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Photo Forum / Film Photography / Darkroom / May 2004

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print retouching

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Robert J. Mathes - 27 May 2004 11:11 GMT
This question is for film printers, not digital. When spotting prints, how
do you remove the black marks on a print?
Gregory W Blank - 27 May 2004 12:29 GMT
> This question is for film printers, not digital. When spotting prints, how
> do you remove the black marks on a print?

Very carefully , with a razor blade or x-acto knife. If done correctly
you won't have to apply spotone to the eched area.
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Jean-David Beyer - 27 May 2004 14:38 GMT
> This question is for film printers, not digital. When spotting prints, how
> do you remove the black marks on a print?

You could bleach them with ferricyanide reducer if you have the skill.
Same skill as spotting with dyes. I do not have it, so I keep my negatives
as clean as possible. Black spots (wiggles, usually for me) usually were
dust on the negative prior to exposure.

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Gregory W Blank - 27 May 2004 19:27 GMT
> You could bleach them with ferricyanide reducer if you have the skill.
> Same skill as spotting with dyes. I do not have it, so I keep my negatives
> as clean as possible. Black spots (wiggles, usually for me) usually were
> dust on the negative prior to exposure.

I pretty much gave up on bleaching spots, although as you have sated it can be done.
I also wonder if the bleaching compromises the image to some degree.
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Jean-David Beyer - 28 May 2004 08:21 GMT
>>You could bleach them with ferricyanide reducer if you have the skill.
>>Same skill as spotting with dyes. I do not have it, so I keep my negatives
[quoted text clipped - 3 lines]
> I pretty much gave up on bleaching spots, although as you have sated it can be done.
> I also wonder if the bleaching compromises the image to some degree.

Since I am so clumsy on spotting and localized bleaching, I do not have
the facts. But even Ansel Adams did some bleaching at times and even
published a formula in the first edition of The Print for one for paper to
clear the highlights. This was mainly to retain highlight detail: you
print a little too dark, process and dry the print. Then use the bleach
(cutting reducer) to lighten the highlights. Contained Ammonium
ThioCyanate. That one (not Farmer's Reducer). So he thought it safe. I
would think if you washed the print properly after bleaching and did not
leave the print in the bleach too long, it would be OK. It only takes
about 5 seconds in the bleach to work as he describes it. I tried it for
10 seconds once, and that was too long.

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Nicholas O. Lindan - 28 May 2004 17:15 GMT
> It only takes about 5 seconds in the bleach to work as he
> describes it. I tried it for 10 seconds once, and that was too long.

Bleach is homeopathic, like Rodinal, it seems to work better the
more it is diluted.  I try and aim for 2 1-minute bleachings to
clear highlights - when done right it adds a sparkle to the print
that can not be achieved any other way.  See an original print of
AA's Vernal Falls for an example.

That said, overall bleaching is used only to clear highlights,
not for removing black spots.

If the black spot is due to a hole in the negative or dust on
the negative when it was exposed then it is a good idea to
retouch the negative: the black spot is always going to be
there, so why not get rid of it once and for all.  And bleaching
and scraping are two fast roads to a ruined print.

The usual approach is to turn the black spot into a white
spot by applying spotone or opaque to the negative and
then spotting the resulting white spot on the print.  Many
films can be retouched on the back side - much safer.  Some
even take a soft pencil as a retouching medium.

It is also possible to scrape the black spot off the print with a
scalpel - practice first.  The aim is to remove the gelatin
without removing the white layer behind the gelatin: it takes
a very steady hand and a very light touch.  You will then have
to retouch the resulting scrape mark.  If it was a  40x48"
print then the risk is worth it to salvage the print.  For an
8x10 I would not recommend it.

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Gregory W Blank - 28 May 2004 17:42 GMT
> It is also possible to scrape the black spot off the print with a
> scalpel - practice first.  The aim is to remove the gelatin
[quoted text clipped - 3 lines]
> print then the risk is worth it to salvage the print.  For an
> 8x10 I would not recommend it.

I've done alot of prints even 8x10's this way and it is
cetainly easier than matching the print color with
photo dye.
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Jean-David Beyer - 29 May 2004 13:00 GMT
>>It only takes about 5 seconds in the bleach to work as he
>>describes it. I tried it for 10 seconds once, and that was too long.

> If the black spot is due to a hole in the negative or dust on
> the negative when it was exposed then it is a good idea to
> retouch the negative: the black spot is always going to be
> there, so why not get rid of it once and for all.  And bleaching
> and scraping are two fast roads to a ruined print.

Of course they are. I used to ruin prints all the time that way. Which is
why, when I attempt retouching, I am far more interested in doing it with
a replaceable print than in irreplaceable negative.

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Gregory W Blank - 29 May 2004 13:09 GMT
> > If the black spot is due to a hole in the negative or dust on
> > the negative when it was exposed then it is a good idea to
[quoted text clipped - 5 lines]
> why, when I attempt retouching, I am far more interested in doing it with
> a replaceable print than in irreplaceable negative.

OOOH I missed that comment, retouching negatives is a very baaaaad
idea. Unless you have a retouching machine and alot of practice.
I personally would never attempt it on my stuff. Too many ways to spot prints
or etch the spot,....hell even doing the scan and retouching in PS for RC stuff
far and above beats foobaring a good neg.
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Nicholas O. Lindan - 30 May 2004 04:32 GMT
> when I attempt retouching, I am far more interested in doing it with
> a replaceable print than in irreplaceable negative.

1) The negative is not irreplaceable.  It came from dust and to dust
  it shall return.

2) Soft graphite pencil on the back of a negative will not damage a
  negative.  Neither will cocine red or opaque.  Both are easily
  removable.

3) Once the spot has been removed one never again has to scrape or
  bleach the print.  Important if you make more than one print.

4) If only one print is made then the image is not valuable
  to begin with and the issue is moot.

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Gregory W Blank - 30 May 2004 04:56 GMT
> > when I attempt retouching, I am far more interested in doing it with
> > a replaceable print than in irreplaceable negative.
>
> 1) The negative is not irreplaceable.  It came from dust and to dust
>    it shall return.

Easy there Nick your messing with religion.

> 2) Soft graphite pencil on the back of a negative will not damage a
>    negative.  Neither will cocine red or opaque.  Both are easily
>    removable.

Hum? Sounds almost reasonable.

> 3) Once the spot has been removed one never again has to scrape or
>    bleach the print.  Important if you make more than one print.

Perhaps, although some spotting dyes change color over time.

> 4) If only one print is made then the image is not valuable
>    to begin with and the issue is moot.

Not true.
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Gilbert Dumont - 28 May 2004 00:16 GMT
>> This question is for film printers, not digital. When spotting prints, how
>> do you remove the black marks on a print?
[quoted text clipped - 3 lines]
>as clean as possible. Black spots (wiggles, usually for me) usually were
>dust on the negative prior to exposure.

Ordinary iodine in alcohol is an excellent zilver bleach too. Fix it
and wash it after the bleach.

Gilbert
 
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