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Photo Forum / Film Photography / 35 mm / February 2010

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Digital noise

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pbromaghin@aol.com - 28 Jan 2010 18:47 GMT
Scott W wrote:

>BTW this is one of my scans, I believe that was Kodachrome
>http://www.flickr.com/photos/36939621@N06/4309159530/sizes/o/in/set-7...
>When viewed at that size it would be hard to tell that scan from a
>digital shot, but viewed closer and I see the noise in the scan that
>drives me nuts.

Being a film guy, digital noise is one of the many concepts that is
foreign to me.  I do scan my slides and negs, so I would like to know
what to look for and get some tips on correcting it.   Can anybody
post some examples or explain how it happens?

Thanks in advance.
Scott W - 29 Jan 2010 06:41 GMT
On Jan 28, 8:47 am, "pbromag...@aol.com" <pbromag...@aol.com> wrote:
> Scott W wrote:
> >BTW this is one of my scans, I believe that was Kodachrome
[quoted text clipped - 9 lines]
>
> Thanks in advance.
When scanning film areas that should be smooth will often have a
texture from the grain, or dye clouds.  I in a lot of skies and in
darker areas of the image.
This is a good example of a lot of noise in the sky
http://www.flickr.com/photos/36939621@N06/4313348614/sizes/o/

This is a pretty extreme case of noise in a scanned photo, the image
captures pretty good detail but looks way soft due to all the grain.
http://www.flickr.com/photos/36939621@N06/4312626605/sizes/o/in/set-721576232852
64902/


This is not really digital noise, it is noise in the film.  Some
scanners do better at limiting the level of the noise/grain, but it is
still there.
pbromaghin@aol.com - 01 Feb 2010 01:19 GMT
> This is not really digital noise, it is noise in the film.  Some
> scanners do better at limiting the level of the noise/grain, but it is
> still there.

Right, film grain I am very familiar with.  I never thought to call it
noise.  Your 2nd pic reminds my of what my mom used to take with her
instamatic.

I checked a few of my slide scans (I usually use Velvia, a very hi-def
film) and didn't see any cases of my scanner adding noise.

Thank you for replying.
Annika1980 - 31 Jan 2010 17:29 GMT
On Jan 28, 1:47 pm, "pbromag...@aol.com" <pbromag...@aol.com> wrote:

> Being a film guy, digital noise is one of the many concepts that is
> foreign to me.  I do scan my slides and negs, so I would like to know
> what to look for and get some tips on correcting it.   Can anybody
> post some examples or explain how it happens?
>
> Thanks in advance.

Here's a quick and dirty test pic I just made showing what it looks
like.
Note the noise in the sky in the 6400 ISO pic.

http://bretdouglas.smugmug.com/Other/Misc-stuff/noisetest/777532168_RW2m6-O.jpg
Annika1980 - 31 Jan 2010 17:32 GMT
> On Jan 28, 1:47 pm, "pbromag...@aol.com" <pbromag...@aol.com> wrote:
>
[quoted text clipped - 10 lines]
>
> http://bretdouglas.smugmug.com/Other/Misc-stuff/noisetest/777532168_R...

Also, no noise reduction was used in either of these pics.  They were
both shot in RAW mode and imported with NR set to zero.
I wonder how a 6400 ASA film shot (if there is such a thing) could
compare?
Bill Graham - 31 Jan 2010 23:53 GMT
On Jan 28, 1:47 pm, "pbromag...@aol.com" <pbromag...@aol.com> wrote:

> Being a film guy, digital noise is one of the many concepts that is
> foreign to me. I do scan my slides and negs, so I would like to know
> what to look for and get some tips on correcting it. Can anybody
> post some examples or explain how it happens?
>
> Thanks in advance.

Here's a quick and dirty test pic I just made showing what it looks
like.
Note the noise in the sky in the 6400 ISO pic.

http://bretdouglas.smugmug.com/Other/Misc-stuff/noisetest/777532168_RW2m6-O.jpg

Obviously, the ISO 100 shot is cleaner, but the ISO 6400 shot is amazingly
good, considering that it could have been taken at midnight.....:^)
pbromaghin@aol.com - 01 Feb 2010 01:25 GMT
> Here's a quick and dirty test pic I just made showing what it looks
> like.
> Note the noise in the sky in the 6400 ISO pic.
>
> http://bretdouglas.smugmug.com/Other/Misc-stuff/noisetest/777532168_R...

Ooooh.  Thank you.  Just what I was looking for.  So digital noise is
really just the digital equivalent of film grain at higher ISOs.  It
happens at image capture time and there really isn't anything much you
can do about it once it's there.
Annika1980 - 01 Feb 2010 04:36 GMT
On Jan 31, 8:25 pm, "pbromag...@aol.com" <pbromag...@aol.com> wrote:
> > Here's a quick and dirty test pic I just made showing what it looks
> > like.
[quoted text clipped - 6 lines]
> happens at image capture time and there really isn't anything much you
> can do about it once it's there.

Almost correct.  You can eliminate most of it via software or by
simply cranking up the NR when you import the RAW file. This can
soften the overall image, however, so one trick is to just use the
noise reduction on selected areas such as the blue sky in my example.
Annika1980 - 01 Feb 2010 04:42 GMT
One other point needs to be made.  Some people often mistake film
grain for detail in a photo.
For example, if you shoot a photo of a snow-covered yard (or any
monochromatic smooth surface) with both digital and film and then blow
up both pics, it might appear that the film image has more detail in
the snow.  However, on closer inspection you'll see that most of this
faux detail is really just grain. At least that was my experience the
last time I did that test.  Too bad I don't have any film in stock
this weekend as we finally had our biggest snow in 10 years .... a
whopping 4 inches.
Pete - 01 Feb 2010 19:34 GMT
> One other point needs to be made.  Some people often mistake film
> grain for detail in a photo.

Often, this is a plus point. Perfectly sharp noise-free images usually look
softer. Some have speculated that noise is actually a source of dither that
improves our visual acuity - compare the way that a dither signal (noise)
must be added to 24-bit digital audio before it is truncated to 16-bit CD
audio. There is currently not enough evidence to turn the visual acuity
hypothesis into science. Personally, I like the idea.

> For example, if you shoot a photo of a snow-covered yard (or any
> monochromatic smooth surface) with both digital and film and then blow
[quoted text clipped - 4 lines]
> this weekend as we finally had our biggest snow in 10 years .... a
> whopping 4 inches.

Digital noise is more annoying than dye clustering in film (grain) when the
measured RMS noise is the same. Both the probability and spectral densities
are quite different. The RMS value does not take visual acuity into account,
again there is insufficient evidence to create a repeatable formula.

Pete
Noons - 02 Feb 2010 12:36 GMT
Annika1980 wrote,on my timestamp of 1/02/2010 3:42 PM:

> For example, if you shoot a photo of a snow-covered yard (or any
> monochromatic smooth surface) with both digital and film and then blow
> up both pics, it might appear that the film image has more detail in
> the snow.  

Brett: no one in his right mind wants to see "detail" in snow!...
When are you gonna start taking *photos* instead of "statements of detail"?
John McWilliams - 02 Feb 2010 16:00 GMT
> Annika1980 wrote,on my timestamp of 1/02/2010 3:42 PM:
>
[quoted text clipped - 5 lines]
> Brett: no one in his right mind wants to see "detail" in snow!...
> When are you gonna start taking *photos* instead of "statements of detail"?

Odd statement: Bret has posted more photos than anyone, and I sure
haven't seen anything worthwhile from your sniping self.

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john mcwilliams

Noons - 08 Feb 2010 11:02 GMT
John McWilliams wrote,on my timestamp of 3/02/2010 3:00 AM:
>> Annika1980 wrote,on my timestamp of 1/02/2010 3:42 PM:
>>
[quoted text clipped - 9 lines]
> Odd statement: Bret has posted more photos than anyone, and I sure
> haven't seen anything worthwhile from your sniping self.

Rest...
It's obviosuly all too much for your old mind.
John McWilliams - 08 Feb 2010 17:13 GMT
> John McWilliams wrote,on my timestamp of 3/02/2010 3:00 AM:
>>> Annika1980 wrote,on my timestamp of 1/02/2010 3:42 PM:
[quoted text clipped - 13 lines]
> Rest...
> It's obviosuly all too much for your old mind.

Almost a week and you come up with this weak response?

You've slipped to nu lo's.
Noons - 09 Feb 2010 01:32 GMT
John McWilliams wrote,on my timestamp of 9/02/2010 4:13 AM:

>>>> Brett: no one in his right mind wants to see "detail" in snow!...
>>>> When are you gonna start taking *photos* instead of "statements of
[quoted text clipped - 7 lines]
>
> Almost a week and you come up with this weak response?

The truth hurts, doesn't it?

> You've slipped to nu lo's.

Nevertheless, I still look down on you.
Annika1980 - 02 Feb 2010 17:16 GMT
> Brett: no one in his right mind wants to see "detail" in snow!...

First off, it's "Bret."

I remember the last time it snowed here (2003, I think) and I posted
some pics I took then comparing film to digital.  A few of the film
luddites complained that the digital shots smoothed out the texture of
the snow into a white blob. So maybe that bolsters your point.
Noons - 08 Feb 2010 11:02 GMT
Annika1980 wrote,on my timestamp of 3/02/2010 4:16 AM:

> First off, it's "Bret."

Er.......
OK.

> I remember the last time it snowed here (2003, I think) and I posted
> some pics I took then comparing film to digital.  A few of the film
> luddites complained that the digital shots smoothed out the texture of
> the snow into a white blob. So maybe that bolsters your point.

Wanna bet all of those "film luddites" weren't?
Alan Browne - 05 Feb 2010 22:12 GMT
> this weekend as we finally had our biggest snow in 10 years .... a
> whopping 4 inches.

And here we've had less snow this season than in most years.  (A "small"
fall is about 4 inches, however).

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Scott W - 06 Feb 2010 00:08 GMT
On Feb 5, 12:12 pm, Alan Browne <alan.bro...@FreelunchVideotron.ca>
wrote:

> > this weekend as we finally had our biggest snow in 10 years .... a
> > whopping 4 inches.
>
> And here we've had less snow this season than in most years.  (A "small"
> fall is about 4 inches, however).

Snow? what is this snow stuff you guys keep talking about?

Scott
John McWilliams - 06 Feb 2010 00:25 GMT
> On Feb 5, 12:12 pm, Alan Browne <alan.bro...@FreelunchVideotron.ca>
> wrote:
[quoted text clipped - 5 lines]
>
> Snow? what is this snow stuff you guys keep talking about?

It's that white stuff on the top of Haleakala, and select places on the
Big Island....

Signature

john mcwilliams

Scott W - 06 Feb 2010 01:36 GMT
> > On Feb 5, 12:12 pm, Alan Browne <alan.bro...@FreelunchVideotron.ca>
> > wrote:
[quoted text clipped - 8 lines]
> It's that white stuff on the top of Haleakala, and select places on the
> Big Island....
So that is what that stuff is, cool.

Scott
Alan Browne - 06 Feb 2010 00:43 GMT
> On Feb 5, 12:12 pm, Alan Browne<alan.bro...@FreelunchVideotron.ca>
> wrote:
[quoted text clipped - 6 lines]
>
> Snow? what is this snow stuff you guys keep talking about?

Solid phase dihydrogen-monoxide.

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Pete - 06 Feb 2010 00:57 GMT
>> Snow? what is this snow stuff you guys keep talking about?
>
> Solid phase dihydrogen-monoxide.

Sounds poisonous.

Pete
JimKramer - 06 Feb 2010 11:57 GMT
>>> Snow? what is this snow stuff you guys keep talking about?
>>
[quoted text clipped - 3 lines]
>
> Pete
Not poisonous, but is is an asphyxiant and a good solvent. You may be more
familiar with the common drink, hydrodgenol.

-Jim
Pete - 06 Feb 2010 13:57 GMT
>>>> Snow? what is this snow stuff you guys keep talking about?
>>>
[quoted text clipped - 5 lines]
> Not poisonous, but is is an asphyxiant and a good solvent. You may be more
> familiar with the common drink, hydrodgenol.

Is that the drink I call tapolene by any chance? Much cheaper than buying in
bottled form.

My deranged mind is now attempting to think of a name for the result of
combining the good solvent dihydrogen-monoxide with washing up liquid - for
the purpose of turning the processes of washing-up into a fun exercise. Any
help would be more than appreciated, if only for the sake of my dishwasher -
it has so far managed to avoid having things shoved into it that are not
supposed to go there, but it's living on borrowed time.

Pete
Alan Browne - 06 Feb 2010 14:51 GMT
>>> Snow? what is this snow stuff you guys keep talking about?
>>
>> Solid phase dihydrogen-monoxide.
>
> Sounds poisonous.

It's all over the place, mostly unregulated.  Food companies use it in
processing and as an ingredient.  The human body can die for lack just
enough or just a little too much.

Must be very careful around it.

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Pete - 06 Feb 2010 15:44 GMT
>>>> Snow? what is this snow stuff you guys keep talking about?
>>>
[quoted text clipped - 7 lines]
>
> Must be very careful around it.

In its solid phase I can't walk on it - the opposite of metal and most other
reasonable materials. Obviously it should be banned outright.

I'm waiting for the day when the annual motor vehicle test includes
dihydrogen-monoxide in the list of exhaust gasses.

Being serious for once, I do sometimes dilute my dihydrogen-monoxide intake
with a little alcohol, so I think I'm on safe ground. When the ground
becomes unsafe I've learnt to adjust the ratio for next time.

Thanks for the humour Alan,

Pete
Alan Browne - 06 Feb 2010 15:57 GMT
>>>>> Snow? what is this snow stuff you guys keep talking about?
>>>>
[quoted text clipped - 10 lines]
> In its solid phase I can't walk on it - the opposite of metal and most other
> reasonable materials. Obviously it should be banned outright.

I walk on it all the time.  It compacts into a more resilient packed
form.  You can also wear solid phase di-H monox shoes to decrease your
load over the surface.  Whether compact or not, various sports are
practiced on it, occasionally leading to injury or death.

> I'm waiting for the day when the annual motor vehicle test includes
> dihydrogen-monoxide in the list of exhaust gasses.
>
> Being serious for once, I do sometimes dilute my dihydrogen-monoxide intake
> with a little alcohol, so I think I'm on safe ground. When the ground
> becomes unsafe I've learnt to adjust the ratio for next time.

Too much of the later and the ground might rise up and smite thee.

> Thanks for the humour Alan,

Humour?

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John McWilliams - 06 Feb 2010 16:50 GMT
>> Thanks for the humour Alan,
>
> Humour?

It's very serious- I found this info via a quick Google:

"BAN DIHYDROGEN MONOXIDE – THE INVISIBLE KILLER!
Dihydrogen monoxide is colorless, odorless, tasteless, and kills
uncounted thousands of people every year.

What are the dangers of Dihydrogen Monoxide?
Most of these deaths are caused by accidental inhalation of DHMO, but
the dangers of dihydrogen monoxide do not end there. Prolonged exposure
to its solid form causes severe tissue damage. Symptoms of DHMO
ingestion can include excessive sweating and urination, and possibly a
bloated feeling, nausea, vomiting and body electrolyte imbalance. For
those who have become dependent, DHMO withdrawal means certain death.

Dihydrogen Monoxide Facts
Dihydrogen monoxide:

is also known as hydric acid, and is the major component of acid rain.
contributes to the Greenhouse Effect.
may cause severe burns.
contributes to the erosion of our natural landscape.
accelerates corrosion and rusting of many metals.
may cause electrical failures and decreased effectiveness of automobile
brakes.
has been found in excised tumors of terminal cancer patients."

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John McWilliams

Alan Browne - 06 Feb 2010 17:08 GMT
> Dihydrogen Monoxide Facts
> Dihydrogen monoxide:
[quoted text clipped - 7 lines]
> brakes.
> has been found in excised tumors of terminal cancer patients."

Yes, it is a very serious issue.  In the s/w US they can't get enough of
it; in parts of Asia they get far too much.

I just heard that there is a major dihydrogen-monoxide attack on
Washington DC and much of the eastern seaboard.  Terrorists?

If Bush were still in power he would certainly raise the threat level
three notches to: "Beyond all doubt, we're at war.  Break out the
non-negotiated support contracts!"

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Frank ess - 06 Feb 2010 19:33 GMT
>> Dihydrogen Monoxide Facts
>> Dihydrogen monoxide:
[quoted text clipped - 17 lines]
> level three notches to: "Beyond all doubt, we're at war.  Break out
> the non-negotiated support contracts!"

There was a time when GW seemed to feel he could walk on the liquid
form. Some say his successor may eventually accomplish that feat. I
suspect there must be a change in the laws of physics before such a
thing can come to pass.

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Frank ess

Alan Browne - 05 Feb 2010 22:08 GMT
>> Here's a quick and dirty test pic I just made showing what it looks
>> like.
[quoted text clipped - 4 lines]
> Ooooh.  Thank you.  Just what I was looking for.  So digital noise is
> really just the digital equivalent of film grain at higher ISOs.

They are not at all the same.  Higher ISO film grain takes more surface
area as the dye spreads are larger in x,y (surface of the film) which
contributes a softening as well as a noisy look.

Digital noise is always constrained to its pixel regardless of ISO.

They characterize much differently in the final image which is why
digital generally looks so clean, even at moderately high ISO.

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David Nebenzahl - 02 Feb 2010 03:26 GMT
On 1/28/2010 10:47 AM pbromaghin@aol.com spake thus:

> Scott W wrote:
>
[quoted text clipped - 8 lines]
> what to look for and get some tips on correcting it.   Can anybody
> post some examples or explain how it happens?

Digital noise is a pretty deep subject; techincally, it's a
thermodynamic phenomenon, and the physics that explains it is way above
all our heads.

To simplify, noise in digital photos is basically errors in conversion
from analog to digital (known as "quantization error"). Remember that
while everything downstream of the CCD in a digital camera is digital,
the sensor is an analog-to-digital converter. While it works fairly
well, at higher sensitivities (higher ISO settings), more errors occur
in the conversion process. Since the errors are more or less random, the
result is the specking effect visible as "noise".

The same thing happens with film, of course. You'll see similar types of
speckling in shots made on high-speed film. (This is entirely separate
from grain, which is the result of actually seeing the grains that make
up a photographic image; kind of the film equivalent of pixels.)

I'm no expert on the subject. I do know that one proven way to avoid
digital noise is to shoot at lower ISO settings (like using slower film).

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Pete - 02 Feb 2010 06:01 GMT
> Digital noise is a pretty deep subject; techincally, it's a thermodynamic
> phenomenon, and the physics that explains it is way above all our heads.

The effect of thermal noise in the photosite amplifiers is being reduced all
the time. Canon have brought it down to a very low level.

> To simplify, noise in digital photos is basically errors in conversion
> from analog to digital (known as "quantization error"). Remember that
[quoted text clipped - 3 lines]
> conversion process. Since the errors are more or less random, the result
> is the specking effect visible as "noise".

ISO is increased via the amplifier gain, therefore thermal noise is
increased by the same amount. The output of the amplifier goes to the analog
to digital converter, which does have some quantization error (as you
stated) - this error is not affected by ISO setting. Technology is
continually reducing this error.

The dominant source of noise is photon shot noise (unless the camera is very
poor). When the number of photons is fairly large, the signal to noise ratio
is proportional to the square root of the number of photons accumulated by
the photosite.

Large photosites can accumulate more photons before they become full
(saturate) thereby increasing signal to noise ratio - under the same
shooting conditions as a small photosite.

Doubling the area of a photosite allows it to capture twice as many photons
while the shutter is open (and allows it to accumulate twice as many before
it saturates) - this increases the signal to noise ratio by 1.4. Looked at
another way: it allows the shutter to be open for half the amount of time
(same signal to noise ratio) therefore we get a doubling in ISO sensitivity.

One of the reasons for having two green photosites in a Bayer CFA RGGB
detector is to reduce noise in the green channel - the eye is most
sensitive to green light.

> The same thing happens with film, of course. You'll see similar types of
> speckling in shots made on high-speed film. (This is entirely separate
> from grain, which is the result of actually seeing the grains that make up
> a photographic image; kind of the film equivalent of pixels.)

Film "grain" is actually dye clustering, it looks completely different from
the thermal and shot noise in digital photography. The magnitude of dye
clustering is indicated by its RMS granularity (hence the name "grain").
Kodak did tremendous work to reduce the annoyance of dye clustering then
produced their T-grain emulsions. Bravo.

> I do know that one proven way to avoid
> digital noise is to shoot at lower ISO settings (like using slower film).

Yes.

Pete
Michael - 02 Feb 2010 03:43 GMT
Scanning at a high resolution to capture all the details will also capture grain
of the film.  There is no way around it.  Here is a good site which tells you
more than you ever need to know about scanning;
http://www.scantips.com/

A good grain reduction software which I use is Digital Gem.  By Kodak.  It has
settings for noise reduction as well as fine grain removal.  
http://www.asf.com/

I use the stand alone program more than the Gem that came with my Nikon film
scanner software because it gives me more controls for suppression.

Michael......

>Scott W wrote:
>
[quoted text clipped - 10 lines]
>
>Thanks in advance.
Scott W - 02 Feb 2010 05:28 GMT
> Scanning at a high resolution to capture all the details will also capture grain
> of the film.  There is no way around it.  Here is a good site which tells you
[quoted text clipped - 23 lines]
> >what to look for and get some tips on correcting it.   Can anybody
> >post some examples or explain how it happens?

One addition to what everyone has said to date, whether your image
source is scanned film or from a digital camera, always, always keep
the original image, before noise reductions.  You might well find a
number of years from now you have better noise reduction software
available and it would be a shame to have only saved the noise reduced
image.
 
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