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Photo Forum / General Photo Topics / Australian Photography / December 2007

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The D3 Kicks 1Ds Mk III's Butt!

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Rita Ä Berkowitz - 08 Dec 2007 01:56 GMT
<http://luminous-landscape.com/essays/comparison.shtml>

Rita
PixelPix - 08 Dec 2007 02:20 GMT
> <http://luminous-landscape.com/essays/comparison.shtml>
>
> Rita

Ignoring the obvious title troll...

I recommend the read.....

"Before people draw any unwarranted conclusions it needs to be said
that the 1Ds MKIII is no slouch when it comes to high ISO performance.
The shot above and its 100% crop show what the camera is capable of at
ISO 3200. In a 16X20" print none of the artifacts seen in the 100%
crop above is visible, and noise is extremely low. As I found on my
Madagascar shoot, you can work at virtually any ISO under any
conditions and get usable, saleable images. And don't lose sight of
the fact that you can do so at 5 FPS in 14 bit mode, and with 21
Megapixel files - the previous domain of medium format." - luminous-
landscape.com
Yvon Travailler - 08 Dec 2007 03:31 GMT
On Dec 8, 11:56 am, Rita Ä Berkowitz <ritaberk2O04 @aol.com> wrote:
> <http://luminous-landscape.com/essays/comparison.shtml>
>
> Rita

Ignoring the obvious title troll...

I recommend the read.....

============

it is too technical for a dumb troll like her
Douglas - 08 Dec 2007 05:09 GMT
> On Dec 8, 11:56 am, Rita Ä Berkowitz <ritaberk2O04 @aol.com> wrote:
>> <http://luminous-landscape.com/essays/comparison.shtml>
[quoted text clipped - 8 lines]
>
> it is too technical for a dumb troll like her

The 1Ds Mk III is almost as expensive as a Mamiya 645D II which uses a
36x48mm, 22 megapixel CCD sensor, digital back which is interchangeable with
120 roll film backs. The best of both worlds!  CCD sensors don't blur the
image as much as CMOS sensors do and produce unparalleled image quality.

Any 35mm origin DSLR with a sensor as small as a FF 35mm one, would need to
produce exceptional results to warrant it's cost. In fact it would need to
produce unparalleled results which Canon cameras cannot due to resolving
power of their lenses.

There is even more economy in the Mamiya than first appears. The back is
under $10,000. Used 645AF Mamiyas are selling for $2 -3k, many with lenses
and they don't have the service life limitations of a Canon DSLR.  I
seriously can't see where those high priced Canon's fit the Professional
needs for anyone outside the (action) sports area.

Douglas
PixelPix - 08 Dec 2007 06:10 GMT
> > On Dec 8, 11:56 am, Rita Ä Berkowitz <ritaberk2O04 @aol.com> wrote:
> >> <http://luminous-landscape.com/essays/comparison.shtml>
[quoted text clipped - 26 lines]
>
> Douglas

Actually the 1DS3 is more than a match for the ZD.  When this site
gets a new quota you can view full size comparison shots from the ZD,
1Ds3 and P21
http://www.tpedersen.com/1DsMKIII_P21_ZD/

Factor in the speed and versatility of the DSLR format and it will be
a no brainer for many.... of course everyone's style, likes & needs
vary, but on a purely IQ basis the 1DS3 is up there with MF.
Noons - 08 Dec 2007 07:46 GMT
> Factor in the speed and versatility of the DSLR format and it will be
> a no brainer for many.... of course everyone's style, likes & needs
> vary, but on a purely IQ basis the 1DS3 is up there with MF.

my rb67 and pentax 6x7 are shaking already....
Douglas - 09 Dec 2007 07:47 GMT
On Dec 8, 3:09 pm, "Douglas" <j...@the.group> wrote:
> "Yvon Travailler" <asdas...@ksdkjsd.cna> wrote in message
>
[quoted text clipped - 34 lines]
>
> Douglas

Actually the 1DS3 is more than a match for the ZD.  When this site
gets a new quota you can view full size comparison shots from the ZD,
1Ds3 and P21
http://www.tpedersen.com/1DsMKIII_P21_ZD/

Factor in the speed and versatility of the DSLR format and it will be
a no brainer for many.... of course everyone's style, likes & needs
vary, but on a purely IQ basis the 1DS3 is up there with MF.
----------------------

Clearly those who would choose a DSLR over a Mamiya outfit when the price is
so close, don't recognize the value of film images. I recently did a shoot
on whale watching with 654 film and had along a 5D for company. In total
seriousness Russ, the film images were truly spectacular. The 5D stuff just
looked like digital images and the two compared together shows quite clearly
why film will always be the medium of choice when "IQ" as you call it is
critical. The only 35mm SLR to provide the option of using a digital back
was a Leica that was discontinued. Certainly no 35mm camera can come near
the stuff from  MF film and few DSLRs ever get within reach of that "IQ".

Douglas
Annika1980 - 09 Dec 2007 07:59 GMT
> I recently did a shoot
> on whale watching with 654 film and had along a 5D for company. In total
> seriousness Russ, the film images were truly spectacular.

Can't wait to see them!
PixelPix - 09 Dec 2007 11:06 GMT
> On Dec 8, 3:09 pm, "Douglas" <j...@the.group> wrote:
>
[quoted text clipped - 57 lines]
>
> Douglas

As a MF film shooter who has spent thousands on high end drum scans
over the years, I respectfully disagree.
TH O - 08 Dec 2007 18:51 GMT
> The 1Ds Mk III is almost as expensive as a Mamiya 645D II which uses a
> 36x48mm, 22 megapixel CCD sensor, digital back which is interchangeable with
<snip>
> There is even more economy in the Mamiya than first appears. The back is
> under $10,000. Used 645AF Mamiyas are selling for $2 -3k, many with lenses
> and they don't have the service life limitations of a Canon DSLR.  I
> seriously can't see where those high priced Canon's fit the Professional
> needs for anyone outside the (action) sports area.

Try wildlife, photojournalism, travel, macro, and street photography.
Medium format also has no where near the lens selection of SLR systems.
Douglas - 09 Dec 2007 07:48 GMT
>> The 1Ds Mk III is almost as expensive as a Mamiya 645D II which uses a
>> 36x48mm, 22 megapixel CCD sensor, digital back which is interchangeable
[quoted text clipped - 9 lines]
> Try wildlife, photojournalism, travel, macro, and street photography.
> Medium format also has no where near the lens selection of SLR systems.

Thank God for that. DSLRs don't offer the option to clip on a film back
either. And anywhay, mine is bigger than your!

Douglas
Rita Ä Berkowitz - 08 Dec 2007 05:21 GMT
>> <http://luminous-landscape.com/essays/comparison.shtml>
>>
[quoted text clipped - 3 lines]
>
> I recommend the read.....

I did and it doesn't look good for the 1Ds.  Let's see, a bargain basement
D3 at $5,000 with a full arsenal of the worlds best glass, Nikkors, beats an
$8,000 dSLR with no lens offerings.  Of course, one could use an adapter and
use Nikkors on it to take full advantage of the sensor.  But at this point
in the game it's not worth paying an extra $3K just to manually focus when
the D3 takes full advantage of AF and has a better sensor.  Like I said, the
1Ds is going to be a sweet camera, but there are going to be a lot of
unrealistic expectations shattered.

Rita

> "Before people draw any unwarranted conclusions it needs to be said
> that the 1Ds MKIII is no slouch when it comes to high ISO performance.
[quoted text clipped - 6 lines]
> Megapixel files - the previous domain of medium format." - luminous-
> landscape.com
PixelPix - 08 Dec 2007 06:29 GMT
> >> <http://luminous-landscape.com/essays/comparison.shtml>
>
[quoted text clipped - 5 lines]
>
> I did and it doesn't look good for the 1Ds.

you must be reading a different site than the rest of us.  lol

> Let's see, a bargain basement
> D3 at $5,000 with a full arsenal of the worlds best glass, Nikkors, beats an
> $8,000 dSLR with no lens offerings.

No lens offerings? Let me put my sunnies on, your Troll colours
glowing very VERY bright.

> Of course, one could use an adapter and
> use Nikkors on it to take full advantage of the sensor.

Damn... where did I put those sunnies! :-(

>  But at this point
> in the game it's not worth paying an extra $3K just to manually focus when
> the D3 takes full advantage of AF and has a better sensor.

Better sensor?  Bwahaha... never mind the fact that it's only 12mp or
something.  Even with that lower res, it looks like it only has a 1/2
to one stop advantage in noise.... and from many many samples shown to
date, this advantage comes at the cost of some detail.  So it is
questionable if this is even an advantage at all.

Luminous Landscapes is happy that Canon's 1600ISO images show no
visible detail in print at very large sizes.  Like... how many of us
actually shoot at extreme ISOs anyway?  Sure there will be those
(press mainly) that will find it useful, but if anyone is serious
about image quality they are not going to be shooting high ISO anyway,
as it is crap in comparison to 100ISO images regardless of the camera
used.

As for the extra cost... the resolution makes it worth every penny for
those who require MF equaling results.

> Like I said, the
> 1Ds is going to be a sweet camera, but there are going to be a lot of
> unrealistic expectations shattered.

Same can be said for the D3.
Rita Ä Berkowitz - 08 Dec 2007 12:54 GMT
>>> I recommend the read.....
>>
>> I did and it doesn't look good for the 1Ds.
>
> you must be reading a different site than the rest of us.  lol

Obviously you are trying to put something into an article that isn't there.
There's nothing in that article that makes the 1Ds stand out as a great
camera for the price.

>> Let's see, a bargain basement
>> D3 at $5,000 with a full arsenal of the worlds best glass, Nikkors,
>> beats an $8,000 dSLR with no lens offerings.
>
> No lens offerings? Let me put my sunnies on, your Troll colours
> glowing very VERY bright.

Name one L lens under 400mm Canon makes that is even usable?

>> Of course, one could use an adapter and
>> use Nikkors on it to take full advantage of the sensor.
>
> Damn... where did I put those sunnies! :-(

Use the adapter son, use the adapter and you might not go back to L glass.

>>  But at this point
>> in the game it's not worth paying an extra $3K just to manually
[quoted text clipped - 5 lines]
> date, this advantage comes at the cost of some detail.  So it is
> questionable if this is even an advantage at all.

You bring up a good point.  Why is the Nikon sensor at half the MPs still
producing better images and performance?  If we were comparing apples to
apples the 1Ds wouldn't even stand a chance.

> Luminous Landscapes is happy that Canon's 1600ISO images show no
> visible detail in print at very large sizes.  Like... how many of us
[quoted text clipped - 3 lines]
> as it is crap in comparison to 100ISO images regardless of the camera
> used.

Nonsense!  A lot of people rarely shot high-ISO because it wasn't a viable
option.  Since the option is now available to the masses it will be used
more.  Like I said earlier I am very happy with the ISO 3200 performance of
both of these cameras.  Sure, I would like to shoot with the lowest ISO
possible, but that is not always an option.

> As for the extra cost... the resolution makes it worth every penny for
> those who require MF equaling results.

These people generally buy an MF camera instead of paying $8K for a novelty.

>> Like I said, the
>> 1Ds is going to be a sweet camera, but there are going to be a lot of
>> unrealistic expectations shattered.
>
> Same can be said for the D3.

Possibly, but the D3 isn't going to be letting a lot of people down.  Unlike
Canon's Mk III, Nikon's D3 users aren't screaming about focusing problem
within the first week of introduction.  I agree it was a very small sample
of Mk IIIs afflicted, but Canon has a tradition for letting the customer
beta test.

Rita
PixelPix - 08 Dec 2007 13:33 GMT
> >>> I recommend the read.....
>
[quoted text clipped - 14 lines]
>
> Name one L lens under 400mm Canon makes that is even usable?

Now you are just embarrassing yourself troll!

> >> Of course, one could use an adapter and
> >> use Nikkors on it to take full advantage of the sensor.
>
> > Damn... where did I put those sunnies! :-(
>
> Use the adapter son, use the adapter and you might not go back to L glass.

I have the adapter and used the adapter, but I still shoot L glass, as
well as Nikon, as well as Olympus, as well as various M42 mount
lenses.  The difference between you and me, is that I am willing to
admit that there are specific items of good glass from a variety of
manufacturers, rather than just trolling the one narrow minded line.

> >>  But at this point
> >> in the game it's not worth paying an extra $3K just to manually
[quoted text clipped - 9 lines]
> producing better images and performance?  If we were comparing apples to
> apples the 1Ds wouldn't even stand a chance.

ROFLMAO !!!!!

Ok... now you have confirmed for everyone that you have absolutely no
understanding of the matter at hand and are simply a TROLL!

Excluding image resolution, 1/2 the MPs is a HUGE advantage in
designing a sensor and keeping the noise low, yet between the D3 and
1Ds3 there is sweet-FA in it.  (As for resolution, well the D3 is not
even in the race)

> > Luminous Landscapes is happy that Canon's 1600ISO images show no
> > visible detail in print at very large sizes.  Like... how many of us
[quoted text clipped - 14 lines]
>
> These people generally buy an MF camera instead of paying $8K for a novelty.

Novelty?  ....Sounds like MP envy to me.

> >> Like I said, the
> >> 1Ds is going to be a sweet camera, but there are going to be a lot of
[quoted text clipped - 5 lines]
> Canon's Mk III, Nikon's D3 users aren't screaming about focusing problem
> within the first week of introduction.

Lets wait and see if the 1Ds3 lets people down and if the D3 has no
problems.... as only time will tell. (anything else is just another
troll)
Rita Ä Berkowitz - 08 Dec 2007 14:08 GMT
>>> No lens offerings? Let me put my sunnies on, your Troll colours
>>> glowing very VERY bright.
>>
>> Name one L lens under 400mm Canon makes that is even usable?
>
> Now you are just embarrassing yourself troll!

Can't name one?

>>>> Of course, one could use an adapter and
>>>> use Nikkors on it to take full advantage of the sensor.
[quoted text clipped - 9 lines]
> admit that there are specific items of good glass from a variety of
> manufacturers, rather than just trolling the one narrow minded line.

I did admit there are good lenses from Canon, they are all above 400mm.
That being said, these "good" lenses still can't hold a candle to Nikon's
equivalants.

>>> Better sensor?  Bwahaha... never mind the fact that it's only 12mp
>>> or something.  Even with that lower res, it looks like it only has
[quoted text clipped - 7 lines]
>
> ROFLMAO !!!!!

You wouldn't be laughing if you squandered $8K.

> Ok... now you have confirmed for everyone that you have absolutely no
> understanding of the matter at hand and are simply a TROLL!

Really?

> Excluding image resolution, 1/2 the MPs is a HUGE advantage in
> designing a sensor and keeping the noise low, yet between the D3 and
> 1Ds3 there is sweet-FA in it.  (As for resolution, well the D3 is not
> even in the race)

And yet the D3's image quality is better than the 1Ds's.  For the sake of
argument we will say the IQ is equal.  This doesn't say much for the 1Ds's
poor performance.

>> These people generally buy an MF camera instead of paying $8K for a
>> novelty.
>
> Novelty?  ....Sounds like MP envy to me.

Not likely.  One call and I'll be on a wait list for one.  Even if I was a
diehard Canon shooter I wouldn't buy one.  The 1D Mk III blows it away for
IQ and the 1.3x sensor is a nice compromise to FF.  Tell me this, why is the
Mk III with its 10 MP sensor still better than the 1Ds?

>> Possibly, but the D3 isn't going to be letting a lot of people down.
>> Unlike Canon's Mk III, Nikon's D3 users aren't screaming about
[quoted text clipped - 3 lines]
> problems.... as only time will tell. (anything else is just another
> troll)

The first week says it all.  Canon screwed the pooch and their customers
while Nikon is taking its time to hash any bugs out before the D3 is in
customers' hands.

Rita
Annika1980 - 08 Dec 2007 15:47 GMT
> And yet the D3's image quality is better than the 1Ds's.  

Where did you get that idea?
Let me guess .... you pulled it out of your big fat a.s!

>For the sake of  argument we will say the IQ is equal.  This doesn't say much for the 1Ds's poor performance.

For the sake of argument we will say you are an idiot.
Wait, there is no argument about that!

What's funny is how you are ragging on the 1Ds3 which is a better
camera than the 1D3 that you supposedly own.  So are you now admitting
you blew $5 G's on a crap camera?
Sucks to be you, idiot troll!
PixelPix - 08 Dec 2007 20:36 GMT
> > And yet the D3's image quality is better than the 1Ds's.
>
[quoted text clipped - 10 lines]
> you blew $5 G's on a crap camera?
> Sucks to be you, idiot troll!

I am over feeding the troll..... cause if we keep feeding it and the
arse will get fatter!  lol
PixelPix - 08 Dec 2007 20:42 GMT
> > > And yet the D3's image quality is better than the 1Ds's.
>
[quoted text clipped - 13 lines]
> I am over feeding the troll..... cause if we keep feeding it and the
> arse will get fatter!  lol

Geez too early in the the morning for typing... :-(

"I am over feeding the troll..... 'cause if we keep feeding it, the
arse will only get fatter!  lol"

thats better..... now where is my coffee?! ;-)
Rita Ä Berkowitz - 09 Dec 2007 00:59 GMT
> What's funny is how you are ragging on the 1Ds3 which is a better
> camera than the 1D3 that you supposedly own.  So are you now admitting
> you blew $5 G's on a crap camera?
> Sucks to be you, idiot troll!

Hell no!  The Mk III is a sweet camera, but we both know that the D3 is
better.  In the unlikely event the D3 turns out to be a dog there's
absolutely no reason I can't downgrade back to a Mk III in six months.  By
then a new one would have dropped from $4,100 to $3,500.  Just think, unlike
you, I have choices and many options available to me.  I know it really
sucks being you wishing you had a real camera.

No regrets!

<http://www.imaging-resource.com/PRODS/D3/FULLRES/D3hSLI00100acr.HTM>

Rita
Noons - 11 Dec 2007 11:35 GMT
> > And yet the D3's image quality is better than the 1Ds's.
>
> Where did you get that idea?
> Let me guess .... you pulled it out of your big fat a.s!

wrong guess.
try the mentioned review?
BTW, you should read it: it might
make you reconsider the value
of that 40Diminished toy you
insist on using.
Annika1980 - 11 Dec 2007 12:56 GMT
> > > And yet the D3's image quality is better than the 1Ds's.
>
[quoted text clipped - 7 lines]
> of that 40Diminished toy you
> insist on using.

I read the review and it did nothing to tarnish the reputation of my
40D.
I think it is funny that all these Nikonaholics have been bashing
Michael Reichmann for years, calling him a shill for Canon.  Now when
he finally figures out that he can make more money and widen his
audience by reviewing Nikons, they all go ga-ga over a few Nikon snaps
od some dude's eyebrows.
Bill Tuthill - 12 Dec 2007 05:50 GMT
> I read the review and it did nothing to tarnish the reputation of my
> 40D.
[quoted text clipped - 3 lines]
> audience by reviewing Nikons, they all go ga-ga over a few Nikon snaps
> of some dude's eyebrows.

That's funny, some dude's eyebrows.

The Nikon image looked overexposed, which could explain its lower noise.
Noons - 12 Dec 2007 10:03 GMT
> > > > And yet the D3's image quality is better than the 1Ds's.
>
[quoted text clipped - 10 lines]
> I read the review and it did nothing to tarnish the reputation of my
> 40D.

but it clearly states and shows the iq of the D3 is
better than the 1dsm3.  Don't change the subject: you
asked where did the poster get that idea.  From
the review.  Read it.  You might learn something
about true image quality.

> I think it is funny that all these Nikonaholics have been bashing
> Michael Reichmann for years, calling him a shill for Canon.  Now when
> he finally figures out that he can make more money and widen his
> audience by reviewing Nikons, they all go ga-ga over a few Nikon snaps
> od some dude's eyebrows.

finally he has opened his eyes, instead of just
shilling Canon, convinced that it will buy
him kudos from them.
Annika1980 - 12 Dec 2007 14:17 GMT
> > I read the review and it did nothing to tarnish the reputation of my
> > 40D.
>
> but it clearly states and shows the iq of the D3 is
> better than the 1dsm3.  

And that has what to do with the 40D?

>Don't change the subject: you
> asked where did the poster get that idea.  From
> the review.  Read it.  You might learn something
> about true image quality.

Those quick grab shots didn't show much at all about ultimate IQ and
Reichmann never made that claim.  Did you read his article?

> > I think it is funny that all these Nikonaholics have been bashing
> > Michael Reichmann for years, calling him a shill for Canon.  Now when
[quoted text clipped - 5 lines]
> shilling Canon, convinced that it will buy
> him kudos from them.

I e-mailed MR what I wrote above and this was his reply:
============

"going ga-ga"
Ya, right.
Perspective, Bret. Perspective. Get a little.
Noons - 13 Dec 2007 04:26 GMT
> And that has what to do with the 40D?

I baited, you bit.  simple, really.
ROFL!

> Those quick grab shots didn't show much at all about ultimate IQ and
> Reichmann never made that claim.  Did you read his article?

unless the queen's language has changed,
this:
"the D3 Nikon has upped the ante, producing a camera that appears to
offer lower noise than Canon (at least against the flagship 1Ds
MKIII), and higher available speeds as well."
means better iq.

> I e-mailed MR what I wrote above and this was his reply:
> ============
>
> "going ga-ga"
> Ya, right.
> Perspective, Bret. Perspective. Get a little.

yeah, one needs a FF dslr for true perspective.
not that 40Diminished crap...
Rita Ä Berkowitz - 13 Dec 2007 11:17 GMT
> yeah, one needs a FF dslr for true perspective.
> not that 40Diminished crap...

Hell, if he can't learn how to shoot a 40D right what makes you think he can
handle a 1Ds Mk III?  Only thing the 1Ds will give him is a larger file to
castrate in Photoshop.  Only way Bret is going to get a decent image
straight from the camera is if they add BMP format.

Rita
helensilverburg@hotmail.com - 13 Dec 2007 12:32 GMT
> > And that has what to do with the 40D?
>
[quoted text clipped - 20 lines]
> yeah, one needs a FF dslr for true perspective.
> not that 40Diminished crap...

Have you ever tested out the 40D Noons?  I have and it is awesome!
You and Rita's bashing of Bret's choice of camera is clearly more
personal than anything else. What it all boils down to is the final
results. And Bret's outstanding work speaks for itself.  Big deal he
uses Photoshop to tweak here and there.  How different is that than
what someone does in the darkroom with a print?  You over-exaggerate
about how much Photoshop he does in fact use.
Helen
Rita Ä Berkowitz - 13 Dec 2007 17:50 GMT
> Have you ever tested out the 40D Noons?  I have and it is awesome!
> You and Rita's bashing of Bret's choice of camera is clearly more
[quoted text clipped - 3 lines]
> what someone does in the darkroom with a print?  You over-exaggerate
> about how much Photoshop he does in fact use.

Well, "Helen" nobody cares what camera Bret uses.  Maybe if he's actually
post a real photograph than we might take him seriously.  What he's posting
belongs in a Photoshop wannabe newsgroup, not in a photography group.  And
no, that crap doesn't natively come out a camera.  Even a Canon couldn't
produce that level of excrement without serious PS massaging.  The old Mk
III never gave me a plastic looking image.

Rita
George Kerby - 14 Dec 2007 13:41 GMT
On 12/13/07 11:50 AM, in article 13m2scg5m58oj9e@news.supernews.com, "Rita Ä
Berkowitz" <ritaberk2O04 @aol.com> wrote:

>> Have you ever tested out the 40D Noons?  I have and it is awesome!
>> You and Rita's bashing of Bret's choice of camera is clearly more
[quoted text clipped - 12 lines]
>
> Rita

How many time are you going to repeat yourself, "Rita"?

BTW: "The old Mk III" never gave you *ANY* image.
Rita Ä Berkowitz - 13 Dec 2007 17:50 GMT
> Have you ever tested out the 40D Noons?  I have and it is awesome!
> You and Rita's bashing of Bret's choice of camera is clearly more
[quoted text clipped - 3 lines]
> what someone does in the darkroom with a print?  You over-exaggerate
> about how much Photoshop he does in fact use.

Well, "Helen" nobody cares what camera Bret uses.  Maybe if he's actually
post a real photograph than we might take him seriously.  What he's posting
belongs in a Photoshop wannabe newsgroup, not in a photography group.  And
no, that crap doesn't natively come out a camera.  Even a Canon couldn't
produce that level of excrement without serious PS massaging.  The old Mk
III never gave me a plastic looking image.

Rita
Annika1980 - 13 Dec 2007 20:21 GMT
> Well, "Helen" nobody cares what camera Bret uses.  Maybe if he's actually
> post a real photograph than we might take him seriously.  What he's posting
> belongs in a Photoshop wannabe newsgroup, not in a photography group.  And
> no, that crap doesn't natively come out a camera.  Even a Canon couldn't
> produce that level of excrement without serious PS massaging.  The old Mk
> III never gave me a plastic looking image.

Could you provide some examples of my images that are "plastic-
looking?"
You keep making that claim so let's see what you're talkin about.
Rita Ä Berkowitz - 13 Dec 2007 22:47 GMT
>> Well, "Helen" nobody cares what camera Bret uses.  Maybe if he's
>> actually post a real photograph than we might take him seriously.
[quoted text clipped - 7 lines]
> looking?"
> You keep making that claim so let's see what you're talkin about.

Easy, pick any one of your bird shots.  We've discussed this before and you
know which ones they are.

Rita
Douglas - 14 Dec 2007 00:31 GMT
>>> Well, "Helen" nobody cares what camera Bret uses.  Maybe if he's
>>> actually post a real photograph than we might take him seriously.
[quoted text clipped - 13 lines]
>
> Rita

You must be using a different type of string to me Rita. Did you get it at
the puppet shop or the idiot stall?

I guess it never occurs to some people that "texture" is as much a part of a
picture as the subject in it. Painters know this and use their brushes for
various textures. Film shooters know this and use film types and processing
techniques for it.

Odd that when you remove the texture from an image, all you get is a
"plastic" look. Bret can see a 255 highlight from 100 yards but couldn't see
a plastic image if his life depended on it. I guess that's why he adores
Plastishop CS3 so much.

Douglas
Rita Ä Berkowitz - 14 Dec 2007 01:05 GMT
> You must be using a different type of string to me Rita. Did you get
> it at the puppet shop or the idiot stall?

I hooked his inbreed a.s with stainless steel aircraft cable.

> I guess it never occurs to some people that "texture" is as much a
> part of a picture as the subject in it. Painters know this and use
> their brushes for various textures. Film shooters know this and use
> film types and processing techniques for it.

You got it.  I would rather see a little more noise than a brown smear on a
few sheets of toilet paper.

> Odd that when you remove the texture from an image, all you get is a
> "plastic" look. Bret can see a 255 highlight from 100 yards but
> couldn't see a plastic image if his life depended on it. I guess
> that's why he adores Plastishop CS3 so much.

Well, considering that he is fortunate enough to have a "fixed" copy of CS3.
Had he shelled out the cash he might learn how to properly use it and when
not to use it.

Rita
Annika1980 - 14 Dec 2007 03:17 GMT
> > Could you provide some examples of my images that are "plastic-
> > looking?"
> > You keep making that claim so let's see what you're talkin about.
>
> Easy, pick any one of your bird shots.  We've discussed this before and you
> know which ones they are.

Translation:  "I'm just talking out of my a.s again."

Ok, here's one of my bird pics.  Does that look like plastic?
http://www.pbase.com/bret/image/90297033/original
Scott W - 13 Dec 2007 20:36 GMT
> helensilverb...@hotmail.com wrote:
> > Have you ever tested out the 40D Noons?  I have and it is awesome!
[quoted text clipped - 11 lines]
> produce that level of excrement without serious PS massaging.  The old Mk
> III never gave me a plastic looking image.

Ha, you have posted images that were very plastic looking.
http://www.geocities.com/ritaberk2006/warbler.htm
If that is not one platic looking image I don't know what is.

Scott
Rita Ä Berkowitz - 13 Dec 2007 22:47 GMT
> Ha, you have posted images that were very plastic looking.
> http://www.geocities.com/ritaberk2006/warbler.htm
> If that is not one platic looking image I don't know what is.

LOL!  You got me on that!  But, in my defense I used a stinken 5D.  But I
must say that the old Noct did so well that you can almost see the plastic
on the molecular level.

Rita
William Graham - 13 Dec 2007 22:55 GMT
http://www.geocities.com/ritaberk2006/warbler.htm

Well, now that he's caught it, I'd like to see him swallow it.......
Noons - 17 Dec 2007 02:43 GMT
> Ha, you have posted images that were very plastic looking.http://www.geocities.com/ritaberk2006/warbler.htm
> If that is not one platic looking image I don't know what is.

LOL!
Rita Ä Berkowitz - 17 Dec 2007 03:18 GMT
>> Ha, you have posted images that were very plastic
>> looking.http://www.geocities.com/ritaberk2006/warbler.htm If that is
>> not one platic looking image I don't know what is.
>
> LOL!

At least I'm honest about it!  It's tough finding one of Bret's plastic
birds indoors when testing the old Noct.

Rita
Douglas - 13 Dec 2007 21:02 GMT
>> Have you ever tested out the 40D Noons?  I have and it is awesome!
>> You and Rita's bashing of Bret's choice of camera is clearly more
[quoted text clipped - 13 lines]
>
> Rita

But Rita... Did you ever try it on "Spike"?

ROTFL!

Douglas
Rita Ä Berkowitz - 13 Dec 2007 22:48 GMT
>> Well, "Helen" nobody cares what camera Bret uses.  Maybe if he's
>> actually post a real photograph than we might take him seriously. What
[quoted text clipped - 5 lines]
>>
> But Rita... Did you ever try it on "Spike"?

Sure did!  Here's one straight out of the old Mk III.  Only a resize and
save for web.  It's not perfect, but it wasn't meant to be for its intended
purpose.  Even the Fabulous 500 with a 2x TC won't degrade an image enough
to make it plastic looking.  I guess if I were anal enough I could correct
that one little blown highlight.  Naw!

<http://www.geocities.com/ritaberk2007/backfocus.htm>

Rita
helensilverburg@hotmail.com - 14 Dec 2007 01:23 GMT
> >> Well, "Helen" nobody cares what camera Bret uses.  Maybe if he's
> >> actually post a real photograph than we might take him seriously. What
[quoted text clipped - 15 lines]
>
> Rita

Nice try, but even with the 20D Bret's work is far better, hence a
more talented photographer.
http://www.pbase.com/bret/image/80235876
Helen
Rita Ä Berkowitz - 14 Dec 2007 01:33 GMT
>> Sure did!  Here's one straight out of the old Mk III.  Only a resize
>> and save for web.  It's not perfect, but it wasn't meant to be for
[quoted text clipped - 8 lines]
> more talented photographer.
> http://www.pbase.com/bret/image/80235876

Well hell, if I were 40 feet away from Spike like Bret I could have done
that with a point and shoot camera.  Considering that I was shooting
handheld at 1,000mm from across the pond (about 100 yards) it is what it is.
Next you will be comparing your dick size with Bret's.  I know "Helen" has
the bigger dick.

Rita
helensilverburg@hotmail.com - 14 Dec 2007 01:51 GMT
> helensilverb...@hotmail.com wrote:
> >> Sure did!  Here's one straight out of the old Mk III.  Only a resize
[quoted text clipped - 17 lines]
>
> Rita

LOL!  No, you're wrong there Rita.  I am indeed a woman, but I'd give
my eye teeth to be the "ballsy" person Bret is.
Helen
Noons - 17 Dec 2007 02:47 GMT
> > Nice try, but even with the 20D Bret's work is far better, hence a
> > more talented photographer.
[quoted text clipped - 3 lines]
> that with a point and shoot camera.  Considering that I was shooting
> handheld at 1,000mm from across the pond (about 100 yards) it is what it is.

C'mon, Rita:  all you gotta do is crop the sh.t
out of it, over-sharpen to the point where poor
old spike looks like a red-light district hair-sprayed
expert and BINGO: instant adulation from "helen".

It's really not that hard...
Rita Ä Berkowitz - 17 Dec 2007 03:19 GMT
>> Well hell, if I were 40 feet away from Spike like Bret I could have
>> done that with a point and shoot camera.  Considering that I was
[quoted text clipped - 5 lines]
> old spike looks like a red-light district hair-sprayed
> expert and BINGO: instant adulation from "helen".

LOL!  True, but at that point there's nothing left of the original image.
Oh, I guess that means one should add some "plastic" detail in Photoshop?

> It's really not that hard...

It is for me.  I just can't bring myself to stoop to that level of
embarrassment trying to fix an image that should have been deleted.

Rita
George Kerby - 14 Dec 2007 13:43 GMT
On 12/13/07 4:48 PM, in article 13m3drbq7hhbt1b@news.supernews.com, "Rita Ä
Berkowitz" <ritaberk2O04 @aol.com> wrote:

>>> Well, "Helen" nobody cares what camera Bret uses.  Maybe if he's
>>> actually post a real photograph than we might take him seriously. What
[quoted text clipped - 13 lines]
>
> <http://www.geocities.com/ritaberk2007/backfocus.htm>

Another example of truly worthless waste of electrons.

But "anal"? I guess you would know...
Noons - 17 Dec 2007 02:42 GMT
On Dec 13, 11:32 pm, helensilverb...@hotmail.com wrote:

> Have you ever tested out the 40D Noons?

wouldn't even cross my mind as a possibility!

>  I have and it is awesome!

Good for you.  Me, I never found a camera I could classify
as awesome, in over 35 years of photography. But of
course each to his own.

> You and Rita's bashing of Bret's choice of camera is clearly more
> personal than anything else.

No, it is simple, good old-fashioned poking of the rib.s
Something you should engage in from time to time, in beween
arse-kissing.

> What it all boils down to is the final
> results.

No, it doesn't.  There is a thing called principles,
and associated rules to follow.  "all boiling down to final
results" is for criminals and others who don't give a fig
about how the world goes around them provided
they get what they want.

> And Bret's outstanding work speaks for itself.

Absolutely. The outstanding work.
He also produces a lot of crap. And
when that shows up, we rub it into his
face.  Rather than gushing over and waxing
lyrical about what is really just crap.
I reckon that's a better way to help
him reach his potential than adulation.
But of course we may differ there.

> Big deal he
> uses Photoshop to tweak here and there.

You got that right: it's a big deal.  And there is
a BIG difference between what he sometimes does
and a "tweak".

> How different is that than
> what someone does in the darkroom with a print?

I wouldn't know: haven't been in a darkroom
since the late 70's.

> You over-exaggerate
> about how much Photoshop he does in fact use.

Not as much as you over-exaggerate how much he
doesn't use it.
Rita Ä Berkowitz - 17 Dec 2007 03:18 GMT
>> And Bret's outstanding work speaks for itself.
>
[quoted text clipped - 6 lines]
> him reach his potential than adulation.
> But of course we may differ there.

LOL!  Yes, Bret's work does speak for itself and it's saying, "Look at my
Saran Wrap covered pile of excrement."  If Bret were truly interested in
getting the most from his equipment he'd learn a little about using it.

Here's a gentleman that is shooting RAW with a 20D and what I can see is
he's doing very minimal post production in Photoshop.  Amazingly enough his
images are clean and have great texture and depth.  Try as I might I
couldn't find a single plastic water colored animation like Bret excretes.
And I'll bet you this guy spend 1/100th the time per image in Photoshop than
Bret.  This rules out it being an equipment problem.  As I suspected, It's
user error on Bret's part.

<http://www.justphotos.ca/galleries/animals/birds/index.htm>

Rita
Annika1980 - 17 Dec 2007 03:54 GMT
> LOL!  Yes, Bret's work does speak for itself and it's saying, "Look at my
> Saran Wrap covered pile of excrement."  

Examples, please.
Annika1980 - 17 Dec 2007 03:29 GMT
> > Big deal he uses Photoshop to tweak here and there.
>
> You got that right: it's a big deal.  And there is
> a BIG difference between what he sometimes does
> and a "tweak".

You have no way of knowing how much I "tweak" my pics in Photoshop.
Ironically, some of the ones you liked the most were the ones that
took the most work in Photoshop.  And some of the ones you claim I
manipulated were close to being straight conversions with very little
post-processing.
Also, you have been guilty of making false accusations about many of
them, like saying that I changed EXIF data when the data is real or
saying that a pic was faked because you've never seen a heron spear a
fish.  The point is that without seeing my RAW files you are just
talking out of your a.s like Rita.  And I've even offered to post the
RAW files, but you didn't want to be burdened with the truth.
My point is that I value honest critique about my pics like what it is
that you don't like or how I might have done it better.  But when you
make false statements about them, you lose credibility.
Rita Ä Berkowitz - 17 Dec 2007 03:43 GMT
>> You got that right: it's a big deal.  And there is
>> a BIG difference between what he sometimes does
[quoted text clipped - 5 lines]
> manipulated were close to being straight conversions with very little
> post-processing.

UTTER BULLSHIT!  Not even a Canon dSLR could produce that level of smeared
plastic water colored crap straight out of the camera.  Like Noon said, you
are just over cropping the sh.t out of your images.  Have you ever actually
composed a shot in the viewfinder?

Rita
Annika1980 - 17 Dec 2007 04:04 GMT
> UTTER BULLSHIT!  Not even a Canon dSLR could produce that level of smeared
> plastic water colored crap straight out of the camera.  

Examples, please.  Oh that's right, you're all hat and no cattle.

>Like Noon said, you
> are just over cropping the sh.t out of your images.  Have you ever actually
> composed a shot in the viewfinder?

Once again, since you have no way of knowing which ones are crops you
are talking out of your a.s again.  You're so full of sh.t.
And if you don't mind, I'll demonstrate.

Here's one I took yesterday:
http://www.pbase.com/bret/image/90356002

Yes, it is a crop since I was already maxed out at 560mm and it was
still small in the frame.  Now tell me, idiot troll, how I'm going to
compose that one in the viewfinder any better than I did?  In fact,
many if not most of my wildlife shots are taken from a distance with
the Forgotten 400 f/5.6L.  So how the hell am I gonna compose it
differently when it only fills a small portion of the frame?  Not all
of us can afford to rent a 500 f/4 for the weekend like you did.

Idiot troll.
Rita Ä Berkowitz - 17 Dec 2007 04:27 GMT
>> Like Noon said, you
>> are just over cropping the sh.t out of your images.  Have you ever
[quoted text clipped - 3 lines]
> are talking out of your a.s again.  You're so full of sh.t.
> And if you don't mind, I'll demonstrate.

Let's see.  The lack of sharpness and overabundance of noise, or should I
say your failed attempts to hide the noise.  Hence the plastic water colored
blurs.

> Here's one I took yesterday:
> http://www.pbase.com/bret/image/90356002
[quoted text clipped - 6 lines]
> differently when it only fills a small portion of the frame?  Not all
> of us can afford to rent a 500 f/4 for the weekend like you did.

Easy, go rent a 600/4 and a 2X TC or get off you fat a.s and zoom with your
feet.

Rita
Annika1980 - 17 Dec 2007 04:54 GMT
>> Let's see.  The lack of sharpness and overabundance of noise, or should I
> say your failed attempts to hide the noise.  Hence the plastic water colored
> blurs.
>
> > Here's one I took yesterday:
> >http://www.pbase.com/bret/image/90356002

Call me when you can do better.  I'll enjoy the long silence.

> Easy, go rent a 600/4 and a 2X TC or get off you fat a.s and zoom with your
> feet.

"Zoom with your feet."  There's a tired old cliche spoken by someone
who obviously has never tried shooting flighty birds like cardinals in
the woods.  First time you try that crap they zoom with their wings.
Rita Ä Berkowitz - 17 Dec 2007 05:16 GMT
>>> Let's see.  The lack of sharpness and overabundance of noise, or
>>> should I
[quoted text clipped - 5 lines]
>
> Call me when you can do better.  I'll enjoy the long silence.

It befuckles the mind that you'd try to pass that patch of noise of as
anything good.  See below to see how it's done.

>> Easy, go rent a 600/4 and a 2X TC or get off you fat a.s and zoom
>> with your feet.
>
> "Zoom with your feet."  There's a tired old cliche spoken by someone
> who obviously has never tried shooting flighty birds like cardinals in
> the woods.  First time you try that crap they zoom with their wings.

LOL!  Right!  You made a funny.  Here ya go.  The only difference here is
I'm not as flatulent as you so the cardinals stay put.

<http://www.geocities.com/ritaberk2006/rhsc1.htm>

<http://www.geocities.com/ritaberk2006/rhsc2.htm>

Rita
Annika1980 - 17 Dec 2007 17:23 GMT
> > "Zoom with your feet."  There's a tired old cliche spoken by someone
> > who obviously has never tried shooting flighty birds like cardinals in
[quoted text clipped - 6 lines]
>
> <http://www.geocities.com/ritaberk2006/rhsc2.htm>

Oh, how quaint.  A couple of typical uninteresting snapshots from
below the bird ruined by the overuse of flash.  Any fool can get bird
pics from below near a bird feeder.
I can get similar shots like that anytime I want in about 10 minutes
from my back porch.

Go out in the woods and try shooting flighty cardinals that spook
easily.  That's a different story.  And try to get a unique
perspective maybe by having your camera at or above the level of the
bird or perhaps by catching the bird in a unique pose like with his
mouth open (or perhaps a different orifice).  Use a long lens with a
TC and take the shots handheld. That's the challenge.
Anybody can take tripod shots of static birds in trees. It takes no
talent.
helensilverburg@hotmail.com - 17 Dec 2007 17:42 GMT
> > > "Zoom with your feet."  There's a tired old cliche spoken by someone
> > > who obviously has never tried shooting flighty birds like cardinals in
[quoted text clipped - 21 lines]
> Anybody can take tripod shots of static birds in trees. It takes no
> talent.

">And try to get a unique
> perspective maybe by having your camera at or above the level of the
> bird or perhaps by catching the bird in a unique pose like with his
> mouth open (or perhaps a different orifice).  Use a long lens with a
> TC and take the shots handheld. That's the challenge.
> Anybody can take tripod shots of static birds in trees. It takes no
> talent."

Amen to that!!  You go way out of your way to get those unique
perspectives too.
Helen
Rita Ä Berkowitz - 17 Dec 2007 19:58 GMT
>> LOL!  Right!  You made a funny.  Here ya go.  The only difference
>> here is I'm not as flatulent as you so the cardinals stay put.
[quoted text clipped - 6 lines]
> below the bird ruined by the overuse of flash.  Any fool can get bird
> pics from below near a bird feeder.

Sorry, these birds are no less wild or tamer than the birds you shoot.  Nice
try at a diversionary tactic.

> I can get similar shots like that anytime I want in about 10 minutes
> from my back porch.

Good!  By all means you should be posting them.

> Go out in the woods and try shooting flighty cardinals that spook
> easily.  That's a different story.  And try to get a unique
> perspective maybe by having your camera at or above the level of the
> bird or perhaps by catching the bird in a unique pose like with his
> mouth open (or perhaps a different orifice).  Use a long lens with a
> TC and take the shots handheld. That's the challenge.

Yes, it would be a great challenge for you.  Sadly, you Photoshop the
elements in that would make your less than mediocre shots mediocre.

> Anybody can take tripod shots of static birds in trees. It takes no
> talent.

Funny thing is you aint doing it.  Come back when you think you can get some
decent shots.

Rita
Noons - 17 Dec 2007 05:16 GMT
> > UTTER BULLSHIT!  Not even a Canon dSLR could produce that level of smeared
> > plastic water colored crap straight out of the camera.
>
> Examples, please.  Oh that's right, you're all hat and no cattle.

examples?  how about your images?

> Once again, since you have no way of knowing which ones are crops you

BWAHAHAHA!
Really?

> And if you don't mind, I'll demonstrate.
>
> Here's one I took yesterday:http://www.pbase.com/bret/image/90356002
>
> Yes, it is a crop since I was already maxed out at 560mm and it was
> still small in the frame.

so?

> Now tell me, idiot troll, how I'm going to
> compose that one in the viewfinder any better than I did?

by moving your arse and getting nearer,
would be a clear option...

> In fact,
> many if not most of my wildlife shots are taken from a distance with
> the Forgotten 400 f/5.6L.

we KNOW that!

> So how the hell am I gonna compose it
> differently when it only fills a small portion of the frame?

You don't:  you get nearer and fill the frame.
You don't crop the sh.t out of a large image,
then blow the result up and oversharpen it
to ridiculous levels to make it look like a
standard non-altered shot.
Or if you do, at least you say you did so.
Instead of claiming it's all camera work.
Annika1980 - 17 Dec 2007 15:15 GMT
> > So how the hell am I gonna compose it
> > differently when it only fills a small portion of the frame?
>
> You don't:  you get nearer and fill the frame.

This ain't portrait work, fool. You have to shoot the animals where
they are. I get as close as I am able.  Try getting a closeup shot of
that Kingfisher and then get back to me.
Rita Ä Berkowitz - 17 Dec 2007 15:58 GMT
>>> So how the hell am I gonna compose it
>>> differently when it only fills a small portion of the frame?
[quoted text clipped - 4 lines]
> they are. I get as close as I am able.  Try getting a closeup shot of
> that Kingfisher and then get back to me.

I think we already got back to you and showed your fraudulent as up.  If
every other capable photographer can "zoom with their feet" there's no
reason you can't do the same other than pure laziness and incompetence.  You
need to look elsewhere and get out of the newsgroups and stop trying to
impress us with this excrement you call photography and learn how it's done.

Rita
Annika1980 - 17 Dec 2007 17:15 GMT
> > This ain't portrait work, fool. You have to shoot the animals where
> > they are. I get as close as I am able.  Try getting a closeup shot of
[quoted text clipped - 3 lines]
> every other capable photographer can "zoom with their feet" there's no
> reason you can't do the same other than pure laziness and incompetence.

Yeah, right.  Rather than addressing any particular concerns you have
with my pics you swim in generalities and cliches. "Zoom with your
feet" is this week's cliche.
We'll file that one right there beside "Buy low, sell high" which is
how you said I could get a 1Ds3 for "next to nothing."

I have plenty of closeups of birds and other animals where it was
possible to get closer.  I also have many long range shots that Ive
had to crop because it was impossible to "zoom with my feet."

If you had a brain and looked at my latest pic you would notice that
the bird was in a tree below camera level.
http://www.pbase.com/bret/image/90356002
How is that possible?  Did I climb a tree?  Not likely.
I was standing on the edge of an embankment looking slightly down on
the bird.
Zooming with my feet would have only gotten me killed as I slid down
the hill, the cracking of my limbs scaring the bird away no doubt.

I have similar shots where a bird is flying past me at eye level.or
even below me.
http://www.pbase.com/bret/image/43918349
Please tell me how I can "zoom with my feet" to get closer when there
is only air between me and the bird.

Idiot troll.
Rita Ä Berkowitz - 17 Dec 2007 19:57 GMT
>> I think we already got back to you and showed your fraudulent as up.
>> If every other capable photographer can "zoom with their feet"
[quoted text clipped - 4 lines]
> with my pics you swim in generalities and cliches. "Zoom with your
> feet" is this week's cliche.

I have no concerns with your pics.  I might if you'd actually post some that
aren't so over-manipulated and over-animated.

> We'll file that one right there beside "Buy low, sell high" which is
> how you said I could get a 1Ds3 for "next to nothing."

Here's another, "People with closed minds never get anywhere in life.  The
only thing they are good at is being jealous of others and try to tear down
something they know they will never have or be."

> I have plenty of closeups of birds and other animals where it was
> possible to get closer.  I also have many long range shots that Ive
> had to crop because it was impossible to "zoom with my feet."

Right!  If you say so.  <YAWN>

> If you had a brain and looked at my latest pic you would notice that
> the bird was in a tree below camera level.
> http://www.pbase.com/bret/image/90356002
> How is that possible?  Did I climb a tree?  Not likely.

Who cares?  It surely didn't add that kick in the a.s feeling to an
otherwise boring cliché shot.  You took a shot that was lower than mediocre
and turned it into sh.t by killing it in post.

> I was standing on the edge of an embankment looking slightly down on
> the bird.

And?  Am I to be impressed?

> Zooming with my feet would have only gotten me killed as I slid down
> the hill, the cracking of my limbs scaring the bird away no doubt.

No, dumbass, you would be in a harness repelling down the hill while zooming
with your feet.  You lack creativity and drive.

> I have similar shots where a bird is flying past me at eye level.or
> even below me.
> http://www.pbase.com/bret/image/43918349
> Please tell me how I can "zoom with my feet" to get closer when there
> is only air between me and the bird.

Photoshop him in like you usually do.  The trouble is you lost the little
bit of credibility you had as a snapshooter when you tried to pass off your
piss poor animated Photoshop renditions of as photographs.  It's sad you are
left with only one mentally challenged imbecile oohing and awing for your
crap pics.  You might temporarily impress a passerby, but other than that
they catch onto your game in a few days.

Rita
Annika1980 - 17 Dec 2007 20:25 GMT
> > Yeah, right.  Rather than addressing any particular concerns you have
> > with my pics you swim in generalities and cliches. "Zoom with your
> > feet" is this week's cliche.
>
> I have no concerns with your pics.

Good.  Then save us both some time and don't look at them.

>It's sad you are left with only one mentally challenged imbecile
>oohing and awing for your crap pics.

Helen has proven herself to be a very good photographer so I value her
opinion more than an idiot troll who has shown us nothing of value
except a few boring snapshots from a camera and lens he rented for the
weekend.
Your comments about Helen reveal nothing about Helen, but a lot about
you.

You wrote:
"People with closed minds never get anywhere in life.  The only thing
they are good at is being jealous of others and try to tear down
something they know they will never have or be."

I think you just described yourself perfectly.  You have not only
attacked my photography, but now my friendships as well.  It'll take a
lot more than the ramblings of a jealous idiot troll to tear down my
friendship with Helen.

Sucks to be you, idiot troll.
Rita Ä Berkowitz - 17 Dec 2007 22:30 GMT
>>> Yeah, right.  Rather than addressing any particular concerns you
>>> have with my pics you swim in generalities and cliches. "Zoom with
[quoted text clipped - 3 lines]
>
> Good.  Then save us both some time and don't look at them.

They're worth a good laugh and an example of how *NOT* to do things.  Keep
posting them so we can keep laughing.

>> It's sad you are left with only one mentally challenged imbecile
>> oohing and awing for your crap pics.
[quoted text clipped - 3 lines]
> except a few boring snapshots from a camera and lens he rented for the
> weekend.

Your jealousy is showing again.  It was a great rental; you ought to try it
sometime.  Just wait till you see what's coming down the old "rental" pipe
before the end of the year.  If you thought your envious streak had you down
in the dumps, you're going lower.

> Your comments about Helen reveal nothing about Helen, but a lot about
> you.

Yes, they reveal that I have you figured out for the bottom dweller you are
and it pisses you off every time I rub your nose in it.

> You wrote:
> "People with closed minds never get anywhere in life.  The only thing
[quoted text clipped - 5 lines]
> lot more than the ramblings of a jealous idiot troll to tear down my
> friendship with Helen.

Wrong, I cannot attack something that doesn't exist.  Had you said that I
was attacking your lame attempts of covering up poor photographic skills
with Photoshop animations and renditions I would agree with you.  As for
"Helen", I said it once and I'll say it again, if IT really exists you are
nothing more than a coward without balls and a piece of sh.t for taking
advantage of an mentally and emotionally challenged woman.  So no, I have
not attacked your definition of "friendship" in any way shape or form.  In
fact, I feel sorry for you.  I'm not sure if you are capable of being
married or of having a relationship, but how does the wife feel about you
taking advantage of "Helen" and accepting that gift of the 40D?  I'm sure if
she weren't a parasite living off of others she would strongly object to
your actions.  Boy, do I have you figured out.

BTW> I will always attack software pirates, frauds, and thieves.  Since you
feel the need to publicly boast about using a "fixed" copy of CS3 and a
keygen, I will take your word for it and rub your nose in it.

> Sucks to be you, idiot troll.

You only wish you could be half as good as me.

Rita
helensilverburg@hotmail.com - 17 Dec 2007 23:19 GMT
> >>> Yeah, right.  Rather than addressing any particular concerns you
> >>> have with my pics you swim in generalities and cliches. "Zoom with
[quoted text clipped - 58 lines]
>
> Rita

Man!!  What I said last October 26th must have hit you right in the
jugular vien.  That's what's eating your a.s about me.  The truth
really hurts.  But be my guest, go for it.  Call me whatever you want.
Everyone knows it's pure lies and you're just taking stabs in the
dark.
I actually find it hilarious.
Rita Ä Berkowitz - 17 Dec 2007 23:48 GMT
> Man!!  What I said last October 26th must have hit you right in the
> jugular vien.  That's what's eating your a.s about me.  The truth
> really hurts.  But be my guest, go for it.  Call me whatever you want.
> Everyone knows it's pure lies and you're just taking stabs in the
> dark.

Huh?  What's eating at me?  Nothing really.  This is pure entertainment for
me while I'm processing other tasks.  As I said then and I'm just saying
now, I find it sad and pathetic if this event *really* happened and "Helen"
is real.  It puts Bret in a dim light for taking advantage of a mentally and
emotionally challenged woman, assuming she exists.  Even if the event didn't
happened it still looks bad for Bret perpetuating more of his bullshit and
deception.  Personally, I'm calling BULLSHIT and the whole thing a
none-event.  Either way, Bret is still a deceptive person.  I just don't
want to see him take advantage of another person.  If you're real you'll
wake up one day.  No skin off of my nipples.  Have fun.

> I actually find it hilarious.

Yes, so do all of us.  Isn't that the purpose of newsgroups?

Rita
Annika1980 - 18 Dec 2007 00:43 GMT
>  Personally, I'm calling BULLSHIT and the whole thing a
> none-event.  

Who cares what you think?  Everybody knows I have a new 40D.
You, on the other hand have jack squat.
Has that pretend D3 arrived yet?  Whatsa matter ... long lines at the
rental stand at Toys R' Us?
Rita Ä Berkowitz - 18 Dec 2007 02:06 GMT
>>  Personally, I'm calling BULLSHIT and the whole thing a
>> none-event.
>
> Who cares what you think?  Everybody knows I have a new 40D.

You do or we wouldn't be having so much fun.  Yes, you're right, we all know
you bought a new 40D.  So?  You should have gotten the D300.

> You, on the other hand have jack squat.

I'm heartbroken.

> Has that pretend D3 arrived yet?  Whatsa matter ... long lines at the
> rental stand at Toys R' Us?

No, I'm just pretending its not here, that's all.  Maybe one day when I wake
up it will be.  You know, all that Disney sh.t?

Rita
Annika1980 - 18 Dec 2007 00:39 GMT
> > It'll take a
> > lot more than the ramblings of a jealous idiot troll to tear down my
[quoted text clipped - 3 lines]
> nothing more than a coward without balls and a piece of sh.t for taking
> advantage of an mentally and emotionally challenged woman.

FYI, ALL women are mentally and emotionally challenged.

>  I'm not sure if you are capable of being
> married or of having a relationship,

Oh really?  sh.t, guess I shoulda called you before I tied the knot 7
years ago.

>but how does the wife feel about you
> taking advantage of "Helen" and accepting that gift of the 40D?  

Not that its any of your fuckin business, but she was kinda pissed.
But she got over it.  Someday maybe you and D-Mac will, too.
Rita Ä Berkowitz - 18 Dec 2007 02:09 GMT
>>  I'm not sure if you are capable of being
>> married or of having a relationship,
>
> Oh really?  sh.t, guess I shoulda called you before I tied the knot 7
> years ago.

Do you ever spend time with her?

>> but how does the wife feel about you
>> taking advantage of "Helen" and accepting that gift of the 40D?
>
> Not that its any of your fuckin business, but she was kinda pissed.

You mean you have to ask her permission to spend money?  You need to grow a
set of balls.  This is why I call this BULLSHIT because if it really
happened I think she would have you returning the old 40D and teach you a
little about self-respect and integrity.  On the other hand, if she were
just your average trailer trash she would have "gotten over it" and pat you
on the back with a "That a boy, hook another sucker" speech.  Hey, my
condolences.

> But she got over it.  Someday maybe you and D-Mac will, too.

Get over what?  I'm just returning the favor to D-Mac for making me laugh so
hard.  I hope he's getting a kick out of my routine?

Rita
Douglas - 18 Dec 2007 08:30 GMT
>>>  I'm not sure if you are capable of being
>>> married or of having a relationship,
[quoted text clipped - 25 lines]
>
> Rita

Oh yeah...
Never enjoyed Usenet this much since the boy posted his "wedding
photography". Never seen it done with a 10mm lens before. Sure put a new
angle on the perspective of a portrait! ROTFL.

No... Wait. I got just as much joy when bozo posted his famous wide angle
Jewel photo. It wasn't until I shelled out for the premium version of Google
earth I realized what was going on. Major hilarity around here.

Hey Bret... What brand of bleach did you use on that dog to get his coat
reading 255.255.255 in Photoshop?
Oh man, this is Christmas and you brought me a load of joy. Thanks Rita. Let
me know if you ever feel like seeing AU, I'll lend you my RV.

Douglas
Annika1980 - 18 Dec 2007 14:50 GMT
> Oh yeah...
> Never enjoyed Usenet this much since the boy posted his "wedding
> photography". Never seen it done with a 10mm lens before. Sure put a new
> angle on the perspective of a portrait! ROTFL.

That would have been a neat trick since I don't own a 10mm lens.

Post the pic, please.
Rita Ä Berkowitz - 18 Dec 2007 20:48 GMT
> Oh yeah...
> Never enjoyed Usenet this much since the boy posted his "wedding
> photography". Never seen it done with a 10mm lens before. Sure put a
> new angle on the perspective of a portrait! ROTFL.

The thing is, in the beginning I thought Bret was doing a good job and a
semi-decent novice photographer till he got overly deceptive passing off his
Photoshop animations and renditions as photographs.  Well, that and him
admitting that he uses a fixed copy of CS3 and a keygen.  He's lost the
little bit of credibility he had left with that one.  I dislike software
pirates and thieves.  Next he'll be telling us he steals music?.

> No... Wait. I got just as much joy when bozo posted his famous wide
> angle Jewel photo. It wasn't until I shelled out for the premium
> version of Google earth I realized what was going on. Major hilarity
> around here.

Oh, his renditions are worth a good laugh.  It's just we're laughing at him
and not the pics.

> Hey Bret... What brand of bleach did you use on that dog to get his
> coat reading 255.255.255 in Photoshop?

LOL!  He learned that from that dimwit Mark Morgan.  I had to bust that
fools a.s for not using a fill flash on those blown eagle or hawk shots he
was so proud of.  Boy, he had more excuses than Bret.

> Oh man, this is Christmas and you brought me a load of joy. Thanks
> Rita. Let me know if you ever feel like seeing AU, I'll lend you my
> RV.

I think Bret realizes we still love him.  I might have to take a month away
from Bret and bring the family to AU and do some sight seeing.  It's been on
my list of things to do when things slow down a bit.

Rita
Annika1980 - 18 Dec 2007 14:58 GMT
> You mean you have to ask her permission to spend money?  You need to grow a
> set of balls.  This is why I call this BULLSHIT because if it really
[quoted text clipped - 3 lines]
> on the back with a "That a boy, hook another sucker" speech.  Hey, my
> condolences.

Like I said, you and your suck-buddy D-Mac are insanely jealous
because an online friend bought me a 40D.  This irks you in two
ways ... you have no firends and you don't have a camera as good as
the 40D. Sucks to be you, losers.

As for my wife, we've been happily married for 7 years now and I would
suggest that you leave her out of this.  You ain't as anonymous as you
think.  I will not respond to any more of your posts mentioning her so
save your breath.
Rita Ä Berkowitz - 18 Dec 2007 20:49 GMT
>> You mean you have to ask her permission to spend money?  You need to
>> grow a set of balls.  This is why I call this BULLSHIT because if it
[quoted text clipped - 8 lines]
> ways ... you have no firends and you don't have a camera as good as
> the 40D. Sucks to be you, losers.

LOL!  I'm all broken up inside.

> As for my wife, we've been happily married for 7 years now and I would
> suggest that you leave her out of this.  You ain't as anonymous as you
> think.  I will not respond to any more of your posts mentioning her so
> save your breath.

Seems she never was in this.  Had she been and had an ounce of integrity she
would have curbed your stupidity and made a man out of ya, assuming she even
remotely cares about you.

Who cares about anonymity?  I'm easy enough to find if you have the desire.
Like I told you before, when you grow a set of balls you are welcome to stop
by and we can split a beer and a dozen crabs.  Maybe you can show me how
that CS3 keygen works.  And frankly, you really don't have to answer me
since I don't care, that's on you.  I'll still keep you dancing; you'll just
be doing it silently.

BTW> Why don't you like it when people talk about your wife in a derogatory
way, not that I'm doing that, and it is acceptable for you to call D-Mac's
wife and daughter every filthy name you can think of?

Rita
Douglas - 19 Dec 2007 01:46 GMT
>>> You mean you have to ask her permission to spend money?  You need to
>>> grow a set of balls.  This is why I call this BULLSHIT because if it
[quoted text clipped - 38 lines]
>
> Rita

How do you have a happy marraige and spend 16 hours a day on a comp