Photo Forum / Film Photography / 35 mm / June 2004
(OT) Okay, then...
|
|
Thread rating:  |
Martin Francis - 24 May 2004 19:03 GMT Fine art clearly is a bad idea for a "category" for my site- I have pretty much felt uncomfortable with the idea of defining anything I do as "art", as that would be the job of others; nevertheless, I still wish to be an artist. I will have to decide what is going into my online portfolio and give definitions based on what i've got.
Anyway, feel free to have a gander at my site; it's in early prototype stages at the moment, and there are only photos in the "people" section. Bear in mind the titles will be changed soon (I haven't got rid of "fine art" yet).
http://www.sixbysix.co.uk
(yes, it is a misnomer; only some of the pictures will be from 6x6cm cameras)
 Signature Martin Francis "Go not to Usenet for counsel, for it will say both no, and yes, and no, and yes...."
Photodad - 24 May 2004 19:09 GMT It's a nice start. I look forward to seeing more. I would suggest that the site is a bit too stark right now. It feels very heavy.
Let us know when more is up.
Walt
> Fine art clearly is a bad idea for a "category" for my site- I have pretty > much felt uncomfortable with the idea of defining anything I do as "art", as [quoted text clipped - 11 lines] > (yes, it is a misnomer; only some of the pictures will be from 6x6cm > cameras) dslr - 24 May 2004 19:16 GMT > Fine art clearly is a bad idea for a "category" for my site- I have > pretty much felt uncomfortable with the idea of defining anything I [quoted text clipped - 8 lines] > > http://www.sixbysix.co.uk A couple of points, Martin - one of them very much personal preference, so take them as you like.
Firstly, the fine grey text on a black background is not easy to read - or, if the viewer is in a fairly bright room, even see.
Secondly, and this is the real personal preference, I'd much rather see thumbnails from which I can choose which to look at - rather than being forced to view in the order that the site has been set up.
HTH.
-- regards, dslr
Martin Francis - 24 May 2004 19:42 GMT > Secondly, and this is the real personal preference, I'd much rather see > thumbnails from which I can choose which to look at - rather than being > forced to view in the order that the site has been set up. I like the simplicity of the next/previous layout, and whilst i'm considering a numbered list (sort of 1/2/3/4) of direct links to images I have no plans to add thumbnails. I like to keep the design as minimal as possible, largely out of consideration for people with slow connections (like mine). I also have fairly limited webspace, as it is all from my ISP and I need to host three small sites from it.
 Signature Martin Francis "Go not to Usenet for counsel, for it will say both no, and yes, and no, and yes...."
dslr - 24 May 2004 21:25 GMT >> Secondly, and this is the real personal preference, I'd much rather >> see thumbnails from which I can choose which to look at - rather [quoted text clipped - 5 lines] > as minimal as possible, largely out of consideration for people with > slow connections (like mine). Surely in that case, some form of navigation apart from next/previous would be far better - assuming of course that you do want people to look at your work?
How about the scenario that someone is on a slow connection and just doesn't happen to like the first three images that they have waited to see? What are the chances that they will actually persevere through to the rest?
If, on the other hand, you provide some thumbnails (they needn't be particularly large or resource-hungry, perhaps 100x100 pixels max) people can see what is there to look at without having to pass blindly and slowly through parts that they might not be interested in before jumping in where their interest does take them.
-- regards, dslr
William D. Tallman - 24 May 2004 19:31 GMT > Fine art clearly is a bad idea for a "category" for my site- I have pretty > much felt uncomfortable with the idea of defining anything I do as "art", > as that would be the job of others; nevertheless, I still wish to be an > artist. I will have to decide what is going into my online portfolio and > give definitions based on what i've got. There are accepted themes that are commonly considered to be Art. B&W nude photography is one of those, but there are others. If you are working in that mode by intention, it's reasonable to label it as such on your site. When you do that, of course, your work can then be legitimately compared to other such, especially the best that set the standards for excellence.
If not, then don't label it as such.
> Anyway, feel free to have a gander at my site; it's in early prototype > stages at the moment, and there are only photos in the "people" section. [quoted text clipped - 10 lines] > "Go not to Usenet for counsel, for it will say both no, and yes, and > no, and yes...." Another poster suggests that it has a heavy feel. I agree. I think your idea of the dark background allowing the images to pop out is a good one, but there needs to be an image to make the format meaningful. In short, you need one on the opening page. Doesn't need to be a photograph, but does need to have some amount of light and color, I think.
I like your work!
Bill Tallman
Martin Francis - 24 May 2004 19:40 GMT > Another poster suggests that it has a heavy feel. I agree. I think your > idea of the dark background allowing the images to pop out is a good one, > but there needs to be an image to make the format meaningful. In short, > you need one on the opening page. Doesn't need to be a photograph, but > does need to have some amount of light and color, I think. Hey, I only started yesterday! I haven't got round to an opening page (or any other pages). FWIW, I noticed the grey was too dark on a (badly calibrated) uni iMac today and plan to change it to a lighter tone. I tried white but it seemed a little harsh.
> I like your work! Ta. The B&W work is all new, mostly for my final university project. I am doing a "yearbook" of portraits of everyone in the group, lecturers included, and posting it on another site with a white/blue variant of the same design (as well as providing higher res versions on CD-R).
My second project will be uploaded as soon as i've done it (1 more week to go!)
 Signature Martin Francis "Go not to Usenet for counsel, for it will say both no, and yes, and no, and yes...."
Lewis Lang - 25 May 2004 18:41 GMT >Subject: Re: (OT) Okay, then... >From: "William D. Tallman" wtallman@olypen.com [quoted text clipped - 8 lines] > >There are accepted themes that are commonly considered to be Art. SNIP
Wrong, themes in and of themselves, whether done by artists or not in the past are not fine art it is the concrete (and abstract) treatment of those themes that are Art. Up till Duschamp (sp?) toilets weren't considered an Art theme, only after he signed one prefabricated toilet as "R. Mutt" did others begin to commonly accept/see it, and later other prefabricated items which became the basis for Pop Art. Even elephant dung can be the subject of art, whether Guiliani thinks it is Art is another matter entirely. Art is not about the themes, it is about seeing. Any subject or topic can be the basis for "Art", that doesn't mean that certain subjects are or are not "Art" based on the inherent nature of the subject/topic/thmem itself. Its the treatment/handling/vision about such a theme that makes it art, not how many artists have done the subject or genre. Some B&W nudes are Art and some are NArt ("not art"). Art is more than a commonly accepted subject/topic/theme(s) - its all in the handling, the treatment, the seeing the vision.
This post is...
© 2004 Lewis Lang
All Rights (and flushes) Reserved
Check out my photos at "LEWISVISION":
http://members.aol.com/Lewisvisn/home.htm
Remove "nospam" to reply
***DUE TO SPAM, I NOW BLOCK ALL E-MAIL NOT ON MY LIST, TO BE ADDED TO MY LIST, PING ME ON THE NEWSGROUP. SORRY FOR THE INCONVENIENCE. :-) ***
William D. Tallman - 25 May 2004 21:16 GMT >>Subject: Re: (OT) Okay, then... >>From: "William D. Tallman" wtallman@olypen.com [quoted text clipped - 26 lines] > than a commonly accepted subject/topic/theme(s) - its all in the handling, > the treatment, the seeing the vision. Umm... well, unless the viewer can recognize the vision, it can't be shared. It takes an agreement between the artist and the viewer to create Art. Otherwise, the "artist" is at liberty to call anything Art. In general, it is the treatment of recognizable subject material (themes) according to the artist's vision that makes it possible for the viewer to assess the value/worth of that vision.
Once an artist has established that value/worth, new and hithertofore unrecognized subject material can be presented to the viewer. The viewer now has some sense of the artist's vision, and can attempt to discern it in the new material. If successful, the new material can be treated by another artist, who is very likely to avoid going too far afield from what was initially accepted. Continued success in such treatment qualifies the subject material as an acceptable theme.
Your assertion that Art must be an expression of the artist's vision is an acknowledged truism. From the artist's standpoint, having the vision and being able to express it are the main concerns. But in order to be accepted by the viewer, it has to be something the viewer can recognize or it simply does not succeed.
The history of Art records some number of cases where an artist offered what was unrecognizable, and sometimes because of the subject, only to meet with rejection. Later, when the subject became accepted, the artist's offerings were then open to analysis and the possibility of acceptance as Art.
In the case of our discussion here, Martin evidently does not assert that his work is Art, though acknowledges that it might be. In presenting his work, therefore, recognizing that there are generally accepted themes considered as potential for Art can perhaps help him sort his presentation.
I should probably have qualified that statement thus: There are very often generally accepted themes used in works presented as candidates for acceptance as Art.
I am a victim of the very thing I've tried to avoid!!!! ARGGHHH!!!
LOL!!!
Does that make sense, Lewis?
Bill Tallman
Lewis Lang - 26 May 2004 00:43 GMT >Umm... well, unless the viewer can recognize the vision, it can't be >shared. It takes an agreement between the artist and the viewer to create >Art. No, it doesn't. It takes an artist to create art (and sometimes non-artists may accomplish art as a side effect of merely trying to record what they see. Communication is not the sine' quo non (sp?) of art, self-expression without an audience understanding or agreeing to something intended as (good or bad) art is nonetheless art too.
Otherwise, the "artist" is at liberty to call anything Art.
Anybody can call anyhting anything, art retains some of its art qualities through how people view/value the artwork and some are inherent. Van Gogh's paintings would have been just as brilliant artworks had nobody viewed them or approved of them as art. Each new modern art movement has been derided before being accepted, from Impressionism to R. Mutt's toilet. There are both art works and possibly art movements that may never have had an audience beyond the maker/artist making the art for themselves, that doesn't make them any less "art."
In
>general, it is the treatment of recognizable subject material (themes) >according to the artist's vision that makes it possible for the viewer to >assess the value/worth of that vision. Why is a viewer neceesarily an appraiser? There doesn't have to be a triangle between artist, work and audience, sometimes there can be a circle and/or a line between just the artist and the work itself. Sometimes an audience may come to appreciate an artwork after the artist's death and sometimes, not -- that (lack of an audience to appreciate/understand an artwork) still doesn't make a work or a body of work any less "art". Some art is done not to have recognizable themes or modes but purely as self-expression.
>Once an artist has established that value/worth, new and hithertofore >unrecognized subject material can be presented to the viewer. Here we agree, but its the artist establishing the worth of his work, value is not dependent upon an audience. Somethings are simply worth doing because they are simply worth doing -- whether they are understood or appreciated or not is besides the point.
The viewer
>now has some sense of the artist's vision, and can attempt to discern it >in >the new material. If successful, the new material can be treated by >another artist, who is very likely to avoid going too far afield from what >was initially accepted. Continued success in such treatment qualifies the >subject material as an acceptable theme. Don't care about the viewer or another artist or what is or isn't accepted and/or considered "successful" -- "the value of the work is the value of the work" (quote of/from myself), in other words, regardless of how an audience or other artist(s) value a work there are inherent qualities within that work itself regardless of how its approved, understood, copied, built upon and/or accepted.
>Your assertion that Art must be an expression of the artist's vision is >an >acknowledged truism. Truism/shmuism -- its the definition of an artist. "We hold these truths to be self-evodent" in other(s) words.
From the artist's standpoint, having the vision and
>being able to express it are the main concerns. But in order to be >accepted by the viewer, it has to be something the viewer can recognize >or >it simply does not succeed. ...only if you measure success by other's opinions of your work. "The value of the work is the value of the work." Validation and acceptance of an artist or an art work or even an art movement is noce but not necessary because "the value of the work is the value of the work."
>The history of Art records some number of cases where an artist offered >what >was unrecognizable, and sometimes because of the subject, only to meet with >rejection. Later, when the subject became accepted, the artist's offerings >were then open to analysis and the possibility of acceptance as Art. Yes, exactly what I said a bit above but where I differ with you is whether or not the artist or the work or his subject becomes accepted or not, if its art its still art, art history be damned.
>In the case of our discussion here, Martin evidently does not assert that >his work is Art, though acknowledges that it might be. In presenting his >work, therefore, recognizing that there are generally accepted themes >considered as potential for Art can perhaps help him sort his presentation. Again, learn how to separate art from themes -- themes, accepted/done as art or not are not art, the individual work (or group of works) is/are.
>I should probably have qualified that statement thus: There are very often >generally accepted themes used in works presented as candidates for >acceptance as Art. That makes more sense in terms of clarity, though I see that as a principle its a pretty poor one to be guided by - the work(s) either is art or it "ain't".
>I am a victim of the very thing I've tried to avoid!!!! ARGGHHH!!! > >LOL!!! > >Does that make sense, Lewis? Not really. But jokes, like art, even if not understood aren't any less funny. Just because somebody doesn't understand your language doesn't make it any less a joke or less "art". A joke in French is still funny (or not) whether you can speak/understand the language or not. If anything, at least the maker hopefully gets a kick out of the joke. Same thing with art, and especially my art which to some may be less understandable than French ;-).
>Bill Tallman This post is very funny (and art) because I see/say it is and is...
© 2004 Lewis Lang
All Rights (and funny bones) Reserved
Check out my photos at "LEWISVISION":
http://members.aol.com/Lewisvisn/home.htm
Remove "nospam" to reply
***DUE TO SPAM, I NOW BLOCK ALL E-MAIL NOT ON MY LIST, TO BE ADDED TO MY LIST, PING ME ON THE NEWSGROUP. SORRY FOR THE INCONVENIENCE. :-) ***
William D. Tallman - 26 May 2004 05:22 GMT <snip>
Lewis, I'm not in a position to argue this matter with you, so I won't. I will simply observe that 'art' is a cultural term and not proprietary to any given school of artists. It is virtually always a designation granted in retrospect, when some amount of informed agreement in that regard has been reached.
Besides, you already have your own very successful proprietary term: LEWISVISION!!! Which means you shouldn't need to discuss art at all, I would think. Your own views and understandings are part of what defines "LEWISVISION" Also, I don't doubt for a second that everything you've argued is true from the point of view of a generation of artists. Thus it has always been. Cultural history makes this abundantly clear.
What you argue greatly resembles the sound of one hand clapping in a forest where no one was present to hear a tree fall. That excludes all the rest of us, and I suggest that's probably not very useful. But experience itself is the final arbiter of these issues, not I.
Bill Tallman
Lewis Lang - 26 May 2004 15:09 GMT >Subject: Re: (OT) Okay, then... >From: "William D. Tallman" wtallman@olypen.com [quoted text clipped - 7 lines] >will simply observe that 'art' is a cultural term and not proprietary to >any given school of artists. Agree.
It is virtually always a designation granted
>in retrospect, when some amount of informed agreement in that regard has >been reached. Not necessarily. There are artists who work or who have worked with no other audience than themselves. Some are recognised during their lives, some only after their deaths and some are never discovered and/or approved as artists at all. Other's opinions does not define _as the final word_ an artists or an artwork, it/they merely redefine it.
>Besides, you already have your own very successful proprietary term: >LEWISVISION!!! Which means you shouldn't need to discuss art at all, I >would think. Having my own views does not preclude the need or inclination to discuss art, regardles of whatever impact or lack thereof it has on my work or my views.
Your own views and understandings are part of what defines
>"LEWISVISION" OK, here we agree ;-).
Also, I don't doubt for a second that everything you've
>argued is true from the point of view of a generation of artists. Can't say about a generation, I only speak/think from my own views, other's may coincide or not.
Thus
>it >has always been. Cultural history makes this abundantly clear. Cultural history is not the only construct artists may work under, neither is the art system/business of museums and galleries and their acceptance and/or rejection (of an artist's work). I am anti-cultural and pro art, I prefer my culture in a yogurt not in some approved institutionalized construct of what is or isn't art by what amounts to a homind's Terran snob convention and an art market more ludicrous in shifting and unrealistic valuation than the stock market.
>What you argue greatly resembles the sound of one hand clapping in a forest >where no one was present to hear a tree fall. A song whistled in the dark or to one's self is just as sweet and trees make a better and more appreciative audience than people sometimes ;-). Personally I prefer a hand clapping in 4:4 time to the tune "I'll Be Back" by Lennon & McCartney.
That excludes all the rest
>of us, It neither includes nor excludes the rest of you, I am usually fairly open in showing my work even though I haven't exhibited since the 20th century and really have no desire to do so any more outside of books and magazines and the like where people will pay me to use/view my art ;-).
and I suggest that's probably not very useful.
Its very useful and more personal - I'd rather go to an artist's house than an art museum/gallery where they'd try to prepackage my response in an exhibit. Also, I find artists more fun to talk with than walls, one hand clapping in a forest or not ;-).
But experience
>itself is the final arbiter of these issues, not I. > >Bill Tallman There is no "arbiter" of these issues. Art is a personal matter, that may be shared... and/or not. No one person or group(s) of people can define it in total and excluding one's work from these groups doesn't make it any less art.
Check out my photos at "LEWISVISION":
http://members.aol.com/Lewisvisn/home.htm
Remove "nospam" to reply
***DUE TO SPAM, I NOW BLOCK ALL E-MAIL NOT ON MY LIST, TO BE ADDED TO MY LIST, PING ME ON THE NEWSGROUP. SORRY FOR THE INCONVENIENCE. :-) ***
William D. Tallman - 26 May 2004 21:17 GMT <snip>
I think we agree on these things.
What seems to be the case is that you are unable to manage the point of view of the viewing (vidience? lol!!!). But this is almost certainly necessary, as you cannot stop being the artist. Even if you tried, I suspect... <grin>
And the same is true of the viewers as well; it's highly unlikely they are able to comprehend the point of view of the artist. You have to be there to understand, and neither the artist or the viewer can switch places to really acquire that understanding, or so it appears.
For me, it's not possible to listen to music without a critical point of view, and I find it virtually impossible to comprehend how others can avoid doing so, even though I know they cannot be expected to do what they do not know how to do. So I understand, at least to that extent, your situation.
Good discussion, Lewis!!
Bill Tallman
Lewis Lang - 27 May 2004 03:08 GMT >Subject: Re: (OT) Okay, then... >From: "William D. Tallman" wtallman@olypen.com [quoted text clipped - 10 lines] >necessary, as you cannot stop being the artist. Even if you tried, I >suspect... <grin> By "manage", do you mean control my audience's reaction, handle their reactions or both? Or even something different? For the most part I just accept that everyone will come to their own opinions about my/other's work, and since that is what art is about if it is to be "a living thing for each person" it doesn't matter to me whether they get their take on my work (or anybody else's for that matter) right by hitting the nail on the head with every subtle insight seen and appreciated or whether they are so far off that they see a portrait and comment "wonderful landscape" ;-). Since nobody tells me what to do (how to make my art) and their (e)valuation has nothing to do with my aelf-expression, its just like passing a car on the highway, they have their lane (line of thinking) and I have mine. What they think or feel neither adds or subtracts from my (or anybody else's for that matter) work. That's the way it is. And that's the way it should be and that's the way I prefer it. The value of the work should be inherent in the work itself, not in the hype and not in the criticism, even if it comes from an agreed upon concensus by "so called" and/or real authorities or Joe Schmoe, art critic. The work either works or it doesn't. Art or Nart.
>And the same is true of the viewers as well; it's highly unlikely they are >able to comprehend the point of view of the artist. Sometimes they get it bang on, sometimes they go off on an interesting but insightful tangent that may or may not be related to/reflect the actual work as much as reflect their own predilictions and emotional/psychological history, and sometimes they are so far off basis you wonder whether they are looking at art or making up sci-fi fantasy stories of their own choosing.
You have to be there
>to understand, and neither the artist or the viewer can switch places to >really acquire that understanding, or so it appears. No, sometimes they get it and sometimes they don't -- even without being me and "being there" -- it all depends if you're both on the same wavelength. Just like the joke analogy I mentioned in an earlier post, if you both speak the same language (come from a common experience(s)/emotions/attitude/mental mind set) then you get the joke and the joke either moves you to laughter or not (though I don't consider my own work "jokes" it has this in common with them). And its not only a matter of linguistics as far as languages go. American might find some British humor dry or boring and another type of British humor (Monty Python?) the most hilarious thing they've ever heard in their life. So it would seem that some experiences/attitudesrapport/etc. cross beyond national boundaries and languages into common human experiences that everyone can relate to (silent films, with their emphasis on visuals, broad emotions and music (another "universal language" of sorts, if not a perfect trans-cultural language) also have this ability to speak across cultures and languages). But this can occur also without a common concensus of agreed upon authorities/critics. Your audience doesn't have to walk a mile in your rotten sneakers to know that when shoes fall apart its both funny and/or sad. Some things, some inherent qualities and values transcend artist/audience differences enough so that those differences don't matter anymore.
>For me, it's not possible to listen to music without a critical point of >view, and I find it virtually impossible to comprehend how others can avoid >doing so, even though I know they cannot be expected to do what they do >not >know how to do. I can appreciate music both without critical framework as well as with, I guess its different for each person, though. I can't stand, rap, disco, much of Latin music, much of heavy metal and a wgole slew of music and abstract expressionist art and no amount of critical enlightment has helped me enjoy these anymore than I already detest them, however, I used to hate peanut butter and tonic water, I believe, so tastes can change, but its a personal thing that may or maynot be aside from whatever education you taste or taste buds get ;-).
So I understand, at least to that extent, your situation.
You do? What is it you understand about it?
I just want to do what I love and I don't care who likes it or dislikes it... unless they pay me money for my work and then the value of their opinion is at least worth a coffee malted or three...
>Good discussion, Lewis!! > >Bill Tallman Thanks but what was the topic? I'm too hungry now to remember!
Check out my photos at "LEWISVISION":
http://members.aol.com/Lewisvisn/home.htm
Remove "nospam" to reply
***DUE TO SPAM, I NOW BLOCK ALL E-MAIL NOT ON MY LIST, TO BE ADDED TO MY LIST, PING ME ON THE NEWSGROUP. SORRY FOR THE INCONVENIENCE. :-) ***
William D. Tallman - 27 May 2004 19:12 GMT >>Subject: Re: (OT) Okay, then... >>From: "William D. Tallman" wtallman@olypen.com [quoted text clipped - 13 lines] > By "manage", do you mean control my audience's reaction, handle their > reactions or both? Or even something different? For the most part I just Poor use of the word, I guess. The complete phrase should have been: "manage to achieve the point of view..."
<snip>
> So I understand, at least to that extent, your situation. > > You do? What is it you understand about it? I understand that the only invariant is the Vision. The rest is optional, even the realization of the Vision. Sometimes one is successful and sometimes not. Some work is more successful than others. The involvement of others is largely incidental, sometimes entertaining, sometimes profitable; it is never fundamental or required.
It is the Vision that validates the life lived in its pursuit. All that is required is the ability to perceive the Vision, and the opportunity to engage it. It provides the focus that makes life worthwhile, whatever happens.
Waylon Jennings sang:
"There are only two things that make life worth livin'; Guitars that tune good and firm feelin' women."
For Waylon, that was the entire substance of his vision: to set to music, and offer to his fellows, shared understanding of what it's like to be human.
All the rest is incidental, negotiable, arbitrary, etc. Rules, if any, may or may not apply.
What of these insights are invalid or wrong?
And what did you have for lunch??
LOL!!!
Bill Tallman
Lewis Lang - 27 May 2004 23:33 GMT >Subject: Re: (OT) Okay, then... >From: "William D. Tallman" wtallman@olypen.com [quoted text clipped - 61 lines] > >Bill Tallman Tuna sandwhich.. and you say it better than Waylon even sings it! :-) Now that I (finally ;-)) completely understand what you said above I have nothing more to say than I am in complete agreement with your above comments. I'd rather eat a tuna fish than try to tune it", no that's not my philosophy or vision but it works, tuna sandwhiches taste better than they sound ;-). My vision (or at least my taste buds) are more like a good coffee malted ;-).
Check out my photos at "LEWISVISION":
http://members.aol.com/Lewisvisn/home.htm
Remove "nospam" to reply
***DUE TO SPAM, I NOW BLOCK ALL E-MAIL NOT ON MY LIST, TO BE ADDED TO MY LIST, PING ME ON THE NEWSGROUP. SORRY FOR THE INCONVENIENCE. :-) ***
William D. Tallman - 28 May 2004 06:33 GMT <snip>
>>And what did you have for lunch?? >> [quoted text clipped - 6 lines] > nothing more to say than I am in complete agreement with your above > comments. I'd rather eat a tuna fish than try to tune it", no that's not What, you no tuna you fish??? Sorry, couldn't resist.... lol!!
> my philosophy or vision but it works, tuna sandwhiches taste better than > they sound ;-). My vision (or at least my taste buds) are more like a good > coffee malted ;-). That's what life's all about, Lewis, for some it's a good 5 cent cigar; for you it's a coffee malted. For me, I believe........
I'll have a second helping of my wife's wonderful spaghetti and Pesto sauce!!!
This has been fun!!!
Bill Tallman
Lewis Lang - 29 May 2004 03:37 GMT >Subject: Re: (OT) Okay, then... >From: "William D. Tallman" wtallman@olypen.com [quoted text clipped - 24 lines] >for >you it's a coffee malted. SNIP
Only for (some of) my earthly desires, for my heavenly desires I hope to spend eternity with Jesus, with or without film or malteds ;-).
Check out my photos at "LEWISVISION":
http://members.aol.com/Lewisvisn/home.htm
Remove "nospam" to reply
***DUE TO SPAM, I NOW BLOCK ALL E-MAIL NOT ON MY LIST, TO BE ADDED TO MY LIST, PING ME ON THE NEWSGROUP. SORRY FOR THE INCONVENIENCE. :-) ***
Lisa Horton - 04 Jun 2004 19:32 GMT You seem to be, as I am, a student of human nature. You've shown some interesting and perceptive insights in some of your posts. That's why I think you may find the saga of Scott Abraham and RSA (rec.skiing.alpine) interesting.
The pocket summary would be that in 1999, Scott Abraham, a regular in RSA, met up with Anthea Kerrison and perhaps other RSA regulars at a ski area. Something happened, which may or may not involve SA propositioning AK in some way. It moved to RSA as a flame war, which apparently went on for some time and got very heated. Then, it moved to real life, with SA contacting one of his adversary's employers and getting him fired, an action that was then applied to SA himself. Ultimately, SA's victim was able to obtain a restraining order preventing SA from posting in RSA for 6 months, which has now long since passed.
If you Google for Scott Abraham, you'll find some stuff on the web about this (the restraining order, a unique first, got more than a little media attention), and in RSA you can see the history, and you can see it continuing today.
The whole thing is quite sordid, with elements of alleged childhood abuse, repressed memories, the men's movement, and more.
Lisa
Doug Payne - 04 Jun 2004 20:33 GMT > You've shown some > interesting and perceptive insights in some of your posts. That's why I > think you may find the saga of Scott Abraham and RSA (rec.skiing.alpine) > interesting. To me, it's just kind of sad, rather than interesting. Sure makes a good case for filters and killfiles and other technical means of quietly ignoring the trash-talk that goes on incessantly. (I recall the beginnings of that one).
Lisa Horton - 04 Jun 2004 22:21 GMT This was supposed to be email. Bad day.
Lisa
TP - 05 Jun 2004 00:44 GMT >This was supposed to be email. Bad day. I wondered who it was to.
Matt Clara - 24 May 2004 21:04 GMT > Fine art clearly is a bad idea for a "category" for my site- I have pretty > much felt uncomfortable with the idea of defining anything I do as "art", as [quoted text clipped - 11 lines] > (yes, it is a misnomer; only some of the pictures will be from 6x6cm > cameras) In answer to your question: No and yes, no and yes...
Looks good. Yeah, get rid of the fine art title--seems pretentious. And let's exchange links, yes? And post more pics of Kelly. ;-)
 Signature Regards, Matt Clara www.mattclara.com
Mike - 24 May 2004 21:16 GMT Your website doesn't render correctly with neither Mozilla (Gecko) nor Konqueror (kHTML). I can't see anything besides a black background and a title in dark grey.
Maybe its because the HTML you wrote isn't valid?
http://validator.w3.org/check?uri=http%3A%2F%2Fwww.sixbysix.co.uk
--Mike
> Fine art clearly is a bad idea for a "category" for my site- I have pretty > much felt uncomfortable with the idea of defining anything I do as "art", [quoted text clipped - 11 lines] > (yes, it is a misnomer; only some of the pictures will be from 6x6cm > cameras) Alan Browne - 24 May 2004 21:48 GMT > Fine art clearly is a bad idea for a "category" for my site- I have pretty > much felt uncomfortable with the idea of defining anything I do as "art", as [quoted text clipped - 11 lines] > (yes, it is a misnomer; only some of the pictures will be from 6x6cm > cameras) Good start. Is the high res site called fiftysixbyfiftysix.co.uk ?
On a few images (at least three) the cropping is bad (slices of light on lower left).
People with badly calibrated monitors are going to have trouble with the text of the webpage and some photos (like the mug shot of the guy who's starting to bald...)
Add an index strip underneath?
Cheers, Alan
 Signature --e-meil: there's no such thing as a FreeLunch.--
Gordon Moat - 24 May 2004 22:30 GMT > Fine art clearly is a bad idea for a "category" for my site- I have pretty > much felt uncomfortable with the idea of defining anything I do as "art", as > that would be the job of others; nevertheless, I still wish to be an artist. > I will have to decide what is going into my online portfolio and give > definitions based on what i've got. Martin, I think you give up too easily. It is anything you want to define it.
Anyway, if this helps you at all, here is an idea I have been kicking around for my site redesign. I currently have a painting section, yet I feel that converting that to a "Fine Art" section might be better. My criteria for what to include their comes down to those works that have previously been exhibited. What that means is that they have been in public, in a gallery, a juried exhibit, group exhibit, select group exhibit, or some other public space, but would not include images, or paintings that had been published. This criteria would separate it from commercial work, and includes paintings and photography. Perhaps a similar approach might work for your site.
> Anyway, feel free to have a gander at my site; it's in early prototype > stages at the moment, and there are only photos in the "people" section. [quoted text clipped - 5 lines] > (yes, it is a misnomer; only some of the pictures will be from 6x6cm > cameras) That's really a good URL. I like the simple and direct look. The dark text is a little tough to read, so maybe slightly lighter would be a little easier. Anyway, it looks to be a nice start.
Ciao!
Gordon Moat A G Studio <http://www.allgstudio.com
Martin Francis - 25 May 2004 00:08 GMT > That's really a good URL. I like the simple and direct look. The dark text is a > little tough to read, so maybe slightly lighter would be a little easier. > Anyway, it looks to be a nice start. Feedback taken on board, y'all. Updated http://www.sixbysix.co.uk
 Signature Martin Francis "Go not to Usenet for counsel, for it will say both no, and yes, and no, and yes...."
Bandicoot - 25 May 2004 00:57 GMT > > That's really a good URL. I like the simple and direct look. The dark text > is a > > little tough to read, so maybe slightly lighter would be a little easier. > > Anyway, it looks to be a nice start. > > Feedback taken on board, y'all. Updated http://www.sixbysix.co.uk I didn't see it pre-update (busy day, couldn't be on Usenet all day y'know...) but I certainly like the updated version. Both the design and the photography.
My own meagre site is looking veritably cluttered these days...
Peter
Gordon Moat - 25 May 2004 02:42 GMT > > That's really a good URL. I like the simple and direct look. The dark text > is a > > little tough to read, so maybe slightly lighter would be a little easier. > > Anyway, it looks to be a nice start. > > Feedback taken on board, y'all. Updated http://www.sixbysix.co.uk The title text is more readable, but the links text is still dark. Not sure what else I could tell you, it is just slightly tough to read. Some alt text, or a javascript description might help. Maybe a different font might work better.
Another thought is you can run a small javascript that puts a random image into the opener each time the page is visited. There are some freely available examples of that, or some editing software has that capability.
Ciao!
Gordon Moat A G Studio <http://www.allgstudio.com
sun lei - 25 May 2004 09:40 GMT Download AlbumFamiy software at http://www.albumsfamily.com to help you
Gordon Moat - 25 May 2004 18:21 GMT > Download AlbumFamiy software at http://www.albumsfamily.com to help you I looked through that site, but I cannot find anything about how to integrate the results into a web page. Is there some code export function that does that. Seems to me that it is an e-mail only solution.
Ciao!
Gordon Moat A G Studio <http://www.allgstudio.com
Al Denelsbeck - 25 May 2004 05:04 GMT >> That's really a good URL. I like the simple and direct look. The dark >> text [quoted text clipped - 3 lines] > > Feedback taken on board, y'all. Updated http://www.sixbysix.co.uk Looking fine, crisp, moves well.
One small note: Move the Prev/Next links up above the images, or potentially move the main menu to the left. While it varies on how the browsers are configured, your format is screen-sized for 800x600 res, mostly, but the nav links and copyright notice go off the bottom, requiring minor scrolling. Vertical scrolling isn't a no-no, but if you're this close, it might as well be eliminated, hey?
Include a space on either side of the dash in the bio, otherwise you're making a new hyphenated word.
Otherwise looks good (and works on Opera, which is more than can be said for a lot of newer sites). Glad to see you went with thumbnails, which I'd consider a necessity.
Now, or course, you've created a monster. You know websites need constant attention, don't you? ;-)
- Al.
 Signature To reply, insert dash in address to match domain below Online photo gallery at www.wading-in.net
William D. Tallman - 25 May 2004 08:09 GMT >> That's really a good URL. I like the simple and direct look. The dark >> text [quoted text clipped - 3 lines] > > Feedback taken on board, y'all. Updated http://www.sixbysix.co.uk Oh *much* better!
Cluster of thumbs works like a charm. Looks good in Konqueror and Galeon (Gecko). BTW, the gifs for your links are cut too tight, the letters are trimmed too close. Probably should redo them with a bit of padding, I would think.
Still could use something in the first page, though.....
How about an abstract design of something, perhaps in a complimentary muted bronze to give it some focus against the muted silver... hmmm... a stylized line drawing of an SLR square shooter, your choice of brand.. Rollei would be elegant... just a thought.
Bill Tallman
Bandicoot - 25 May 2004 11:18 GMT [SNIP]
> Still could use something in the first page, though..... > > How about an abstract design of something, perhaps in a complimentary > muted bronze to give it some focus against the muted silver... hmmm... a > stylized line drawing of an SLR square shooter, your choice of brand.. > Rollei would be elegant... just a thought. But we all know Martin _can't_ choose a brand....
;-)
Peter
TP - 26 May 2004 00:26 GMT >But we all know Martin _can't_ choose a brand.... Oh yes he can ... he chooses several at once!
;-)
dslr - 25 May 2004 15:48 GMT >> That's really a good URL. I like the simple and direct look. The >> dark text is a little tough to read, so maybe slightly lighter would >> be a little easier. Anyway, it looks to be a nice start. > > Feedback taken on board, y'all. Updated http://www.sixbysix.co.uk Much better - I like it. The thumbnails are just right - enought to see what's there but not excessively large.
I do agree with other posters that the front page needs "something", though. If you want some javascript to do a random selection from the images already on the site (minimal overhead that way), drop me a line and you're welcome to use that which I use for the purpose on www.dslr.co.uk
-- regards, dslr
William D. Tallman - 25 May 2004 04:06 GMT >> Fine art clearly is a bad idea for a "category" for my site- I have >> pretty much felt uncomfortable with the idea of defining anything I do as [quoted text clipped - 15 lines] > commercial work, and includes paintings and photography. Perhaps a similar > approach might work for your site. Gordon makes a good point here, I think. Fine Art is commonly differentiated from Commercial Art, following the academic world's sort of the issue, I guess. As to what these two categories comprise has some common agreement, but is not cast in stone, AFAIK.
Obviously, Commercial Art is intended for use by commerce: advertising, logos, and that sort of thing. Perhaps stock photography is a species of Commercial Art, if it's intended to be licensed per use to the user who intends to somehow generate a profit therefrom. In that regard, the painting factories where wall paintings are cranked out on an assembly line could be regarded as Commercial Art, though it seems evident that it is intended to be presented as Fine Art. Dunno, these are open for specific definition in a specific case, I suppose.
As to Fine Art, I suspect that one has to have accreditation in the field of Fine Arts to be able to identify Fine Art. So I won't try that one; I am not a Fine Arts expert, nor am I a Fine Artist of any kind.
That might suggest, Martin, that you could separate your personal work from that which you do for money, if that's feasible.
Bill Tallman
Bandicoot - 25 May 2004 11:40 GMT > >> Fine art clearly is a bad idea for a "category" for my site- I have > >> pretty much felt uncomfortable with the idea of defining anything I do > >> as "art", as that would be the job of others; nevertheless, I still wish to
> >> be an artist. I will have to decide what is going into my online > >> portfolio and give definitions based on what i've got. [quoted text clipped - 20 lines] > Obviously, Commercial Art is intended for use by commerce: > advertising, logos, and that sort of thing. Perhaps stock photography is a
> species of Commercial Art, if it's intended to be licensed per use to the > user who intends to somehow generate a profit therefrom. In that regard, > the painting factories where wall paintings are cranked out on an assembly > line could be regarded as Commercial Art, though it seems evident that it > is intended to be presented as Fine Art. Dunno, these are open for specific
> definition in a specific case, I suppose. Traditionally the division was between Fine Art and decorative arts, aka 'craft'. Fine art was where 'the art' was the end product - a painting, sculpture, whatever - and decorative art where it was some 'thing' that was decorated by the 'art' - a piece of furniture with carving on it, a pot, whatever. Of course the boundaries blurred, and the snob factor was a major feature - hence architecture being recognised traditionally as a fine art, even though it is pretty plainly 'craft' by the original definition.
Note that 'skill' or the difficulty of execution of the work has nothing to do with this original definition. Neither, come to that, has artistic vision, or even intrinsic merit.
Photography of course messes this up, because it meets the definition of fine art in exactly the way that painting does (end result is 'the work', but it can then be used to decorate, illustrate, etc.) but many in the past didn't want to accept photography as capable of creating art, still less of 'being' one.
This simply tells me that the old definition was never very useful, and is even less so where photography is concerned.
For me, photography is commercial, craft, decorative, applied art, if I am working to a brief - even the 'notional' brief that shooting for stock implies. It is 'art', which might as well be called 'fine art' only when I am shooting to satisfy no one's criteria but my own. Such works may appeal to others, or they may not. This definition, of course, would exclude virtually all renaissance painting - so definitions have to move with the times and be flexible!
Of all the pictures I've sent to the SI, only my rogues' gallery one falls into this category of work done to please my own artistic criteria rather than to fit a brief - even where that brief was only the SI mandate. And, predictably, it is the one of those I sent that had the widest range of comments. Among people who've seen it in my portfolio (it's at the back, last page, after a lot of work that is much more avowedly commercial) everyone seems either to say it is their favourite, or they simply don't notice it at all.
> As to Fine Art, I suspect that one has to have accreditation in the field of > Fine Arts to be able to identify Fine Art. So I won't try that one; I am > not a Fine Arts expert, nor am I a Fine Artist of any kind. > > That might suggest, Martin, that you could separate your personal work > from that which you do for money, if that's feasible. That is sort of what I was thinking. The 'fine art' work might still be intended for sale, but you are not doing what someone else has told you to do, or even what you _think_ someone else wants to see. You are doing what _you_ want to see, and if anyone else likes it then that's good and if they don't it doesn't matter.
Peter
Lewis Lang - 25 May 2004 19:06 GMT >Subject: Re: (OT) Okay, then... >From: "Bandicoot" "insert_handle_here"@techemail.com [quoted text clipped - 105 lines] > >Peter Definitions, like rules, were made to be broken ;-). 'STRANGE TRINITIES" was done on assignment for Shutterbug, but, like most if not all my work, both "commercial" and self-assigned I do what I like to please myself regardless so all I do may be considered "fine art" since I always try to please myself first, regardless of whether I am getting paid any money to do it. People may tell me what to do, and even pay me at times for it, but that doesn't stop me from always trying to please myself first. For the most part people pay me to be me. I do not consider myself a fine artist at times and a commercial artist at other times. I am a self-expressionist (and no, this is not an art movement or a label, I just care more about expressing myself more than what others think/say or pay me for or as opposed to having to "communicate" with others, which I do, but that's a secondary if not last consideration). I do what pleases me. What I "do" is me - pure self expression. Its the thoughtfulness and vision and inherent worth of what I do that makes it "Art" or not...
Check out my photos at "LEWISVISION":
http://members.aol.com/Lewisvisn/home.htm
Remove "nospam" to reply
***DUE TO SPAM, I NOW BLOCK ALL E-MAIL NOT ON MY LIST, TO BE ADDED TO MY LIST, PING ME ON THE NEWSGROUP. SORRY FOR THE INCONVENIENCE. :-) ***
Lewis Lang - 25 May 2004 18:53 GMT >Subject: Re: (OT) Okay, then... >From: "William D. Tallman" wtallman@olypen.com [quoted text clipped - 42 lines] >of >Fine Arts to be able to identify Fine Art. SNIP
Not so. :-)
Check out my photos at "LEWISVISION":
http://members.aol.com/Lewisvisn/home.htm
Remove "nospam" to reply
***DUE TO SPAM, I NOW BLOCK ALL E-MAIL NOT ON MY LIST, TO BE ADDED TO MY LIST, PING ME ON THE NEWSGROUP. SORRY FOR THE INCONVENIENCE. :-) ***
Nick J - 25 May 2004 20:29 GMT > That might suggest, Martin, that you could separate your personal work from > that which you do for money, if that's feasible. but he already has Bill, this photgraphy site is his personal work. You wouldn't want to visit a site showing what he does for money... ;-)
Nick
William D. Tallman - 25 May 2004 07:49 GMT >> That might suggest, Martin, that you could separate your personal work >> from that which you do for money, if that's feasible. [quoted text clipped - 3 lines] > > Nick LOL!!!
Bill Tallman
Martin Francis - 25 May 2004 20:49 GMT > > That might suggest, Martin, that you could separate your personal work from > > that which you do for money, if that's feasible.
> but he already has Bill, this photgraphy site is his personal work. You > wouldn't want to visit a site showing what he does for money... ;-) Oh yeah, like he hasn't seen THAT site already.
 Signature Martin Francis "Go not to Usenet for counsel, for it will say both no, and yes, and no, and yes...."
Tony Spadaro - 24 May 2004 23:01 GMT My standard is - if anyone at any time ever called any thing I did "Art" then that's my story and I'm going to stick with it. Three are schools churing out no-talent jerks every year, and these guys call themselves artists on the basis of that degree - they have no more right to the term than you or I. I'll check out you rsite after midnight when roadkill is back up to reasonable speed.
 Signature http://www.chapelhillnoir.com home of The Camera-ist's Manifesto The Improved Links Pages are at http://www.chapelhillnoir.com/links/mlinks00.html A sample chapter from my novel "Haight-Ashbury" is at http://www.chapelhillnoir.com/writ/hait/hatitl.html
> Fine art clearly is a bad idea for a "category" for my site- I have pretty > much felt uncomfortable with the idea of defining anything I do as "art", as [quoted text clipped - 11 lines] > (yes, it is a misnomer; only some of the pictures will be from 6x6cm > cameras) Lewis Lang - 25 May 2004 19:09 GMT >Subject: Re: (OT) Okay, then... >From: "Tony Spadaro" tspadaro@ncmaps.rr.com [quoted text clipped - 3 lines] > My standard is - if anyone at any time ever called any thing I did "Art" >then that's my story and I'm going to stick with it.
:-) Three are schools
>churing out no-talent jerks every year, and these guys call themselves
>artists on the basis of that degree Speaking as a talented jerk, I call myself an aritist even though, no especially because I didn't finish Brooks (photography school), even though I got into the Master's program there specifically to stop them from trying to assign me crap I didn't want to do.
- they have no more right to the term
>than you or I. My turtle is an artist, he graduated from Shell University ;-).
> I'll check out you rsite after midnight when roadkill is back up to >reasonable speed. [quoted text clipped - 16 lines] >> (yes, it is a misnomer; only some of the pictures will be from 6x6cm >> cameras) Check out my photos at "LEWISVISION":
http://members.aol.com/Lewisvisn/home.htm
Remove "nospam" to reply
***DUE TO SPAM, I NOW BLOCK ALL E-MAIL NOT ON MY LIST, TO BE ADDED TO MY LIST, PING ME ON THE NEWSGROUP. SORRY FOR THE INCONVENIENCE. :-) ***
Annika1980 - 25 May 2004 00:29 GMT >From: "Martin Francis" mcsalty@com.btinternet
>Anyway, feel free to have a gander at my site; it's in early prototype >stages at the moment, and there are only photos in the "people" section. >Bear in mind the titles will be changed soon (I haven't got rid of "fine >art" yet). Where is your dead people gallery? That is a very serious omission, especially right now when pics of dead people are so in vogue. C'mon Marty, go with what you know!
I'll echo the comments that the interface (in it's infancy stage) is a bit cumbersome to use. But hey, it's better than MY web site, seeing as I never have gotten around to creating one. Perhaps I'll pattern mine after yours, with sections labeled, "People with Jewel, Fine Art of Jewel, Portraits of Jewel, Misc pics of Jewel, and Info about the Mighty Jewel. And a few bird and cheerleader pics as well.
Anyway, I'll bookmark your site and come back later to taunt you further.
Martin Francis - 25 May 2004 20:54 GMT > Where is your dead people gallery? > That is a very serious omission, especially right now when pics of dead people > are so in vogue. C'mon Marty, go with what you know! What do you think those broom handles coming from the back of all those people's shirts are for?
Long live dead celebrities; Vegas is waiting for me, baby!
> I'll echo the comments that the interface (in it's infancy stage) is a bit > cumbersome to use. Working on it. Seems my old lecturer's site is actually similar in design, so i'm taking a couple of hints from him. Should look better by tonight.
> Anyway, I'll bookmark your site and come back later to taunt you further. Ya, my father smells of elderberries. Heard it all before, sod-whopper.
 Signature Martin Francis "Go not to Usenet for counsel, for it will say both no, and yes, and no, and yes...."
|
|
|