Hi all...
Was just thinking the other day, what with video fast increasing resolution
do you think there will come a time where certain fields of photography will
not be around any more?
E.g Take sports photography. Say video cams in 5 years time has the same
resolution as todays high end digital slrs. At 25fps (PAL) why would you pay
a photographer for his image of a say the exact moment when Juan Pablo
Montoya hits the wall at 180 miles per hour, when you could get the video
editor to go through the footage 2 seconds before and after the crash and
pick the best of 100 images?
The same goes for Tennis, Football and all the other high speed sports.
Will the fly-fishing Cartier-Bresson 'Decisive Moment' model of photographer
be replaced by the John West driftnet fishing model.
Frank ess - 03 Jun 2005 02:34 GMT
> Hi all...
>
[quoted text clipped - 16 lines]
> Will the fly-fishing Cartier-Bresson 'Decisive Moment' model of
> photographer be replaced by the John West driftnet fishing model.
It already is: plenty of front page stop-the-presses images have been
grabbed off satellite feeds and published as first-available
deadline-makers.

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Frank ess
Alan Browne - 03 Jun 2005 14:48 GMT
>> Will the fly-fishing Cartier-Bresson 'Decisive Moment' model of
>> photographer be replaced by the John West driftnet fishing model.
>
> It already is: plenty of front page stop-the-presses images have been
> grabbed off satellite feeds and published as first-available
> deadline-makers.
And usually look it. But that is news, it's acceptable, even desirable
for fast breaking news to use whatever is available quickest that helps
the story. But real still photography will trump video frame grabs when
available.

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David Dyer-Bennet - 03 Jun 2005 05:17 GMT
> Was just thinking the other day, what with video fast increasing resolution
> do you think there will come a time where certain fields of photography will
[quoted text clipped - 6 lines]
> editor to go through the footage 2 seconds before and after the crash and
> pick the best of 100 images?
Video cams won't have that resolution. They don't need it for
anything, and it's *obscenely* expensive. Think of the data rates
those video cams would have to handle; that's what guarantees they'd
be obscenely expensive.
Besides, what's a good frame as one frame of a video isn't the same
thing as what's a good frame for a still photo. The video frames
*need to* be slightly blurry in the faster-moving areas, to avoid
flickering badly, for one thing.

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RichA - 03 Jun 2005 09:01 GMT
>> Was just thinking the other day, what with video fast increasing resolution
>> do you think there will come a time where certain fields of photography will
[quoted text clipped - 16 lines]
>*need to* be slightly blurry in the faster-moving areas, to avoid
>flickering badly, for one thing.
I can only relate this to amateur astronomy, but the most detailed
pictures of the moon and planets are being done by taking the
"footage" from 30fps webcams and combining thousands of shots into
one.
This yields the most detail and sharpest images, after processing.
But, the subjects are "static" enough so that the frames being
combined show no change in the planet's aspect. But, a race car
would be out of the question.
-Rich
Steve Franklin - 03 Jun 2005 11:36 GMT
<snip>
> Video cams won't have that resolution. They don't need it for
> anything, and it's *obscenely* expensive. Think of the data rates
[quoted text clipped - 5 lines]
> *need to* be slightly blurry in the faster-moving areas, to avoid
> flickering badly, for one thing.
I have to disagree with you there..
Resolution is an obvious area for improvement and has been the one constant
improvement in video over the years. VHS to video 8 to hi 8 to DV25 to DV50
to Hi definition it keeps on increasing all the time.
As for data rates. When I bought my first computer in 1995 my 2 Gb drive was
incredibly expensive. In 10 years I can buy a drive with more than 200x more
capacity for half the price and it's getting cheaper all the time. At the
same time video editing on that computer was out of the question, now I can
transfer and edit 13Gb per hour of footage as easy as you like.
but I guess only time will tell....
leo - 03 Jun 2005 15:48 GMT
> <snip>
>
[quoted text clipped - 21 lines]
>
> but I guess only time will tell....
We are not saying it will never happen but not anytime soon because it
needs thousands of a second to stop a fast motion.
David Dyer-Bennet - 03 Jun 2005 17:13 GMT
> <snip>
>>
[quoted text clipped - 13 lines]
> improvement in video over the years. VHS to video 8 to hi 8 to DV25 to DV50
> to Hi definition it keeps on increasing all the time.
Sure, it'll improve. But current still cameras have considerably more
resolution than what's needed for theatrical projection, so why bother
with more?
> As for data rates. When I bought my first computer in 1995 my 2 Gb
> drive was incredibly expensive. In 10 years I can buy a drive with
> more than 200x more capacity for half the price and it's getting
> cheaper all the time. At the same time video editing on that
> computer was out of the question, now I can transfer and edit 13Gb
> per hour of footage as easy as you like.
You did notice that you're mostly addressing *capacity*, not *rate*,
right? Capacity has been going up *immensely* faster than rate.

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Alan Browne - 03 Jun 2005 14:44 GMT
> Hi all...
>
> Was just thinking the other day, what with video fast increasing resolution
> do you think there will come a time where certain fields of photography will
> not be around any more?
1) The resolution of video is nowhere close to a $200 P&S digital, never
mind an SLR at 5 Mpix and more. I'm not even sure if the dynamic range
of video is up to that of the same P&S.
2) For video, the eye is following action and movement. Not the same
experience as photogrphy at all.
3) Star Wars is rendered at something on the order of 1.4 Mpix / frame,
yet gives the audience a very, very rich visual experience (which hasn't
helped the dialog one bit).
4) Photography (still) and videography have different objectives in what
they capture.
5) You can disperse dozens of still photographers with sparse equipment
loads all over a sports event. Video is less flexible, and more BW is
needed to relay the signal to the van. (Each camera can tape too, of
course).
So, no I don't think the 'still' photographer will disappear from
sporting events.

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rlking - 24 Aug 2005 05:50 GMT
Still photography and vidography are opposite sides of the same coin.
However, the art forms are much different in that Still photography requires
much talent to get the shot in time. Where as the vidiographer just pulls
the trigger and has the pick of the liter following the event. It's two
different perspectives. The still photographer will always be necessary for
still shots. The vidiographer on the other hand will never require the same
skill or talent to capture the moment.
Robert King
>> Hi all...
>>
[quoted text clipped - 23 lines]
> So, no I don't think the 'still' photographer will disappear from sporting
> events.
Paul H. - 24 Aug 2005 16:45 GMT
> >> Hi all...
> >>
> >> Was just thinking the other day, what with video fast increasing
> >> resolution do you think there will come a time where certain fields of
> >> photography will not be around any more?
>>>Snip<<<
> > So, no I don't think the 'still' photographer will disappear from sporting
> > events.
> Still photography and vidography are opposite sides of the same coin.
> However, the art forms are much different in that Still photography requires
[quoted text clipped - 3 lines]
> still shots. The vidiographer on the other hand will never require the same
> skill or talent to capture the moment.
Well, I don't know if I'd consider the sports photographer a true
photographer in the classic sense of the word-- he or she is mostly a
five-frames-per-second videographer, standing on the sidelines with an
image-stablized, pre-focussed long lens, a pre-metered exposure setting and
holding a finger on the shutter button as a play unfolds, hoping that one of
the cranked-out auto exposures will catch "the moment", as they often do.
Nothing wrong with that, of course, but sports "photography" is to still
photography as MacDonalds is to good home cooking.
JPS@no.komm - 04 Jun 2005 16:44 GMT
>At 25fps (PAL) why would you pay
>a photographer for his image of a say the exact moment when Juan Pablo
>Montoya hits the wall at 180 miles per hour, when you could get the video
>editor to go through the footage 2 seconds before and after the crash and
>pick the best of 100 images?
1/25 of a second is an epoch in the world of instantaneous action
photography.

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Paul H. - 06 Jun 2005 18:06 GMT
> Hi all...
>
[quoted text clipped - 13 lines]
> Will the fly-fishing Cartier-Bresson 'Decisive Moment' model of photographer
> be replaced by the John West driftnet fishing model.
I notice you neglected to mention curling, the most photo-friendly sport in
existence. To me, capturing that frenetic broom action is the sole reason
cameras were invented.
Scott W - 06 Jun 2005 18:45 GMT
> Hi all...
>
[quoted text clipped - 13 lines]
> Will the fly-fishing Cartier-Bresson 'Decisive Moment' model of photographer
> be replaced by the John West driftnet fishing model.
Whereas this might happen someday I rather doubt that it will happen in
5 years,
or even 10 for that matter. With more and more DH video there will be
more stills taken off of video but it still will not compare to a good
still camera.
Still I expect the frame rate of digital cameras to continue to
increase. But someone who is really good can time the shutter very
well, so the fame rate would have to be very high before you could do
better then just pushing the shutter at the right time.
Scott
Dirty Harry - 08 Jun 2005 07:17 GMT
> > Hi all...
> >
[quoted text clipped - 26 lines]
>
> Scott
Walked up to the sink and took this on the first shot
http://harryphotos.com/droplogo.jpg took about another 200 and didnt get one
as good lol.