No.  I don't know what you read, but you misunderstood it.

Dry mounting bonds the entire artwork to the support.  A sheet of
wax-infused tissue is placed between the artwork and the support and
the entire assembly is placed in a very hot press that looks much like
a giant sandwich press of the sort used to make panini (ugh) or Cuban
sandwiches (yum!).

What I have been wondering, myself, is what that much heat does to the
permanence of the Epson ink and paper.  It's not clear to me that it's
actually designed to be dry-mounted.

A better option may be 3M Repositionable Adhesive, which is also
usually considered archival.  It is somewhat annoying to work with, in
my experience, but no heat is required.  Spray adhesive, glue,
double-stick tape, etc -- those are definitely no-nos.

If you cannot find a working solution that bonds the entire print to
the support you will need to hinge the print with archival linen
tape, or use clear polyethylene corners to hold the corners of the
print in place.  The latter solution usually works better for small
prints, the former for large ones; but I do not know how well the
linen tape will stick to the very slippery Epson inkjet paper.

All these materials are available from Light Impressions.

Generally, you'll tack the corners using a tacking iron (looks like a
tiny clothes iron on a handle like a soldering iron), to hold the print
and dry mount tissue in place, then put the assembly (with cover paper,
usually, to protect the print surface from anything that might be on the
press platen) into the dry mount press for all-over adhesion.

I can't help you with recommendations; it's been about thirty years
since I dry mounted anything.

See if your local library has or can get for you  "The Life of a Photograph:
Archival Processing, Matting, Framing, and Storage"  ISNB#0240800249

Guillermo

Absolutely, if you're careful and practiced.

paper?
Usually less time and/or heat required

Mine is an old (25+ years!) Seal. No, it's not for sale!

a press that may not be able to mount my images.
Make sure the platen is clean and smooth. It would be good if the platen is
large enough to mount your largest photo, but you can mount in more than one
pass, if you're careful!

_General_ basic info: Dry mounting requires a press that heats to 160F to
250F (more or less), and temperature sensitive mounting paper (a tissue-like
paper that is covered on both sides with a glue that melts in the press).
There are different types of dry-mount tissue that adhere at various
temperatures. Older fiber-based photo papers could withstand higher
temperatures, so the tissue might adhere at 220 to 250F. Modern RC photo
papers can't withstand high heat, so tissue for these papers might adhere at
180F. Thicker papers may require longer time or higher heat to properly
adhere.

_General_ mounting procedure: Warm up the press to the proper temp for your
mounting tissue. Make sure that your mounting board and photo are completely
dry by placing both in the press for a few minutes (without the mounting
tissue). Tack the mounting tissue to the back of the photo in the center
using the tacking iron (or an ordinary clothes iron that you don't mind
getting gunk on!). Trim the tissue and photo to the desired size/shape.
Position both on the mounting board; hold the photo securely in the center,
lift each corner and tack the tissue to the mounting board. The photo is now
tacked to the tissue in the center, the tissue is tacked to the board at the
corners. Put the whole unit in the press for the appropriate length of time
(30 seconds?) to melt the adhesive entirely. Remove the board and photo,
place on a cool, hard surface (kitchen counter?) under a heavy weight
(several college physics/philosophy textbooks) for 10-15 minutes.

The whole process is very easy the seventh or eighth time you do it!
Variables to watch for are how much heat will your photo withstand, and how
much heat will the mount board absorb before the tissue adheres to it. Keep
your work area and the press platen (the heated part) clean. Any dirt that
gets between the mount board and the photo will make a permanent bump; any
dirt between the photo and the platen will make a permanent dimple.

Ken Hart