>>One with one of the latest ultra zoom (say 28mm-400mm equivalents)
>>point and shoots and the other person with a DSLR with a zoom with
[quoted text clipped - 7 lines]
> I'd say that the artistic (and in my book, art presupposes
> techinical talent) talent will get the best images.
His question kind of presupposes two photographers with roughly
equivalent skills. The answer with that assumption is that it depends
on the subject matter and intended output format.
The DSLR will obviously win on landscape shots (wider angle, better
aperture range, better dynamic range, higher quality glass and
sensor), probably continue to win on portraits and scenes in less than
optimal light.
The P&S will absolutely dominate wildlife shots in bright light, even
at a 5MP to 8MP disadvantage, unless the glass on it absolutely
sucks. It may also dominate other scenes 12 hours of shooting later,
where the carrier of the heavier DSLR is too tired to keep his arms
from shaking.
It's kind of an unrealistic comparison, however, because the owner of
the DSLR will probably also have a telephoto lens to cover the
necessary range.
Personally, I'm quite fascinated by the release of the Panasonic
FZ-30. I was rather underimpressed by the FZ-20, but the FZ-30 looks
like an excellent compromise between flexibility, weight, and quality
-- at least if the lens and sensor quality bears out to be decent.
If it does, I will probably pick it up this winter to be a backup
camera to my 20D.

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Zed Pobre <zed@resonant.org> a.k.a. Zed Pobre <zed@debian.org>
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RichA - 23 Jul 2005 05:35 GMT
>>>One with one of the latest ultra zoom (say 28mm-400mm equivalents)
>>>point and shoots and the other person with a DSLR with a zoom with
[quoted text clipped - 26 lines]
>the DSLR will probably also have a telephoto lens to cover the
>necessary range.
I doubt that for one reason, the people buying the entry level DSLRs
are not the same as people who bought SLRs 15 years ago. Go into the
better photographic stores and just listen to some of the customers
buying DSLRs. You can tell they've never owned anything more complex
than a P&S. They buy the DSLR with whatever lens is being pushed
(mostly the kits) by the seller and really don't think (at that point)
about longer lenses, especially fixed-focal length lenses.
>Personally, I'm quite fascinated by the release of the Panasonic
>FZ-30. I was rather underimpressed by the FZ-20, but the FZ-30 looks
>like an excellent compromise between flexibility, weight, and quality
>-- at least if the lens and sensor quality bears out to be decent.
The crying shame of it is that they can't afford to put a really good
sensor in a point and shoot right now. Some of the marketing even
defies logic. Fuji puts the low noise sensor in the T10, a crappy
little silver point and shoot instead of in a prosumer. Why???
As cheap DSLRs keep being introduced, the chances of getting a
prosumer with a decent sensor is even more remote.
>If it does, I will probably pick it up this winter to be a backup
>camera to my 20D.
Pete D - 27 Jul 2005 12:09 GMT
What utter rubbish, the same people that bought SLR's 15 or 20 or 30 years
ago, will buy the cheap end because that is what they can afford.
> I doubt that for one reason, the people buying the entry level DSLRs
> are not the same as people who bought SLRs 15 years ago. Go into the
[quoted text clipped - 18 lines]
>>If it does, I will probably pick it up this winter to be a backup
>>camera to my 20D.