roger - 17 Dec 2005 07:02 GMT
>Now, Wolfgang, calm down for a minute. You must realize that there was
>more than a little tongue in cheek in my post. And I could not resist
[quoted text clipped - 8 lines]
>expect you to be one of the last guys around here to disagree with
>that.

Back in my first college photography course, "Introduction to
Photography" we were required to use cameras with manual settings,
develop our own film, and make out own 8 X 12 *uncropped*, B&W prints.
After getting a presentable print with the proper tonal range we were
allowed to crop and burn.

It's amazing how much having to print the entire negative with no
cropping improved our images.<:-)) and many of us had been shooting
for years with pretty good results.  Big difference between pretty
good and what we were doing by the end of the class.

In addition as this was an art class we were expected to follow the
rules of Theme, form, rythm, and repetition. We were also expected to
use the rule of thirds, diagonal lines... We also learned to use the
"zone system"

>I agree with you that good equipment makes your task easier. I would
>even go so far as to say that it makes learning photography easier,
>because it is less in your way and you can take more pictures than you
>can with older equipment. You can acquire a lot more experience a lot
>more quickly and far less expensively than you could before.

I'm not so sure that is always a blessing.  For many it is, but there
are also many who would just resort to "shotgunning", or pressing the
button more often in "hope" of getting a good shot.  I do wonder what
the ratio of the number of shooters who improve is to the number who
just "shoot more" with out learning a thing.

Many years ago and when I was a bit ... wellll... smaller and in much
better shape and worked out regularly, a guy came up to me at the gym
and asked what I thought was wrong with his program.  He was a long
distance runner. He had added weight training to his regular aerobic
work outs and running.  He said no matter how hard he worked he seemed
to be losing both strength and stamina.   The guy was over training so
badly it's a wonder he hadn't ended up with health problems.

I pointed him to one of the counselors and said I think she can help.

I liken that runner to many of the photographers.  He thought more was
better, but he didn't have a plan or specifics to work on.  Just
shooting more doesn't do much except use a lot of memory.

Shooting more while working on composition, the rules of art, colors,
a theme, trying to shoot an image that makes a statement, these all
are a goal and direction. Something to work on and for.

I seriously doubt digital will do much for the first, but compared to
film it reduces the cost, time involved, and allows the second to
really work on those goals.

Probably most photographers fall some where in between, but knowing
where you want to go, how to get there, and a willing ness to work on
the required technique makes a big difference.

>Consider Ansel Adams, for example. Here is a guy who took the most
>fantastic photos ever with what is now 100 year old equipment. But he
[quoted text clipped - 6 lines]
>to do now. But from a purely artistic standpoint he has never been
>surpassed.

Ansel Adams composed his images ahead of time. He knew what he wanted
when he was setting up the camera.  He also did a lot of his artistry
in the dark room.  

>And it is not just Ansel Adams, either. The same could be said for any
>of the great photographers. Do you really think that Henri
>Cartier-Bresson's photos would have been much different if he had had
>available to him the wonders we take for granted? Or would you agree

Remember too the format these photographers were using.

>with me that Bresson probably could have taken better pictures with a
>cheap cell phone than most of the gearheads who call themselves
>photographers nowadays are able to produce with the latest equipment?

Certainly better composed and with better artistic elements, but I'm
pretty sure the cell phone isn't up to the technical standards to
which these photographers worked. <:-))

Wellll...Back to the shop.

Roger Halstead (K8RI & ARRL life member)
(N833R, S# CD-2 Worlds oldest Debonair)
www.rogerhalstead.com
David Dyer-Bennet - 18 Dec 2005 08:09 GMT
> Even if you are printing your photos, you are still being suckered. The
> truth is, with all of today's technical advances, no one takes better
> photos now than they did with the equipment available 100 years ago.
> The only thing is that cameras have gotten a little lighter and they do
> some common tasks automatically for you, but that is it.

Having looked through several books of photos taken 100 years ago, I
have to disagree.  Static landscapes, their technology wasn't a
limitation (but I do like color, sometimes).  For portraits, there are
tradeoffs.  For wildlife photos and sports action photos, what we can
do today has it so far over what the equipment 100 years ago could do
that I literally couldn't find anything to compare the modern images
*to*.  

> I had a Kodak Brownie box camera when I was 8 years old. After nearly
> fifty years of taking pictures with more and more expensive equipment,
> my pictures still look as terrible as those I took with the Brownie
> (sorry, Ken Rockwell, but I haven't learned anything since I was 8
> years old, either :-) ).

Sorry about that!  I've gotten a *lot* better since I was 8, myself.
(Not to claim I'm actually *any good* now; but I sure am *better*!!!)
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Paul Furman - 18 Dec 2005 18:05 GMT
> For wildlife photos and sports action photos, what we can
> do today has it so far over what the equipment 100 years ago could do
> that I literally couldn't find anything to compare the modern images
> *to*.  

There was a historic series of photos showing a horse in frozen action,
some guy figured