Home | Contact Us | FAQ | Search & Site Map | Link to Us
Sign In | Join | Other 45 Sites in Network
PhotoKB Home
Discussion Groups
Digital Photography
Digital PhotoDSLR CamerasZLR CamerasPoint & Shoot Cameras
Film Photography
35 mmLarge FormatMedium formatDarkroomFilm and LabsOther Equipment
Photo Technique
Nature PhotographyPeople PhotographyTechnique General
General Photo Topics
General TopicsAustralian PhotographyUK Photography
DirectoryPhoto Clubs

Photo Forum / Film Photography / Darkroom / February 2004

Tip: Looking for answers? Try searching our database.

Kodachrome (K-14) vs. Ektachrome (E-6) Color Slides

Thread view: 
Enable EMail Alerts  Start New Thread
Thread rating: 
Jeff L - 15 Feb 2004 20:07 GMT
Hello,

I have a few questions about color slides, some of which I have
wondered about for the past 20 years or so.  Could anyone answer
these?:

1) What all is involved in the K-14 process?  How many, and what kind
of chemicals are there?  Why have they never been available to the
public?

2) What would happen if someone tried to process Kodachrome film using
the E-6 process?

3) What is the difference in chemistry between Kodachrome and
Ektachrome films?

4) In detail, what do each of the 7 chemicals in the E-6 process
actually do?  If you omit the color developer step, will you get B&W
slides?

5) Is it possible to process C-41 print film using E-6 or K-14
chemicals to end up with slides instead of negatives?  What about D-76
B&W print film?

6) Since color slides were invented in 1936, what year were the first
color prints available?  All of my parents' family photos older than
the mid-60's are all B&W, except for color slides from the 50's.

Thanks,
Jeff
James Robinson - 15 Feb 2004 20:56 GMT
> 1) What all is involved in the K-14 process?  How many, and what kind
> of chemicals are there?

There are 14 steps (K-14, get it?)  Here is a link to the K-Lab
processing manual on the Kodak site.  You can read the section on
"processing steps" to get a better idea of how it works:

http://www.kodak.com/global/en/service/Zmanuals/z50.shtml

> Why have they never been available to the public?  

There are a number of reasons.  The process is complicated, and has to
be very tightly controlled, both chemically and the temperatures.  It is
probably beyond most amateur's abilities.  You also need a pure red and
a pure blue light to re-expose the film during processing.  Finally, one
of the chemicals, used for refogging the film, is somewhat toxic, and
Kodak probably never wanted to take the risk.

> 2) What would happen if someone tried to process Kodachrome film using
> the E-6 process?

You would first upset the person doing the processing.  Kodachrome has a
unique antihalation backing called Remjet that will come off the film in
the first processing step.  The backing will deposit itself like a tar
all through the processing machine.  The machine then has to be taken
apart to be cleaned.

Other than that, the processes are entirely different.  E-6 relies on
dyes already in the film, while Kodachrome is essentially a multi-layer
black and white film, where the dyes are added during processing.  In
short, you won't get anything.

> 3) What is the difference in chemistry between Kodachrome and
> Ektachrome films?

As above, they are quite different.
no - 15 Feb 2004 21:20 GMT
>> 1) What all is involved in the K-14 process?  How many, and what kind
>> of chemicals are there?
[quoted text clipped - 32 lines]
>
> As above, they are quite different.

One note:  It's very possible to process C-41 as E6 and vice versa.
First, you will get slides from your print film or negs from your slide
film.  However the colours become very strange indeed.  I have done this
on a number of occasions with varying, albeit artistic results.
Slingblade - 16 Feb 2004 07:18 GMT
>One note:  It's very possible to process C-41 as E6 and vice versa.
>First, you will get slides from your print film or negs from your slide
>film.  However the colours become very strange indeed.  I have done this
>on a number of occasions with varying, albeit artistic results.

I had E6 (Ektachrome 200) processed with C41 through a mistake at a
photolab once.

The "prints" that were returned to me looked very ethereal.  

The "negatives" had a wierd bluish cast (completely unlike the orangy
cast you usually encounter with REAL negative film).

The lab never caught their mistake until I pointed it out and
complained, and then they gave me those shots for free and free
processing on a future roll of slide film.  I took them up on the free
processing of the next roll, then changed future processing jobs over
to another lab.
Geoffrey S. Mendelson - 15 Feb 2004 21:22 GMT
> 1) What all is involved in the K-14 process?  How many, and what kind
> of chemicals are there?  Why have they never been available to the
> public?

Don't know. Kodak has never been forthcoming about what is in the process.


> 2) What would happen if someone tried to process Kodachrome film using
> the E-6 process?

You would end up with orange film with nothing on it.

> 3) What is the difference in chemistry between Kodachrome and
> Ektachrome films?

Don't know.

> 4) In detail, what do each of the 7 chemicals in the E-6 process
> actually do?  If you omit the color developer step, will you get B&W
> slides? you'll get blank film.

1. developer - develops exposed silver to a normal b&w image
2. stop bath
at one time a second exposure to light was needed here.
3. color developer -- develops the rest of the silver and causes the dyes
  coupled to the silver to "develop"
4. bleach - converts all silver to solulable.
5. fixer - standard fixer disolves the silver.
6. wash
7. stabilizer -- makes the dyes last longer used to be formadlehyde.

The process can be cut down to a developer/color developer combination,
bleach/fix (blix) combination, wash/stabilizer combination assuimg the
chemicals are not reused. If they are to be reused a wash or stop bath
would be needed between the developers and blix to prevent
contamination.

> 5) Is it possible to process C-41 print film using E-6 or K-14
> chemicals to end up with slides instead of negatives?  What about D-76
> B&W print film?

no. but there have been some interesting results published using C-41 for
E-6 film.

> 6) Since color slides were invented in 1936, what year were the first
> color prints available?  All of my parents' family photos older than
> the mid-60's are all B&W, except for color slides from the 50's.
no idea.

Geoff.

Signature

Geoffrey S. Mendelson gsm@mendelson.com 972-54-608-069
Icq/AIM Uin: 2661079 MSN IM: geoffrey_mendelson@hotmail.com (Not for email)

Michael Scarpitti - 16 Feb 2004 03:30 GMT
> Hello,
>
[quoted text clipped - 5 lines]
> of chemicals are there?  Why have they never been available to the
> public?

First developer, three reversal exposures and three color devlopers,
bleach, fix, wash, etc.

> 2) What would happen if someone tried to process Kodachrome film using
> the E-6 process?

Blank film.

> 3) What is the difference in chemistry between Kodachrome and
> Ektachrome films?

Different kind of color couplers. Kodachrome's couplers are in teh
developers, Ektachrome couplers are in the film.

> 4) In detail, what do each of the 7 chemicals in the E-6 process
> actually do?  If you omit the color developer step, will you get B&W
> slides?

No, you will get nothing but bank film...

> 5) Is it possible to process C-41 print film using E-6 or K-14
> chemicals to end up with slides instead of negatives?  What about D-76
[quoted text clipped - 3 lines]
> color prints available?  All of my parents' family photos older than
> the mid-60's are all B&W, except for color slides from the 50's.

Kodak made Kodachrome prints service available soon after Kodachrome
film became available.

> Thanks,
> Jeff
????Lonely Boy???? - 16 Feb 2004 14:25 GMT
> 1) What all is involved in the K-14 process?  How many, and what kind
> of chemicals are there?  Why have they never been available to the
> public?

No available.  because it need special hardware to exposure the 3 emulsion
layers color by color.

> 2) What would happen if someone tried to process Kodachrome film using
> the E-6 process?

no image...all silver metal will be converted to silver halide by the bleach
and dissolved by fixer, because no dye will be ever formed.

> 3) What is the difference in chemistry between Kodachrome and
> Ektachrome films?

R, G, B reversal exposure and 3 different colour developer.

> 4) In detail, what do each of the 7 chemicals in the E-6 process
> actually do?  If you omit the color developer step, will you get B&W
> slides?

First dev converts latent image to silver metal.  Reversal bath chemical fog
the undeveloped silver halide.  Color developer develop the chemically
fogged silver halide to silver metal and form dyes.  Conditioner prepares
the film for the bleach.  Bleach converts all silver metal to silver halide.
Fixer dissolves all silver halide.  Stabiliser stablises the color dye and
help drying evenly.

> 5) Is it possible to process C-41 print film using E-6 or K-14
> chemicals to end up with slides instead of negatives?  What about D-76
> B&W print film?
C41 film can go through E6 and form positive image.  B/W film in C41 or E6
will become transparent as all silver metal will be removed by bleach and
fixer

> 6) Since color slides were invented in 1936, what year were the first
> color prints available?  All of my parents' family photos older than
> the mid-60's are all B&W, except for color slides from the 50's.

Signature

Please remove NOSPAM when replying!
--
My Underwater Photo Album: http://www.geocities.com/hmlai88/
Have a nice day and eat as much as you can!
===========================================
Lonely Boy
http://www.geocities.com/lonelyb
ICQ: 1176912

 
Sign In
Join
My Latest Posts
My Monitored Threads
My Blog
My Photo Gallery
My Profile
My Homepage

Start New Thread
Enable EMail Alerts
Rate this Thread



©2009 Advenet LLC   Privacy Policy - Terms of Use
This website includes both content owned or controlled by Advenet as well as content owned or controlled by third parties.