>>>Your shooting
>>>doesn't magically alter the sensor's physical characteristics relative
>>>to a skilled shooter.
>>There is no skill in choosing an optimal f-stop, shutter speed, and ISO?
>>If you don't know exactly what you're doing, it is very easy to
>>under-expose. You need to know what shutter speed you can get away
>>with, what f-stop, etc. Shooting at ISO 1600 instead of 800, with the
>>same f-stop and shutter speed, will give less noise. Most people don't
>>even know that.
>On which cameras?
Canon 10D and 20D (10D doesn't really have analog 1600, though).
>I've shot three stops under at 50ISO which is like
>shooting at 400 and I find 400 at the correct exposure more noisy.
>I'll have to try some more tests.
Did you try manual mode, just changing the ISO? EC doesn't always work
as expected in auto modes. The RAW converter could be doing something
weird, as well.
Of course, what I said does not apply when the ISO is "pushed"
mathematically, rather than amplified. For example, my 20D has a "3200"
mode, but it's just ISO 1600 with an implied -1 EC, and a doubling of
the RAW data. Useful mainly for JPEGs, or simplifying flash operation.
I've disabled the 3200 on my 20D; when it gets dark, I just under-expose
at ISO 1600.

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RichA - 12 Jun 2005 05:31 GMT
>>>>Your shooting
>>>>doesn't magically alter the sensor's physical characteristics relative
[quoted text clipped - 26 lines]
>I've disabled the 3200 on my 20D; when it gets dark, I just under-expose
>at ISO 1600.
It's probably very similar anyway. The noise in higher ISO shots
looks alot like underexposure. Only thing is that saturation and
contrast levels are better-maintained when using a high ISO setting
as opposed to just pushing (underexposing) a lower ISO.
-Rich
JPS@no.komm - 12 Jun 2005 16:42 GMT
>y. The noise in higher ISO shots
>looks alot like underexposure. Only thing is that saturation and
>contrast levels are better-maintained when using a high ISO setting
>as opposed to just pushing (underexposing) a lower ISO.
Yes, the posterization of under-exposure at low ISOs makes the data
swing wider. An tiny difference in the levels recorded in two different
pixels (including the noise) at ISO 100 can make the difference 16x as
big in the final output as it can at ISO 1600.

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