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Photo Forum / Film Photography / 35 mm / January 2007

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Using Slide copy equipment with the Nikon D200

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Lee - 12 Jan 2007 16:19 GMT
I have the Nikon Bellows PB-6 and the Slide copying adaptor PS -6, plus the
AR-10 which I believe will not work with this set up on the D200.  

What I would like to know is what other equipment do I need to make this
equipment work on the D200 AND, what lens to use?

I do have the Elite 5400 slide copier but I believe using my old, but never
used, Bellows would be faster and more portable for me.

Lee

Park Ridge, NJ

rarebirdyatverizondotnet
Summer Wind - 12 Jan 2007 19:16 GMT
>I have the Nikon Bellows PB-6 and the Slide copying adaptor PS -6, plus the
> AR-10 which I believe will not work with this set up on the D200.
[quoted text clipped - 5 lines]
> never
> used, Bellows would be faster and more portable for me.

The D200 is not full-frame, which might cause a problem copying 35mm slides.
At a 1:1 copy, you'll have to crop to 23.6 x 15.8mm, the size of the D200's
sensor.

SW
Nicholas O. Lindan - 12 Jan 2007 19:20 GMT
>I have the Nikon Bellows PB-6 and the Slide copying adaptor PS -6
> what other equipment do I need to make this equipment work on the
> D200 AND, what lens to use?

Shouldn't need anything else ... I can't remember if the PB6 has a
manual lever for stopping down the lens, if not then any old locking
cable release should be able to do the trick.  I am sure the Vr-10
locks, just use one of the two cables.

The usual lens is a Micro-Nikkor.  The standard 50mm f1.8/f2.0 lens
should work reasonably well.  Shoot at f8 for the best sharpness,
depth of field isn't an issue.

I tried this with a Canon and ended up with an image that
looked just like what it was: a close-up picture of a color
slide.  A well  scanned slide looks like a digital image
from a camera, this didn't.  A well copied slide, when you
could still get duping film, looks like an original color
slide.

I tried some corrections in PhotoShop with not much luck.

It is certainly possible to do, the trick is finding out how to
do it well.

Signature

Nicholas O. Lindan, Cleveland, Ohio
Darkroom Automation: F-Stop Timers, Enlarging Meters
http://www.nolindan.com/da/index.htm
n o lindan at ix dot netcom dot com

Chris Loffredo - 12 Jan 2007 17:26 GMT
>> I have the Nikon Bellows PB-6 and the Slide copying adaptor PS -6
>> what other equipment do I need to make this equipment work on the
[quoted text clipped - 11 lines]
> It is certainly possible to do, the trick is finding out how to
> do it well.

Not to defend DSLRs, but the alternative to using slide duping film was
to use normal film and make a double exposure, the first of a plain
white surface underexposed by 2(?) stops, then the slide itself.

Should also work on the D200...
Lee - 14 Jan 2007 02:37 GMT
>>> I have the Nikon Bellows PB-6 and the Slide copying adaptor PS -6
>>> what other equipment do I need to make this equipment work on the
[quoted text clipped - 17 lines]
>
> Should also work on the D200...

I will save this suggestion for future reference in case I get this set up
working.  Thanks.

In fact, thanks to all of you for your help.

Lee

Park Ridge, NJ

rarebirdyatverizondotnet
Lee - 14 Jan 2007 02:37 GMT
>> I have the Nikon Bellows PB-6 and the Slide copying adaptor PS -6
>> what other equipment do I need to make this equipment work on the
[quoted text clipped - 4 lines]
> cable release should be able to do the trick.  I am sure the Vr-10
> locks, just use one of the two cables.

It has a manual lever.

> The usual lens is a Micro-Nikkor.  The standard 50mm f1.8/f2.0 lens
> should work reasonably well.  Shoot at f8 for the best sharpness,
[quoted text clipped - 6 lines]
> could still get duping film, looks like an original color
> slide.

I will have to check that out again as I have forgotten. I do believe that
the part of the slide I did manage to copy turned out OK.

> I tried some corrections in PhotoShop with not much luck.
>
> It is certainly possible to do, the trick is finding out how to
> do it well.

Would RAW have worked?

Yes, finding out how to do it well is the trick, as with everything in life.
If I ever get the set up together and working I will worry about this part
then.

Has anyone successfully  put this set up together?  

I first started on this project in August but got sidetracked by breaking my
arm and shoulder. Now I am back and hoping for a solution.

Back in August I took the whole set up to a camera store and no matter what
lens was tried it did not work. The problem interested the sales personal at
the store so I was there for several hours as several different persons tried
their ideas. No matter what lens they tried a lot of the slide was missing in
the view finder. Would this be what Summer Wind is referring to?

BTW, the VR-10 has a different number of pins in the camera connection side.

Lee

Park Ridge, NJ

rarebirdyatverizondotnet
Summer Wind - 14 Jan 2007 23:25 GMT
> Back in August I took the whole set up to a camera store and no matter
> what
[quoted text clipped - 5 lines]
> in
> the view finder. Would this be what Summer Wind is referring to?

Yes, that's what I was referring to.  Most slide duplicators do 1:1 copies
and can zoom in for cropping, but can't zoom out.  Back in the pre-digital
days, there would have been no reason to zoom out with a slide duplicator.
The D200's sensor is 23.6 x 15.8mm and that's as much of the slide you'll
see with a 1:1 duplicator unless it can zoom out.  As has been noted,
scanning is the best way to digitize slides.

SW
Lee - 20 Jan 2007 02:26 GMT
>> Back in August I took the whole set up to a camera store and no matter
>> what
[quoted text clipped - 14 lines]
>
> SW

Slide scanners take such a long time to copy one slide. Using the bellows,  
etc. would have been so much easier and faster.

You dashed my hopes. thanks anyway for your help.

Lee

Park Ridge, NJ

rarebirdyatverizondotnet
Nicholas O. Lindan - 20 Jan 2007 03:06 GMT
> Using the bellows, etc. would have been so much easier and faster.
> You dashed my hopes. thanks anyway for your help.

Don't dash your hopes too early.  It certainly _can_ be done,
it just may not be possible with some combinations of bellows,
lenses and slide attachments.

For instance: chuck the bellows and use a micro-Nikkor
with a PK13 extension tube.  Find some way of attaching
the slide copy attachment to the camera and away you go -
cardboard takes care of reducing stray light between the
camera and the copy attachment.  You might find a 2x4
and some 1/4-20 bolts will do the trick.

I don't know the minimum spacing of the PB6 but it might be
close enough that an 80 or 105mm lens will provide the needed
reduction of 35mm full frame to 4/3 digital [~aps size].  The
problem might then be that you can not move the slide attachment
far enough away from the lens but an extension rail should
take care of this.  The PB6 has all sorts of fiddly accessories
for putting together most any optical bench you can dream up.

Signature

Nicholas O. Lindan, Cleveland, Ohio
Darkroom Automation: F-Stop Timers, Enlarging Meters
http://www.nolindan.com/da/index.htm
n o lindan at ix dot netcom dot com

Nicholas O. Lindan - 21 Jan 2007 20:08 GMT
> Re: copying 35mm full frame to 4/3 digital [~aps size].

It can be done.  I don't have a PB-6 slide copying rig but
a PB-5.

A PB-5 bellows, 85mm lens & PB-5 slide holder will let you
get down to 1/2 size reproductions of slides.  A PB-6
extension bellows bridges the gap between the slide
holder and the lens.

Vanilla PB-5's sell for very little on ebay, unlike
the PB-6.  You don't need the extension bellows - a
cardboard box/tube can be built to exclude stray light
if needed.

--
Nicholas O. Lindan, Cleveland, Ohio
Darkroom Automation: F-Stop Timers, Enlarging Meters
http://www.nolindan.com/da/index.htm
n o lindan at ix dot netcom dot com
Floyd L. Davidson - 21 Jan 2007 21:20 GMT
>Slide scanners take such a long time to copy one slide. Using the bellows,
>etc. would have been so much easier and faster.
>
>You dashed my hopes. thanks anyway for your help.

It should be relatively easy to do.

*Any* bellows that can be made to mate with a Nikon camera that
also has a slide duplicator attachment should be able to work
(though you don't really even need the duplicator attachment).
Note that adaptors are available for T and M42 (Pentax) mounts
too, so it doesn't have to be a Nikon bellows.

The "tricky" part is selecting the right lense.  I've never
tried it, so I'm really only able to guess.  I would try a 50mm
lense to start with.  And basically *any* 50mm lense that will
mount on the bellows would be enough to demonstrate the
magnification range.  (I'd guess that a 60mm or 75mm lense would
be "perfect".)

As for the "best" lense... get a good (El Nikkor or Rodenstock)
enlarging lense!  Enlarging lenses are perfect for this use, and
are available in various focal lengths, which should make it
easy to find one that produces the right magnification at a
reasonable (minimal?)  bellows extension.

Even the slide copying adaptor for the bellows is unnecessary.
Virtually any handy setup that allows quickly changing slides
and guarantees the slide is positioned exactly the same each
time will work.

If you aren't the tinkering type, a table top slide viewing
device could be used, and the camera + bellows mounted above it
either on a sturdy tripod or on a copy stand.

Signature

Floyd L. Davidson            <http://www.apaflo.com/floyd_davidson>
Ukpeagvik (Barrow, Alaska)                         floyd@apaflo.com

Lee - 26 Jan 2007 00:29 GMT
>> Slide scanners take such a long time to copy one slide. Using the bellows,
>> etc. would have been so much easier and faster.
[quoted text clipped - 30 lines]
> device could be used, and the camera + bellows mounted above it
> either on a sturdy tripod or on a copy stand.

Here I had given up on this project and tonight I am given back some hope. I
am going to print out the last three suggestions and take them to the camera
store. I know the gentlemen down there were really interested in solving this
for me. Will go there when it warms up a bit. I will let you all know how
this was solved if it is.  Thanks again for your help.

Lee

Park Ridge, NJ

rarebirdyatverizondotnet
Floyd L. Davidson - 26 Jan 2007 00:58 GMT
>> The "tricky" part is selecting the right lense.  I've never
>> tried it, so I'm really only able to guess.  I would try a 50mm
>> lense to start with.  And basically *any* 50mm lense that will
>> mount on the bellows would be enough to demonstrate the
>> magnification range.  (I'd guess that a 60mm or 75mm lense would
>> be "perfect".)

I dug up some 40 year old slides and gave it a try.  You want a
75mm lense.

>> As for the "best" lense... get a good (El Nikkor or Rodenstock)
>> enlarging lense!  Enlarging lenses are perfect for this use, and
>> are available in various focal lengths, which should make it
>> easy to find one that produces the right magnification at a
>> reasonable (minimal?)  bellows extension.

A couple other things should be added.

The lense doesn't even have to be a good example of an enlarging
lense!  The only 75mm lense I happen to have is an Omegar, which
is one of the El Cheapo variety (which means that at f/4 it
leaves a lot to be desired).  But there is simply no problem
with stopping it down to f/8 (where it is plenty sharp enough)
and adjusting lights and shutter speed to match.

But bellows on Nikon digital cameras are a problem.  The front
of the camera isn't shaped to mount a bellows.  You need to put
a short (10-15mm) extension tube between the camera and the
bellows.

...

>Here I had given up on this project and tonight I am given back some hope. I
>am going to print out the last three suggestions and take them to the camera
>store. I know the gentlemen down there were really interested in solving this
>for me. Will go there when it warms up a bit. I will let you all know how
>this was solved if it is.  Thanks again for your help.

I've seen others describe various successful setups for copying
old slides or negatives.  They are all about the same.

Signature

Floyd L. Davidson            <http://www.apaflo.com/floyd_davidson>
Ukpeagvik (Barrow, Alaska)                         floyd@apaflo.com

Lee - 30 Jan 2007 01:09 GMT
>>> The "tricky" part is selecting the right lense.  I've never
>>> tried it, so I'm really only able to guess.  I would try a 50mm
[quoted text clipped - 27 lines]
>
> ...

The D200 does mount on the  PB6 bellows.

>> Here I had given up on this project and tonight I am given back some hope. I
>> am going to print out the last three suggestions and take them to the camera
[quoted text clipped - 5 lines]
> I've seen others describe various successful setups for copying
> old slides or negatives.  They are all about the same.

Lee

Park Ridge, NJ

rarebirdyatverizondotnet
Nicholas O. Lindan - 26 Jan 2007 01:42 GMT
About what a reducing slide duping setup looks
like.

Slide to lens flange: 10 1/2"
Lens flange to film: 3 5/8"
Lens: 85mm f2.0 Nikkor

Handheld, so a bit jittery:

http://www.nolindan.com/UsenetStuff/digidup_0001.jpg
http://www.nolindan.com/UsenetStuff/digidup_0002.jpg
http://www.nolindan.com/UsenetStuff/digidup_0003.jpg

PS-5 bellows and duplicator.

A PS-6 extension bellows covers the gap
between the slide holder and the lens nicely.
Most anything - cardboard box draped with black
cloth - will work to exclude any stray light.

Signature

Nicholas O. Lindan, Cleveland, Ohio
Darkroom Automation: F-Stop Timers, Enlarging Meters
http://www.nolindan.com/da/index.htm
n o lindan at ix dot netcom dot com

>
>>> Slide scanners take such a long time to copy one slide. Using the
[quoted text clipped - 47 lines]
>
> rarebirdyatverizondotnet
Nicholas O. Lindan - 26 Jan 2007 02:00 GMT
> Slide to lens flange: 10 1/2"
> Lens flange to film: 3 5/8"
> Lens: 85mm f2.0 Nikkor

Using a 50mm Micro-Nikkor with/without a PK-13 extension
tube also works, just mount the slide duper and the camera
on the rail - don't use the bellows [unless your bellows
can really squeeze down].

Signature

Nicholas O. Lindan, Cleveland, Ohio
Darkroom Automation: F-Stop Timers, Enlarging Meters
http://www.nolindan.com/da/index.htm
n o lindan at ix dot netcom dot com

 
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