Home | Contact Us | FAQ | Search & Site Map | Link to Us
Sign In | Join | Other 45 Sites in Network
PhotoKB Home
Discussion Groups
Digital Photography
Digital PhotoDSLR CamerasZLR CamerasPoint & Shoot Cameras
Film Photography
35 mmLarge FormatMedium formatDarkroomFilm and LabsOther Equipment
Photo Technique
Nature PhotographyPeople PhotographyTechnique General
General Photo Topics
General TopicsAustralian PhotographyUK Photography
DirectoryPhoto Clubs

Photo Forum / Film Photography / Darkroom / June 2005

Tip: Looking for answers? Try searching our database.

Life Expectancy of Latent Image on Paper ?

Thread view: 
Enable EMail Alerts  Start New Thread
Thread rating: 
dan.c.quinn@att.net - 21 Jun 2005 21:39 GMT
All that talk of film, what about paper?
Given it's slow emulsion speed and usual safer
keeping I'd think exposeing today then processing
next year would be plenty soon enough.

With the amount of testing and experimenting I do
that expose today - process later method could
see me sooner to some to show printing. Dan
Scott W - 21 Jun 2005 23:58 GMT
> All that talk of film, what about paper?
> Given it's slow emulsion speed and usual safer
[quoted text clipped - 4 lines]
> that expose today - process later method could
> see me sooner to some to show printing. Dan
I can see why someone might not want to develop film right off,  but I
don't see why you would expose paper before you are ready to develop
it.  In the case of film you might be out in the woods or on the road
but with paper you can do the exposure anytime you wish, like right
before developing the print.  I must be missing something here.

Scott
michaeleschuler@yahoo.com - 22 Jun 2005 01:06 GMT
Actually, I've wondered about this in regards to flashing paper:  It is
much easier to flash a bunch of paper at one time, but I usually end up
with a few sheets left over.  I'd love to know if the fog will degrade
if left for, say, a week.
dan.c.quinn@att.net - 22 Jun 2005 09:29 GMT
> ... with paper you can do the exposure anytime you wish,
> like right before developing the print. I must be missing
>  something here.
>
> Scott

 Just a matter of shorter sessions in the darkroom. Or
for the same time spent, more of the one done. Work the
dry side one day, the wet another. More efficient use
of time I'd think. Dan
Scott W - 22 Jun 2005 12:56 GMT
> > ... with paper you can do the exposure anytime you wish,
> > like right before developing the print. I must be missing
[quoted text clipped - 6 lines]
> dry side one day, the wet another. More efficient use
> of time I'd think. Dan

Yeah, I can see a day and maybe even up to a weeek, but the OP was
talking about up to a year.

Scott
Nick Zentena - 22 Jun 2005 16:34 GMT
>> ... with paper you can do the exposure anytime you wish,
>> like right before developing the print. I must be missing
[quoted text clipped - 6 lines]
> dry side one day, the wet another. More efficient use
> of time I'd think. Dan

 Only if you're 100% sure of the dry side. First time you make a mistake
any time saving will go up in smoke.

   Nick

Signature

---------------------------------------
"Digital the new ice fishing"
---------------------------------------

dan.c.quinn@att.net - 23 Jun 2005 00:01 GMT
> dan.c.quinn@att.net wrote:g
> >
[quoted text clipped - 7 lines]
>
>     Nick

 Perhaps I've more of a modular approach in mind
than some. My background in computer programming has
underscored that. Then there are the short, in the dark,
sessions I manage.
 Within a few days I'll be testing that homebrew Lith I've
mentioned. Each of three or four chemicals will be varied in
amount. Exposeing and developing times will be altered.
 I won't be making any mistakes. Each sheet exposed
and developed will be unique and that allowed for prior to
the start of the series of experiments.
 I've still not an answer to the "Life Expectancy ..."
question. Perhaps I should test for that myself. Likely
a dry side - wet side routine is good for
some occasions. Dan
Nick Zentena - 23 Jun 2005 00:40 GMT
>  I won't be making any mistakes. Each sheet exposed
> and developed will be unique and that allowed for prior to
[quoted text clipped - 3 lines]
> a dry side - wet side routine is good for
> some occasions. Dan

 I make mistakes-) I've seen latent numbers for RA-4 papers but never for
B&W. Kodak claims 24 hours. I found a Konica document that seems to show 192
hours with almost no change. I'm assuming Kodak is playing it safe with it's
24 hour claim. Figure B&W paper would be better. But nobody seems to mention
it.

  Nick

Signature

---------------------------------------
"Digital the new ice fishing"
---------------------------------------

laura halliday - 22 Jun 2005 15:51 GMT
"Scott W" <biph...@hotmail.com>wrote:

> I can see why someone might not want to develop film right off,  but I
> don't see why you would expose paper before you are ready to develop
> it. In the case of film you might be out in the woods or on the road
> but with paper you can do the exposure anytime you wish, like right
> before developing the print. I must be missing something here.

This is of particular interest to folks who use paper
as film, like pinhole photographers.

I threw a 5x7 pinhole camera together out of scrap
lumber and have been playing with it, but if I take
it into the field it will usually be a few hours before
I can develop my pictures.

Laura Halliday VE7LDH     "Que les nuages soient notre
Grid: CN89mg                    pied a terre..."
ICBM: 49 16.05 N 122 56.92 W       - Hospital/Shafte
jo.sto@bigpond.com - 22 Jun 2005 01:07 GMT
The pdf about Agfa paper has a graph showing fading of the latent image.
 
Sign In
Join
My Latest Posts
My Monitored Threads
My Blog
My Photo Gallery
My Profile
My Homepage

Start New Thread
Enable EMail Alerts
Rate this Thread



©2009 Advenet LLC   Privacy Policy - Terms of Use
This website includes both content owned or controlled by Advenet as well as content owned or controlled by third parties.