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Photo Forum / Film Photography / Darkroom / July 2004

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Photo Flo

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Dan Quinn - 05 Jul 2004 00:15 GMT
At processing time I like the convience of one shot processing.
I have all chemistry premeasured and ready for final dilution.
That is for Photo Flo. I thought I might predilute to 1:30 a
few one ounce bottles and when time to process add that one
ounce to 12 of water for a final dilution.

Will that 1:30 in well sealed glass bottles last? I'd like a
few weeks from it. I've no idea of it's keeping property.  Dan
James Robinson - 05 Jul 2004 00:19 GMT
> Will that 1:30 in well sealed glass bottles last? I'd like a
> few weeks from it. I've no idea of it's keeping property.

Photo Flo working solution mad with distilled water lasts a long, long
time.  I often use it a year or more, as long as nothing starts to grow
in it.
Donald Qualls - 05 Jul 2004 00:35 GMT
> At processing time I like the convience of one shot processing.
> I have all chemistry premeasured and ready for final dilution.
[quoted text clipped - 4 lines]
> Will that 1:30 in well sealed glass bottles last? I'd like a
> few weeks from it. I've no idea of it's keeping property.  Dan

I'd be much more inclined to use a medicine dropper to dispense a
fraction of a milliliter for immediate dilution from concentrate --
consistency isn't critical here, as it would be with developer, and
doing it this way eliminates any question of shelf life of diluted
"stock" solution.  For a 16 ounce tank, 1 ml should be perfectly fine (a
little less than half Kodak's recommended strength), and that amount is
very easy to measure and dispense with a small syringe or dropper; 1/2
ml in an 8 ounce tank, etc. isn't a big math challenge.

Of course, you can safely reuse the working solution until it starts to
show mold growth, typically several days to a couple weeks -- again,
it's just detergent, it doesn't have anything to do with the quality of
the image on the film, and you don't use up an active ingredient by
treating several films with one batch in any case -- but if you prefer
to one-shot, I don't see an advantage to making up stock solution.

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                                                    -- E. J. Fudd, 1954

Donald Qualls, aka The Silent Observer
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Opinions expressed are my own -- take them for what they're worth
and don't expect them to be perfect.

Dan Quinn - 06 Jul 2004 09:47 GMT
> > At processing time I like the convience of one shot processing.
> > I have all chemistry premeasured and ready for final dilution.
[quoted text clipped - 4 lines]
> > Will that 1:30 in well sealed glass bottles last? I'd like a
> > few weeks from it. I've no idea of it's keeping property.  Dan

> ...to one-shot, I don't see an advantage to making up stock solution.

 It's a matter of processing method. With start to finish one-shot
everything goes down the drain. I can do one-shot with one cup and
the tank. If I had all the solutions set out in advance the last
roll of film I processed would have taken seven containers. I
use a modified Ilford wash and that's three plus the Photo
Flo. Between inversions bottles can be rinsed and the
next solution prepared.                                         Dan
Maxwell Sandford - 06 Jul 2004 15:51 GMT
Think months, not weeks.  Photoflo is very stable and if not contaminated
with dirt or processing chemistry, you can just keep on using it over and
over and over again. It's nothing more than a surfactant.  As an additional
comment, I use stabilizer from my color processing chemistry for both B&W
and color.  Stabilizer is photo-flo with some formaldehyde added, albeit
weaker in concentration than is often used for B&W.  Using the stabilizer
for both saves me the trouble of keeping separate B&W photo-flo.  Of course
there aren't any dyes to stabilize, but the result is the same as standard
photo-flo.

> > > Will that 1:30 in well sealed glass bottles last? I'd like a
> > > few weeks from it. I've no idea of it's keeping property.  Dan
Lloyd Erlick - 13 Jul 2004 15:13 GMT
... If I had all the solutions set out in advance the last
>roll of film I processed would have taken seven containers.
...

jul1304 from Lloyd Erlick,

What a coincidence. I set out seven (tall cylindrical)
containers full of my requisite chemical baths and process
my little batches of film in the dark. I find ten rolls at a
time quite comfortable.

I'm close to all-one-shot, but I haven't got into one-shot
fixing (yet...).

For quite some time I've been mixing my print developer
directly from dry powders to a working solution. No storage,
very easy to mix at working temperature. (Actually, I do
store my developer working solution. It works just fine
after twenty four hours, after forty eight it's different
but OK for hacking about. I never mark the container, or
date it. If I can't remember what and when, it's too old.)

regards,
--le
Signature

________________________________
Lloyd Erlick Portraits, Toronto.
voice: 416-686-0326
email: portrait@heylloyd.com
net: www.heylloyd.com
________________________________

Dan Quinn - 14 Jul 2004 10:58 GMT
> > Dan Quinn wrote:
>
[quoted text clipped - 10 lines]
> I'm close to all-one-shot, but I haven't got into one-shot
> fixing (yet...).

 One-shot fix is a hurdle. No less personage than Bill Troop has
said that Eddie Ephraum's 60gr fix is not practical.
 I had to test dilute fix because of the one-shot start to finish
challange I had decided to undertake. After all I could'nt very
well throw used but still with some capacity fix down
the drain.
 I went through maybe six rolls of film, each with a lessor
amount of sodium thiosulfate. Cutting under the amount needed,
two rolls came out of the fix pink and a little cloudy. Entirely
clear film and fix testing with some margine by the iodide test
were the results of using fifteen grams of the anhydrous.
 I felt safe after twelve minutes; a little slow. I think I
may go to eighteen grams; a little more margine and perhaps
a couple of minutes shorter fix.
 From what I've learned the use of fix is purely quantitative. So
much silver, so much fix. Also, very great dilution will increase
fix time. Mr. E. Ephraum's fix was likely as quick as full
strength. One thing to keep in mind in evaluating one-shot
fix performance is it's being completly devoid of silver
or halides at time of use. I dare say the usuall muti-
used fixers are very dilute when near exhaustion.              Dan

> For quite some time I've been mixing my print developer
> directly from dry powders to a working solution. No storage,
[quoted text clipped - 12 lines]
> net: www.heylloyd.com
> ________________________________
Lloyd Erlick - 14 Jul 2004 16:17 GMT
>... I dare say the usuall muti-
>used fixers are very dilute when near exhaustion.              Dan

jul1404 from Lloyd Erlick,

Plus of course the accumulated reaction procucts, usually
regarded as contaminantas. Using a multi-use fixer when it
is near exhaustion is something to be avoided.

Do you do a double-bath, single shot fix step?

From the details you've provided, it seems to me that
eighteen (can we round it up to twenty?) grams of sodium
thiosulfate (presumably anhydrous?) per roll of film,
applied twice, in two separate baths, for about twelve
minutes per bath, would pretty much do it.

In my case, for a developing run of ten rolls of film,
that's about four hundred grams of sodium thiosulfate
anhydrous. My usual fixing baths contain five hundred grams
of sodium thiosulfate each, so the total would be a kilogram
used and reused until fifty rolls had been fixed. Your
method implies about two thousand grams (two kilograms) for
fifty rolls.

So the 'price' of fixing film one shot (which gives
significant security from accumulated contaminants in the
fixer, which implies a far superior chance of clean,
so-called archival, negatives) is a doubling of the amount
of sodium thiosulfate used. It also takes more time.

Partially offsetting this is the fact that for one-shot use,
plain sodium thiosulfate can be used, no sodium sulfite or
any other ingredients necessary if it is not to be stored
more than a few hours. Another offsetting factor is that
fixer is no longer a storage chore.

I've been able to find sodium thiosulfate anhydrous locally
at C$130 per hundred pound bag. This price held from 1998 to
2001, the last time I bought, so it could have risen since,
but I'd guess not by much. Thus, I set the price of a
kilogram at around C$3.00, suggesting that the price of
switching to one-shot fixing would be around three dollars
per fifty rolls processed, or six cents a roll over my
current outlay.

If we stick to your original number of fifteen grams per
roll, the comparison drops to 1.5 kilograms vs my multi-use
fix containing one kilo.

Nearly all issues connected with fixing and washing and
'archivability' etc etc, are obviated by one-shot fixing.
Nearly all problems with fixing are sidestepped. Would there
be any other way to achieve a similar level of 'cleanliness'
in fixing and washing?

I wonder if my reasoning has any flaws, because, if not, six
cents a roll is a pretty small price. The added time only
comes to seconds per roll, I think.

What about applying this method to FB print making???

regards,
--le
Signature

________________________________
Lloyd Erlick Portraits, Toronto.
voice: 416-686-0326
email: portrait@heylloyd.com
net: www.heylloyd.com
________________________________

Dan Quinn - 15 Jul 2004 00:53 GMT
> > ... I dare say the usuall muti-
> > used fixers are very dilute when near exhaustion.      Dan
[quoted text clipped - 6 lines]
>
> Do you do a double-bath, single shot fix step?

 I've done that with paper and may give it a go with film.
Two bath is usually used when the two baths are multi-use.
One-shot is not the same. At start the first and perhaps
only fix bath is virgin. Also it is very dilute being 1/4
that of a 160gr/ltr fix. Being very dilute the level of
silver is a small fraction of what a conventional
fix might carry. And that IS considering the one-
shot fix to be NEAR exhaustion at end.

> From the details you've provided, it seems to me that
> eighteen (can we round it up to twenty?) grams of sodium
> thiosulfate (presumably anhydrous?) per roll of film,
> applied twice, in two separate baths, for about twelve
> minutes per bath, would pretty much do it.

 With 15gr S. Thio. I had clear film and thiosulfate to spare
by the iodide test. I'm only speaking of Pan F+ 120 film. Times
are for a concentration of 40gr/ltr one bath. Agitate as with
developer.
 I think I'll up from 15 to 16gr anhydrous. That would be
24gr plus a fraction of the penta. That 16gr is ALL that it
takes to do one roll of 120 Pan F+.
 I have made a determination for Pan F+ only. I'll be testing
some others over time. To test with A. or S. Thio. three or four
rolls of film will be needed. I tested with some totaly unexposed
rolls. Doing so places the entire silver load on the fixer. In
the future I'll likely expose some little. I do a real world
test. The film is developed, exposed or not.
 How about an after fixer chaser! To one liter of water add ten
grams of S. Thio, any brand, and half that amount of your
favorite alkali. A sulfite, bicarbonate, or carbonate
will do and go well with the following washes.
 Sounds good! I think I'll give that a try myself!          Dan
 

> In my case, for a developing run of ten rolls of film,
> that's about four hundred grams of sodium thiosulfate
[quoted text clipped - 49 lines]
> net: www.heylloyd.com
> ________________________________
Mike King - 05 Jul 2004 20:32 GMT
I found a screw cap with a built-in eyedropper that fit my wetting agent
bottle and add a couple of drops to my final distilled water rinse.  MUCH
more dilute that specified but it does the trick.

Signature

darkroommike

----------

> At processing time I like the convience of one shot processing.
> I have all chemistry premeasured and ready for final dilution.
[quoted text clipped - 4 lines]
> Will that 1:30 in well sealed glass bottles last? I'd like a
> few weeks from it. I've no idea of it's keeping property.  Dan
 
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