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Photo Forum / Film Photography / Darkroom / January 2006

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xtol for Tmax films - good way to go?

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foto phred - 15 Jan 2006 22:00 GMT
Several magazines have suggested that one of the best developer-combinations for the Tmax films is XTOL. I have only seen it in the 5 liter size, but could live with that. Anybody with experience in this? Thanks

--
foto phred
Jean-David Beyer - 16 Jan 2006 12:26 GMT
> Several magazines have suggested that one of the best
> developer-combinations for the Tmax films is XTOL. I have only seen it in
>  the 5 liter size, but could live with that. Anybody with experience in
> this? Thanks.

Yes. Kodak stopped making the 1-litre size because they had problems with it
that they thought were related to the packaging. Perhaps so. So now they
make only larger sizes.

I happen to like Xtol 1+1 on TMX and TMY films. There are others who say it
is unsuitable for outdoor work, which is mostly where I use it. YMMV. There
is no escaping testing.

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Claudio Bonavolta - 16 Jan 2006 20:32 GMT
foto phred a écrit :
> Several magazines have suggested that one of the best developer-combinations for the Tmax films is XTOL. I have only seen it in the 5 liter size, but could live with that. Anybody with experience in this? Thanks.

Xtol is my main developer, a very good general purpose developer, one of
the best acutance/grain size/speed combinations.
I use it with TMX, TMY and Acros but also conventional film (PanF, FP4+,
HP5+, Tri-X).
For 35mm work I prefer the 1+1 dilution.

Best regards,
Claudio Bonavolta
http://www.bonavolta.ch
Fedor Pavlovic - 17 Jan 2006 08:59 GMT
Claudio Bonavolta ha scritto:
> foto phred a écrit :
>
[quoted text clipped - 8 lines]
> HP5+, Tri-X).
> For 35mm work I prefer the 1+1 dilution.

For me is the same, now I use it 1+2 (less expensive) time is about x
1,4 from 1+1 diluitons at 24 C°

I Use it on TMY, TXP and Acros 100 on 6x6 films.
UC - 16 Jan 2006 20:42 GMT
I disagree.

T-Max films are inherently fine-grained and lack the edge
sharpness/acutance that conventinal films have, and Xtol does not
possess an agressive character, so the result is a sort of too-smooth
look. Xtol also does not provide much compensation. which TMY
desperately needs.

I hate TMY anyway, but Xtol makes it even worse. It's the LAST
developer I'd use with it.

> Several magazines have suggested that one of the best developer-combinations for the Tmax films is XTOL. I have only seen it in the 5 liter size, but could live with that. Anybody with experience in this? Thanks.
>
[quoted text clipped - 5 lines]
>
> Send  from http://www.photographytalk.net
Fedor Pavlovic - 17 Jan 2006 09:13 GMT
UC ha scritto:
 Xtol also does not provide much compensation. which TMY
> desperately needs.

Not much ? 6 stop from the white wall and the dark side of the tire
  http://www.lorenzoborra.it/1000/7.html

for me is enough.
Jean-David Beyer - 17 Jan 2006 12:12 GMT
> I disagree.
>
[quoted text clipped - 3 lines]
> look. Xtol also does not provide much compensation. which TMY
> desperately needs.

Compensation for what? Exposure error? Development time error?

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UC - 17 Jan 2006 13:51 GMT
> > I disagree.
> >
[quoted text clipped - 5 lines]
> >
> Compensation for what? Exposure error? Development time error?

'Compensation' means developing the highlights less and the shadows
more, through controlling the concentration of the developer.

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Jean-David Beyer - 17 Jan 2006 14:14 GMT
>>> I disagree.
>>>
[quoted text clipped - 8 lines]
> 'Compensation' means developing the highlights less and the shadows more,
> through controlling the concentration of the developer.

I do happen to know that. But is it something that needs doing
_as a general rule_? In my experience, to the extent that they work,
compensating developers decrease highlight contrast. In the old days, this
was a bad idea because the films shouldered off too much already. But these
days they do not. Why bring this fault back with clever developers?

I agree that there may be times when you are willing to sacrifice highlight
contrast in order to get some highlight detail without burning and preserve
mid-tone contrast as well (if that were not an objective, then just develop
less and sacrifice mid-tone contrast), but not as a routine thing.

I tested split-development that is said to be a compensating trick with 4164
Tri-X especially. The results were the exact opposite of what was claimed.
The highlights did not shoulder off at all, but the density of the shadow
areas was increased. I.e., it made the toe even longer, resulting in a speed
increase of about one stop, but a further reduction of shadow contrast.

I was using D-25 as the first bath and for the second bath, a solution of 2%
sodium sulphite and 2% sodium metaborate. This combination is just awful for
TMax films, but I did not really like the lengthened toe I got on Tri-X
either because it gave the same results as a high flare lens.

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UC - 17 Jan 2006 14:54 GMT
> >>> I disagree.
> >>>
[quoted text clipped - 11 lines]
> I do happen to know that. But is it something that needs doing
> _as a general rule_?

Not always, it depends on the curve shape. But since we're talking
about TMY, most especially.

> In my experience, to the extent that they work,
> compensating developers decrease highlight contrast.

Precisely the point. Reducing the excessive steepnes of the T-Max 400
film highlights.

> In the old days, this
> was a bad idea because the films shouldered off too much already. But these
> days they do not. Why bring this fault back with clever developers?

It's not a fault! It's not exactly 'shouldering' either. . Roll films
with mixed contrast scenes need this! Neopan 400, Tri-X, HP5 Plus all
do this. TMY does not.

Look at the curves for Neopan 400 or Tri-X Pan:

http://www.retrophotographic.com/PDFs/fujifilm_neopan_400.pdf

http://www.kodak.com/global/en/professional/support/techPubs/f4017/f009_0490ac.gif

Now look at TMY:

http://www.kodak.com/global/en/professional/support/techPubs/f4016/f002_0507ac.gif

The difference is clear. That's why I don't use or recommmend TMY.
Compensating development helps a little, but even with compensating
development TMY does not do what I want it to do.

> I agree that there may be times when you are willing to sacrifice highlight
> contrast in order to get some highlight detail without burning and preserve
> mid-tone contrast as well (if that were not an objective, then just develop
> less and sacrifice mid-tone contrast), but not as a routine thing.

Yes, for reportage photography it is indeed a routine thing. That's why
Tri-X is the most popular B&W film ever. Compensating development is
really not needed with Tri-X.

> I tested split-development that is said to be a compensating trick with 4164
> Tri-X especially. The results were the exact opposite of what was claimed.
> The highlights did not shoulder off at all, but the density of the shadow
> areas was increased. I.e., it made the toe even longer, resulting in a speed
> increase of about one stop, but a further reduction of shadow contrast.

Is this Tri-X Pro sheet film? It may behave a little differently. Split
development is something that I have tried but have not had much
success with. I experimented with a glycin-potassium carbonate two-bath
developer for TMY. I varied the proportions of the two ingredients in
the separate baths, but no matter what I did the results were simply
not satisfactory. The answer was to stop screwing with TMY. TMY is
simply NOT suited for outdoor work. End of story.

> I was using D-25 as the first bath and for the second bath, a solution of 2%
> sodium sulphite and 2% sodium metaborate. This combination is just awful for
> TMax films, but I did not really like the lengthened toe I got on Tri-X
> either because it gave the same results as a high flare lens.

Two-bath development is really not as good as simply greater dilution.
Crawley has said as much, and my experience confrims it.

My basic conclusion is that the film manufacturers have an easier time
controlling the curve shape than we do. In the past, Kodak and others
made a much wider variety of films with a wide variety of curve shapes
for different purposes: Commercial, portrait, press. Each film was
well-adapted to that purpose. Since so few emulsion types remain, some
are forced to use stuio films outdoors. Royal Pan (ISO 400), for
instance, was really closer to a press film, but Tri-X Professional
(ISO 320) is the one that survived, so you're stuck with it. Super XX
was better yet for outdoor work.

Ektapan is gone.
Royal Pan is gone.
Super-XX is gone.
Ortho-X is gone.
Super Speed Ortho Portrait is gone.
Super Ortho Press is gone.
Commercial Ortho is gone.
Royal Ortho is gone.
Super-Panchro Press Type B is gone.
Panatomic-X is gone.

Kodak is trying to say that T-Max can be used to replace all of these,
and it's simply not true.

> --
>   .~.  Jean-David Beyer          Registered Linux User 85642.
>   /V\  PGP-Key: 9A2FC99A         Registered Machine   241939.
>  /( )\ Shrewsbury, New Jersey    http://counter.li.org
>  ^^-^^ 09:05:00 up 18 days, 23:52, 4 users, load average: 4.30, 4.29, 4.19
UC - 17 Jan 2006 14:55 GMT
> >>> I disagree.
> >>>
[quoted text clipped - 11 lines]
> I do happen to know that. But is it something that needs doing
> _as a general rule_?

Not always, it depends on the curve shape. But since we're talking
about TMY, most especially.

> In my experience, to the extent that they work,
> compensating developers decrease highlight contrast.

Precisely the point. Reducing the excessive steepnes of the T-Max 400
film highlights.

> In the old days, this
> was a bad idea because the films shouldered off too much already. But these
> days they do not. Why bring this fault back with clever developers?

It's not a fault! It's not exactly 'shouldering' either. . Roll films
with mixed contrast scenes need this! Neopan 400, Tri-X, HP5 Plus all
do this. TMY does not.

Look at the curves for Neopan 400 or Tri-X Pan:

http://www.retrophotographic.com/PDFs/fujifilm_neopan_400.pdf

http://www.kodak.com/global/en/professional/support/techPubs/f4017/f009_0490ac.gif

Now look at TMY:

http://www.kodak.com/global/en/professional/support/techPubs/f4016/f002_0507ac.gif

The difference is clear. That's why I don't use or recommmend TMY.
Compensating development helps a little, but even with compensating
development TMY does not do what I want it to do.

> I agree that there may be times when you are willing to sacrifice highlight
> contrast in order to get some highlight detail without burning and preserve
> mid-tone contrast as well (if that were not an objective, then just develop
> less and sacrifice mid-tone contrast), but not as a routine thing.

Yes, for reportage photography it is indeed a routine thing. That's why
Tri-X is the most popular B&W film ever. Compensating development is
really not needed with Tri-X.

> I tested split-development that is said to be a compensating trick with 4164
> Tri-X especially. The results were the exact opposite of what was claimed.
> The highlights did not shoulder off at all, but the density of the shadow
> areas was increased. I.e., it made the toe even longer, resulting in a speed
> increase of about one stop, but a further reduction of shadow contrast.

Is this Tri-X Pro sheet film? It may behave a little differently. Split
development is something that I have tried but have not had much
success with. I experimented with a glycin-potassium carbonate two-bath
developer for TMY. I varied the proportions of the two ingredients in
the separate baths, but no matter what I did the results were simply
not satisfactory. The answer was to stop screwing with TMY. TMY is
simply NOT suited for outdoor work. End of story.

> I was using D-25 as the first bath and for the second bath, a solution of 2%
> sodium sulphite and 2% sodium metaborate. This combination is just awful for
> TMax films, but I did not really like the lengthened toe I got on Tri-X
> either because it gave the same results as a high flare lens.

Two-bath development is really not as good as simply greater dilution.
Crawley has said as much, and my experience confrims it.

My basic conclusion is that the film manufacturers have an easier time
controlling the curve shape than we do. In the past, Kodak and others
made a much wider variety of films with a wide variety of curve shapes
for different purposes: Commercial, portrait, press. Each film was
well-adapted to that purpose. Since so few emulsion types remain, some
are forced to use studio films outdoors. Royal Pan (ISO 400), for
instance, was really closer to a press film, but Tri-X Professional
(ISO 320) is the one that survived, so you're stuck with it. Super XX
was better yet for outdoor work.

Ektapan is gone.
Royal Pan is gone.
Super-XX is gone.
Ortho-X is gone.
Super Speed Ortho Portrait is gone.
Super Ortho Press is gone.
Commercial Ortho is gone.
Royal Ortho is gone.
Super-Panchro Press Type B is gone.
Panatomic-X is gone.

Kodak is trying to say that T-Max can be used to replace all of these,
and it's simply not true.

> --
>   .~.  Jean-David Beyer          Registered Linux User 85642.
>   /V\  PGP-Key: 9A2FC99A         Registered Machine   241939.
>  /( )\ Shrewsbury, New Jersey    http://counter.li.org
>  ^^-^^ 09:05:00 up 18 days, 23:52, 4 users, load average: 4.30, 4.29, 4.19
Frank Pittel - 17 Jan 2006 09:33 GMT
: Several magazines have suggested that one of the best developer-combinations for the Tmax films is XTOL. I have only seen it in the 5 liter size, but could live with that. Anybody with experience in this? Thanks.

I've never gotten past the problem of XTOL going dead without warning. As
a result I decided to go with the Tmax developer. I use Tmax-rs with sheet
film and Tmax with roll film.

Signature

-------------------
Keep working millions on welfare depend on you

ericm1600@yahoo.com - 21 Jan 2006 13:51 GMT
> Several magazines have suggested that one of the best
> developer-combinations for the Tmax films is XTOL. I have only seen it
> in the 5 liter size, but could live with that. Anybody with experience
> in this? Thanks.

Yes.  When using it with Tmax, make sure you have at least 100 ml of
developer for every roll.  Follow Kodak's recommendations, and you'll be
fine.

For the Neopan line, I've gone down to about 60 ml per roll with fine
results.  (1:3 dilution)  Tmax needs more, though.  Will do fine with 1:3
dilution, but you can't develop 4 rolls in a liter tank with just 250ml of
developer (and 750ml water), like you can with Neopan.
John - 21 Jan 2006 18:29 GMT
>> Several magazines have suggested that one of the best
>> developer-combinations for the Tmax films is XTOL. I have only seen it
[quoted text clipped - 9 lines]
>dilution, but you can't develop 4 rolls in a liter tank with just 250ml of
>developer (and 750ml water), like you can with Neopan.

And perform a snip test. Snip the leader of your film and toss it in
the developer for a minute or two to see if the developer is still
active. Unlike other developers Xtol gives no indication of failure.
None of us are infallible but too many qualified people have been
burnt by this problem for it to be poor procedure. There is a bug in
the formula and too many possibilities for failure. In the end
D-76/ID-11, T-Max RS Microphen are nearly as good as Xtol in
granularity and speed and far more dependeable. To date there has
never been a significant report of a MQ or PQ formulas failing to
develop significant quantities of film without some indication that
the developer was contaminated or exhausted.

John
Rod Smith - 24 Jan 2006 22:47 GMT
> Several magazines have suggested that one of the best
> developer-combinations for the Tmax films is XTOL. I have only seen it
> in the 5 liter size, but could live with that. Anybody with experience
> in this? Thanks.

XTOL is a controversial developer because it has a tendency to fail
suddenly and without giving any indications (color change, for instance).
People who've been bitten by this often recommend against using XTOL,
often with a passion. Others like XTOL a lot for some or all films and
either haven't experienced the "XTOL sudden death" or have taken a more
philosophical stance on the event.

Here's a page with lots of XTOL information:

http://www.covingtoninnovations.com/xtol/

You'll also turn up lots of information by Googling on "XTOL," but be
aware that much of what you'll find will be the emotional pro-/anti-XTOL
debates.

Signature

Rod Smith, rodsmith@rodsbooks.com
http://www.rodsbooks.com
Author of books on Linux, FreeBSD, and networking

Nicholas O. Lindan - 25 Jan 2006 00:18 GMT
> foto phred <foto.phred.21q8qy@no-mx.photographytalk.net> writes:
> > ... best developer-combinations for the Tmax films is XTOL.
> > Anybody with experience?
> XTOL is a controversial developer because it has a tendency to fail
> suddenly

XTOL/TMax-100 is, IMAO, the pinnacle of general-purpose B&W negative
making.  Like most pinnacles, most people live lower down the mountain:
it's safer.

I think you should try the combination, give yourself an
original assignment to go out on, shoot a roll of TMax-100
and soup it XTOL.  Costs less than taking yourself to a
movie and is most likely more entertaining.

Signature

Nicholas O. Lindan, Cleveland, Ohio
Consulting Engineer:  Electronics; Informatics; Photonics.
To reply, remove spaces: n o lindan at ix  . netcom . com
Fstop timer -  http://www.nolindan.com/da/fstop/index.htm

UC - 25 Jan 2006 01:27 GMT
> > foto phred <foto.phred.21q8qy@no-mx.photographytalk.net> writes:
> > > ... best developer-combinations for the Tmax films is XTOL.
[quoted text clipped - 5 lines]
> making.  Like most pinnacles, most people live lower down the mountain:
> it's safer.

Bullshit, as usual.

T-Max films have certain peculiar charactersitics that make them less
useful for certain applications. Ditto for Xtol. It's ALWAYS a
trade-off.The finer grain of T-Max films is achieved only at the
expense of exposure latitude and tonal separation in the deeper
mid-tones/upper shadow areas.Conventional films offer better shadow
separation and greater latitude.

> I think you should try the combination, give yourself an
> original assignment to go out on, shoot a roll of TMax-100
[quoted text clipped - 6 lines]
> To reply, remove spaces: n o lindan at ix  . netcom . com
> Fstop timer -  http://www.nolindan.com/da/fstop/index.htm
UC - 25 Jan 2006 01:34 GMT
I forgot to add that the somewhat finer grain of Xtol is achieved at
the expense of acutance.

> > foto phred <foto.phred.21q8qy@no-mx.photographytalk.net> writes:
> > > ... best developer-combinations for the Tmax films is XTOL.
[quoted text clipped - 16 lines]
> To reply, remove spaces: n o lindan at ix  . netcom . com
> Fstop timer -  http://www.nolindan.com/da/fstop/index.htm
Dana H. Myers - 25 Jan 2006 06:56 GMT
>> foto phred <foto.phred.21q8qy@no-mx.photographytalk.net> writes:
>>> ... best developer-combinations for the Tmax films is XTOL.
[quoted text clipped - 5 lines]
> making.  Like most pinnacles, most people live lower down the mountain:
> it's safer.

LOL.

Years ago, I'd printed a few 16x20s from 35mm TMX souped in
Xtol 1+1.  I was consistently asked what medium-format camera/film
I'd used for them.  However, if you shoot in variable light, the
combo can bite you pretty easily.  The tonal rendition is also
not particularly traditional - not everyone will like it.  Whatever.

> I think you should try the combination, give yourself an
> original assignment to go out on, shoot a roll of TMax-100
> and soup it XTOL.  Costs less than taking yourself to a
> movie and is most likely more entertaining.

What an idea.  _Test_ and see what works.  A concept that never
gets old.

Cheers -
Dana
John - 25 Jan 2006 08:19 GMT
> The tonal rendition is also
>not particularly traditional - not everyone will like it.  Whatever.

Odd given that every info-sheet comparing it to other developers show
it to develop almost exactly as does D-76.

==
        John - Photographer & Webmaster
     www.puresilver.org - www.xs750.net
Dana H. Myers - 25 Jan 2006 09:36 GMT
>> The tonal rendition is also
>> not particularly traditional - not everyone will like it.  Whatever.
>
> Odd given that every info-sheet comparing it to other developers show
> it to develop almost exactly as does D-76.

Sure, John.  TMY, in general, doesn't have a particularly traditional
tonal rendition.  Not everyone will like it.  Are you disagreeing?

This is no less true in Xtol.

Cheers,
Dana
John - 25 Jan 2006 17:31 GMT
>>> The tonal rendition is also
>>> not particularly traditional - not everyone will like it.  Whatever.
[quoted text clipped - 6 lines]
>
>This is no less true in Xtol.

Ah ! I misunderstood. I thought you were referiing to a prefernce for
TMY when developed in Xtol as opposed to other developers. Technically
other than a slight increase in filmspeed and a lower granularity,
there is no other difference between Xtol and D-76.

As to TMY, I like it a lot. A little odd tonally but not any moreso
than TP and in fact I've often though of TMY as PXP @ EI400. Tonally
they seemed very similar when I used them.

==
        John - Photographer & Webmaster
     www.puresilver.org - www.xs750.net
Dana H. Myers - 25 Jan 2006 21:58 GMT
>>>> The tonal rendition is also
>>>> not particularly traditional - not everyone will like it.  Whatever.
[quoted text clipped - 9 lines]
> other than a slight increase in filmspeed and a lower granularity,
> there is no other difference between Xtol and D-76.

Technically, yes.  Subjectively - just to me - the differences, however
slight, make me prefer Xtol to D-76 for TMY.  It's a personal thing :-)

> As to TMY, I like it a lot. A little odd tonally but not any moreso
> than TP and in fact I've often though of TMY as PXP @ EI400. Tonally
> they seemed very similar when I used them.

Um, I suppose so...  :-)

Dana
UC - 25 Jan 2006 22:16 GMT
TMY really is not well-suited for outdoor work.

> >> The tonal rendition is also
> >> not particularly traditional - not everyone will like it.  Whatever.
[quoted text clipped - 9 lines]
> Cheers,
> Dana
Dana H. Myers - 25 Jan 2006 23:06 GMT
> TMY really is not well-suited for outdoor work.

Yeah, it's easy to end up with difficult-to-print negs if
the light is not flat/controlled.

Dana
UC - 25 Jan 2006 23:13 GMT
Neopan 400 is a much better film for outdoor work.

> > TMY really is not well-suited for outdoor work.
>
> Yeah, it's easy to end up with difficult-to-print negs if
> the light is not flat/controlled.
>
> Dana
Lloyd Erlick - 25 Jan 2006 13:22 GMT
>XTOL/TMax-100 is, IMAO, the pinnacle of general-purpose B&W negative
>making.  Like most pinnacles, most people live lower down the mountain:
>it's safer.

January 25, 2006, from Lloyd Erlick,

I guess I'm down at the base camp:
XTOL/TMax-400.

But I snip-test every Xtol working solution I
make. I've had no failures yet.

Has anyone done a geographic analysis of the
Xtol failures? I wonder if they tend to occur
in areas of lower population, where the
supply might sit in storage longer.

regards,
--le
Signature

________________________________
Lloyd Erlick Portraits, Toronto.
voice: 416-686-0326
email: portrait@heylloyd.com
net: www.heylloyd.com
________________________________

Keith Tapscott - 25 Jan 2006 14:01 GMT
> January 25, 2006, from Lloyd Erlick,
>
[quoted text clipped - 3 lines]
> But I snip-test every Xtol working solution I
> make. I've had no failures yet.

A sensible precaution.

> Has anyone done a geographic analysis of the
> Xtol failures? I wonder if they tend to occur
> in areas of lower population, where the
> supply might sit in storage longer.

There`s an expiry date on the packaging of the D-76 that I`ve bought, is
this not also on the Xtol packaging? (To the right of the bar-code.)

> regards,
> --le
[quoted text clipped - 4 lines]
> net: www.heylloyd.com
> ________________________________
UC - 25 Jan 2006 14:10 GMT
I used Xtol once. It failed. Never again.

I use Paterson developers. These show a bit of dicoloration as they age
and weaken.

> > January 25, 2006, from Lloyd Erlick,
> >
[quoted text clipped - 22 lines]
> > net: www.heylloyd.com
> > ________________________________
UC - 25 Jan 2006 14:10 GMT
I used Xtol once. It failed. Never again.

I use Paterson developers. These show a bit of discoloration as they
age and weaken.

> > January 25, 2006, from Lloyd Erlick,
> >
[quoted text clipped - 22 lines]
> > net: www.heylloyd.com
> > ________________________________
David Nebenzahl - 26 Jan 2006 08:51 GMT
UC spake thus:

> I used Xtol once. It failed. Never again.
>
> I use Paterson developers. These show a bit of discoloration as they
> age and weaken.

You're double-posting (i.e., "editing" your posts on Google Groups) again.

Previous post:
*************************************************************************
I used Xtol once. It failed. Never again.

I use Paterson developers. These show a bit of dicoloration as they age
and weaken.
*************************************************************************

It ain't working!

Signature

The only reason corrupt Republicans rule the roost in Washington
is because the corrupt Democrats can't muster any viable opposition.

UC - 26 Jan 2006 14:41 GMT
I mis-spelled 'discoloration' as 'dicoloration'.

The horror! The horror!

> UC spake thus:
>
[quoted text clipped - 18 lines]
> The only reason corrupt Republicans rule the roost in Washington
> is because the corrupt Democrats can't muster any viable opposition.
David Nebenzahl - 26 Jan 2006 19:42 GMT
UC spake thus:

> I mis-spelled 'discoloration' as 'dicoloration'.
>
> The horror! The horror!

No, you're missing the point, as usual: I wasn't calling attention to
the fact of your misspelling, but instead to the fact that you, once
again, posted *two* messages, nearly identical, because you mistakenly
thought you had "deleted" the first one. But they're both here for
everyone (else) to see.

If you don't care about this, which makes you look rather stupid, then I
guess that's your problem.

Signature

The only reason corrupt Republicans rule the roost in Washington
is because the corrupt Democrats can't muster any viable opposition.

UC - 26 Jan 2006 19:50 GMT
I care about the misspelling...

> UC spake thus:
>
[quoted text clipped - 14 lines]
> The only reason corrupt Republicans rule the roost in Washington
> is because the corrupt Democrats can't muster any viable opposition.
David Nebenzahl - 26 Jan 2006 20:25 GMT
UC spake thus:

> I care about the misspelling...

Well, it's there for all to see ...

>>UC spake thus:
>>
[quoted text clipped - 10 lines]
>>If you don't care about this, which makes you look rather stupid, then I
>>guess that's your problem.

Signature

The only reason corrupt Republicans rule the roost in Washington
is because the corrupt Democrats can't muster any viable opposition.

John - 25 Jan 2006 17:09 GMT
>There`s an expiry date on the packaging of the D-76 that I`ve bought, is
>this not also on the Xtol packaging? (To the right of the bar-code.)

It doesn't matter about the date that it epires in the packet. That's
shelf-life. Exipration after mixing is somewhere between 1 ~ 180 days.
Could be 1. Could be 180. No way to tell other than a snip test and
even that isn't completely Xtol-proof.

==
        John - Photographer & Webmaster
     www.puresilver.org - www.xs750.net
Claudio Bonavolta - 28 Jan 2006 10:25 GMT
John a écrit :

>>There`s an expiry date on the packaging of the D-76 that I`ve bought, is
>>this not also on the Xtol packaging? (To the right of the bar-code.)
[quoted text clipped - 7 lines]
>          John - Photographer & Webmaster
>       www.puresilver.org - www.xs750.net

I've used XTol mixed 2 years and a half before *without* failure.
Pretty easy to remember, that was a batch I mixed right after the birth
of my daughter.
She's close to 4 years old now and, as I've still some of this batch,
I'll do a test and let you know ...

Should I add I've *never* experienced a single failure ?

Regards,
Claudio Bonavolta
http://www.bonavolta.ch
Nicholas O. Lindan - 28 Jan 2006 15:15 GMT
> Should I add I've *never* experienced a single failure ?

One should not tempt the Gods.
David Nebenzahl - 28 Jan 2006 20:02 GMT
Nicholas O. Lindan spake thus:

>> Should I add I've *never* experienced a single failure ?
>
> One should not tempt the Gods.

OK, now I'm intrigued--and bothered--about all this I keep hearing about
SDDS (Sudden Developer Death Syndrome), an affliction apparently unique
to Xtol.

So what is it about this soup that makes it do that? I write from a
genuine ignorance, not being a chemistry type (I know enough to get
myself into trouble, not out of it). I mean, the formula is known,
right? So what reactions take place that render it useless? Surely
someone must know this?

I'd like to try this stuff but keep being put off by all the horror
stories (yes, I know that lots of folks have *not* experienced failures).

Signature

The only reason corrupt Republicans rule the roost in Washington
is because the corrupt Democrats can't muster any viable opposition.

Claudio Bonavolta - 28 Jan 2006 21:54 GMT
David Nebenzahl a écrit :
> Nicholas O. Lindan spake thus:
>
[quoted text clipped - 14 lines]
> I'd like to try this stuff but keep being put off by all the horror
> stories (yes, I know that lots of folks have *not* experienced failures).

There have been packaging problems (mainly 1 liter packs) in the past
where part A was caked due to air leaks.
5 liters packs were usually fine, although I had one, certainly
manipulated to often, that wasn't air-tight anymore and part A became
quickly caked.
Actual packaging is a plastic bag, probably better than the former
paper-plastic-aluminium sandwich but still not bullet-proof. The old
cans were definetely much better but their cost certainly to high.
Anyway, if Part A is not the usual powder, better not use the pack.

The so-called "sudden failures" are different from the packaging
problems as they come from "normal" packs. Xtol working fine one day,
doesn't the next, giving badly underdeveloped negs.

Probably part of these failures are just due to the photographer
himself, errors in a darkroom are not so uncommon.
But, there have been enough cases reported by people I trust to say
there must be a real problem somewhere.

One possible cause is given by Ryuji Suzuki on his website:
http://silvergrain.org/Photo-Tech/ascorbate-dev.html
Where he indicates iron, either contained in water or as impurities in
the dry chemicals, as being the cause of the sudden loss of activity.
For those interested, he also gives some solutions (salycilic acid) ...

Not being a chemist and with little time left, I will not try to
validate this but it could be interesting.

What *I* do to make Xtol last as much as possible is:
- dilute part A completely before part B in demineralized water. While
stirring, I try to avoid to insert air in the solution.
- fill 4 1-liter brown glass bottles (pharmacy type) up to the neck
- use the remaining to fill ~8 100ml glass bottles (same type) again up
to the neck. 100ml being the minimal quantity required for a 135-36, 120
or 8x10". As I use it 1+1 by rotation, that's just fine to cover the films.
- once I've finished the 100ml bottles, I re-fill them with the content
of a 1-liter bottle.
- bottles are stored in a cupboard in the dark at room temperature.

Well, mostly common-sense, that's about 8-10 years I use it this way
without problems.
Maybe, I'm just lucky, but until I expect a failure in *my* conditions,
I'll continue to use this great developer.

Claudio Bonavolta
http://www.bonavolta.ch
Dana H. Myers - 29 Jan 2006 01:39 GMT
> One possible cause is given by Ryuji Suzuki on his website:
> http://silvergrain.org/Photo-Tech/ascorbate-dev.html
> Where he indicates iron, either contained in water or as impurities in
> the dry chemicals, as being the cause of the sudden loss of activity.
> For those interested, he also gives some solutions (salycilic acid) ...

That's interesting.  I never had an Xtol failure in several batches.
I was already in the habit of mixing all photochems with DI water,
perhaps this was why I never had a mishap with Xtol.

Cheers -
Dana
John - 29 Jan 2006 06:14 GMT
>> One possible cause is given by Ryuji Suzuki on his website:
>> http://silvergrain.org/Photo-Tech/ascorbate-dev.html
[quoted text clipped - 5 lines]
>I was already in the habit of mixing all photochems with DI water,
>perhaps this was why I never had a mishap with Xtol.

Nope. That's not the sole issue here. I used steam-distilled water for
my second batch.

==
        John - Photographer & Webmaster
     www.puresilver.org - www.xs750.net
Dana H. Myers - 29 Jan 2006 07:57 GMT
>> That's interesting.  I never had an Xtol failure in several batches.
>> I was already in the habit of mixing all photochems with DI water,
>> perhaps this was why I never had a mishap with Xtol.
>
> Nope. That's not the sole issue here. I used steam-distilled water for
> my second batch.

Dunno what to say.  In several years of regular use, I never had a problem.
I wonder if there's some oddity with the subsequent processing - stop, or,
worse, fix, that is relevant ?
John - 29 Jan 2006 06:09 GMT
>Probably part of these failures are just due to the photographer
>himself, errors in a darkroom are not so uncommon.

If you review the posts of the photographers having these
difficulties, you will probably come to the conclusion that it's
extremely unlikely that some of the more skilled photographers who
have had this experience made such mistakes. Myself, Richard Knoppow,
John Hicks to name a few. And note that I was unfortunate enough to
have the failure occur more than once as did John Hicks I believe. No,
this isn't an accident on the users behalf but rather poor engineering
and/or production.

==
        John - Photographer & Webmaster
     www.puresilver.org - www.xs750.net
Claudio Bonavolta - 29 Jan 2006 09:47 GMT
John a écrit :

>>Probably part of these failures are just due to the photographer
>>himself, errors in a darkroom are not so uncommon.
[quoted text clipped - 11 lines]
>          John - Photographer & Webmaster
>       www.puresilver.org - www.xs750.net

If you just read the line after, you'll see that I already indicated
trustable people having had such problems.
I'm *not* hiding the fact there are failures difficult to explain.

What I want to say is that the real sudden "Xtol failures" are only part
of all the noise made around it. And I'm convinced that a significant
part is more related to the user than the product.

Best regards,
Claudio Bonavolta
http://www.bonavolta.ch
John - 29 Jan 2006 17:07 GMT
>If you just read the line after, you'll see that I already indicated
>trustable people having had such problems.

I did.

>I'm *not* hiding the fact there are failures difficult to explain.

Agreed and I did not mean to imply that you were. However you and I
come to different conclusions.

>What I want to say is that the real sudden "Xtol failures" are only part
>of all the noise made around it. And I'm convinced that a significant
>part is more related to the user than the product.

I honestly don't think so. Not saying that I've never fixed a film
prior to developing it ;>) Of course that can happen but I feel that
the majority of people will own up to making such a mistake. That's
called being human.

==
        John - Photographer & Webmaster
     www.puresilver.org - www.xs750.net
UC - 29 Jan 2006 20:36 GMT
I suffered Xtol failure, and when I tried Paterson FX-50, also an
ascorbate developer, it ARRIVED dead.

The problem is with ascorbate developers. I never have problems with
metol or phenidone developers.

> >Probably part of these failures are just due to the photographer
> >himself, errors in a darkroom are not so uncommon.
[quoted text clipped - 11 lines]
>          John - Photographer & Webmaster
>       www.puresilver.org - www.xs750.net
Jean-David Beyer - 28 Jan 2006 22:39 GMT
> Nicholas O. Lindan spake thus:
>
[quoted text clipped - 14 lines]
> I'd like to try this stuff but keep being put off by all the horror
> stories (yes, I know that lots of folks have *not* experienced failures).

Well, how about this non-horror story?

When I first heard about all this Sudden Death Syndrome for Xtol developer,
I put aside a 1-pint glass bottle of stock solution mixed September 15, 2000
filled almost to the brim, and another one filled half way, with air in the
rest of the space.

Today I tried developing a clip of TMX 35mm in incandescent light in the
solution, pail yellow, of the 1/2 full bottle, and it did turn it gray, but
by no means black. So I rinsed things out, and tried again with the stuff
from the full bottle, then rinsed and dried it. It looked pretty black to
me. I then measured the gross density and it was over 3.5, so it looks as
though age alone is not the problem. I no longer recall if the stuff was
mixed from a 1 litre bag or a 5 litre bag, but I am very sure it was mixed
with 5-micron filtered tap water, not distilled.

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Rod Smith - 29 Jan 2006 03:33 GMT
> Nicholas O. Lindan spake thus:
>
[quoted text clipped - 11 lines]
> right? So what reactions take place that render it useless? Surely
> someone must know this?

I'm not a chemist, either, but I've read a good deal about this topic --
mostly Web pages, but a few articles in photo magazines. My impression is
that you've asked a question whose answer is far more complex than you
might think. The chemistry of film developers is much more complex and
much less well understood than you might imagine, particularly when you
factor in things like varying impurities in tap water in different areas.

That said, there doesn't seem to be a consensus on a single cause of the
XTOL sudden death syndrome, at least not among the general photographic
population of the Internet. (Perhaps Kodak knows something solid, but they
aren't talking about it.) There are lots of hypotheses and proposed
workarounds/fixes, including:

- Bad packaging causing oxidation before mixing, the solution being
 Kodak's change in packaging a while ago. Reports of XTOL failures have
 occurred well after this change, though, so at best it didn't fix
 everything.

- Easier oxidation of XTOL than of other developers, the solution being
 more careful attention to proper storage (tightly sealed and full glass
 bottles, no exceptions).

- Impurities in the mixing water (especially certain metals), the solution
 being mixing with distilled and de-ionized water.

- Greater amounts of dissolved oxygen in XTOL because of longer
 room-temperature mixing times, the solution being to heat the mixing
 water to 35C for quicker mixing. Because of the previous hypothesis,
 the water should be heated in a non-metallic container.

- High-dilution problems with some films (particularly T-Max 100), the
 solution being to use XTOL at no greater than 1+1 dilution, particularly
 with T-Max 100 (and perhaps other T-grain) films. This isn't really a
 cause of failures, but an observation that they seem to occur more
 frequently with some films and dilutions than with others.

- No real problem, the hypothesis being that people talk about XTOL
 failures, which brings people out of the woodwork to report more
 failures, which turns into a self-perpetuating cycle of talk about XTOL
 failures. The claim is that other developers fail as often but this
 cycle just hasn't started with them. Because the talk about XTOL
 failures is talk on forums like this one, there is, to the best of my
 knowledge, no solid publicly available data about the frequency of XTOL
 problems, which makes it impossible to confirm or disprove this
 hypothesis. Nonetheless, I'm skeptical of this hypothesis, but I report
 it for completeness.

There are probably other hypotheses/suggested fixes, but these are the
ones that come immediately to mind. Note that the frustrating thing is
that the failures are unexpected and, on the whole, rare. (Watch, though;
somebody is likely to reply that they've had multiple XTOL failures.
That's chance for you.) You may have gone through a dozen packets of XTOL
without problems and the thirteenth will fail at some point. This makes
taking the above precautions and doing "snip tests" important.

One more point: XTOL isn't the only developer that's reputed to fail
suddenly and unexpectedly. This seems to be common among ascorbic acid
developers. AFAIK, the only other commercial ascorbic acid developers are
Paterson FX-50 and Agfa Neutol Plus. (The former is a film developer; the
latter is a paper developer.) Quite a few mix-it-yourself ascorbic acid
developer formulas have been published, though, some with the goal of
improving storage characteristics. Some of the more prominent of these are
Ryuji Suzuki's DS-10 and DS-12 and Patrick Gainer's PC-Glycol and PC-TEA.
Given the unpredictability of XTOL failures, it's hard to evaluate these
formulas' ability to resist the problem; you'd probably need to mix up
thousands of liters of each developer to get statistically significant
results in any test, and then there'd be issues of water supply and other
variables that might affect one formula more than another.

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Author of books on Linux, FreeBSD, and networking

John - 29 Jan 2006 06:17 GMT
>- No real problem, the hypothesis being that people talk about XTOL
>  failures, which brings people out of the woodwork to report more
>  failures, which turns into a self-perpetuating cycle of talk about XTOL
>  failures. The claim is that other developers fail as often but this
>  cycle just hasn't started with them.

Could someone show me a single non-ascorbate developer that might
support this ?

==
        John - Photographer & Webmaster
     www.puresilver.org - www.xs750.net
John - 29 Jan 2006 06:18 GMT
>One more point: XTOL isn't the only developer that's reputed to fail
>suddenly and unexpectedly. This seems to be common among ascorbic acid
>developers. AFAIK, the only other commercial ascorbic acid developers are
>Paterson FX-50 and Agfa Neutol Plus.

Ilfosol-S which also has a history of failure. Note that it's not a
big seller though. Shelf-life limitations may have been a significant
factor there.

==
        John - Photographer & Webmaster
     www.puresilver.org - www.xs750.net
John - 29 Jan 2006 06:34 GMT
>OK, now I'm intrigued--and bothered--about all this I keep hearing about
>SDDS (Sudden Developer Death Syndrome), an affliction apparently unique
>to Xtol.

Curiosity like this reminds me of why we have traffic jams.

>So what is it about this soup that makes it do that?

Not completely understood. Michael Gudzinowicz probably had the
background necessary to study the phenomena however the variables are
extremeled broad in scope.

> I write from a
>genuine ignorance, not being a chemistry type (I know enough to get
>myself into trouble, not out of it). I mean, the formula is known,
>right?

Nope. Not entirely. Very few commercial formulas are published today
diue to the amount of legal mechanations going on today.

>  So what reactions take place that render it useless? Surely
>someone must know this?

This is not one specific reation but rather it is probable that there
are several similar reactions that can take place. The commonality if
metals in the water. In particular copper and/or iron make cause
significant oxidation of the ascorbate. One of my theories is that
this may also impact the Phenidone variant that Kodak uses in Xtol.
There is a very minute amount of Phenidone in each batch and if that
is compromised then halide oxidation (reduction) may be comprised
thereby significantly slowing the induction period of the image
development.

>I'd like to try this stuff but keep being put off by all the horror
>stories (yes, I know that lots of folks have *not* experienced failures).

Give it a whirl. But don't be surprised if you don't find any visible
difference between it and D76.

==
        John - Photographer & Webmaster
     www.puresilver.org - www.xs750.net
ericm1600@yahoo.com - 29 Jan 2006 14:20 GMT
>I'd like to try this stuff but keep being put off by all the horror
>stories (yes, I know that lots of folks have *not* experienced failures).

I started using Xtol because I liked the results I saw from a photographer I
respected.  I know quite a few photographers who use Xtol frequently.  I
usually go through a 5L pack within a few months, myself.  I've used Xtol
that has been mixed up and stored for over a year.  I like the results I
get.

Try it.  See if you like the results.  If you don't, move on to something
else.  The only place I see the horror stories of sudden Xtol failure
repeated is here on Usenet.  I have no idea why that is.

Kodak did have problems with their earlier packaging.  I have thrown away a
single 5L pack because it didn't feel right to me.  The powders inside were
clumped, like it had gotten some moisture in it already.

If you're happy with the other developers you use, don't worry about trying
Xtol.  If you want to experiment, do so.  I guess what I'm saying is don't
let relatively few naysayers influence your decision.

Take a few precautions.  Don't let air contact the solution once you've
mixed it up.  I use 250 ml bottles and fill them to the very top.  I've
never had a problem.  I settled on 250 ml because I usually use a 1 L
developing tank.  This way, I can grab 1 bottle if I'm using Xtol 1:3 and 2
bottles if I'm going 1:1.

That said, don't start off with any roll that is important.  Same as when
you try any new process.  It may take you a few tries to figure out how to
use Xtol and get acceptable results.
John - 29 Jan 2006 17:31 GMT
> I guess what I'm saying is don't
>let relatively few naysayers influence your decision.

Could you define "relatively few" ? At last count there were nearly
100 unique recordings of the Xtol-bonk in this group alone since Xtol
was introduced in '96. I suppose one could state that "only" 100 posts
versus the thousands of visitors to this group since that time but I'd
rather play it safe and use a developer that has a much lower
incidence of failure.Unfortunately I can't always re-shoot an image.
And frankly I don't care how few report the issue when the
qualifications are reviewed.

==
        John - Photographer & Webmaster
     www.puresilver.org - www.xs750.net
ericm1600@yahoo.com - 30 Jan 2006 13:50 GMT
>Could you define "relatively few" ? At last count there were nearly
>100 unique recordings of the Xtol-bonk in this group alone since Xtol
>was introduced in '96.

100 unique recordings against the millions of times Xtol has been
successfully used.  That's relatively few in my book.  Especially since we
don't know if the failure was because of Xtol or because of user error.

I changed my numbering scheme a couple years ago, and I'm not going to try
to figure out an accurate roll count beyond then.  But since Jan '05 I have
developed 271 rolls of film in Xtol without a single problem.  This includes
Tmax 100, Fuji SS, Fuji Acros, Delta 100, Neopan 400, Delta 400, and Neopan
1600.  I switched over to using Xtol about 4 1/2 years ago.  I'd guess--but
again, this is just a guess--I've developed over 500 rolls without a single
issue.  That's amazing to me, because I can't believe that *I* haven't
screwed something up at least one of those times.

I used Xtol that was over a year old once...just to see.  I got less
contrast than normal for that roll, but still perfectly usable.

Now granted, I've only used the 5L packages.  I've heard there were issues
with the 1L ones.  I'd be curious how many of those 100 unique posts were
related to the packaging.  I've also thrown away a 5L packet without mixing
it up because it didn't feel quite right to me.  When I've been using Xtol
that is more than a couple months old, I always do a snip test first.  Never
had a problem with that, but better safe than sorry.

I personally know several photographers who also use Xtol as their primary
developer.  No problems from them.

Based on my experience and the experience of people I know, I believe that
problems with Xtol in the 5L packaging are not as great as reading usenet
might lead one to believe.  Either that, or everybody I know, including
myself, has been extraordinarily lucky.  In that case, I should start buying
lottery tickets.  :)

If we say that I'm just lucky and for every person like myself that's used
Xtol without failure for 500 times there's another person who has
experienced a failure, that means Xtol is 99.86% likely to work each time.
That is, after 500 times, my odds will be 50/50 of having no failures.  I'm
not sure that for every person who hasn't had a failure that there's one
with a failure.  So personally, I think Xtol has a higher rate than this.
But still... 99.86% is pretty good, considering all the human factors of
error that can happen in developing film.  If 99.86% of my pictures were
perfect, I'd be beyond happy.  :)
David Nebenzahl - 31 Jan 2006 02:31 GMT
ericm1600@yahoo.com spake thus:

>> Could you define "relatively few" ? At last count there were nearly
>> 100 unique recordings of the Xtol-bonk in this group alone since
[quoted text clipped - 4 lines]
> since we don't know if the failure was because of Xtol or because of
> user error.

Well, no, that's not a valid comparison at all, since not all of those
alleged millions of Xtol users even know about this newsgroup, or post
to it, or would post a message about a failure. So the sample should be
the number of times that *regular readers of this newsgroup* have used
Xtol successfully. Compare that number, whatever you think it is, to 100.

Signature

The only reason corrupt Republicans rule the roost in Washington
is because the corrupt Democrats can't muster any viable opposition.

Claudio Bonavolta - 28 Jan 2006 21:11 GMT
Nicholas O. Lindan a écrit :

>>Should I add I've *never* experienced a single failure ?
>
> One should not tempt the Gods.

I know the Boss, it helps :-)

Claudio Bonavolta
http://www.bonavolta.ch
John - 29 Jan 2006 04:57 GMT
>>>There`s an expiry date on the packaging of the D-76 that I`ve bought, is
>>>this not also on the Xtol packaging? (To the right of the bar-code.)
[quoted text clipped - 15 lines]
>
>Should I add I've *never* experienced a single failure ?

Many haven't and many have. Someone made the point that there should
have been a geographic study done on reported failures and I tend to
agree though I have to point out that Jean-David has never had a
failure and he lives less than 30 miles from where I used to live in
New Jersey where I had multiple failures.

I look at it this way, there has never, ever, EVER in the history of
silver film development been a commercial developer with such a
significant number of failures reported. It's that simple. In the end
one has to ask are the minimal differences (probably not even
discernible in an average print from 6X7 or larger negative) between
Xtol and any other developer worth the risk ? IMO, they are not. I can
develop a similar image with D-23 which will essentially last 10 years
or more in a full glass bottle. The penalty" is one stop of film
speed. Big deal.

==
        John - Photographer & Webmaster
     www.puresilver.org - www.xs750.net
Keith Tapscott - 29 Jan 2006 10:09 GMT
> one has to ask are the minimal differences (probably not even
> discernible in an average print from 6X7 or larger negative) between
[quoted text clipped - 6 lines]
>         John - Photographer & Webmaster
>      www.puresilver.org - www.xs750.net

I would expect D-23 if diluted to 1+3, to be fairly close to D-76 in speed
yield.
John - 29 Jan 2006 17:12 GMT
>> one has to ask are the minimal differences (probably not even
>> discernible in an average print from 6X7 or larger negative) between
[quoted text clipped - 9 lines]
>I would expect D-23 if diluted to 1+3, to be fairly close to D-76 in speed
>yield.

That has been my experience but I haven't done the densitometry to
back it up. Someday I have to take the time for that. Also the
highlights do flatten out a little when you use the 1:3 dilution.

==
        John - Photographer & Webmaster
     www.puresilver.org - www.xs750.net
Rod Smith - 29 Jan 2006 18:08 GMT
> I look at it this way, there has never, ever, EVER in the history of
> silver film development been a commercial developer with such a
> significant number of failures reported. It's that simple.

Is it? Do you have the numbers to back this up? A Web site that records
such things might do in a pinch, but a real scientific survey is what's
needed to make such claims credible. Usenet posts reporting failures are
completely useless for determining real failure rates for *ANY* product. A
small number of people can make a lot of noise on Usenet, which can
greatly skew perceptions of the frequency of problems. This could have
worked out against XTOL just by chance or because its introduction came
after the introduction of the Internet, Usenet, and the WWW -- the amount
of actual user-to-user discussion of this product might have exceeded the
amount of user-to-user discussion of, say, D-76 or HC-110 upon their
releases (in 1926 and 1965, respectively), which would tend to bring
problems to the attention of all.

To some extent, I am playing Devil's Advocate here; I suspect that XTOL
really is more trouble-prone than most other developers. Nonetheless, your
claim is far stronger than I believe is warranted, unless you've got
evidence I've not seen. I have yet to see any actual numbers on XTOL
failure (or failure of any other developer, for that matter), aside from a
Web site (http://www.udmercy.edu/crna/agm/phenvitc.htm) that did a small
lab study of developer activity over time. (XTOL failures weren't their
focus, though, and IIRC they didn't encounter any "XTOL sudden death"
cases.)

> In the end
> one has to ask are the minimal differences (probably not even
> discernible in an average print from 6X7 or larger negative) between
> Xtol and any other developer worth the risk ?

There are other issues. Specifically, as a phenidone/vitamin C (PC)
developer, XTOL is more environmentally friendly and less likely to cause
allergic reactions than are the more common metol/hydroquinone (MQ) or
even PQ developers.

Signature

Rod Smith, rodsmith@rodsbooks.com
http://www.rodsbooks.com
Author of books on Linux, FreeBSD, and networking

Nicholas O. Lindan - 29 Jan 2006 18:42 GMT
John <use_net@puresilver.org> writes:
> I look at it this way, there has never, ever, EVER in the history of
> silver film development been a commercial developer with such a
> significant number of failures reported.

I don't know -- my developers fail all the time: I go to pour some
out and find it has turned dark brown and smelly; this happens
many times per year.  For all I know, XTOL may fail much less often
than standard D-76/MX/TMax etc..

The problem with Xtol is you _don't know_ when it fails.

"Sudden Death" with Xtol is suddenly finding out it has
failed when you open the developing tank.

To my mind this is a far more serious problem than Xtol's
keeping properties.  What sort of bottle is needed and how
much air to allow and what water to mix it with aren't
really germane to the issue.

Signature

Nicholas O. Lindan, Cleveland, Ohio
Consulting Engineer:  Electronics; Informatics; Photonics.
To reply, remove spaces: n o lindan at ix  . netcom . com
Fstop timer -  http://www.nolindan.com/da/fstop/index.htm

Frank Pittel - 30 Jan 2006 00:35 GMT
: > I look at it this way, there has never, ever, EVER in the history of
: > silver film development been a commercial developer with such a
: > significant number of failures reported. It's that simple.

: Is it? Do you have the numbers to back this up? A Web site that records
: such things might do in a pinch, but a real scientific survey is what's
[quoted text clipped - 8 lines]
: releases (in 1926 and 1965, respectively), which would tend to bring
: problems to the attention of all.

: To some extent, I am playing Devil's Advocate here; I suspect that XTOL
: really is more trouble-prone than most other developers. Nonetheless, your
[quoted text clipped - 5 lines]
: focus, though, and IIRC they didn't encounter any "XTOL sudden death"
: cases.)

While I agree that a lot information posted in most usenet newsgroups I've
found that most of the people here are very knowledgeable<SP?>. The
reputations of a number of people that have had issues with xtol failure
is impeccable.
Signature


-------------------
Keep working millions on welfare depend on you

Rod Smith - 30 Jan 2006 02:15 GMT
>: > I look at it this way, there has never, ever, EVER in the history of
>: > silver film development been a commercial developer with such a
[quoted text clipped - 8 lines]
> reputations of a number of people that have had issues with xtol failure
> is impeccable.

My point is that it's about NUMBERS. Anecdotal reports mean very little.
The reputations of those making such reports mean very little. If, in a
big enough survey or controlled experiment with at least a modicum of
scientific procedures, you find that XTOL fails more often than other
developers, then you've got something solid in an XTOL-vs-whatever debate.
For instance, a question I have but that I suspect nobody here can answer
is: What is the probability of encountering an XTOL failure for any given
roll of film? 10%? 1% 0.1%? 0.001%? What are the equivalent numbers for
other developers? Of course, chances are the answer will depend on a
number of factors I've not specified, such as the type of water used to
mix the developers, the time since the developers were mixed, how the
developers were stored, etc. Short of solid numbers, you've got hearsay,
rumors, and speculation, even if some of this comes from people with
impeccable reputations.

Note that this is not an attack on these reputations or the people who've
had XTOL failures; it's simply a statement of what counts as evidence if
you apply scientific standards to the question. Sadly, we seem to be stuck
with hearsay, rumors, and speculation at this point rather than anything
resembling scientific data. This poor information does seem to point to
XTOL being less reliable than other developers, but without the numbers,
you can't know HOW MUCH less reliable, or even if there really is a
difference.

Signature

Rod Smith, rodsmith@rodsbooks.com
http://www.rodsbooks.com
Author of books on Linux, FreeBSD, and networking

Nicholas O. Lindan - 30 Jan 2006 13:48 GMT
> What is the probability of encountering an XTOL failure for any given
> roll of film? 10%? 1% 0.1%? 0.001%?

That isn't the issue, really.  The problem is there is no indication
the developer has gone off until it is too late.

Developer goes off all the time.  It's purpose in life is to get
oxidized and go off - it's a reducing agent.

Kodak needs to put in some color change agent so the stuff turns
blue [or whatever] when it starts to get depleted/oxidized/fails.
Older developers go through a clear/light straw/light brown/yellow/
orange/dark brown/yuck color transition as they decay.  When it
starts to get yellow it is time for new developer.  Xtol gets
to the yuck stage of developer activity without the yuck stage
of color/odor change and stays as clear and sweet smelling as ever.

Signature

Nicholas O. Lindan, Cleveland, Ohio
Consulting Engineer:  Electronics; Informatics; Photonics.
To reply, remove spaces: n o lindan at ix  . netcom . com
Fstop timer -  http://www.nolindan.com/da/fstop/index.htm

UC - 30 Jan 2006 13:53 GMT
It's the 'not knowing' that is the problem. ALL other developers that I
know of show some signs of oxidation. Xtol gives no clue as to its
state.

> > What is the probability of encountering an XTOL failure for any given
> > roll of film? 10%? 1% 0.1%? 0.001%?
[quoted text clipped - 18 lines]
> To reply, remove spaces: n o lindan at ix  . netcom . com
> Fstop timer -  http://www.nolindan.com/da/fstop/index.htm
Rod Smith - 30 Jan 2006 15:22 GMT
>> What is the probability of encountering an XTOL failure for any given
>> roll of film? 10%? 1% 0.1%? 0.001%?
>
> That isn't the issue, really.  The problem is there is no indication
> the developer has gone off until it is too late.

They're BOTH issues. If the probability of failure were low enough ("low
enough" being a subjective matter), then the lack of color change wouldn't
be a problem. If there were a color change to indicate an increased
probability of failure, then even a high failure rate wouldn't be a
problem. It's only the combination of the two issues that causes problems.

Signature

Rod Smith, rodsmith@rodsbooks.com
http://www.rodsbooks.com
Author of books on Linux, FreeBSD, and networking

UC - 30 Jan 2006 16:07 GMT
> >> What is the probability of encountering an XTOL failure for any given
> >> roll of film? 10%? 1% 0.1%? 0.001%?
[quoted text clipped - 7 lines]
> probability of failure, then even a high failure rate wouldn't be a
> problem. It's only the combination of the two issues that causes problems.

I can go with that. The problem seems to be a charactersitic of
ascorbate, however. The Paterson FX-50 ARRIVED dead.

> --
> Rod Smith, rodsmith@rodsbooks.com
> http://www.rodsbooks.com
> Author of books on Linux, FreeBSD, and networking
Frank Pittel - 30 Jan 2006 00:30 GMT
: >>>There`s an expiry date on the packaging of the D-76 that I`ve bought, is
: >>>this not also on the Xtol packaging? (To the right of the bar-code.)
[quoted text clipped - 15 lines]
: >
: >Should I add I've *never* experienced a single failure ?

: Many haven't and many have. Someone made the point that there should
: have been a geographic study done on reported failures and I tend to
: agree though I have to point out that Jean-David has never had a
: failure and he lives less than 30 miles from where I used to live in
: New Jersey where I had multiple failures.

I'm starting to think that it may have something to do with the water
it's being mixed with. There has to be an explination. Until the failure
can be explained I have no intention of using it.

: I look at it this way, there has never, ever, EVER in the history of
: silver film development been a commercial developer with such a
[quoted text clipped - 5 lines]
: or more in a full glass bottle. The penalty" is one stop of film
: speed. Big deal.

Signature

-------------------
Keep working millions on welfare depend on you

Nicholas O. Lindan - 25 Jan 2006 14:31 GMT
"Lloyd Erlick" <Lloyd at @the-wire. dot com> wrote

> Has anyone done a geographic analysis of the
> Xtol failures?

Kodak?

I don't know that it fails that often.  After being bit
once one stays away...  Given a long enough time every
one gets bit.

Signature

Nicholas O. Lindan, Cleveland, Ohio
Consulting Engineer:  Electronics; Informatics; Photonics.
To reply, remove spaces: n o lindan at ix  . netcom . com
Fstop timer -  http://www.nolindan.com/da/fstop/index.htm

 
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