> I'm headed to Albuquerque
Be sure to turn left.
> this weekend to watch some friends in the balloon festival. I'm
> going to take some fast film for the dawn and twilite launches, and
> probably 400 speed film for the midday stuff
400 _is_ high speed, isn't it? If it were me I would use 100 for everything
and use a tripod if needed. Balloons don't move fast and it's not like you
run around a balloon floating in the sky looking for the best vantage point.
> but I'm curious about filters. What sorts of filters would really make
> the balloons stand out against the kind of clear blue sky that one
> expects to see out in the Southwest?
1) Polarizer - works best at ~90 degrees to the sun
2) UV blocker, jury is out on what works best. B+W UV 415 is
the best specified. A 'haze' filter will work better than a 'UV
protector' a la Ritz -- they are different.
3) Warming filter can help with pictures not taken at sun-up/down
(actually a nap works best and saves film...) and can take some of
the blue out of high-altitude shadows, 81A is common
4) A didi enhancing filter sometimes, somewhere, though I have
found neither the time nor where.
Don't get your hopes up. A polarizer will produce the most
effect but only at certain angles, luckily those are also
photogenic angles.
> Any recommendations for cloudy weather?
Find a good bar?
The same filters work in cloudy weather -- though the
polarizer will only work to remove some specular reflection.
Cloudy weather is pretty blue and so a warming filter does
help. Clouds pass a lot more UV than visible so ditto a UV blocker.

Signature
Nicholas O. Lindan, Cleveland, Ohio
Darkroom Automation: F-Stop Timers, Enlarging Meters
http://www.darkroomautomation.com/index.htm
n o lindan at ix dot netcom dot com
>I'm headed to Albuquerque this weekend to watch some friends in the
>balloon festival. I'm going to take some fast film for the dawn and
>twilite launches, and probably 400 speed film for the midday stuff,
>but I'm curious about filters. What sorts of filters would really make
>the balloons stand out against the kind of clear blue sky that one
>expects to see out in the Southwest?
Polariser.
>Any recommendations for cloudy weather?
Use a more saturated film, such as Kodak Elite Color UC 400.
It will give punchy colours even on grey days.
David - 04 Oct 2007 16:44 GMT
Thanks gents. I appreciate the suggestions.