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Photo Forum / Film Photography / Darkroom / April 2004

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full frame 35mm display

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k - 31 Mar 2004 05:28 GMT
I was wondering what is the most common method if displaying gallery work
for
35mm full frame prints?  I have seen some mat cuts where the window is just
outside
the 35mm print border?  is this a common way of displaying 35mm full frame
prints when
you're doing mats?  thanks.

k.
Nicholas O. Lindan - 31 Mar 2004 13:12 GMT
> I was wondering what is the most common method if displaying gallery work
> for 35mm full frame prints?

The same as for displaying any other print.

If you want the uncommon black stripe and ratty negative holder
method look I can not help you.

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Nicholas O. Lindan, Cleveland, Ohio nolindan@ix.netcom.com
Consulting Engineer:  Electronics; Informatics; Photonics.
psst.. want to buy an f-stop timer? nolindan.com/da/fstop/

jjs - 31 Mar 2004 13:55 GMT
> If you want the uncommon black stripe and ratty negative holder
> method look I can not help you.

Maybe it is time we lowered our standards in order to make a few bucks as
social security goes bankrupt. :(  Let's market some matts with
pre-printed raggy edges and sprocket holes.
columbotrek - 02 Apr 2004 07:05 GMT
All Pyramid schemes eventually go belly up.  Why should social security
be any different?

> Maybe it is time we lowered our standards in order to make a few bucks as
> social security goes bankrupt.
Signature

"Liberty has never come from the government. Liberty has always come
from the subjects of the government. The history of government is a
history of resistance. The history of liberty is the history of the
limitation of government, not the increase of it." --Woodrow Wilson

Nicholas O. Lindan - 02 Apr 2004 15:18 GMT
> jjs wrote:
> > Maybe it is time we lowered our standards in order to make a few bucks as
> > social security goes bankrupt.
> All Pyramid schemes eventually go belly up.  Why should social security
> be any different?

I thought Social Security was a 'Ponzi' scam:

http://www.mark-knutson.com/thescheme.html

But I guess a Ponzi scam is a variation on a pyramid scheme which is
a variation on a chain letter which is a variation on Herbalife.  Or
is it the other way 'round?

Signature

Nicholas O. Lindan, Cleveland, Ohio nolindan@ix.netcom.com
Consulting Engineer:  Electronics; Informatics; Photonics.
psst.. want to buy an f-stop timer? nolindan.com/da/fstop/

William Graham - 03 Apr 2004 03:07 GMT
> > jjs wrote:
> > > Maybe it is time we lowered our standards in order to make a few bucks as
[quoted text clipped - 9 lines]
> a variation on a chain letter which is a variation on Herbalife.  Or
> is it the other way 'round?

The only difference between SS and a pyramid scam, is that with a pyramid
scam, all you have to do is hit, "delete", and go on to the next
e-mail.....With SS, the government made a law that says you have to join
whether you're smart enough to see through the scam or not........
jjs - 03 Apr 2004 04:23 GMT
> The only difference between SS and a pyramid scam, is that with a pyramid
> scam, all you have to do is hit, "delete", and go on to the next
> e-mail.....With SS, the government made a law that says you have to join
> whether you're smart enough to see through the scam or not........

That's the truth. At one time a very smart man named Russell Jalbert, who
once worked for the Social Security Administration, said (paraphrase) "A
good report from the Social Security Administration should be interpreted
as 'the people have not risen up in a full revolution against it'. Yet!"
Yes, he was bitter.

The government is just waiting for the would-be beneficiaries to die off.
Rather like the way they handled the Vietnam Agent Orange crisis.
Martin Francis - 31 Mar 2004 21:33 GMT
> If you want the uncommon black stripe and ratty negative holder
> method look I can not help you.

UN-common?

--
Martin Francis

--- this space left intentionally blunt ---
Nicholas O. Lindan - 31 Mar 2004 22:14 GMT
> > If you want the uncommon black stripe and ratty negative holder
> > method look I can not help you.
>
> UN-common?

Yes: Pick up a book of photographs, open a magazine, go to a
gallery, a museum and count: with black border Vs without
black border.

Just a thought exercise: which do you think will be
the more common?

Black borders were first done to be UN-common: not like the
crowd.

Signature

Nicholas O. Lindan, Cleveland, Ohio nolindan@ix.netcom.com
Consulting Engineer:  Electronics; Informatics; Photonics.
psst.. want to buy an f-stop timer? nolindan.com/da/fstop/

Paul Schmidt - 01 Apr 2004 04:44 GMT
>>>If you want the uncommon black stripe and ratty negative holder
>>>method look I can not help you.
[quoted text clipped - 10 lines]
> Black borders were first done to be UN-common: not like the
> crowd.

Actually I think Ilford invented the black border, Cibachrome prints
done with a blank border means a black border rather then a white one.
Some folks thought it was cool, and could be done with Negative prints,
simply by putting something over the exposed print raising the easel
border, and then giving it double tim exposure under the enlarger with
no negative in the carrier.  Burns the border in wonderful black.

I always thought with the rich colour saturation of Cibachrome prints,
the black border looked better, with the lower colour saturation of
negative prints the white border looked better, but that's just my opinion.

Paul
Peter Irwin - 01 Apr 2004 05:29 GMT
In rec.photo.equipment.35mm Paul Schmidt <wogsterca@yahoo.ca> wrote:

> Actually I think Ilford invented the black border, Cibachrome prints
> done with a blank border means a black border rather then a white one.

I think it predates Cibachrome by quite a long way. I've got a book
"Miniature Photography" by Richard Simon published in 1937 in which
the author explains how he prints dark borders on his prints.
After making an enlargement, take a piece of card the size of the
print minus the border and place it on the enlarging paper and expose
the edges with a pocket flashlight or the enlarger with negative
removed.

> Some folks thought it was cool, and could be done with Negative prints,
> simply by putting something over the exposed print raising the easel
> border, and then giving it double tim exposure under the enlarger with
> no negative in the carrier.  Burns the border in wonderful black.

It can look cool if well done, but it certainly predates Cibabchrome
by many years.

Peter.
Signature

pirwin@ktb.net

jjs - 01 Apr 2004 06:09 GMT
> Actually I think Ilford invented the black border [...]

More likely Robinson Crusoe.
Martin Francis - 01 Apr 2004 21:25 GMT
> Actually I think Ilford invented the black border

Wasn't it Al Gore?

--
Martin Francis

--- this space left intentionally blunt ---
Alan Browne - 02 Apr 2004 01:29 GMT
> Yes: Pick up a book of photographs, open a magazine, go to a
> gallery, a museum and count: with black border Vs without
> black border.

The statistical approach to art.... ?

Signature

e-meil: there's no such thing as a FreeLunch.

Michael Scarpitti - 31 Mar 2004 22:14 GMT
> I was wondering what is the most common method if displaying gallery work
> for
[quoted text clipped - 5 lines]
>
> k.

Print with clean white boders. Use a masking neg carrier. Forget this
crap. Don't take crap from photo instructors. Think for yourself.
camera critter - 01 Apr 2004 23:51 GMT
Rhetorical questions:

How many photographers need to use "clean white borders" before
critics can consider white borders to be a tired old cliche of
printing?

How many photographers need to use black frames before critics can
consider it to be yet another cliche?

If "everyone" cuts the overmat so that its window is just outside of
the print, is that also a cliche of printmaking?

Which is the cliche: either cropping a negative or printing full
frame?

Does any of it really matter, or perhaps the photographer should
experiment with several variations to determine which he/she feels is
appropriate for the particular picture?

_________________
_________________

> > I was wondering what is the most common method if displaying gallery work
> > for
[quoted text clipped - 8 lines]
> Print with clean white boders. Use a masking neg carrier. Forget this
> crap. Don't take crap from photo instructors. Think for yourself.
street shooter - 01 Apr 2004 04:44 GMT
> I was wondering what is the most common method if displaying gallery work
> for
[quoted text clipped - 5 lines]
>
> k.

Too common if you ask me.  It was probably kind of innovative when the
photographer who did this first presented a new style.  Now, this
"alternative" has been copied into a trite presentation style.  I
print full frame (9" X 13.5") and cut my mats so that they just barely
cover the edges.  It takes longer to position prints this way, but it
is worth it to get the exact look I intend.

Michael
Alan Browne - 02 Apr 2004 01:28 GMT
> I was wondering what is the most common method if displaying gallery work
> for
[quoted text clipped - 3 lines]
> prints when
> you're doing mats?  thanks.

The "Crop in the viewfinder" crowd like to show the raggedy edges of the
negative to prove their art is "pure".  Just decide what you want for
YOU and get on with life.

For B&W, I sometimes like the 'ragged' edge bit; but for color I prefer
it to be hard edged.  I have no hard preference, it is NOT important.

Some images beg to be cropped following exposure.  It's that simple.
This cropping can be done by cutting the matte to effect the crop,
masking during printing, cutting, whatever.

Go to a few galleries and find the looks that appeal to you...

Cheers,
Alan.

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e-meil: there's no such thing as a FreeLunch.

 
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