> I have recently found a roll of processed 35 mm Tri-X. It is just shy of
> 50 years old and has been wrapped around a negative holder in such a way as
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>
> JakeInHartsel

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> > I have recently found a roll of processed 35 mm Tri-X. It is just shy of
> > 50 years old and has been wrapped around a negative holder in such a way as
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>
> Colin D.
Interesting idea, Colin.
In one of my many trades, I was given a homemade slide duplication
device, which is essentially a perspex box with a light inside it and a
place for holding a slide/neg. I belive the guy who made this thing used
it on a copy stand to make duplicates.
I was wondering how doing something like this using a high res DSLR
would compare to scanning the film with a film scanner? I would think
the scanner should be much better, but then...don't they use essentially
the same process to create a result?

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glenn Jacobs - 03 Nov 2006 19:35 GMT
>> I don't think wetting it will soften the film substrate, and at that age
>> could well cause the emulsion to lift off. I would sandwich the film
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> the scanner should be much better, but then...don't they use essentially
> the same process to create a result?
I have a slide copier (macro Lens, slide film holder and bellows) which
fits on my Nikon d-70. Both work very well the scanner, a Minolta Dimage
3, is easier and faster. The biggest problem I have had using the copy
setup with the Nikon is getting a decent light source. I have just bought
a couple of light sources that seme to be darn close to day light. Having
said that I just realized the film is B & W so why am I concerned about the
light source? Anyway I will try both ways and see what turns out best.
JakeInHartsel
Colin_D - 04 Nov 2006 01:14 GMT
>>> I have recently found a roll of processed 35 mm Tri-X. It is just shy of
>>> 50 years old and has been wrapped around a negative holder in such a way as
[quoted text clipped - 38 lines]
> the scanner should be much better, but then...don't they use essentially
> the same process to create a result?
Hi Dallas,
Congrats on your site, btw. Of course, it would be better if it was
Canon, though {:-)
The general consensus seems to be that scanning at 2700 ppi would be
adequate for most 35mm images, except for the high-resolution modern
films, which 50-year-old Tri-X isn't. A 6 megapixel camera will give
about 2,000 ppi which I would think will capture all that's in the
images on that film. If one uses a 10MP camera, then you'll get about
2500 ppi, plenty for most 35mm images, unless you subscribe to the
Minolta 5400 ppi school, which would be complete overkill for Tri-X.
The problem you would have to watch is the color of the light from the
light-box, but I guess custom WB could fix that.
Cheers,
Colin D.

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Chris Loffredo - 04 Nov 2006 07:07 GMT
> The general consensus seems to be that scanning at 2700 ppi would be
> adequate for most 35mm images, except for the high-resolution modern
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> The problem you would have to watch is the color of the light from the
> light-box, but I guess custom WB could fix that.
Ignoring the need for a lens which has flatness of field, low distortion
and high resolution at a 1:1 reproduction ration.
You are *not* going to get these with a zoom, or even many otherwise
good primes.
The digital school again thinking that, once you have a sensor involved,
you might as well use a coke bottle for a lens...